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books
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Title:
Can't and won't
Can't and won't
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Her stories may be literal one-liners: the entirety of “Bloomington” reads, “Now that I have been here for a little while, I can say with confidence that I have never been here before.” Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in “A Small Story About a Small Box of Chocolates,” a professor receives a gift of(...)
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Her stories may be literal one-liners: the entirety of “Bloomington” reads, “Now that I have been here for a little while, I can say with confidence that I have never been here before.” Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in “A Small Story About a Small Box of Chocolates,” a professor receives a gift of(...)
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Can't and won't
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Her stories may be literal one-liners: the entirety of “Bloomington” reads, “Now that I have been here for a little while, I can say with confidence that I have never been here before.” Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in “A Small Story About a Small Box of Chocolates,” a professor receives a gift of thirty-two small chocolates and is paralyzed by the multitude of options she imagines for their consumption. The stories may appear in the form of letters of complaint; they may be extracted from Flaubert’s correspondence; or they may be inspired by the author’s own dreams, or the dreams of friends. What does not vary throughout Can’t and Won’t, Lydia Davis’s fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.
Can't and won't
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Her stories may be literal one-liners: the entirety of “Bloomington” reads, “Now that I have been here for a little while, I can say with confidence that I have never been here before.” Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in “A Small Story About a Small Box of Chocolates,” a professor receives a gift of thirty-two small chocolates and is paralyzed by the multitude of options she imagines for their consumption. The stories may appear in the form of letters of complaint; they may be extracted from Flaubert’s correspondence; or they may be inspired by the author’s own dreams, or the dreams of friends. What does not vary throughout Can’t and Won’t, Lydia Davis’s fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.
Form:
books
books
Publication:
March 2014
March 2014
Subject:
Architecture and the imaginary
Architecture and the imaginary
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books
books
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$9.99
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Summary:
Describing the silliness and 'feminine fatuity' of many popular books by lady novelists, George Eliot perfectly skewers the formulaic yet bestselling works that dominated her time, with their loveably flawed heroines. She also examines the great women writers of France and their enrichment of the culture, and the varying qualities of literary translations.
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Describing the silliness and 'feminine fatuity' of many popular books by lady novelists, George Eliot perfectly skewers the formulaic yet bestselling works that dominated her time, with their loveably flawed heroines. She also examines the great women writers of France and their enrichment of the culture, and the varying qualities of literary translations.
Title:
Silly novels by Lady Novelists
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Describing the silliness and 'feminine fatuity' of many popular books by lady novelists, George Eliot perfectly skewers the formulaic yet bestselling works that dominated her time, with their loveably flawed heroines. She also examines the great women writers of France and their enrichment of the culture, and the varying qualities of literary translations.
Silly novels by Lady Novelists
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$9.99
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Summary:
Describing the silliness and 'feminine fatuity' of many popular books by lady novelists, George Eliot perfectly skewers the formulaic yet bestselling works that dominated her time, with their loveably flawed heroines. She also examines the great women writers of France and their enrichment of the culture, and the varying qualities of literary translations.
Form:
books
books
Publication:
March 2013
March 2013
Subject:
Architecture and the imaginary
Architecture and the imaginary
Form:
books
books
Price:
$42.95
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The latest book by acclaimed novelist and artist Douglas Coupland—named after a phenomenon in digital archiving describing the way digital files spontaneously decompose—combines fictional short stories with essays, addressing subjects such as the death of the middle class, and the rise of the Internet and its impact on our lives.
$42.95
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Summary:
The latest book by acclaimed novelist and artist Douglas Coupland—named after a phenomenon in digital archiving describing the way digital files spontaneously decompose—combines fictional short stories with essays, addressing subjects such as the death of the middle class, and the rise of the Internet and its impact on our lives.
Title:
Bit rot
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$42.95
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The latest book by acclaimed novelist and artist Douglas Coupland—named after a phenomenon in digital archiving describing the way digital files spontaneously decompose—combines fictional short stories with essays, addressing subjects such as the death of the middle class, and the rise of the Internet and its impact on our lives.
Bit rot
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$42.95
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Summary:
The latest book by acclaimed novelist and artist Douglas Coupland—named after a phenomenon in digital archiving describing the way digital files spontaneously decompose—combines fictional short stories with essays, addressing subjects such as the death of the middle class, and the rise of the Internet and its impact on our lives.
Form:
books
books
Publication:
October 2015
October 2015
Subject:
Architecture and the imaginary
Architecture and the imaginary
Form:
books
books
Title:
Thomas Schütte : houses
Thomas Schütte : houses
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$50.00
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Düsseldorf-based artist Thomas Schütte first came to prominence in the 1980s with his drawings, watercolors, stage sets and architectural models. Schütte’s first forays into imaginary or utopian architecture were scale models of rooms in which one might live and work. After a gap of 20 years, Schütte returned to the architectural model, producing light pavilions out of(...)
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Summary:
Düsseldorf-based artist Thomas Schütte first came to prominence in the 1980s with his drawings, watercolors, stage sets and architectural models. Schütte’s first forays into imaginary or utopian architecture were scale models of rooms in which one might live and work. After a gap of 20 years, Schütte returned to the architectural model, producing light pavilions out of(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2013
February 2013
Title:
Thomas Schütte : houses
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Düsseldorf-based artist Thomas Schütte first came to prominence in the 1980s with his drawings, watercolors, stage sets and architectural models. Schütte’s first forays into imaginary or utopian architecture were scale models of rooms in which one might live and work. After a gap of 20 years, Schütte returned to the architectural model, producing light pavilions out of wood and studio leftovers, as well as commercial and public buildings. Houses provides a comprehensive survey of Schütte’s architectural models, from his early experiments through to his current design projects.
Thomas Schütte : houses
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Summary:
Düsseldorf-based artist Thomas Schütte first came to prominence in the 1980s with his drawings, watercolors, stage sets and architectural models. Schütte’s first forays into imaginary or utopian architecture were scale models of rooms in which one might live and work. After a gap of 20 years, Schütte returned to the architectural model, producing light pavilions out of wood and studio leftovers, as well as commercial and public buildings. Houses provides a comprehensive survey of Schütte’s architectural models, from his early experiments through to his current design projects.
Form:
books
books
Publication:
February 2013
February 2013
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$15.95
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First published in German in 1913 and widely considered to be Paul Scheerbart's masterpiece, Lesabéndio is an intergalactic utopian novel that describes life on the planetoid Pallas, where rubbery suction-footed life forms with telescopic eyes smoke bubble-weed in mushroom meadows under violet skies and green stars. A cosmic ecological fable, Scheerbart's novel was(...)
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First published in German in 1913 and widely considered to be Paul Scheerbart's masterpiece, Lesabéndio is an intergalactic utopian novel that describes life on the planetoid Pallas, where rubbery suction-footed life forms with telescopic eyes smoke bubble-weed in mushroom meadows under violet skies and green stars. A cosmic ecological fable, Scheerbart's novel was(...)
Publication:
May 2013
May 2013
Title:
Lesabénio : an asteroid novel
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First published in German in 1913 and widely considered to be Paul Scheerbart's masterpiece, Lesabéndio is an intergalactic utopian novel that describes life on the planetoid Pallas, where rubbery suction-footed life forms with telescopic eyes smoke bubble-weed in mushroom meadows under violet skies and green stars. A cosmic ecological fable, Scheerbart's novel was admired by such architects as Bruno Taut and Walter Gropius, and such thinkers as Walter Benjamin and Gershom Scholem
Lesabénio : an asteroid novel
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$15.95
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Summary:
First published in German in 1913 and widely considered to be Paul Scheerbart's masterpiece, Lesabéndio is an intergalactic utopian novel that describes life on the planetoid Pallas, where rubbery suction-footed life forms with telescopic eyes smoke bubble-weed in mushroom meadows under violet skies and green stars. A cosmic ecological fable, Scheerbart's novel was admired by such architects as Bruno Taut and Walter Gropius, and such thinkers as Walter Benjamin and Gershom Scholem
Form:
books
books
Publication:
May 2013
May 2013
Form:
books
books
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$55.00
(available in store)
Summary:
Guillermo Hevia García stands out among the latest generation of Chilean architects for his sensitive focus on his projects’ public impact, expressed in the ways his buildings obey their own internal logic and respect their local cultural, social and spatial contexts.''Every Design Conceals an Order'' compiles 13 of the architect’s designs: built works, projects currently(...)
$55.00
(available in store)
Summary:
Guillermo Hevia García stands out among the latest generation of Chilean architects for his sensitive focus on his projects’ public impact, expressed in the ways his buildings obey their own internal logic and respect their local cultural, social and spatial contexts.''Every Design Conceals an Order'' compiles 13 of the architect’s designs: built works, projects currently(...)
Title:
Guillermo Hevia Garcia: every design conceals an order
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$55.00
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Guillermo Hevia García stands out among the latest generation of Chilean architects for his sensitive focus on his projects’ public impact, expressed in the ways his buildings obey their own internal logic and respect their local cultural, social and spatial contexts.''Every Design Conceals an Order'' compiles 13 of the architect’s designs: built works, projects currently underway and competition entries. Each building is accompanied by a section on the architecture’s imaginary context, the visual references Hevia García mobilized in his working process. The publication also shows Hevia García’s approaches to architectural representation, as he deploys techniques ranging from planimetrics, axonometric projections and models, renders and illustrations.
Guillermo Hevia Garcia: every design conceals an order
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$55.00
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Summary:
Guillermo Hevia García stands out among the latest generation of Chilean architects for his sensitive focus on his projects’ public impact, expressed in the ways his buildings obey their own internal logic and respect their local cultural, social and spatial contexts.''Every Design Conceals an Order'' compiles 13 of the architect’s designs: built works, projects currently underway and competition entries. Each building is accompanied by a section on the architecture’s imaginary context, the visual references Hevia García mobilized in his working process. The publication also shows Hevia García’s approaches to architectural representation, as he deploys techniques ranging from planimetrics, axonometric projections and models, renders and illustrations.
Form:
books
books
Publication:
April 2019
April 2019
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$15.95
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Summary:
En 1955, Walt Disney inaugure Disneyland, premier parc thématique du monde. La manière distinctive avec laquelle on y représente le passé, le présent et le futur – grâce au recours à des dispositifs architecturaux – a exercé une influence sur la perception que nous avons de l’architecture et de la ville. n 1955, Walt Disney opened Disneyland, the world’s first “theme(...)
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Summary:
En 1955, Walt Disney inaugure Disneyland, premier parc thématique du monde. La manière distinctive avec laquelle on y représente le passé, le présent et le futur – grâce au recours à des dispositifs architecturaux – a exercé une influence sur la perception que nous avons de l’architecture et de la ville. n 1955, Walt Disney opened Disneyland, the world’s first “theme(...)
Title:
L'architecture du réconfort : les parcs thématiques de Disney / Designing Disney theme parks : the architecture of reassurance
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$15.95
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En 1955, Walt Disney inaugure Disneyland, premier parc thématique du monde. La manière distinctive avec laquelle on y représente le passé, le présent et le futur – grâce au recours à des dispositifs architecturaux – a exercé une influence sur la perception que nous avons de l’architecture et de la ville. n 1955, Walt Disney opened Disneyland, the world’s first “theme park.” Disney’s distinctive approach to representing the past, present, and future in concrete form – using a variety of architectural styles that simulated real or imaginary places – has also shaped our responses to architecture and the city.
L'architecture du réconfort : les parcs thématiques de Disney / Designing Disney theme parks : the architecture of reassurance
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$15.95
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Summary:
En 1955, Walt Disney inaugure Disneyland, premier parc thématique du monde. La manière distinctive avec laquelle on y représente le passé, le présent et le futur – grâce au recours à des dispositifs architecturaux – a exercé une influence sur la perception que nous avons de l’architecture et de la ville. n 1955, Walt Disney opened Disneyland, the world’s first “theme park.” Disney’s distinctive approach to representing the past, present, and future in concrete form – using a variety of architectural styles that simulated real or imaginary places – has also shaped our responses to architecture and the city.
Form:
books
books
Publication:
August 1997, Montréal
August 1997, Montréal
Subject:
CCA Publications
CCA Publications
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books
books
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Description:
255 pages : color illustrations ; 26 cm
Description:
255 pages : color illustrations ; 26 cm
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Publication:
Brooklyn, N.Y. : Punctum Books, 2013.
Brooklyn, N.Y. : Punctum Books, 2013.
Title:
Making the geologic now : responses to material conditions of contemporary life / edited by Elizabeth Ellsworth, Jamie Kruse.
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Description:
255 pages : color illustrations ; 26 cm
Making the geologic now : responses to material conditions of contemporary life / edited by Elizabeth Ellsworth, Jamie Kruse.
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Description:
255 pages : color illustrations ; 26 cm
Form:
books
books
Publication:
Brooklyn, N.Y. : Punctum Books, 2013.
Brooklyn, N.Y. : Punctum Books, 2013.
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Subject:
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books
books
Title:
Cartographic cinema
Cartographic cinema
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$31.50
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Summary:
Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with(...)
$31.50
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Summary:
Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with(...)
Title:
Cartographic cinema
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$31.50
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Summary:
Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world. "Cartographic cinema" examines the affinities of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. In doing so, Conley reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography. In addition, he demonstrates that spatial signs in film foster a critical relation with the prevailing narrative and mimetic registers of cinema. Conley convincingly argues that the very act of watching films, and cinema itself, is actually a form of cartography. Unlike its function in an atlas, a map in a movie often causes the spectator to entertain broader questions—not only about cinema but also of the nature of space and being.
Cartographic cinema
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$31.50
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Summary:
Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world. "Cartographic cinema" examines the affinities of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. In doing so, Conley reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography. In addition, he demonstrates that spatial signs in film foster a critical relation with the prevailing narrative and mimetic registers of cinema. Conley convincingly argues that the very act of watching films, and cinema itself, is actually a form of cartography. Unlike its function in an atlas, a map in a movie often causes the spectator to entertain broader questions—not only about cinema but also of the nature of space and being.
Form:
books
books
Publication:
December 2006, Minneapolis, London
December 2006, Minneapolis, London
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Architecture without place, 1968/2008 : unbuilt visionary, ephemeral architecture & installations
Architecture without place, 1968/2008 : unbuilt visionary, ephemeral architecture & installations
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$64.95
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Summary:
The exhibition 'Architectures without Place (1968-2008)' presents a series of works that either were never built or no longer exist : a vast field which ranges from theoretical speculations, visionary prefigurings and ideas competitions to modified projects, ephemeral installations and botched buildings. This variegated realm of the unbuilt (or of the now non-existent)(...)
$64.95
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Summary:
The exhibition 'Architectures without Place (1968-2008)' presents a series of works that either were never built or no longer exist : a vast field which ranges from theoretical speculations, visionary prefigurings and ideas competitions to modified projects, ephemeral installations and botched buildings. This variegated realm of the unbuilt (or of the now non-existent)(...)
Publication:
June 2009
June 2009
Title:
Architecture without place, 1968/2008 : unbuilt visionary, ephemeral architecture & installations
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$64.95
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Summary:
The exhibition 'Architectures without Place (1968-2008)' presents a series of works that either were never built or no longer exist : a vast field which ranges from theoretical speculations, visionary prefigurings and ideas competitions to modified projects, ephemeral installations and botched buildings. This variegated realm of the unbuilt (or of the now non-existent) allows us to analyse the conceptual heritage of a long period of Catalonian cultural history; in other words, it lets us dissect forty years of architecture produced locally, highlighting the prevailing ideas at each step of the way. This is a heterogeneous field of project design in which converge other disciplines fuelled by a powerful desire to articulate and transform space : comics, theatre, film, ephemeral installations and the visual arts in general.
Architecture without place, 1968/2008 : unbuilt visionary, ephemeral architecture & installations
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Price:
$64.95
(available to order)
Summary:
The exhibition 'Architectures without Place (1968-2008)' presents a series of works that either were never built or no longer exist : a vast field which ranges from theoretical speculations, visionary prefigurings and ideas competitions to modified projects, ephemeral installations and botched buildings. This variegated realm of the unbuilt (or of the now non-existent) allows us to analyse the conceptual heritage of a long period of Catalonian cultural history; in other words, it lets us dissect forty years of architecture produced locally, highlighting the prevailing ideas at each step of the way. This is a heterogeneous field of project design in which converge other disciplines fuelled by a powerful desire to articulate and transform space : comics, theatre, film, ephemeral installations and the visual arts in general.
Form:
books
books
Publication:
June 2009
June 2009
