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Déserter et combattre les logiques néolibérales prédatrices en architecture, c’est possible, mais comment fait-on pour ce que ces pratiques plus expérimentales assurent notre subsistance au quotidien ? Comment gagner sa vie tout en répondant aux enjeux climatiques et sociaux qui sont désormais enseignés dans les écoles d’architecture ? Peuvent-elles professionnaliser à(...)
Construire sans se trahir : Appel à professionaliser les expérimentations en architecture
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Déserter et combattre les logiques néolibérales prédatrices en architecture, c’est possible, mais comment fait-on pour ce que ces pratiques plus expérimentales assurent notre subsistance au quotidien ? Comment gagner sa vie tout en répondant aux enjeux climatiques et sociaux qui sont désormais enseignés dans les écoles d’architecture ? Peuvent-elles professionnaliser à d’autres métiers que la maitrise d’œuvre ? Comment donner des outils concrets pour aider de jeunes diplômées à bousculer les cadres de commandes et à réinsuffler de l’utilité publique ? Le désir est là, brûlant même, les injonctions et inspirations théoriques ne manquent pas, mais nous avons surtout besoin aujourd’hui de pragmatisme à associer à notre joie militante.
Architectural Theory
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Des dimensions massives pour un livre que NEUF a créé dans la lignée d’une tradition chère à son fondateur, et à son image : unique et pluriel. Unique, comme la relation de confiance qui l’unit à ses collaborateurs, pluriel, comme ses domaines d’expertise et d’intervention. L’ouvrage illustre cette dualité à travers plus de 500 pages, mêlant des textes bilingues et des(...)
NEUF architect(e)s: Un demi-siècle et toujours NEUF / Half a century of building storeys
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Des dimensions massives pour un livre que NEUF a créé dans la lignée d’une tradition chère à son fondateur, et à son image : unique et pluriel. Unique, comme la relation de confiance qui l’unit à ses collaborateurs, pluriel, comme ses domaines d’expertise et d’intervention. L’ouvrage illustre cette dualité à travers plus de 500 pages, mêlant des textes bilingues et des images d’hier, d’aujourd’hui et de demain, pour témoigner de la diversité des projets réalisés à travers le Canada, l’Amérique, l’Europe et l’Asie. Documents d’archives, reportages photographiques, anecdotes inédites et entrevues des parties prenantes retracent l’évolution de l’entreprise, en parallèle à celle du paysage économique et social d’une métropole qu’elle aura grandement contribué à bâtir
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Quel est le rôle du design dans la production de l’espace urbain? Le design souhaite-t-il n’être qu’un élément de la colonisation mercantile des espaces sociaux? Ou est-il capable de bâtir une ville citoyenne sur les ruines idéologiques des espaces urbains existants? Les huit essais rassemblés ici appellent à la formation d’une « ville citoyenne » (civic city) comme(...)
Civic City : notes pour le design d'une ville sociale, cahiers 1, 2, 3, 4, 5, 6
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Quel est le rôle du design dans la production de l’espace urbain? Le design souhaite-t-il n’être qu’un élément de la colonisation mercantile des espaces sociaux? Ou est-il capable de bâtir une ville citoyenne sur les ruines idéologiques des espaces urbains existants? Les huit essais rassemblés ici appellent à la formation d’une « ville citoyenne » (civic city) comme alternative au paradigme néolibéral du développement urbain.
Humans and cities
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Louis Paillard dévoile ses réalisations architecturales sous toutes leurs coutures ainsi que ses inspirations et de nombreux dessins en relation avec ses travaux.
Louis Paillard Architecte : Dessins & maisons
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Louis Paillard dévoile ses réalisations architecturales sous toutes leurs coutures ainsi que ses inspirations et de nombreux dessins en relation avec ses travaux.
Architecture Monographs
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects,(...)
Robert Rauschenberg & Jean Tinguely: collaborations
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects, despite their aesthetic differences: Rauschenberg once remarked of Tinguely, "He liked mechanical things such as engines; I preferred hedonistic things such as bathtubs." This punblication documents this productive friendship.
books
August 2010
Contemporary Art Monographs
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The space-time of persistent coloniality in Britain, France, Germany, Portugal, the Netherlands, Italy, Belgium, and Spain.
The Funambulist n.54 : Colonial continuums
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The space-time of persistent coloniality in Britain, France, Germany, Portugal, the Netherlands, Italy, Belgium, and Spain.
Magazines
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This 56th issue is the first one we are publishing in English, French, and now Spanish. Its title, ''Bulldozer Politics'', is a reference to a small book written by Léopold Lambert in 2016 about the systematic use of the bulldozer by the Israeli state to destroy Palestinian homes since 1948. This issue revisits this book, translates some of its main parts, and put its(...)
The Funambulist n.56 : Bulldozer politics
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This 56th issue is the first one we are publishing in English, French, and now Spanish. Its title, ''Bulldozer Politics'', is a reference to a small book written by Léopold Lambert in 2016 about the systematic use of the bulldozer by the Israeli state to destroy Palestinian homes since 1948. This issue revisits this book, translates some of its main parts, and put its argument about the precise political order of “ruination” in dialogue with other geographical contexts, namely India (Shivangi Mariam Raj), Colombia and Brazil (Jaime Amparo Alves and Stella Zagatto Paterniani), the US (Francesca Russello Ammon), France (Hajer Ben Boubaker), Egypt (Omnia Khalil and Azza Ezzat), and Cambodia (Kavich Neang).
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From 1535 to this day, discover how the Parc has marked the development of Montréal as a cosmopolitan metropolis, thus giving citizens a site rich in historical, cultural and built heritage.
Two islands, one park, one city: parc Jean-Drapeau at the heart of Montreal life
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From 1535 to this day, discover how the Parc has marked the development of Montréal as a cosmopolitan metropolis, thus giving citizens a site rich in historical, cultural and built heritage.
books
Volume 1 Daniel Malone, Fancis Alÿs, Mark Adams, Eve Amstrong, Fiona Banner, Ann Veronica Janssens
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Volume 1 is the first of the Volume series published by Artspace, Auckland, and Clouds. This publication considers retrospectively, and documents the first six months of programming during Brian Butler's term as director. The artists included in Volume 1 are: Daniel Malone, Francis Alÿs, Mark Adams, Eve Armstrong, Fiona Banner and Ann Veronica Janssens. Volume 1 also(...)
Volume 1 Daniel Malone, Fancis Alÿs, Mark Adams, Eve Amstrong, Fiona Banner, Ann Veronica Janssens
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Volume 1 is the first of the Volume series published by Artspace, Auckland, and Clouds. This publication considers retrospectively, and documents the first six months of programming during Brian Butler's term as director. The artists included in Volume 1 are: Daniel Malone, Francis Alÿs, Mark Adams, Eve Armstrong, Fiona Banner and Ann Veronica Janssens. Volume 1 also presents photo essays by Mark Adams and Daniel Malone, and a reprint of Eve Armstrong's artist's book How to Hold a Trading Table.
books
October 2008
Contemporary Art Monographs
Public photographic spaces, exhibitions of propaganda, from Pressa to the family of man, 1928-55
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This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War.(...)
Public photographic spaces, exhibitions of propaganda, from Pressa to the family of man, 1928-55
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$86.95
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This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.
Museums and Universal Exhibitions