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'Monotown: Urban Dreams Brutal Imperatives' examines the post-industrial transformation and transnational legacy of planned single-industry towns which emerged as a distinctive sociopolitical project of urbanization in the Soviet Union during the 1920s.
Monotown: Urban dreams, brutal imperatives
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'Monotown: Urban Dreams Brutal Imperatives' examines the post-industrial transformation and transnational legacy of planned single-industry towns which emerged as a distinctive sociopolitical project of urbanization in the Soviet Union during the 1920s.
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Built in 1969, Metsamor, Armenia (then the Armenian Soviet Socialist Republic), was intended as a settlement for employees of a nearby nuclear power plant to be completed between 1976 and 1980. But the power plant would never realize the ambitions of its creators. In 1988, an earthquake caused the facility to be shut down. In 1989, the collapse of the Soviet Union(...)
Utopia and collapse: rethinking Metsamor, the Armenian atomic city
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Built in 1969, Metsamor, Armenia (then the Armenian Soviet Socialist Republic), was intended as a settlement for employees of a nearby nuclear power plant to be completed between 1976 and 1980. But the power plant would never realize the ambitions of its creators. In 1988, an earthquake caused the facility to be shut down. In 1989, the collapse of the Soviet Union prompted a complete construction freeze. The symbol of the dream of a technologically advanced nation, Metsamor remained incomplete and fell into decay undiminished by the recommissioning of the power plant in 1995. "Utopia and Collapse" documents the rise and fall of Metsamor.
Architectural Theory
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In 1935, well into the era of Soviet communism, Russian satirical writers Ilya Ilf and Evgeny Petrov came to the U.S as special correspondents for the Russian newspaper ''Pravda.'' They drove cross-country and back on a ten-week trip, recording images of American life through humerous texts and the lens of a Leica camera. When they returned home, they published their work(...)
Ilf and Petrov's American road trip
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In 1935, well into the era of Soviet communism, Russian satirical writers Ilya Ilf and Evgeny Petrov came to the U.S as special correspondents for the Russian newspaper ''Pravda.'' They drove cross-country and back on a ten-week trip, recording images of American life through humerous texts and the lens of a Leica camera. When they returned home, they published their work in ''Ogonek,'' the Soviet equivalent of ''Time'' magazine, and later in the book ''Odnoetazhnaia Amerika'' (''Single-Storied America''). This wonderful lost workfilled with wry observations, biting opinions, and telling photographsis now collected in ''Ilf and Petrov's American Road Trip,'' the first English translation.
Journeys
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Despite attempts to promote the aesthetics of ruins in Russia - from Catherine the Great's construction of fake ruins in imperial parks to Josef Brodsky's elegiac meditations - ruins have never achieved the status they enjoy in Western Europe. While the Soviet Union was notorious for leveling churches, post-Soviet Russia has only intensified the practice of massive(...)
Architecture of oblivion : ruins and historical consciousness in modern Russia
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Despite attempts to promote the aesthetics of ruins in Russia - from Catherine the Great's construction of fake ruins in imperial parks to Josef Brodsky's elegiac meditations - ruins have never achieved the status they enjoy in Western Europe. While the Soviet Union was notorious for leveling churches, post-Soviet Russia has only intensified the practice of massive destruction and reconstruction. "Architecture of Oblivion "examines the role of ruins in the development of Russia's historical consciousness from the 18th century to the present. This original work from a leading authority on the subject will appeal to historians of Russian culture and thought, literature and art scholars, and general readers interested in ruins.
Architectural Theory
Marco Citron: urbanism 1.01
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Temporal displacement plays a key role in this attractive series of 40 colour photographs by Marco Citron. Through the use of a specific colour palette, reminiscent of postcards from the 1960s, he creates a nostalgic aura around his subject matter, the architectural landscapes of the Soviet Bloc. Housing blocks, wide plazas, highways on which only Trabants drive, and(...)
Marco Citron: urbanism 1.01
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Temporal displacement plays a key role in this attractive series of 40 colour photographs by Marco Citron. Through the use of a specific colour palette, reminiscent of postcards from the 1960s, he creates a nostalgic aura around his subject matter, the architectural landscapes of the Soviet Bloc. Housing blocks, wide plazas, highways on which only Trabants drive, and monumental governmental edifices comprise these sparsely populated landscapes. They challenge the viewer with their retro ambiguity. Mixing reality and fiction, “it is difficult to know whether Citron is recording some of the planning conceits of the Soviet era, or inventing them,” according to the text by Gerry Badger.
Photography monographs
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This publication is a new multi-text publication discussing the relationships between architects, artists and educators, specifically through the art which became an integral part of the fabric of educational buildings and their immediate environments in the twentieth century. The book maintains a multi-national focus, with essays on subjects as geographically varied as(...)
Art Theory
November 2013
The Decorated School: essays on the visual culture of schooling
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This publication is a new multi-text publication discussing the relationships between architects, artists and educators, specifically through the art which became an integral part of the fabric of educational buildings and their immediate environments in the twentieth century. The book maintains a multi-national focus, with essays on subjects as geographically varied as the Edinburgh Schools Beautiful Scheme of the 1930s; the shaping of Chicago schools through murals in the early 20th century; Asger Jorn’s school decoration in Aarhus Statsgymnasium, Denmark, 1959–61; Soviet and Post-Soviet decorations and impressions in the context of School 6, Bishkek, Kyrgyzstan; and Colorism in 1950s in Hertfordshire schools.
Art Theory
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Focusing on the work Bourke-White made in the 1930s and 40s in Czechoslovakia, Germany, Italy, the Soviet Union and the U.K., Moments in History presents 150 classic photographs alongside revelatory extracts from letters and publications in periodicals.
Margaret Bourke-White : moments in history
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Focusing on the work Bourke-White made in the 1930s and 40s in Czechoslovakia, Germany, Italy, the Soviet Union and the U.K., Moments in History presents 150 classic photographs alongside revelatory extracts from letters and publications in periodicals.
Photography monographs
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Restricted Areas brings together the results from a nine year project looking at some of the key military bases in Eastern Germany that lie abandoned following the fall of the Iron Curtain and withdrawal of the Soviet Armed forces.
Photography monographs
January 2008, Manchester
Angus Boulton: restricted areas
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Restricted Areas brings together the results from a nine year project looking at some of the key military bases in Eastern Germany that lie abandoned following the fall of the Iron Curtain and withdrawal of the Soviet Armed forces.
Photography monographs
$18.95
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Restricted Areas brings together the results from a nine year project looking at some of the key military bases in Eastern Germany that lie abandoned following the fall of the Iron Curtain and withdrawal of the Soviet Armed forces.
Chaosophy: texts and interviews 1972-1977
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Restricted Areas brings together the results from a nine year project looking at some of the key military bases in Eastern Germany that lie abandoned following the fall of the Iron Curtain and withdrawal of the Soviet Armed forces.
Critical Theory
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A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar(...)
Omon Ra
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A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar expedition? is sprinkled with throwaway gags, absurdist humor and wickedly ironic touches, as well as with the eerie beauty of space exploration. Obsessed with space travel since early childhood, Omon Krivomazov identifies with Ra, the ancient Egyptian falcon-headed sun god, a fixation that reflects his desire to escape the gray conformity of Soviet life and his yearning for a soul. Omon learns that more than 100 of his fellow cosmonauts have already been sacrificed as guinea pigs after taking part in supposedly automated, manless launches. Pelevin portrays the Russian space program as a vast propaganda enterprise, a distraction to paper over the tawdriness and fear of everyday life. Many allusions will be lost on American readers. And, in light of the truth-is-stranger-than-fiction state of contemporary Russian society, some of the Soviet-era satire seems oddly tame.
Architecture and the imaginary