43434 Results
Level of archival description:
Sub-series
Sub-series
Title:
General Textual Files
General Textual Files
Actions:
Reference number:
AP116.S3.SS12.D1
Description:
File documents the editorial activites related to the production of Legitimate Transcriptions: The Early Works of Charles Gwathmey, issue 11 of ANY magazine (July/August). Material in file was produced between 1994 and 1995. File contains article drafts, correspondence and photographs.
AP116.S3.SS12.D1
Description:
File documents the editorial activites related to the production of Legitimate Transcriptions: The Early Works of Charles Gwathmey, issue 11 of ANY magazine (July/August). Material in file was produced between 1994 and 1995. File contains article drafts, correspondence and photographs.
People:
Date:
1994-1995
1994-1995
Title:
General Textual Files
Actions:
AP116.S3.SS12.D1
Description:
File documents the editorial activites related to the production of Legitimate Transcriptions: The Early Works of Charles Gwathmey, issue 11 of ANY magazine (July/August). Material in file was produced between 1994 and 1995. File contains article drafts, correspondence and photographs.
General Textual Files
Actions:
AP116.S3.SS12.D1
Description:
File documents the editorial activites related to the production of Legitimate Transcriptions: The Early Works of Charles Gwathmey, issue 11 of ANY magazine (July/August). Material in file was produced between 1994 and 1995. File contains article drafts, correspondence and photographs.
Level of archival description:
File 1
File 1
Date:
1994-1995
1994-1995
People:
Level of archival description:
Sub-series
Sub-series
Title:
Photographs
Photographs
Reference number:
AP032.S5.D1
Description:
Black and white photographs, negatives, and contact sheets taken in Italy, Sweden, and America, particularly Chicago ca.1949-1950. Photos include works by Mies van der Rohe and Pier Luigi Nervi, as well as snapshots of Myron Goldsmith with Dr. Farnsworth.
AP032.S5.D1
Description:
Black and white photographs, negatives, and contact sheets taken in Italy, Sweden, and America, particularly Chicago ca.1949-1950. Photos include works by Mies van der Rohe and Pier Luigi Nervi, as well as snapshots of Myron Goldsmith with Dr. Farnsworth.
People:
Date:
[ca. 1949-1969]
[ca. 1949-1969]
Title:
Photographs
Actions:
AP032.S5.D1
Description:
Black and white photographs, negatives, and contact sheets taken in Italy, Sweden, and America, particularly Chicago ca.1949-1950. Photos include works by Mies van der Rohe and Pier Luigi Nervi, as well as snapshots of Myron Goldsmith with Dr. Farnsworth.
Photographs
Actions:
AP032.S5.D1
Description:
Black and white photographs, negatives, and contact sheets taken in Italy, Sweden, and America, particularly Chicago ca.1949-1950. Photos include works by Mies van der Rohe and Pier Luigi Nervi, as well as snapshots of Myron Goldsmith with Dr. Farnsworth.
Level of archival description:
File 1
File 1
Date:
[ca. 1949-1969]
[ca. 1949-1969]
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP058
Synopsis:
The Blanche Lemco van Ginkel fonds consists of textual records documenting her participation in professional societies and committees, conferences and lectures, and her administrative and teaching activities at the Faculty of Architecture and Landscape Architecture, University of Toronto, including material relating to the programme and exhibitions. The fonds contains correspondence, reports, minutes, notes, information packages, papers, presentation panels, etc., dating from 1970 to 1992.
AP058
Synopsis:
The Blanche Lemco van Ginkel fonds consists of textual records documenting her participation in professional societies and committees, conferences and lectures, and her administrative and teaching activities at the Faculty of Architecture and Landscape Architecture, University of Toronto, including material relating to the programme and exhibitions. The fonds contains correspondence, reports, minutes, notes, information packages, papers, presentation panels, etc., dating from 1970 to 1992.
People:
Date:
1970-1992
1970-1992
Title:
Blanche Lemco van Ginkel fonds
Actions:
AP058
Synopsis:
The Blanche Lemco van Ginkel fonds consists of textual records documenting her participation in professional societies and committees, conferences and lectures, and her administrative and teaching activities at the Faculty of Architecture and Landscape Architecture, University of Toronto, including material relating to the programme and exhibitions. The fonds contains correspondence, reports, minutes, notes, information packages, papers, presentation panels, etc., dating from 1970 to 1992.
Blanche Lemco van Ginkel fonds
Actions:
AP058
Synopsis:
The Blanche Lemco van Ginkel fonds consists of textual records documenting her participation in professional societies and committees, conferences and lectures, and her administrative and teaching activities at the Faculty of Architecture and Landscape Architecture, University of Toronto, including material relating to the programme and exhibitions. The fonds contains correspondence, reports, minutes, notes, information packages, papers, presentation panels, etc., dating from 1970 to 1992.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1970-1992
1970-1992
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Location:
Main galleries
Main galleries
Date:
23 October 2002 to 6 April 2003
23 October 2002 to 6 April 2003
Title:
Herzog & de Meuron: Archaeology of the Mind
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Herzog & de Meuron: Archaeology of the Mind
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Form:
exhibitions
exhibitions
Date:
23 October 2002 to
6 April 2003
23 October 2002 to
6 April 2003
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
Mies in America
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Location:
Main galleries
Main galleries
Date:
17 October 2001 to 20 January 2002
17 October 2001 to 20 January 2002
Title:
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Form:
exhibitions
exhibitions
Date:
17 October 2001 to
20 January 2002
17 October 2001 to
20 January 2002
Location:
Main galleries
Main galleries
Level of archival description:
Project
Project
Reference number:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
People:
Date:
1970-1995
1970-1995
Title:
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Level of archival description:
Project
Project
Date:
1970-1995
1970-1995
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
DR2012:0011:020
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Cities on the move; - Monument to Canadian Aid Workers; - The size of things; - New York exhibition; - Golems on the move; - American city series; - Saigon; - Federation CJA building entrance.
DR2012:0011:020
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Cities on the move; - Monument to Canadian Aid Workers; - The size of things; - New York exhibition; - Golems on the move; - American city series; - Saigon; - Federation CJA building entrance.
People:
Date:
1998-1999
1998-1999
Title:
Notes and sketches by Melvin Charney on his later works
Actions:
DR2012:0011:020
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Cities on the move; - Monument to Canadian Aid Workers; - The size of things; - New York exhibition; - Golems on the move; - American city series; - Saigon; - Federation CJA building entrance.
Notes and sketches by Melvin Charney on his later works
Actions:
DR2012:0011:020
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Cities on the move; - Monument to Canadian Aid Workers; - The size of things; - New York exhibition; - Golems on the move; - American city series; - Saigon; - Federation CJA building entrance.
Form:
drawings, textual records
drawings, textual records
Date:
1998-1999
1998-1999
People:
Form:
textual records
textual records
Actions:
Reference number:
AP142.S2.D4.P4
Description:
sketches, drawings, photographs of an exhibition showing drawings and models, estimates, exhibition plans and layouts, lists of exhibited works, a list of projects by Aldo Rossi, draft exhibition labels, a document label, a draft for the exhibition, and a report
AP142.S2.D4.P4
Description:
sketches, drawings, photographs of an exhibition showing drawings and models, estimates, exhibition plans and layouts, lists of exhibited works, a list of projects by Aldo Rossi, draft exhibition labels, a document label, a draft for the exhibition, and a report
People:
Title:
Sketches, drawings, photographs of an exhibition showing drawings and models
Actions:
AP142.S2.D4.P4
Description:
sketches, drawings, photographs of an exhibition showing drawings and models, estimates, exhibition plans and layouts, lists of exhibited works, a list of projects by Aldo Rossi, draft exhibition labels, a document label, a draft for the exhibition, and a report
Sketches, drawings, photographs of an exhibition showing drawings and models
Actions:
AP142.S2.D4.P4
Description:
sketches, drawings, photographs of an exhibition showing drawings and models, estimates, exhibition plans and layouts, lists of exhibited works, a list of projects by Aldo Rossi, draft exhibition labels, a document label, a draft for the exhibition, and a report
Form:
textual records
textual records
People:
Form:
events
events
Title:
Freegans
Freegans
Actions:
Description:
Hong Kong journalist Emily Rauhala speaks about the anticonsumerist philosophy of the “freegans” or “dumpster divers.” These individuals collect the tremendous quantities of still usable food and other goods that can be found in the trash containers of our cities, either to distribute to the needy or for their own personal use. Rauhala worked with Lorenzo Morales, a(...)
Hong Kong journalist Emily Rauhala speaks about the anticonsumerist philosophy of the “freegans” or “dumpster divers.” These individuals collect the tremendous quantities of still usable food and other goods that can be found in the trash containers of our cities, either to distribute to the needy or for their own personal use. Rauhala worked with Lorenzo Morales, a(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
8 January 2009
8 January 2009
Title:
Freegans
Actions:
Description:
Hong Kong journalist Emily Rauhala speaks about the anticonsumerist philosophy of the “freegans” or “dumpster divers.” These individuals collect the tremendous quantities of still usable food and other goods that can be found in the trash containers of our cities, either to distribute to the needy or for their own personal use. Rauhala worked with Lorenzo Morales, a(...)
Freegans
Actions:
Description:
Hong Kong journalist Emily Rauhala speaks about the anticonsumerist philosophy of the “freegans” or “dumpster divers.” These individuals collect the tremendous quantities of still usable food and other goods that can be found in the trash containers of our cities, either to distribute to the needy or for their own personal use. Rauhala worked with Lorenzo Morales, a(...)
Form:
events
events
Date:
8 January 2009
8 January 2009
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Level of archival description:
Project
Project
Reference number:
AP164.S1.2004.D18
Description:
The project series documents the Amberes exhibition, at de Singel, in Antwerp, Belgium. Moritz Küng curated the exhibition on Abalos & Herreros’ works. The firm identified this project as number 178. Documenting the exhibition are design development drawings, correspondence, advertisements, reference and photographic materials.
AP164.S1.2004.D18
Description:
The project series documents the Amberes exhibition, at de Singel, in Antwerp, Belgium. Moritz Küng curated the exhibition on Abalos & Herreros’ works. The firm identified this project as number 178. Documenting the exhibition are design development drawings, correspondence, advertisements, reference and photographic materials.
People:
Date:
2001-2004, 2006
2001-2004, 2006
Title:
Amberes, exposición, Antwerp, Belgium (2004)
Actions:
AP164.S1.2004.D18
Description:
The project series documents the Amberes exhibition, at de Singel, in Antwerp, Belgium. Moritz Küng curated the exhibition on Abalos & Herreros’ works. The firm identified this project as number 178. Documenting the exhibition are design development drawings, correspondence, advertisements, reference and photographic materials.
Amberes, exposición, Antwerp, Belgium (2004)
Actions:
AP164.S1.2004.D18
Description:
The project series documents the Amberes exhibition, at de Singel, in Antwerp, Belgium. Moritz Küng curated the exhibition on Abalos & Herreros’ works. The firm identified this project as number 178. Documenting the exhibition are design development drawings, correspondence, advertisements, reference and photographic materials.
Level of archival description:
Project
Project
Date:
2001-2004, 2006
2001-2004, 2006
People:
