21400 Results
Form:
photographs
photographs
Reference number:
PH2018:0012:001
Description:
Editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' in special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017 print ed. 4/20, book ed. 24/40 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
PH2018:0012:001
Description:
Editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' in special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017 print ed. 4/20, book ed. 24/40 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
People:
Date:
2013
2013
Title:
An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013
Actions:
PH2018:0012:001
Description:
Editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' in special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017 print ed. 4/20, book ed. 24/40 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013
Actions:
PH2018:0012:001
Description:
Editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' in special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017 print ed. 4/20, book ed. 24/40 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
Form:
photographs
photographs
Date:
2013
2013
People:
Form:
photographs
photographs
Actions:
Reference number:
PH2018:0012
Description:
Special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017. With editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' book ed. 24/40, print ed. 4/20 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
PH2018:0012
Description:
Special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017. With editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' book ed. 24/40, print ed. 4/20 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
People:
Date:
2017
2017
Title:
An Enduring Wilderness: Toronto's Natural Parklands
Actions:
PH2018:0012
Description:
Special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017. With editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' book ed. 24/40, print ed. 4/20 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
An Enduring Wilderness: Toronto's Natural Parklands
Actions:
PH2018:0012
Description:
Special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017. With editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' book ed. 24/40, print ed. 4/20 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
Form:
photographs
photographs
Date:
2017
2017
People:
Level of archival description:
Series
Series
Title:
Architectural projects
Architectural projects
Reference number:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
People:
Date:
1948-2012
1948-2012
Title:
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Level of archival description:
Series
Series
Date:
1948-2012
1948-2012
People:
Form:
research
research
Title:
Visiting Scholars 2012
Visiting Scholars 2012
Actions:
Description:
Elke Krasny, Akademie der bildenden Künste Wien, Vienna, Austria Topic: Shim-Sutcliffe: Crafting Architecture. A Monograph as Critical Reflection Shannon Mattern, The New School, New York, United States Topic: Urban Media Archaeology. Communication Infrastructure and Material Cities Manfredo Nicolis di Robilant, Politecnico di Torino, Turin, Italy Topic: Utility versus(...)
Elke Krasny, Akademie der bildenden Künste Wien, Vienna, Austria Topic: Shim-Sutcliffe: Crafting Architecture. A Monograph as Critical Reflection Shannon Mattern, The New School, New York, United States Topic: Urban Media Archaeology. Communication Infrastructure and Material Cities Manfredo Nicolis di Robilant, Politecnico di Torino, Turin, Italy Topic: Utility versus(...)
Date:
2 April 2012 to 31 August 2012
2 April 2012 to 31 August 2012
Title:
Visiting Scholars 2012
Actions:
Description:
Elke Krasny, Akademie der bildenden Künste Wien, Vienna, Austria Topic: Shim-Sutcliffe: Crafting Architecture. A Monograph as Critical Reflection Shannon Mattern, The New School, New York, United States Topic: Urban Media Archaeology. Communication Infrastructure and Material Cities Manfredo Nicolis di Robilant, Politecnico di Torino, Turin, Italy Topic: Utility versus(...)
Visiting Scholars 2012
Actions:
Description:
Elke Krasny, Akademie der bildenden Künste Wien, Vienna, Austria Topic: Shim-Sutcliffe: Crafting Architecture. A Monograph as Critical Reflection Shannon Mattern, The New School, New York, United States Topic: Urban Media Archaeology. Communication Infrastructure and Material Cities Manfredo Nicolis di Robilant, Politecnico di Torino, Turin, Italy Topic: Utility versus(...)
Form:
research
research
Date:
2 April 2012 to
31 August 2012
2 April 2012 to
31 August 2012
Form:
exhibitions
exhibitions
Description:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Location:
Baile Park
Baile Park
Date:
6 May 2004 to 6 September 2004
6 May 2004 to 6 September 2004
Title:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970)
Actions:
Description:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970)
Actions:
Description:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Form:
exhibitions
exhibitions
Date:
6 May 2004 to
6 September 2004
6 May 2004 to
6 September 2004
Location:
Baile Park
Baile Park
Form:
exhibitions
exhibitions
Actions:
Description:
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Location:
Main galleries
Main galleries
Date:
18 March 1998 to 24 May 1998
18 March 1998 to 24 May 1998
Title:
Montréal Métropole, 1880–1930
Actions:
Description:
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Montréal Métropole, 1880–1930
Actions:
Description:
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Form:
exhibitions
exhibitions
Date:
18 March 1998 to
24 May 1998
18 March 1998 to
24 May 1998
Location:
Main galleries
Main galleries
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP189
Synopsis:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
AP189
Synopsis:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
People:
Date:
2000-2008
2000-2008
Title:
Philippe Rahm "Interior Weather" installation records
Actions:
AP189
Synopsis:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
Philippe Rahm "Interior Weather" installation records
Actions:
AP189
Synopsis:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
2000-2008
2000-2008
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Arthur Erickson fonds
Arthur Erickson fonds
Reference number:
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
People:
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Title:
Arthur Erickson fonds
Actions:
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Arthur Erickson fonds
Actions:
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
People:
Form:
textual records
textual records
Reference number:
ARCH255577
Description:
20 publications including: Tall building structure: a world view / Council on Tall Buildings and Urban Habitat; Bauwelt 6 Aug. 1962 Hugo Weber: Mies van der Rohe; L'architettura July-Aug. 1955 annotated in graphite "M.G. Thesis"; Bauen & Wohnen July 1972; Arts & Architecture Nov. 1956; Western Architect & Engineer Feb. 1961; Architectural Forum Feb. 1959, June 1959, April 1961 and May 1962; Polytechnisch Tydschrift 12 Sept. 1957; Architectural Review Oct. 1977; Architectural Record Oct. 1960; Document Architettura v.1 no.14; Casabella Jan-Feb 1988; Columus Indiana: central area plan; Elkhart Indiana: Comprehensive plan for parks, recreation and open land; Elkhat Indiana: central area plan; Mauna City: a city within a city
ARCH255577
Description:
20 publications including: Tall building structure: a world view / Council on Tall Buildings and Urban Habitat; Bauwelt 6 Aug. 1962 Hugo Weber: Mies van der Rohe; L'architettura July-Aug. 1955 annotated in graphite "M.G. Thesis"; Bauen & Wohnen July 1972; Arts & Architecture Nov. 1956; Western Architect & Engineer Feb. 1961; Architectural Forum Feb. 1959, June 1959, April 1961 and May 1962; Polytechnisch Tydschrift 12 Sept. 1957; Architectural Review Oct. 1977; Architectural Record Oct. 1960; Document Architettura v.1 no.14; Casabella Jan-Feb 1988; Columus Indiana: central area plan; Elkhart Indiana: Comprehensive plan for parks, recreation and open land; Elkhat Indiana: central area plan; Mauna City: a city within a city
People:
Date:
1951-1966
1951-1966
Title:
Misc. publications and magazines of architecture
Actions:
ARCH255577
Description:
20 publications including: Tall building structure: a world view / Council on Tall Buildings and Urban Habitat; Bauwelt 6 Aug. 1962 Hugo Weber: Mies van der Rohe; L'architettura July-Aug. 1955 annotated in graphite "M.G. Thesis"; Bauen & Wohnen July 1972; Arts & Architecture Nov. 1956; Western Architect & Engineer Feb. 1961; Architectural Forum Feb. 1959, June 1959, April 1961 and May 1962; Polytechnisch Tydschrift 12 Sept. 1957; Architectural Review Oct. 1977; Architectural Record Oct. 1960; Document Architettura v.1 no.14; Casabella Jan-Feb 1988; Columus Indiana: central area plan; Elkhart Indiana: Comprehensive plan for parks, recreation and open land; Elkhat Indiana: central area plan; Mauna City: a city within a city
Misc. publications and magazines of architecture
Actions:
ARCH255577
Description:
20 publications including: Tall building structure: a world view / Council on Tall Buildings and Urban Habitat; Bauwelt 6 Aug. 1962 Hugo Weber: Mies van der Rohe; L'architettura July-Aug. 1955 annotated in graphite "M.G. Thesis"; Bauen & Wohnen July 1972; Arts & Architecture Nov. 1956; Western Architect & Engineer Feb. 1961; Architectural Forum Feb. 1959, June 1959, April 1961 and May 1962; Polytechnisch Tydschrift 12 Sept. 1957; Architectural Review Oct. 1977; Architectural Record Oct. 1960; Document Architettura v.1 no.14; Casabella Jan-Feb 1988; Columus Indiana: central area plan; Elkhart Indiana: Comprehensive plan for parks, recreation and open land; Elkhat Indiana: central area plan; Mauna City: a city within a city
Form:
textual records
textual records
Date:
1951-1966
1951-1966
People:
Form:
exhibitions
exhibitions
Description:
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
21 September 2018 to 19 May 2019
21 September 2018 to 19 May 2019
Title:
Scripts for a new world
Actions:
Description:
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Scripts for a new world
Actions:
Description:
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Form:
exhibitions
exhibitions
Date:
21 September 2018 to
19 May 2019
21 September 2018 to
19 May 2019
Location:
Octagonal gallery
Octagonal gallery
