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When Frederick Jackson Turner published his thesis on American history in 1893, he saw in the frontier – a sparsely inhabited territory in direct contact with the wilderness – the essence of a new Weltanschauung.
Archphoto 2.0 05: American Frontier
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When Frederick Jackson Turner published his thesis on American history in 1893, he saw in the frontier – a sparsely inhabited territory in direct contact with the wilderness – the essence of a new Weltanschauung.
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Detail 3 2018: theatre structures
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The importance of the client in shaping our built environment, whether it comes to buildings, neighbourhoods, or entire cities, is not sufficiently included in urban and architectural discourse, and thus largely forgotten, underestimated, and neglected. This issue is dedicated to investigating the topic in depth, to discover clients’ values, objectives, fears, and(...)
Monu 28: Client-shaped urbanism
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The importance of the client in shaping our built environment, whether it comes to buildings, neighbourhoods, or entire cities, is not sufficiently included in urban and architectural discourse, and thus largely forgotten, underestimated, and neglected. This issue is dedicated to investigating the topic in depth, to discover clients’ values, objectives, fears, and motivations, and the consequences of all of this for cities and buildings. What kind of design methods should be developed for better partnerships and results? How can communication between clients and designers be advanced? Which projects might never have happened without an ambitious and creative client?
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This newest addition to the Pamphlet Architecture series, long admired for its willingness to propose architectural solutions to challenging problems, addresses the issue of rising sea levels with an interrogation of the concept of floating cities, a field of inquiry gaining increasing relevance and urgency with the impending reality of climate change. The authors explore(...)
Buoyant clarity: Pamphlet Architecture 36
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This newest addition to the Pamphlet Architecture series, long admired for its willingness to propose architectural solutions to challenging problems, addresses the issue of rising sea levels with an interrogation of the concept of floating cities, a field of inquiry gaining increasing relevance and urgency with the impending reality of climate change. The authors explore notions of buoyancy and the amphibious through a typology based on human response and adaptation to one of the most pressing issues of our day.
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Site, volume 38
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Site, volume 38
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Inter art actuel 129
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Inter art actuel 129
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"The Aerial View", spring/summer 2018. Prefix Photo is an engaging magazine that seeks to represent the breadth of practices and concepts –old, new, or as yet unimagined–that surround the transformation of light into image. Each issue presents the work of emerging and established Canadian and international artists and analyses the ideas, issues and contexts that inform(...)
Prefix Photo 37 : the aerial view
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"The Aerial View", spring/summer 2018. Prefix Photo is an engaging magazine that seeks to represent the breadth of practices and concepts –old, new, or as yet unimagined–that surround the transformation of light into image. Each issue presents the work of emerging and established Canadian and international artists and analyses the ideas, issues and contexts that inform the reception of their work.
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White Review #20
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"The White Review #20" features interviews with the Canadian poet, artist and bookmaker Anne Carson, the French philosopher Jean-Luc Nancy, and artist Mounira Al Solh. Through the testimony of an ex-inmate, Felix Bazalgette considers state systems of control, dehumanisation, and imprisonment without trial, while J. S. Tennant describes life in Havana as Cuba adjusts to(...)
White Review #20
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"The White Review #20" features interviews with the Canadian poet, artist and bookmaker Anne Carson, the French philosopher Jean-Luc Nancy, and artist Mounira Al Solh. Through the testimony of an ex-inmate, Felix Bazalgette considers state systems of control, dehumanisation, and imprisonment without trial, while J. S. Tennant describes life in Havana as Cuba adjusts to the normalisation of relations with the United States, the death of Fidel Castro and the influx of foreign investment. Tom McCarthy’s essay ‘The Wandering Bourgeois’ drifts through the history of twentieth-century art to consider how vanguard strategies of recording, mapping and marking are now embedded in digital culture. Alongside these essays, we are pleased to present poems by Nisha Ramayya and Heather Phillipson, who also contributes an exclusive new limited edition artwork. We also feature series of artworks by Nicolas Party and John Divola.
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White Review #21
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"The White Review 21" is the first issue after a redesign, and with a new editorial team led by editors Zeljka Marosevic and Francesca Wade. The issue features our poetry editor Kayo Chingonyi's interview with acclaimed poet Claudia Rankine, exploring race in America, literary form, and the relationship between poetry and national emergency. We are also pleased to present(...)
White Review #21
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"The White Review 21" is the first issue after a redesign, and with a new editorial team led by editors Zeljka Marosevic and Francesca Wade. The issue features our poetry editor Kayo Chingonyi's interview with acclaimed poet Claudia Rankine, exploring race in America, literary form, and the relationship between poetry and national emergency. We are also pleased to present an interview with pioneering performance artist Joan Jonas, in advance of her major retrospective at the Tate Modern in 2018. The issue features an essay by Hatty Nestor on Chelsea Manning and the ethical implications of visual representations of prisoners, Alev Scott's reportage from the Balkans exploring the legacy of the Ottoman Empire, and a piece by Megan Hunter about writing and pregnancy.
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The Plan 104
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The Plan 104
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