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(126)P. CHIEFLY ILL. 29CM. PBK
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(126)P. CHIEFLY ILL. 29CM. PBK
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Lancaster : Dalesman in association with National Museum of Photography, Film & Television, 1987.
Lancaster : Dalesman in association with National Museum of Photography, Film & Television, 1987.
Title:
Through the mill : the story of Yorkshire wool in photographs / Ian Beesley ; introduction by Gary Firth.
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(126)P. CHIEFLY ILL. 29CM. PBK
Through the mill : the story of Yorkshire wool in photographs / Ian Beesley ; introduction by Gary Firth.
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(126)P. CHIEFLY ILL. 29CM. PBK
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books
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Lancaster : Dalesman in association with National Museum of Photography, Film & Television, 1987.
Lancaster : Dalesman in association with National Museum of Photography, Film & Television, 1987.
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books
books
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$24.95
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Comment décrire la rencontre qui s'opère avec un film ? En s'appuyant sur la phénoménologie de Maurice Merleau-Ponty, Vivian Sobchack repart de notre expérience de la rencontre avec autrui : lorsque je rencontre un autre humain, je vois bien son corps visible mais je ne peux que déduire, deviner, imaginer, supposer ce que celui-ci voit et ressent. Cet autre sujet qu'est(...)
$24.95
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Comment décrire la rencontre qui s'opère avec un film ? En s'appuyant sur la phénoménologie de Maurice Merleau-Ponty, Vivian Sobchack repart de notre expérience de la rencontre avec autrui : lorsque je rencontre un autre humain, je vois bien son corps visible mais je ne peux que déduire, deviner, imaginer, supposer ce que celui-ci voit et ressent. Cet autre sujet qu'est(...)
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Publication:
May 2025
May 2025
Title:
Les corps du film : Une phéménologie de l'expérience filmique
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$24.95
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Comment décrire la rencontre qui s'opère avec un film ? En s'appuyant sur la phénoménologie de Maurice Merleau-Ponty, Vivian Sobchack repart de notre expérience de la rencontre avec autrui : lorsque je rencontre un autre humain, je vois bien son corps visible mais je ne peux que déduire, deviner, imaginer, supposer ce que celui-ci voit et ressent. Cet autre sujet qu'est le film inaugure un geste différent et inédit : il se présente à moi en me montrant ce qu'il voit, il me montre l'activité perceptive de son corps voyant. Comment qualifier un tel corps ? Et la relation qui s'offre alors à nous ? Ce parcours dans l'essai fondateur de la philosophe des médias Vivian Sobchack nous permet de saisir son approche radicale du cinéma et renouvelle notre regard sur les flux d'images contemporains, avec lesquels nous vivons actuellement.
Les corps du film : Une phéménologie de l'expérience filmique
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$24.95
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Comment décrire la rencontre qui s'opère avec un film ? En s'appuyant sur la phénoménologie de Maurice Merleau-Ponty, Vivian Sobchack repart de notre expérience de la rencontre avec autrui : lorsque je rencontre un autre humain, je vois bien son corps visible mais je ne peux que déduire, deviner, imaginer, supposer ce que celui-ci voit et ressent. Cet autre sujet qu'est le film inaugure un geste différent et inédit : il se présente à moi en me montrant ce qu'il voit, il me montre l'activité perceptive de son corps voyant. Comment qualifier un tel corps ? Et la relation qui s'offre alors à nous ? Ce parcours dans l'essai fondateur de la philosophe des médias Vivian Sobchack nous permet de saisir son approche radicale du cinéma et renouvelle notre regard sur les flux d'images contemporains, avec lesquels nous vivons actuellement.
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books
books
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May 2025
May 2025
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
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books
books
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253 pages : illustrations (some color) ; 30 cm
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253 pages : illustrations (some color) ; 30 cm
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Paris : Éditions du patrimoine, Centre des monuments nationaux, [2010]
Paris : Éditions du patrimoine, Centre des monuments nationaux, [2010]
Title:
Monuments stars du 7e art / sous la direction de N.T. Binh.
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253 pages : illustrations (some color) ; 30 cm
Monuments stars du 7e art / sous la direction de N.T. Binh.
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253 pages : illustrations (some color) ; 30 cm
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books
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Paris : Éditions du patrimoine, Centre des monuments nationaux, [2010]
Paris : Éditions du patrimoine, Centre des monuments nationaux, [2010]
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video
video
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1 videodisc (58 min., 32 sec.) : sound, color ; 4 3/4 in.
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1 videodisc (58 min., 32 sec.) : sound, color ; 4 3/4 in.
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New York, N.Y. : Michael Blackwood Productions, ©2009.
New York, N.Y. : Michael Blackwood Productions, ©2009.
Title:
The new modernists : six European architects / produced by Michael Blackwood Productions in association with WDR/YLE/RTP ; director and producer, Michael Blackwood.
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1 videodisc (58 min., 32 sec.) : sound, color ; 4 3/4 in.
The new modernists : six European architects / produced by Michael Blackwood Productions in association with WDR/YLE/RTP ; director and producer, Michael Blackwood.
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1 videodisc (58 min., 32 sec.) : sound, color ; 4 3/4 in.
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video
video
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New York, N.Y. : Michael Blackwood Productions, ©2009.
New York, N.Y. : Michael Blackwood Productions, ©2009.
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books
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1 invitation (5 items) ; 16 x 16 cm
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1 invitation (5 items) ; 16 x 16 cm
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[New York?] : [Joseph E. Seagram & Sons, Inc.?], [1997?]
[New York?] : [Joseph E. Seagram & Sons, Inc.?], [1997?]
Title:
[Invitation for Phyllis Lambert's 70th birthday celebration].
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1 invitation (5 items) ; 16 x 16 cm
[Invitation for Phyllis Lambert's 70th birthday celebration].
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1 invitation (5 items) ; 16 x 16 cm
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books
books
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[New York?] : [Joseph E. Seagram & Sons, Inc.?], [1997?]
[New York?] : [Joseph E. Seagram & Sons, Inc.?], [1997?]
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books
books
Title:
John Stezaker : film Still
John Stezaker : film Still
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$34.50
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John Stezaker began his ongoing series of film still collages in 1979; the result of a period which marked a crucial change in the direction of the artist’s work which had previously been centred around a text based "conceptualism". The series moves with Stezaker’s changing interests, using stills from classic American-period Hitchcock films as raw material before(...)
$34.50
(available to order)
Summary:
John Stezaker began his ongoing series of film still collages in 1979; the result of a period which marked a crucial change in the direction of the artist’s work which had previously been centred around a text based "conceptualism". The series moves with Stezaker’s changing interests, using stills from classic American-period Hitchcock films as raw material before(...)
Title:
John Stezaker : film Still
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$34.50
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John Stezaker began his ongoing series of film still collages in 1979; the result of a period which marked a crucial change in the direction of the artist’s work which had previously been centred around a text based "conceptualism". The series moves with Stezaker’s changing interests, using stills from classic American-period Hitchcock films as raw material before shifting towards the undistinguishable mass of 1940s and early 1950s low-budget studio films. Featuring collages based on a combination of film still excisions and superimpositions, this ongoing series is catalogued comprehensively for the first time here. Bringing together Stezaker’s earliest film still collages to his most recent, this publication follows on from Ridinghouse titles Masks and Marriages, with full colour illustrations accompanied by an essay by David Campany and a conversation between the critic and the artist.
John Stezaker : film Still
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$34.50
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Summary:
John Stezaker began his ongoing series of film still collages in 1979; the result of a period which marked a crucial change in the direction of the artist’s work which had previously been centred around a text based "conceptualism". The series moves with Stezaker’s changing interests, using stills from classic American-period Hitchcock films as raw material before shifting towards the undistinguishable mass of 1940s and early 1950s low-budget studio films. Featuring collages based on a combination of film still excisions and superimpositions, this ongoing series is catalogued comprehensively for the first time here. Bringing together Stezaker’s earliest film still collages to his most recent, this publication follows on from Ridinghouse titles Masks and Marriages, with full colour illustrations accompanied by an essay by David Campany and a conversation between the critic and the artist.
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books
books
Publication:
April 2012
April 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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xii, 211 pages : illustrations ; 27 cm
Description:
xii, 211 pages : illustrations ; 27 cm
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New York : G. Braziller, ©1976.
New York : G. Braziller, ©1976.
Title:
200 years of American graphic art : a retrospective survey of the printing arts and advertising since the colonial period / by Clarence P. Hornung and Fridolf Johnson.
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xii, 211 pages : illustrations ; 27 cm
200 years of American graphic art : a retrospective survey of the printing arts and advertising since the colonial period / by Clarence P. Hornung and Fridolf Johnson.
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xii, 211 pages : illustrations ; 27 cm
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books
books
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New York : G. Braziller, ©1976.
New York : G. Braziller, ©1976.
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born digital
born digital
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1 CD-ROM : sound, color ; 4 3/4 in.
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1 CD-ROM : sound, color ; 4 3/4 in.
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Wanganui : Sargent [i.e. Sargeant] Gallery : Wanganui Polytechnic School of Design, ©1995.
Wanganui : Sargent [i.e. Sargeant] Gallery : Wanganui Polytechnic School of Design, ©1995.
Title:
George Krause : universal issues.
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1 CD-ROM : sound, color ; 4 3/4 in.
George Krause : universal issues.
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1 CD-ROM : sound, color ; 4 3/4 in.
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born digital
born digital
Publication:
Wanganui : Sargent [i.e. Sargeant] Gallery : Wanganui Polytechnic School of Design, ©1995.
Wanganui : Sargent [i.e. Sargeant] Gallery : Wanganui Polytechnic School of Design, ©1995.
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2 v. : ill. (some folded) ; 20 cm.
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2 v. : ill. (some folded) ; 20 cm.
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London : Printed for A. Bettesworth and C. Hitch, 1734.
London : Printed for A. Bettesworth and C. Hitch, 1734.
Title:
The Builder's dictionary, or, Gentleman and architect's companion : explaining not only the terms of art in all the several parts of architecture, but also containing the theory and practice of the various branches thereof ... faithfully digested from the most approved writers on the subjects.
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2 v. : ill. (some folded) ; 20 cm.
The Builder's dictionary, or, Gentleman and architect's companion : explaining not only the terms of art in all the several parts of architecture, but also containing the theory and practice of the various branches thereof ... faithfully digested from the most approved writers on the subjects.
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2 v. : ill. (some folded) ; 20 cm.
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books
books
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London : Printed for A. Bettesworth and C. Hitch, 1734.
London : Printed for A. Bettesworth and C. Hitch, 1734.
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xx pages, 1 unnumbered leaf of plates, 385 pages : illustrations (some color) ; 24 cm
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xx pages, 1 unnumbered leaf of plates, 385 pages : illustrations (some color) ; 24 cm
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Toronto, Canada : Ryerson Image Centre ; Cambridge, Massachusetts ; London, England : The MIT Press, [2019], ©2019
Toronto, Canada : Ryerson Image Centre ; Cambridge, Massachusetts ; London, England : The MIT Press, [2019], ©2019
Title:
The birth of the idea of photography / François Brunet ; translated by Shane B. Lillis.
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xx pages, 1 unnumbered leaf of plates, 385 pages : illustrations (some color) ; 24 cm
The birth of the idea of photography / François Brunet ; translated by Shane B. Lillis.
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xx pages, 1 unnumbered leaf of plates, 385 pages : illustrations (some color) ; 24 cm
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books
books
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Toronto, Canada : Ryerson Image Centre ; Cambridge, Massachusetts ; London, England : The MIT Press, [2019], ©2019
Toronto, Canada : Ryerson Image Centre ; Cambridge, Massachusetts ; London, England : The MIT Press, [2019], ©2019
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