29356 Results
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0015:021:025
Description:
File containing documents in English (predominant) and French, including correspondence. References are made to the National Gallery of Canada's sponsorship of an exhibition of Melvin Charney's work at the State Pushkin Museum of Fine Arts in Moscow, along with notes, and press clippings. Original folder inscribed in graphite: NATIONAL GALLERY OF CANADA / 2000+
DR2012:0015:021:025
Description:
File containing documents in English (predominant) and French, including correspondence. References are made to the National Gallery of Canada's sponsorship of an exhibition of Melvin Charney's work at the State Pushkin Museum of Fine Arts in Moscow, along with notes, and press clippings. Original folder inscribed in graphite: NATIONAL GALLERY OF CANADA / 2000+
People:
Date:
1985, 1998-2005, 2009
1985, 1998-2005, 2009
Title:
Correspondence of Melvin Charney's sponsorship for project
Actions:
DR2012:0015:021:025
Description:
File containing documents in English (predominant) and French, including correspondence. References are made to the National Gallery of Canada's sponsorship of an exhibition of Melvin Charney's work at the State Pushkin Museum of Fine Arts in Moscow, along with notes, and press clippings. Original folder inscribed in graphite: NATIONAL GALLERY OF CANADA / 2000+
Correspondence of Melvin Charney's sponsorship for project
Actions:
DR2012:0015:021:025
Description:
File containing documents in English (predominant) and French, including correspondence. References are made to the National Gallery of Canada's sponsorship of an exhibition of Melvin Charney's work at the State Pushkin Museum of Fine Arts in Moscow, along with notes, and press clippings. Original folder inscribed in graphite: NATIONAL GALLERY OF CANADA / 2000+
Form:
textual records
textual records
Date:
1985, 1998-2005, 2009
1985, 1998-2005, 2009
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Arthur Erickson fonds
Arthur Erickson fonds
Reference number:
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
People:
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Title:
Arthur Erickson fonds
Actions:
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Arthur Erickson fonds
Actions:
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1980.PR03
Description:
The project series documents the 1980 design entry for Block 11-12 (Kottbusser Damm). While the records were held in the office’s archives this project was assigned the number 3/80. The office assigned the date 1980 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted three other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), and Block 121 (Bonjour Tristesse), which was his first built international project. He would later submit design proposals for two other projects: Monument to Gestapo victims Prinz-Albrecht-Palais and the Kulturforum. The design proposal for Block 11-12 was for a residential building on Kottbusserstrasse in Kreuzberg. Documenting the design proposal are drawings, photographs, negatives, slides, and textual documentation. Among the drawings are sketches, studies, elevations, floor plans, and site plans. Photographs and negatives depict the project site and surrounding area; additionally there are slides of drawings and the model. Also included is a work contract from the IBA signed by Siza and IBA official Hardt-Waltherr Hämer, as well as several notes and calculations. Note that textual documentation in this project series includes materials on Block 70 and 89, see AP178.S1.1980.PR03.008. Sketches in this project series may also include sketches related to other Berlin projects, such as Block 70 and 89.
AP178.S1.1980.PR03
Description:
The project series documents the 1980 design entry for Block 11-12 (Kottbusser Damm). While the records were held in the office’s archives this project was assigned the number 3/80. The office assigned the date 1980 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted three other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), and Block 121 (Bonjour Tristesse), which was his first built international project. He would later submit design proposals for two other projects: Monument to Gestapo victims Prinz-Albrecht-Palais and the Kulturforum. The design proposal for Block 11-12 was for a residential building on Kottbusserstrasse in Kreuzberg. Documenting the design proposal are drawings, photographs, negatives, slides, and textual documentation. Among the drawings are sketches, studies, elevations, floor plans, and site plans. Photographs and negatives depict the project site and surrounding area; additionally there are slides of drawings and the model. Also included is a work contract from the IBA signed by Siza and IBA official Hardt-Waltherr Hämer, as well as several notes and calculations. Note that textual documentation in this project series includes materials on Block 70 and 89, see AP178.S1.1980.PR03.008. Sketches in this project series may also include sketches related to other Berlin projects, such as Block 70 and 89.
People:
Date:
circa 1979-1981
circa 1979-1981
Title:
Block 11 e 12, Kottbusser Damm [11-12 Kottbusser Damm], Berlin, Germany (1979-1981)
Actions:
AP178.S1.1980.PR03
Description:
The project series documents the 1980 design entry for Block 11-12 (Kottbusser Damm). While the records were held in the office’s archives this project was assigned the number 3/80. The office assigned the date 1980 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted three other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), and Block 121 (Bonjour Tristesse), which was his first built international project. He would later submit design proposals for two other projects: Monument to Gestapo victims Prinz-Albrecht-Palais and the Kulturforum. The design proposal for Block 11-12 was for a residential building on Kottbusserstrasse in Kreuzberg. Documenting the design proposal are drawings, photographs, negatives, slides, and textual documentation. Among the drawings are sketches, studies, elevations, floor plans, and site plans. Photographs and negatives depict the project site and surrounding area; additionally there are slides of drawings and the model. Also included is a work contract from the IBA signed by Siza and IBA official Hardt-Waltherr Hämer, as well as several notes and calculations. Note that textual documentation in this project series includes materials on Block 70 and 89, see AP178.S1.1980.PR03.008. Sketches in this project series may also include sketches related to other Berlin projects, such as Block 70 and 89.
Block 11 e 12, Kottbusser Damm [11-12 Kottbusser Damm], Berlin, Germany (1979-1981)
Actions:
AP178.S1.1980.PR03
Description:
The project series documents the 1980 design entry for Block 11-12 (Kottbusser Damm). While the records were held in the office’s archives this project was assigned the number 3/80. The office assigned the date 1980 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted three other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), and Block 121 (Bonjour Tristesse), which was his first built international project. He would later submit design proposals for two other projects: Monument to Gestapo victims Prinz-Albrecht-Palais and the Kulturforum. The design proposal for Block 11-12 was for a residential building on Kottbusserstrasse in Kreuzberg. Documenting the design proposal are drawings, photographs, negatives, slides, and textual documentation. Among the drawings are sketches, studies, elevations, floor plans, and site plans. Photographs and negatives depict the project site and surrounding area; additionally there are slides of drawings and the model. Also included is a work contract from the IBA signed by Siza and IBA official Hardt-Waltherr Hämer, as well as several notes and calculations. Note that textual documentation in this project series includes materials on Block 70 and 89, see AP178.S1.1980.PR03.008. Sketches in this project series may also include sketches related to other Berlin projects, such as Block 70 and 89.
Level of archival description:
Project
Project
Date:
circa 1979-1981
circa 1979-1981
People:
Form:
exhibitions
exhibitions
Title:
Dream Houses, Toy Homes
Dream Houses, Toy Homes
Actions:
Description:
Through selections from the CCA’s collection of architectural toys and games, including 33 European and North American architectural toys dating from the early nineteenth century to 1995, Dream Houses, Toy Homes examines the notions of home, childhood, play, gender, and learning. The exhibition uncovers the potential of toys to embody images and ideas of domestic(...)
Through selections from the CCA’s collection of architectural toys and games, including 33 European and North American architectural toys dating from the early nineteenth century to 1995, Dream Houses, Toy Homes examines the notions of home, childhood, play, gender, and learning. The exhibition uncovers the potential of toys to embody images and ideas of domestic(...)
Title:
Dream Houses, Toy Homes
Actions:
Description:
Through selections from the CCA’s collection of architectural toys and games, including 33 European and North American architectural toys dating from the early nineteenth century to 1995, Dream Houses, Toy Homes examines the notions of home, childhood, play, gender, and learning. The exhibition uncovers the potential of toys to embody images and ideas of domestic(...)
Dream Houses, Toy Homes
Actions:
Description:
Through selections from the CCA’s collection of architectural toys and games, including 33 European and North American architectural toys dating from the early nineteenth century to 1995, Dream Houses, Toy Homes examines the notions of home, childhood, play, gender, and learning. The exhibition uncovers the potential of toys to embody images and ideas of domestic(...)
Form:
exhibitions
exhibitions
Date:
8 November 1995 to
31 March 1996
8 November 1995 to
31 March 1996
Actions:
Reference number:
ARCH268925
Description:
A Golden Lion award received by the Foreign Office Architects during the 9th International Architecture Exhibition (exhibited 12 September - 7 November) at the 2004 Venice Biennale of Architecture. The award was in the category of Topography, for the Foreign Office Architects' design for the Novartis Underground Car Park & Gate project, Basel, Switzerland, 2003.
ARCH268925
Description:
A Golden Lion award received by the Foreign Office Architects during the 9th International Architecture Exhibition (exhibited 12 September - 7 November) at the 2004 Venice Biennale of Architecture. The award was in the category of Topography, for the Foreign Office Architects' design for the Novartis Underground Car Park & Gate project, Basel, Switzerland, 2003.
People:
Date:
2004
2004
Title:
A Golden Lion award received by Foreign Office Architects at the 2004 Venice Biennale of Architecture
Actions:
ARCH268925
Description:
A Golden Lion award received by the Foreign Office Architects during the 9th International Architecture Exhibition (exhibited 12 September - 7 November) at the 2004 Venice Biennale of Architecture. The award was in the category of Topography, for the Foreign Office Architects' design for the Novartis Underground Car Park & Gate project, Basel, Switzerland, 2003.
A Golden Lion award received by Foreign Office Architects at the 2004 Venice Biennale of Architecture
Actions:
ARCH268925
Description:
A Golden Lion award received by the Foreign Office Architects during the 9th International Architecture Exhibition (exhibited 12 September - 7 November) at the 2004 Venice Biennale of Architecture. The award was in the category of Topography, for the Foreign Office Architects' design for the Novartis Underground Car Park & Gate project, Basel, Switzerland, 2003.
Date:
2004
2004
People:
Form:
events
events
Actions:
Date:
22 June 2023, 5pm to 9pm
22 June 2023, 5pm to 9pm
Form:
events
events
Date:
22 June 2023
5pm to 9pm
22 June 2023
5pm to 9pm
Form:
events
events
Actions:
Description:
Andreas Angelidakis describes his exhibition practice as a single continuous project that investigates the architecture of exhibiting. This talk will focus on the development of his practice across five exhibitions: the third Thessaloniki Biennial; The System of Objects at the DESTE Foundation in Athens; Every End Is a Beginning at the National Museum of Contemporary Art(...)
Andreas Angelidakis describes his exhibition practice as a single continuous project that investigates the architecture of exhibiting. This talk will focus on the development of his practice across five exhibitions: the third Thessaloniki Biennial; The System of Objects at the DESTE Foundation in Athens; Every End Is a Beginning at the National Museum of Contemporary Art(...)
Date:
15 October 2015 , 6pm
15 October 2015 , 6pm
Title:
Displaying Architecture: Andreas Angelidakis
Actions:
Description:
Andreas Angelidakis describes his exhibition practice as a single continuous project that investigates the architecture of exhibiting. This talk will focus on the development of his practice across five exhibitions: the third Thessaloniki Biennial; The System of Objects at the DESTE Foundation in Athens; Every End Is a Beginning at the National Museum of Contemporary Art(...)
Displaying Architecture: Andreas Angelidakis
Actions:
Description:
Andreas Angelidakis describes his exhibition practice as a single continuous project that investigates the architecture of exhibiting. This talk will focus on the development of his practice across five exhibitions: the third Thessaloniki Biennial; The System of Objects at the DESTE Foundation in Athens; Every End Is a Beginning at the National Museum of Contemporary Art(...)
Form:
events
events
Date:
15 October 2015
6pm
15 October 2015
6pm
Level of archival description:
Project
Project
Title:
São Victor, Porto
São Victor, Porto
Actions:
Reference number:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
People:
Date:
circa 1974-1975
circa 1974-1975
Title:
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
circa 1974-1975
circa 1974-1975
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1983.PR04
Description:
The project series documents the 1983 design entry for the Kulturforum. While the records were held in the office’s archives this project was assigned the number 21/80. The office assigned the date 1983 for this project. This project was a competition entry for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza also submitted five other entries to the IBA: Görtlitzer Bad swimming pool; Block 70 and 89 (Fränkelufer residential complex); Bonjour Tristesse (Block 121); Block 11-12; and Monument to Gestapo victims. The Kulturforum was a complex of cultural buildings. The site underwent many changes during Nazi Germany and post-war with the construction of the National Library of Staatsbibliothek, designed by Hans Scharoun. Two examples of features that the IBA asked participants to include in their design proposals were to exclude vehicle traffic between the library and national gallery, and to reinterpret the Forum space. Documenting this project are several sketches and studies. There are also plans, elevations, and axonometric drawings of site plans. Siza’s office has indicated on some of the studies that they were possibly not created by Siza. Where this is the case it has been noted with the physical material. Photographs and negatives document the competition site and model, and there are transparencies and slides of drawings. Also included is textual documentation on the competition site and a few letters from members of the Berlin Senate, two of which are from Brigitte Cassirer (later Brigitte Fleck).
AP178.S1.1983.PR04
Description:
The project series documents the 1983 design entry for the Kulturforum. While the records were held in the office’s archives this project was assigned the number 21/80. The office assigned the date 1983 for this project. This project was a competition entry for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza also submitted five other entries to the IBA: Görtlitzer Bad swimming pool; Block 70 and 89 (Fränkelufer residential complex); Bonjour Tristesse (Block 121); Block 11-12; and Monument to Gestapo victims. The Kulturforum was a complex of cultural buildings. The site underwent many changes during Nazi Germany and post-war with the construction of the National Library of Staatsbibliothek, designed by Hans Scharoun. Two examples of features that the IBA asked participants to include in their design proposals were to exclude vehicle traffic between the library and national gallery, and to reinterpret the Forum space. Documenting this project are several sketches and studies. There are also plans, elevations, and axonometric drawings of site plans. Siza’s office has indicated on some of the studies that they were possibly not created by Siza. Where this is the case it has been noted with the physical material. Photographs and negatives document the competition site and model, and there are transparencies and slides of drawings. Also included is textual documentation on the competition site and a few letters from members of the Berlin Senate, two of which are from Brigitte Cassirer (later Brigitte Fleck).
People:
Date:
1982-2012
1982-2012
Title:
Kulturforum [Kulturforum], Berlin, Germany (1982-1986)
Actions:
AP178.S1.1983.PR04
Description:
The project series documents the 1983 design entry for the Kulturforum. While the records were held in the office’s archives this project was assigned the number 21/80. The office assigned the date 1983 for this project. This project was a competition entry for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza also submitted five other entries to the IBA: Görtlitzer Bad swimming pool; Block 70 and 89 (Fränkelufer residential complex); Bonjour Tristesse (Block 121); Block 11-12; and Monument to Gestapo victims. The Kulturforum was a complex of cultural buildings. The site underwent many changes during Nazi Germany and post-war with the construction of the National Library of Staatsbibliothek, designed by Hans Scharoun. Two examples of features that the IBA asked participants to include in their design proposals were to exclude vehicle traffic between the library and national gallery, and to reinterpret the Forum space. Documenting this project are several sketches and studies. There are also plans, elevations, and axonometric drawings of site plans. Siza’s office has indicated on some of the studies that they were possibly not created by Siza. Where this is the case it has been noted with the physical material. Photographs and negatives document the competition site and model, and there are transparencies and slides of drawings. Also included is textual documentation on the competition site and a few letters from members of the Berlin Senate, two of which are from Brigitte Cassirer (later Brigitte Fleck).
Kulturforum [Kulturforum], Berlin, Germany (1982-1986)
Actions:
AP178.S1.1983.PR04
Description:
The project series documents the 1983 design entry for the Kulturforum. While the records were held in the office’s archives this project was assigned the number 21/80. The office assigned the date 1983 for this project. This project was a competition entry for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza also submitted five other entries to the IBA: Görtlitzer Bad swimming pool; Block 70 and 89 (Fränkelufer residential complex); Bonjour Tristesse (Block 121); Block 11-12; and Monument to Gestapo victims. The Kulturforum was a complex of cultural buildings. The site underwent many changes during Nazi Germany and post-war with the construction of the National Library of Staatsbibliothek, designed by Hans Scharoun. Two examples of features that the IBA asked participants to include in their design proposals were to exclude vehicle traffic between the library and national gallery, and to reinterpret the Forum space. Documenting this project are several sketches and studies. There are also plans, elevations, and axonometric drawings of site plans. Siza’s office has indicated on some of the studies that they were possibly not created by Siza. Where this is the case it has been noted with the physical material. Photographs and negatives document the competition site and model, and there are transparencies and slides of drawings. Also included is textual documentation on the competition site and a few letters from members of the Berlin Senate, two of which are from Brigitte Cassirer (later Brigitte Fleck).
Level of archival description:
Project
Project
Date:
1982-2012
1982-2012
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH268582
Description:
Contains photographic materials on 2 projects by Abalos & Herreros: - Le Corbusier : rascacielos, AP164.S2.SS1.D1 (111 slides, 1 negative: exhibition pictures and various plans); - Ordenación de la Plaza de Castilla, AP164.S1.1986.D6 (126 slides, 5 colour reversal films: various plans, perspectives, model, site plans and views of the Plaza).
ARCH268582
Description:
Contains photographic materials on 2 projects by Abalos & Herreros: - Le Corbusier : rascacielos, AP164.S2.SS1.D1 (111 slides, 1 negative: exhibition pictures and various plans); - Ordenación de la Plaza de Castilla, AP164.S1.1986.D6 (126 slides, 5 colour reversal films: various plans, perspectives, model, site plans and views of the Plaza).
People:
Date:
1986-1987
1986-1987
Title:
Ring binder with photographic materials related to two projects by Abalos & Herreros
Actions:
ARCH268582
Description:
Contains photographic materials on 2 projects by Abalos & Herreros: - Le Corbusier : rascacielos, AP164.S2.SS1.D1 (111 slides, 1 negative: exhibition pictures and various plans); - Ordenación de la Plaza de Castilla, AP164.S1.1986.D6 (126 slides, 5 colour reversal films: various plans, perspectives, model, site plans and views of the Plaza).
Ring binder with photographic materials related to two projects by Abalos & Herreros
Actions:
ARCH268582
Description:
Contains photographic materials on 2 projects by Abalos & Herreros: - Le Corbusier : rascacielos, AP164.S2.SS1.D1 (111 slides, 1 negative: exhibition pictures and various plans); - Ordenación de la Plaza de Castilla, AP164.S1.1986.D6 (126 slides, 5 colour reversal films: various plans, perspectives, model, site plans and views of the Plaza).
Form:
photographs
photographs
Date:
1986-1987
1986-1987
People:
