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Wittgenstein's House reads Wittgenstein's his two main philosophical texts, Tractatus Logico-Philosophicus and Philosophical Investigations, in relation to an experience that intervened between them: his design and construction of the Stonborough-Wittgenstein house in Vienna. Arguing that the practice of architecture occupies not just a historical position between(...)
Wittgenstein's house: language, space, & architecture
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Wittgenstein's House reads Wittgenstein's his two main philosophical texts, Tractatus Logico-Philosophicus and Philosophical Investigations, in relation to an experience that intervened between them: his design and construction of the Stonborough-Wittgenstein house in Vienna. Arguing that the practice of architecture occupies not just a historical position between Wittgenstein's early and late philosophy, but a conceptual position as well, the book demonstrates that Wittgenstein's practice of architecture constitutes a fundamental component in the development of his philosophy of language from its early to late phases. The book advances the radical proposition that the field in which architecture and philosophy operate includes linguistic and spatial practices. It develops innovative forms of interdisciplinary analyses to demonstrate that the philosophical positions put forth by Wittgenstein's two main works are literally unthinkable outside of their respective conceptions of space: the view from above in the early work and the view from within constructed by the late work. To examine the manner in which Wittgenstein's practice of architecture insinuated itself into his philosophy, the author interweaves in-depth analyses of the spatial constructs underpinning the early and late philosophies with conceptual, formal and operative discussions of the design of the Stonborough-Wittgenstein house. Together these discussions reveal how Wittgenstein's practice of architecture engaged philosophical concepts, through which it influenced Wittgenstein's philosophy of language. At the heart of this approach is the finding that the philosophical concepts at the core of Wittgenstein's philosophy areindeed spatial ones, including his concerns with the limits of language, the boundary between showing and saying, the intricate textual numbering systems he devises, the relationship between the interiority of the subject and the publicness of language, and the formative principle of family resemblance.
Architectural Theory
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This book takes on perhaps the most formidable issue facing metropolitan areas today: the large numbers of people experiencing homelessnes within cities. Four dedicated experts with first-hand experience profile ten cities—Bogota, Mexico City, Los Angeles, Houston, Nashville, New York City, Baltimore, Edmonton, Paris, and Athens—to explore ideas, strategies, successes,(...)
Humans and cities
May 2021
How ten global cities take on homelessness: innovations that work
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This book takes on perhaps the most formidable issue facing metropolitan areas today: the large numbers of people experiencing homelessnes within cities. Four dedicated experts with first-hand experience profile ten cities—Bogota, Mexico City, Los Angeles, Houston, Nashville, New York City, Baltimore, Edmonton, Paris, and Athens—to explore ideas, strategies, successes, and failures. Together they bring an array of government, nonprofit, and academic perspectives to offer a truly global perspective. The authors answer essential questions about the nature and causes of homelessness and analyze how cities have used innovation and local political coordination to address this pervasive problem.
Humans and cities
Site Specific
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An investigation into how place and context affects critical design development in an architectural site related programme. Architects were shortlisted for this project for their particular (and sometimes contrasting) modes of working with site specificity within European and American contemporary architectural practice. All the architects selected are working at an(...)
Site Specific
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An investigation into how place and context affects critical design development in an architectural site related programme. Architects were shortlisted for this project for their particular (and sometimes contrasting) modes of working with site specificity within European and American contemporary architectural practice. All the architects selected are working at an international level within their field and display a high level of intelligence and sensibility within their designs. This book offers the reader a chance to understand the deeper thinking of the individual interviewees.
Contemporary Architecture
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Through interviews with more than 20 designers, Graphic Design in the Post-Digital Age looks at the challenges and opportunities of the fast-changing world of creative coding within a growing community of designers opting to make their own design tools. The designers reflect upon the ways in which coding has transformed their design practice, and the directions it will(...)
Graphic design in the post-digital age
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Through interviews with more than 20 designers, Graphic Design in the Post-Digital Age looks at the challenges and opportunities of the fast-changing world of creative coding within a growing community of designers opting to make their own design tools. The designers reflect upon the ways in which coding has transformed their design practice, and the directions it will take in the future. The book is designed entirely by code, featuring digital print on its cut edges and fluorescent colors.
Graphic Design and Typography
The gatherers
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Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color(...)
The gatherers
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Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color illustrations of their artworks, which span sculptural installation, assemblage, painting, video and performance. In a longform essay, Ruba Katrib contextualizes their practices within the promises and failures of neoliberalism, the shifting constructions of East and West and the explosion of new technologies. Additionally, the catalog situates their practices within larger art historical trends, from Greek asàrotos òikos and Dutch still lifes, to 20th-century Surrealism and postwar assemblage. With newly commissioned texts on each of the participating artists by leading curators, theorists and writers from across the globe, the catalog offers incisive critical writing on issues in contemporary art and the 21st century.
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The artist & the garden
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This extraordinarily beautiful book gathers together and examines for the first time a delightful collection of English gardens rendered by artists from 1540 to the early nineteenth century, many of which are unknown. Sir Roy Strong, widely recognized for his(...)
The artist & the garden
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This extraordinarily beautiful book gathers together and examines for the first time a delightful collection of English gardens rendered by artists from 1540 to the early nineteenth century, many of which are unknown. Sir Roy Strong, widely recognized for his expertise in both art history and garden history, surveys garden pictures ranging from Elizabethan miniatures to eighteenth-century alfresco conversation pieces, from suites of paintings of a single garden to amateur watercolors. He inquires into the origin of the English garden picture genre, its development prior to the invention of photography, its greatest exponents, its reliability as historical evidence of actual gardens, and its place within the larger European tradition of picturing the garden. The English, Strong observes, were slow in picturing the reality of their gardens. Until well into the Stuart age, the garden in art served as a symbol, and only gradually did this give way to the impulse to record the facts of contemporary garden-making. In the backgrounds of portraits of Jacobean and Caroline garden owners, the garden is no longer an emblem; it becomes instead a document demonstrating the owners' pride in their gardens made in the new Renaissance manner. By the Georgian age the garden has moved from the back to the foreground of pictures, and whole families place themselves amid the glory of their self-fashioned landscapes. Both house and garden at this point assume a separate identity, each calling for an individual record. And by the nineteenth century, the author shows, the garden detaches itself from owner and house to be recorded for its own sake, as a single image at first, and later in a series. With some 350 fully annotated illustrations, this lovely book offers a unique record of three hundred years of English gardens and what they meant to those who owned and portrayed them.
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October 2000, New Haven
Gardens
Concrete design
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Over the last ten years concrete has become established as the favorite material for a number of internationally renowned architects, designers, sculptors, artists, and interior designers. In this look at the design possibilities of concrete within the domestic environment, desing expert Sarah Gaventa redresses the preconceptions surrounding the material, examining(...)
Concrete design
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Over the last ten years concrete has become established as the favorite material for a number of internationally renowned architects, designers, sculptors, artists, and interior designers. In this look at the design possibilities of concrete within the domestic environment, desing expert Sarah Gaventa redresses the preconceptions surrounding the material, examining experimentation on the medium by many of the world's leading designers such as Rem Koolhaas, Tadao Ando, Maya Lin, and Ron Arad. With a foreword by architect Piers Gough, and a wealth of inspirational images, Sarah Gaventa presents concrete as the material for the 21st century.
Materials and Lighting
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The book discusses the role of art in architecture with a particular focus on colour and the dynamic relationships between light, form, material surface, space and movement. Drawing on historical examples to establish recurring themes, it examines the work of artists and architects whose use of colour is informed by artistic practice. It is divided into three main(...)
Colour beyond the surface: art in architecture
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The book discusses the role of art in architecture with a particular focus on colour and the dynamic relationships between light, form, material surface, space and movement. Drawing on historical examples to establish recurring themes, it examines the work of artists and architects whose use of colour is informed by artistic practice. It is divided into three main sections: the first focusing on architecture, the second on the artworks and the final section on collaboration. Throughout, it bridges time, comparing historic artworks and spaces with contemporary ones, addressing key questions such as ''if an artwork is self-sufficient, how is this accommodated within an architectural setting without compromising both?'' and setting out examples of what does and doesn’t work.
Colour Theory and Design
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Thinking photography
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"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the(...)
Thinking photography
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"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the photographer's personality, a transparent presentation of a real scene, or more recently in 'modernist' criticism as a purely formal object. Victor Burgin and his collaborators - Umberto Eco, Allan Sekula, John Tagg and Simon Watney - taking their cue from Walter Benjamin's "The author as producer" (also reprinted here), and working from a wide range of photographs, challenge the concept of the autonomous, spontaneously creative artist, the idea of documentary truth in photography and the notion of purely visual languages. They develop an account of the production of the meaning as a photograph within social institutions - advertising, journalism, art - within a society with a history and within the unconscious.
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April 2003, New York
Theory of Photography
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There are an estimated three trillion trees in the world, half as many as there once were. To honor and protect these vital organisms, a shift in perspective can help expand our understanding beyond simply appreciating trees' remarkable beauty to discovering the ways they are inextricably connected to our planet, our fellow species, and our spirits. Within these pages,(...)
Forty ways to know a tree: Exploring trees to understand nature
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There are an estimated three trillion trees in the world, half as many as there once were. To honor and protect these vital organisms, a shift in perspective can help expand our understanding beyond simply appreciating trees' remarkable beauty to discovering the ways they are inextricably connected to our planet, our fellow species, and our spirits. Within these pages, biologist Joan Maloof offers forty distinct ways of encountering, exploring, and learning about a tree. Through engaging, impassioned essays, paired with watercolor illustrations, she invites us to get to know a tree by its leaves; through its rings; from its birds; by its song; and so much more
Fauna and flora