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Typographics of Herb Lubalin/ Alan Fletcher:fifty years of graphic work/ 'Sans serif does not represent the final stage'- Karl Gerstner/ Drawing works of Isao Makino/ A Cultural history of contemporary design vol. 1- Masaki Kojima/ interview with Fumio Tachibana/ History of typos/ A recent history of writing and drawing/ My Famicase (NES cartridge) Design Exhibition 2008
IDEA 329
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Typographics of Herb Lubalin/ Alan Fletcher:fifty years of graphic work/ 'Sans serif does not represent the final stage'- Karl Gerstner/ Drawing works of Isao Makino/ A Cultural history of contemporary design vol. 1- Masaki Kojima/ interview with Fumio Tachibana/ History of typos/ A recent history of writing and drawing/ My Famicase (NES cartridge) Design Exhibition 2008
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032c 15: Haus der Kunst
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Rem Koolhaas, Herzog & De Meuron, and HUO
032c 15: Haus der Kunst
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Rem Koolhaas, Herzog & De Meuron, and HUO
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Textfield V
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We do also carry back issues of Textfield in stock.
Textfield V
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We do also carry back issues of Textfield in stock.
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June 2007, Los Angeles
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Edited by The Forum for Urban Design, New York.
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July 2008, New York
Urban design review spring/summer 2008
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Edited by The Forum for Urban Design, New York.
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journals and magazines
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Our society seems to be locked into a position in which the user’s and voter’s choices determine how we shall live in the future. A disturbing collective urban life in a giant Big Brother House looms, a material and social world in which sensationalistic media and its commercial translation dominate. Our sense of what is real and what is quality is on the verge of(...)
Volume 16 engineering society
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Our society seems to be locked into a position in which the user’s and voter’s choices determine how we shall live in the future. A disturbing collective urban life in a giant Big Brother House looms, a material and social world in which sensationalistic media and its commercial translation dominate. Our sense of what is real and what is quality is on the verge of collapse. The practice and education of the engineers of this society is determined by short-term effect instead of long-term social responsibility. Culture becomes little more than a market, politics its façade and the city its stage. Instead of reviving old school high modernist social engineering or claiming the need for an intellectual junta, we solicit new forms of social engineering. Where shall this lead?
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July 2008, Amsterdam
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Anthony Record (Florida, 1983) received his M.F.A. from the San Francisco Art Institute in 2008. His work has been exhibited nationally including shows in Chicago and San Francisco. His paintings and drawings challenge the boundaries of recognition and address the limits of perception. The drawings for Nature Brutal and Capricious are based on tiny passages of light and(...)
Anthony Record: nature brutal and capricious
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Anthony Record (Florida, 1983) received his M.F.A. from the San Francisco Art Institute in 2008. His work has been exhibited nationally including shows in Chicago and San Francisco. His paintings and drawings challenge the boundaries of recognition and address the limits of perception. The drawings for Nature Brutal and Capricious are based on tiny passages of light and dark from found etchings. When taken out of their original context, these insignificant folds and shadows mutate into phantasmagoric figures with distinct personalities. When revisiting the found etchings, the figures haunt the original source material by becoming perceptually photoshopped into it.
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A10 22: July August 2008
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Bridging gaps in Budapest
A10 22: July August 2008
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Bridging gaps in Budapest
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Cette bibliographie sémestrielle, édité par la Cité de l'Architecture et du Patrimoine, est réalisée par l'Institut Français d'architecture depuis 1985. Elle recense de façon quasi exhaustive les parutions en langue française des six derniers mois dans les domaines de l'architecture, de l'urbanisme et du paysage.
Archiscopie été 2008 les livres
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Cette bibliographie sémestrielle, édité par la Cité de l'Architecture et du Patrimoine, est réalisée par l'Institut Français d'architecture depuis 1985. Elle recense de façon quasi exhaustive les parutions en langue française des six derniers mois dans les domaines de l'architecture, de l'urbanisme et du paysage.
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"Posting images on the web : the creative viewer and non-violent resistance against terrorism", by Jolyon Mitchell; "Quaker bonnets and the erotic feminine in american popular culture", by Jennifer L. Connerley; "The material bodies of Medieval religious performance in England", by Jill Stevenson.
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July 2006, Biggleswade
Material religion : the journal of objects, art and belief, volume 2, issue 2, July 2006
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"Posting images on the web : the creative viewer and non-violent resistance against terrorism", by Jolyon Mitchell; "Quaker bonnets and the erotic feminine in american popular culture", by Jennifer L. Connerley; "The material bodies of Medieval religious performance in England", by Jill Stevenson.
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journals and magazines
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"Dialog : a journey for cloth", by Nadim Chaudry; "Needled women : representations of male conduct in Mapula embroideries", by Brenda Schmahmann; "May I touch it?", by Marilyn Delong, Juanjuan Wu and Mingxin Bao; "Politics and trade in design : Emmy Zweybrück-Prochaska's influential textile designs in needlework development scheme collection", by Sandra Heffernan; "Maja(...)
Textile : the journal of cloth & culture, volume 5 issue 1, Spring 2007
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"Dialog : a journey for cloth", by Nadim Chaudry; "Needled women : representations of male conduct in Mapula embroideries", by Brenda Schmahmann; "May I touch it?", by Marilyn Delong, Juanjuan Wu and Mingxin Bao; "Politics and trade in design : Emmy Zweybrück-Prochaska's influential textile designs in needlework development scheme collection", by Sandra Heffernan; "Maja Bajevic : the matrix of memory", by Bojana Pejic.
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March 2007, Biggleswade
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