Zero yen houses
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A lean-to in an urban park, featuring a blue tarpaulin roof, a hinged door, and a bamboo blind. A car-shaped cardboard hut, lashed together with rope and sitting on a dolly. Temporary lodging under a bridge, incorporating a piece of playground equipment into its design. Each of these structures is an example of what Japanese artist and architect Kyohei Sakaguchi calls a(...)
Zero yen houses
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A lean-to in an urban park, featuring a blue tarpaulin roof, a hinged door, and a bamboo blind. A car-shaped cardboard hut, lashed together with rope and sitting on a dolly. Temporary lodging under a bridge, incorporating a piece of playground equipment into its design. Each of these structures is an example of what Japanese artist and architect Kyohei Sakaguchi calls a "zero-yen house".Built by the homeless of Tokyo, Osaka, and Nagoya, zero-yen houses employ discarded and found materials, including pieces of wood and corrugated roofing, temple ornaments, blankets, shipping pallets, an umbrella, and those ubiquitous blue tarps. They also incorporate into their assembly the imminence of their disassembly: at any moment, they may have to be taken apart and moved.Since his days as a university student at the turn of the millennium, Sakaguchi has been studying the kinds of shelters that street people have created for themselves in Japan's three largest cities. Based in Tokyo, he appears to be obsessed with this peculiar and transient form of "vernacular architecture". Sakaguchi uses images, descriptions, and even facsimiles of the improvised homes of the homeless as a way of celebrating human resourcefulness and ingenuity. These dwellings, he tells us, are worthy of our interest and admiration rather than our indifference, our scorn, or even our pity. They can instruct us on an approach to architecture that is the reverse of overconsumption and resource depletion.
Residential Architecture
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Shohei Shigematsu, whose works include projects from educational facilities, art museums, and exhibition designs to high-rise commercial complexes, has been the lead at OMA New York since 2006. All his designs can be described as “open-ended” and able to “absorb and reflect society in the moment”. Through a curated selection of images, this issue captures architecture(...)
A+U 647 : OMA Shohei Shigemats
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Shohei Shigematsu, whose works include projects from educational facilities, art museums, and exhibition designs to high-rise commercial complexes, has been the lead at OMA New York since 2006. All his designs can be described as “open-ended” and able to “absorb and reflect society in the moment”. Through a curated selection of images, this issue captures architecture that demonstrates how the rational box and soft form can coexist, as embodied in the contemporary public realm. A selection of 34 projects representing the architecture of both New York and Tokyo is expanded upon with essays by Shigematsu and others, plus two conversations with the architect.
Magazines
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan(...)
Cities and the cultural economy
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan cities of the West (for example London, Berlin, New York, San Francisco, and Melbourne), but is also influential in the development of East Asian cities (Tokyo, Shanghai, Hong Kong and Singapore), as well as the mega-cities of the Global South (e.g. Mumbai, Capetown, and São Paulo).
Urban Theory
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A full issue dedicated to the Athens-based office for research, architecture, and urban design known as Point Supreme. Founded in Rotterdam in 2008 by Marianna Rentzou and Konstantinos Pantazis, after living and working in Athens, London, Brussels, Tokyo, and Rotterdam for offices such as OMA and MVRDV, Point Supreme is known for regularly publishing self-initiated(...)
A+U 632 05:2023 Point Supreme
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A full issue dedicated to the Athens-based office for research, architecture, and urban design known as Point Supreme. Founded in Rotterdam in 2008 by Marianna Rentzou and Konstantinos Pantazis, after living and working in Athens, London, Brussels, Tokyo, and Rotterdam for offices such as OMA and MVRDV, Point Supreme is known for regularly publishing self-initiated projects on a variety of scales, as well as conceiving and executing intimate interiors. The issue features a selection of works and projects, from houses, apartments, and a flower shop to cabinets, totems, and a fire station, along with essays by Pier Paolo Tamburelli, Eric Lappiere, and Freek Persyn.
Magazines
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''Small Practices : In Conversation with Malaysian and Japanese Architects'' provides an intimate look into how small practices find their niche and pursue their passion in a field that is often perceived as aggressive and vigorous. Noorul Fadzlee Khamis, a Malaysian architect, and educator, with the support of Japan Foundation Asia Centre speaks to small practices based(...)
Small Practices: In conversation with Malaysian & Japanese Architects
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''Small Practices : In Conversation with Malaysian and Japanese Architects'' provides an intimate look into how small practices find their niche and pursue their passion in a field that is often perceived as aggressive and vigorous. Noorul Fadzlee Khamis, a Malaysian architect, and educator, with the support of Japan Foundation Asia Centre speaks to small practices based in both Kuala Lumpur and Tokyo, documenting their workplaces and thoughts on inspiration, quirks, irks, the future of small practices, and its relation to architecture education. Featuring interviews with, Atelier Kazuki Wakahara, Atelier Ryo Abe, Design Team Architects, Satoshi Okada Architects, CODA, Normal Architecture, No-to-Scale*, Studio Karya, and WHBC Architects.
Contemporary Asian Architecture
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Photographs by Homma Takashi. Roppongi Hills is one of Japan's largest integrated property developments, located in the Roppongi district of Tokyo. Constructed by building tycoon Minoru Mori, the mega-complex incorporates office space, apartments, shops, restaurants, cafés, movie theaters, a museum, a hotel, a major TV studio, an outdoor amphitheater, and a few parks. The(...)
March 2006, Tokyo
Six strata : Roppongi Hills defined
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Photographs by Homma Takashi. Roppongi Hills is one of Japan's largest integrated property developments, located in the Roppongi district of Tokyo. Constructed by building tycoon Minoru Mori, the mega-complex incorporates office space, apartments, shops, restaurants, cafés, movie theaters, a museum, a hotel, a major TV studio, an outdoor amphitheater, and a few parks. The centerpiece is the 54-story eponymous Mori Tower. Mori's stated vision was to build an integrated development where high-rise inner-urban communities allow people to live, work, play, and shop in close proximity to eliminate commuting time. Seventeen years in the making, the complex opened to the public on april 23, 2003.
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Frank Lloyd Wright, one of the greatest architects of the 20th century, was deeply indebted to Japan for its aesthetic inspiration. This is the story of how he repaid that debt. Wright sought refuge in Japan when he faced public condemnation at home. For six tumultuous years, he struggled to complete the enormous commission of the Hotel Imperial in Tokyo, which helped(...)
Magnificent obscession : Frank Lloyd Wright's buildings in Japan
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Frank Lloyd Wright, one of the greatest architects of the 20th century, was deeply indebted to Japan for its aesthetic inspiration. This is the story of how he repaid that debt. Wright sought refuge in Japan when he faced public condemnation at home. For six tumultuous years, he struggled to complete the enormous commission of the Hotel Imperial in Tokyo, which helped turn his career around. During the construction of the building, he forged several relationships with Japanese architects who went on to alter Japan's cityscapes and mentor a new generation of architects. Wright's obsession with Japan, and vice versa, vividly reminds us that the creative spirit knows no borders.
DVDs
Heterotemporality
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Inspired by ‘Tokyo Papers’ by Karel Martens, Ari Marcopoulos arranged his pictures while thinking about what would distinguish inside and outside, public and private. It is an idea that had already become a prevalent thought during the Covid-19 pandemic. The images in colour, hidden on the inside folds of the pages of this publication, are mostly portraits of objects and(...)
October 2021
Heterotemporality
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Inspired by ‘Tokyo Papers’ by Karel Martens, Ari Marcopoulos arranged his pictures while thinking about what would distinguish inside and outside, public and private. It is an idea that had already become a prevalent thought during the Covid-19 pandemic. The images in colour, hidden on the inside folds of the pages of this publication, are mostly portraits of objects and people, while the black-and-white photographs on the visible pages are recent work, primarily exterior shots taken in January and February of 2021. Envisioning his own photos in book form is “a good way to see how images look together”, according to Marcopoulos.
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Devoted to Kazuyo Sejima and Ryue Nishizawa (SANAA), the dossier of AV Proyectos covers the latest international projects by the Tokyo-based studio. From the polemical refurbishment of the Paris department stores La Samaritaine to the extension of the NSW Art Gallery in Sydney, via their proposals in Jerusalem and Budapest and the more recent ones developed in their(...)
AV Proyectos 077: Dossier Sanaa
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Devoted to Kazuyo Sejima and Ryue Nishizawa (SANAA), the dossier of AV Proyectos covers the latest international projects by the Tokyo-based studio. From the polemical refurbishment of the Paris department stores La Samaritaine to the extension of the NSW Art Gallery in Sydney, via their proposals in Jerusalem and Budapest and the more recent ones developed in their country, all their designs maintain the subtle and immaterial character that defines their oeuvre. The competitions section features the projects shortlisted in the call to design the new MALI (Museo de Arte de Lima), won by the Spanish team Burgos & Garrido with the local firm Llama Urban Design.
Magazines
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"SANAA. Sejima & Nishizawa. 1990-2017" gathers the complete oeuvre of Kazuyo Sejima and Ryue Nishizawa over almost three decades of work of the three studios they lead in Tokyo, and that has produced prominent buildings like the Zollverein School of Design in Essen, the Rolex Center in Lausanne, the Louvre-Lens Museum, or their recent center for the Grace Farms Foundation(...)
SANAA. Sejima & Nishizawa 1990-2017
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"SANAA. Sejima & Nishizawa. 1990-2017" gathers the complete oeuvre of Kazuyo Sejima and Ryue Nishizawa over almost three decades of work of the three studios they lead in Tokyo, and that has produced prominent buildings like the Zollverein School of Design in Essen, the Rolex Center in Lausanne, the Louvre-Lens Museum, or their recent center for the Grace Farms Foundation in Connecticut. With articles by Luis Fernández-Galiano and the architects themselves, this monograph examines the principles and methods behind the seeming simplicity of the work of the two Japanese architects, and unveils the keys to the radicalness of their architecture, extremely light and immaterial.
Architecture Monographs