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1 unnumbered page of plates, 399 pages : illustrations (some color), maps ; 31 cm
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1 unnumbered page of plates, 399 pages : illustrations (some color), maps ; 31 cm
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[Paris] : Musée du quai Branly-Jacques Chirac ; Arles : Actes Sud, [2023]
[Paris] : Musée du quai Branly-Jacques Chirac ; Arles : Actes Sud, [2023]
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Mondes photographiques, histoires des débuts / sous la direction de Christine Barthe et Annabelle Lacour.
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1 unnumbered page of plates, 399 pages : illustrations (some color), maps ; 31 cm
Mondes photographiques, histoires des débuts / sous la direction de Christine Barthe et Annabelle Lacour.
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1 unnumbered page of plates, 399 pages : illustrations (some color), maps ; 31 cm
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books
books
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[Paris] : Musée du quai Branly-Jacques Chirac ; Arles : Actes Sud, [2023]
[Paris] : Musée du quai Branly-Jacques Chirac ; Arles : Actes Sud, [2023]
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xviii, 517 pages : illustrations, maps ; 24 cm
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xviii, 517 pages : illustrations, maps ; 24 cm
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Chicago : The University of Chicago Press, 2012., ©2012
Chicago : The University of Chicago Press, 2012., ©2012
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Segregation : a global history of divided cities / Carl H. Nightingale.
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xviii, 517 pages : illustrations, maps ; 24 cm
Segregation : a global history of divided cities / Carl H. Nightingale.
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xviii, 517 pages : illustrations, maps ; 24 cm
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books
books
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Chicago : The University of Chicago Press, 2012., ©2012
Chicago : The University of Chicago Press, 2012., ©2012
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books
books
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303 pages : illustrations (some color), maps ; 27 cm
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303 pages : illustrations (some color), maps ; 27 cm
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New York, NY : Cooper Hewitt, Smithsonian Design Museum, [2025], Cambridge, Massachusetts : MIT Press, ©2025
New York, NY : Cooper Hewitt, Smithsonian Design Museum, [2025], Cambridge, Massachusetts : MIT Press, ©2025
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Making home : belonging, memory, and Utopia in the 21st Century / edited by Alexandra Cunningham Cameron, Christina L. De León, and Michelle Joan Wilkinson.
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303 pages : illustrations (some color), maps ; 27 cm
Making home : belonging, memory, and Utopia in the 21st Century / edited by Alexandra Cunningham Cameron, Christina L. De León, and Michelle Joan Wilkinson.
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303 pages : illustrations (some color), maps ; 27 cm
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books
books
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New York, NY : Cooper Hewitt, Smithsonian Design Museum, [2025], Cambridge, Massachusetts : MIT Press, ©2025
New York, NY : Cooper Hewitt, Smithsonian Design Museum, [2025], Cambridge, Massachusetts : MIT Press, ©2025
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$49.95
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Colonial Modern: Aesthetics of the Past, Rebellions for the Future is a reader on the relationship between modernism and the project of modernisation in architecture, as well as the intertwining of both in the context of colonialism and decolonisation. It focuses on the dual topics of the relationship between the post-war aesthetic regime of modernism and the project of(...)
$49.95
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Colonial Modern: Aesthetics of the Past, Rebellions for the Future is a reader on the relationship between modernism and the project of modernisation in architecture, as well as the intertwining of both in the context of colonialism and decolonisation. It focuses on the dual topics of the relationship between the post-war aesthetic regime of modernism and the project of(...)
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Modernism
Modernism
Publication:
August 2010
August 2010
Title:
Colonial Modern: Aesthetics of the past, rebellions for the future
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Colonial Modern: Aesthetics of the Past, Rebellions for the Future is a reader on the relationship between modernism and the project of modernisation in architecture, as well as the intertwining of both in the context of colonialism and decolonisation. It focuses on the dual topics of the relationship between the post-war aesthetic regime of modernism and the project of modernization in architecture and urban planning, as well as on the highly charged intertwining of both in the context of colonialism and decolonization. It is based on the exhibition In the Desert of Modernity: Colonial Planning and After , which traced these connected histories of modern architecture and urban planning in colonial northern Africa and Europe, and was first exhibited in 2008 at the Haus der Kulturen der Welt in Berlin, Germany. The book reflects contemporary research into architectural modernism and colonialism, and utilizes the thesis of “negotiated modernism” to initiate new debates on conceptions of modernism and, inevitably, postmodernism in an interdisciplinary context.
Colonial Modern: Aesthetics of the past, rebellions for the future
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Colonial Modern: Aesthetics of the Past, Rebellions for the Future is a reader on the relationship between modernism and the project of modernisation in architecture, as well as the intertwining of both in the context of colonialism and decolonisation. It focuses on the dual topics of the relationship between the post-war aesthetic regime of modernism and the project of modernization in architecture and urban planning, as well as on the highly charged intertwining of both in the context of colonialism and decolonization. It is based on the exhibition In the Desert of Modernity: Colonial Planning and After , which traced these connected histories of modern architecture and urban planning in colonial northern Africa and Europe, and was first exhibited in 2008 at the Haus der Kulturen der Welt in Berlin, Germany. The book reflects contemporary research into architectural modernism and colonialism, and utilizes the thesis of “negotiated modernism” to initiate new debates on conceptions of modernism and, inevitably, postmodernism in an interdisciplinary context.
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books
books
Publication:
August 2010
August 2010
Subject:
Modernism
Modernism
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books
books
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$56.95
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
$56.95
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
Title:
The work of wind : air, land, sea
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$56.95
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
The work of wind : air, land, sea
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$56.95
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Summary:
While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
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books
books
Publication:
March 2019
March 2019
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Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$62.95
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Yinka Shonibare CBE makes colourful fabrics with presumed African origins into the trademark of his multimedia artworks. At the same time he examines complex themes like hybrid identities, colonialism and power structures with unique irony. This catalogue focuses on three decades of his fascinating artistic oeuvre.
$62.95
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Summary:
Yinka Shonibare CBE makes colourful fabrics with presumed African origins into the trademark of his multimedia artworks. At the same time he examines complex themes like hybrid identities, colonialism and power structures with unique irony. This catalogue focuses on three decades of his fascinating artistic oeuvre.
Title:
Yinka Shonibare CBE: End of empire
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$62.95
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Yinka Shonibare CBE makes colourful fabrics with presumed African origins into the trademark of his multimedia artworks. At the same time he examines complex themes like hybrid identities, colonialism and power structures with unique irony. This catalogue focuses on three decades of his fascinating artistic oeuvre.
Yinka Shonibare CBE: End of empire
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$62.95
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Summary:
Yinka Shonibare CBE makes colourful fabrics with presumed African origins into the trademark of his multimedia artworks. At the same time he examines complex themes like hybrid identities, colonialism and power structures with unique irony. This catalogue focuses on three decades of his fascinating artistic oeuvre.
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books
books
Publication:
February 2021
February 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$21.95
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Ranging from monographs on new-media artists, to a history of Canada's most controversial artist-run center, the CEAC, to testimonial writing on cultural politics and post-colonialism in Canada and Argentina, Tuer's writing address global media and local remembrance through a bland of storytelling, archival research, and cultural analysis.
$21.95
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Ranging from monographs on new-media artists, to a history of Canada's most controversial artist-run center, the CEAC, to testimonial writing on cultural politics and post-colonialism in Canada and Argentina, Tuer's writing address global media and local remembrance through a bland of storytelling, archival research, and cultural analysis.
Title:
Mining the media archive : essays on art, technology, and culture resistance
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$21.95
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Ranging from monographs on new-media artists, to a history of Canada's most controversial artist-run center, the CEAC, to testimonial writing on cultural politics and post-colonialism in Canada and Argentina, Tuer's writing address global media and local remembrance through a bland of storytelling, archival research, and cultural analysis.
Mining the media archive : essays on art, technology, and culture resistance
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$21.95
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Summary:
Ranging from monographs on new-media artists, to a history of Canada's most controversial artist-run center, the CEAC, to testimonial writing on cultural politics and post-colonialism in Canada and Argentina, Tuer's writing address global media and local remembrance through a bland of storytelling, archival research, and cultural analysis.
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books
books
Publication:
March 2006, Toronto
March 2006, Toronto
Subject:
Epistemology
Epistemology
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books
books
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Huong Ngo: Ungrafting
Huong Ngo: Ungrafting
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$44.00
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Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material(...)
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Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2024
October 2024
Title:
Huong Ngo: Ungrafting
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Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ngô turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, grafting—a procedure that involves cutting and splicing different species into a single plant—serves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyên Phan, and conversations between Ngô and Aline Lo and Evyn Lê Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngô’s exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production.
Huong Ngo: Ungrafting
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$44.00
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Summary:
Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ngô turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, grafting—a procedure that involves cutting and splicing different species into a single plant—serves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyên Phan, and conversations between Ngô and Aline Lo and Evyn Lê Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngô’s exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production.
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books
books
Publication:
October 2024
October 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$13.99
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Summary:
Kathryn Yusoff examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. She initiates a transdisciplinary conversation between black feminist theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep(...)
$13.99
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Summary:
Kathryn Yusoff examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. She initiates a transdisciplinary conversation between black feminist theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep(...)
Title:
A billion black anthropocenes or none
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$13.99
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Kathryn Yusoff examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. She initiates a transdisciplinary conversation between black feminist theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep time, and the afterlives of geology.
A billion black anthropocenes or none
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$13.99
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Summary:
Kathryn Yusoff examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. She initiates a transdisciplinary conversation between black feminist theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep time, and the afterlives of geology.
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books
books
Publication:
January 2019
January 2019
Subject:
Environment and environmental theory
Environment and environmental theory
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books
books
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$46.95
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Summary:
Le collectif Rybn.org traque les manifestations physiques et concrètes de la finance offshore dans les territoires sur lesquels elle opère. Empruntant les stratégies radicales de l’extra-disciplinaire, cet ouvrage collectif qui rassemble les écrits de vingt-et-un artistes, hackers et philosophes, dresse l’inventaire des mutations les plus récentes du capitalisme offshore.(...)
$46.95
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Summary:
Le collectif Rybn.org traque les manifestations physiques et concrètes de la finance offshore dans les territoires sur lesquels elle opère. Empruntant les stratégies radicales de l’extra-disciplinaire, cet ouvrage collectif qui rassemble les écrits de vingt-et-un artistes, hackers et philosophes, dresse l’inventaire des mutations les plus récentes du capitalisme offshore.(...)
Title:
The great offshore : art, argent, souveraineté, gouvernance, colonialisme
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$46.95
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Le collectif Rybn.org traque les manifestations physiques et concrètes de la finance offshore dans les territoires sur lesquels elle opère. Empruntant les stratégies radicales de l’extra-disciplinaire, cet ouvrage collectif qui rassemble les écrits de vingt-et-un artistes, hackers et philosophes, dresse l’inventaire des mutations les plus récentes du capitalisme offshore. De la politique des proxys à l’extractivisme spatial et à la marchandisation des communs, en passant par la citoyenneté par investissement et le marché de l’art, tout nous indique que la «gouvernance offshore» est devenue la norme, qu’elle est le capitalisme globalisé.
The great offshore : art, argent, souveraineté, gouvernance, colonialisme
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$46.95
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Summary:
Le collectif Rybn.org traque les manifestations physiques et concrètes de la finance offshore dans les territoires sur lesquels elle opère. Empruntant les stratégies radicales de l’extra-disciplinaire, cet ouvrage collectif qui rassemble les écrits de vingt-et-un artistes, hackers et philosophes, dresse l’inventaire des mutations les plus récentes du capitalisme offshore. De la politique des proxys à l’extractivisme spatial et à la marchandisation des communs, en passant par la citoyenneté par investissement et le marché de l’art, tout nous indique que la «gouvernance offshore» est devenue la norme, qu’elle est le capitalisme globalisé.
Form:
books
books
Publication:
April 2021
April 2021
Subject:
Art Theory
Art Theory
