56750 Results
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:096:004
Description:
File containing documents in English and French (predominant), including newspaper clippings, notes, and professional correspondence between Melvin Charney and members of staff at the Musée d'art contemporain de Montréal. Original folder inscribed in graphite: MUSEE D'ART CONTEMPORAIN - MONTREAL
DR2012:0012:096:004
Description:
File containing documents in English and French (predominant), including newspaper clippings, notes, and professional correspondence between Melvin Charney and members of staff at the Musée d'art contemporain de Montréal. Original folder inscribed in graphite: MUSEE D'ART CONTEMPORAIN - MONTREAL
People:
Date:
1997, 2002-2007
1997, 2002-2007
Title:
Correspondence of Melvin Charney with the Musée d'art contemporain de Montréal
Actions:
DR2012:0012:096:004
Description:
File containing documents in English and French (predominant), including newspaper clippings, notes, and professional correspondence between Melvin Charney and members of staff at the Musée d'art contemporain de Montréal. Original folder inscribed in graphite: MUSEE D'ART CONTEMPORAIN - MONTREAL
Correspondence of Melvin Charney with the Musée d'art contemporain de Montréal
Actions:
DR2012:0012:096:004
Description:
File containing documents in English and French (predominant), including newspaper clippings, notes, and professional correspondence between Melvin Charney and members of staff at the Musée d'art contemporain de Montréal. Original folder inscribed in graphite: MUSEE D'ART CONTEMPORAIN - MONTREAL
Form:
textual records
textual records
Date:
1997, 2002-2007
1997, 2002-2007
People:
Form:
graphic materials
graphic materials
Reference number:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
People:
Date:
1965-1985, 1994, 2000-2003
1965-1985, 1994, 2000-2003
Title:
Portfolio of assorted posters
Actions:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Portfolio of assorted posters
Actions:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Form:
graphic materials
graphic materials
Date:
1965-1985, 1994, 2000-2003
1965-1985, 1994, 2000-2003
People:
Form:
events
events
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
11 November 2010 to 13 November 2010
11 November 2010 to 13 November 2010
Title:
The CCA in an Expanding Curatorial Field
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
The CCA in an Expanding Curatorial Field
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Form:
events
events
Date:
11 November 2010 to
13 November 2010
11 November 2010 to
13 November 2010
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
textual records
textual records
Actions:
Reference number:
AP075.S1.1974.PR01.015
Description:
Original folder entitled "PLAU - CHILDREN'S ARTS AND SCIENCE CENTRE AT ROBSON SQUARE / CORRESPONDENCE, PRESS, RESEARCH".
AP075.S1.1974.PR01.015
Description:
Original folder entitled "PLAU - CHILDREN'S ARTS AND SCIENCE CENTRE AT ROBSON SQUARE / CORRESPONDENCE, PRESS, RESEARCH".
People:
Date:
1973-1978
1973-1978
Title:
Research and press clippings for the Children's Arts and Science Centre at Robson Square Provincial Government Complex, Vancouver, British Columbia
Actions:
AP075.S1.1974.PR01.015
Description:
Original folder entitled "PLAU - CHILDREN'S ARTS AND SCIENCE CENTRE AT ROBSON SQUARE / CORRESPONDENCE, PRESS, RESEARCH".
Research and press clippings for the Children's Arts and Science Centre at Robson Square Provincial Government Complex, Vancouver, British Columbia
Actions:
AP075.S1.1974.PR01.015
Description:
Original folder entitled "PLAU - CHILDREN'S ARTS AND SCIENCE CENTRE AT ROBSON SQUARE / CORRESPONDENCE, PRESS, RESEARCH".
Form:
textual records
textual records
Date:
1973-1978
1973-1978
People:
Form:
textual records
textual records
Title:
Correspondence relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning'
Correspondence relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning'
Actions:
Reference number:
AP140.S2.SS10.D1.P15
Description:
correspondence dated 1997 relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning', held at the San Francisco Museum of Modern Art
AP140.S2.SS10.D1.P15
Description:
correspondence dated 1997 relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning', held at the San Francisco Museum of Modern Art
People:
Date:
1997
1997
Title:
Correspondence relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning'
Actions:
AP140.S2.SS10.D1.P15
Description:
correspondence dated 1997 relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning', held at the San Francisco Museum of Modern Art
Correspondence relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning'
Actions:
AP140.S2.SS10.D1.P15
Description:
correspondence dated 1997 relating to exhibition of James Stirling's drawings for 'Icons: Magnets of Meaning', held at the San Francisco Museum of Modern Art
Form:
textual records
textual records
Date:
1997
1997
People:
Level of archival description:
Sub-series
Sub-series
Title:
Book
Book
Actions:
Reference number:
AP114.S2.SS2.D5
Description:
Sub-series consists of a copy of Building for the Arts: a Guidebook for the Planning & Design of Cultural Facilities by Catherine R. Brown, William B. Fleissig, William R. Morrish and published by the Western States Arts Foundation in 1984.
AP114.S2.SS2.D5
Description:
Sub-series consists of a copy of Building for the Arts: a Guidebook for the Planning & Design of Cultural Facilities by Catherine R. Brown, William B. Fleissig, William R. Morrish and published by the Western States Arts Foundation in 1984.
People:
Date:
1984
1984
Title:
Book
Actions:
AP114.S2.SS2.D5
Description:
Sub-series consists of a copy of Building for the Arts: a Guidebook for the Planning & Design of Cultural Facilities by Catherine R. Brown, William B. Fleissig, William R. Morrish and published by the Western States Arts Foundation in 1984.
Book
Actions:
AP114.S2.SS2.D5
Description:
Sub-series consists of a copy of Building for the Arts: a Guidebook for the Planning & Design of Cultural Facilities by Catherine R. Brown, William B. Fleissig, William R. Morrish and published by the Western States Arts Foundation in 1984.
Level of archival description:
File 5
File 5
Date:
1984
1984
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH276536
Description:
2 slide trays - documentation for projects filed under, "Education." Includes: Al Falah, Brentwood, Champlain Heights Elementary School, U.B.C. Faculty Club Addition, North Carolina State University, Kwan Kwantlen College, Red Deer Arts Center, Ohio State University Visual Arts Centre and others.
ARCH276536
Description:
2 slide trays - documentation for projects filed under, "Education." Includes: Al Falah, Brentwood, Champlain Heights Elementary School, U.B.C. Faculty Club Addition, North Carolina State University, Kwan Kwantlen College, Red Deer Arts Center, Ohio State University Visual Arts Centre and others.
People:
Date:
1970s-1980s
1970s-1980s
Title:
Documentation slides for various educational buildings projects
Actions:
ARCH276536
Description:
2 slide trays - documentation for projects filed under, "Education." Includes: Al Falah, Brentwood, Champlain Heights Elementary School, U.B.C. Faculty Club Addition, North Carolina State University, Kwan Kwantlen College, Red Deer Arts Center, Ohio State University Visual Arts Centre and others.
Documentation slides for various educational buildings projects
Actions:
ARCH276536
Description:
2 slide trays - documentation for projects filed under, "Education." Includes: Al Falah, Brentwood, Champlain Heights Elementary School, U.B.C. Faculty Club Addition, North Carolina State University, Kwan Kwantlen College, Red Deer Arts Center, Ohio State University Visual Arts Centre and others.
Form:
photographs
photographs
Date:
1970s-1980s
1970s-1980s
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Robert Duchesnay fonds
Robert Duchesnay fonds
Actions:
Reference number:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
People:
Date:
1985-1992
1985-1992
Title:
Robert Duchesnay fonds
Actions:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Robert Duchesnay fonds
Actions:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1985-1992
1985-1992
People:
Form:
research
research
Title:
Support Grants 2008
Support Grants 2008
Actions:
Description:
Robert González, School of Architecture, Tulane University Ann Ferebee, Institute for Urban Design, New York Detlef Mertins, Department of Architecture, University of Pennsylvania Frances Richard, Barnard College, Columbia University Katherine Rinne, California College of the Arts
Robert González, School of Architecture, Tulane University Ann Ferebee, Institute for Urban Design, New York Detlef Mertins, Department of Architecture, University of Pennsylvania Frances Richard, Barnard College, Columbia University Katherine Rinne, California College of the Arts
Date:
7 January 2008 to 31 July 2008
7 January 2008 to 31 July 2008
Title:
Support Grants 2008
Actions:
Description:
Robert González, School of Architecture, Tulane University Ann Ferebee, Institute for Urban Design, New York Detlef Mertins, Department of Architecture, University of Pennsylvania Frances Richard, Barnard College, Columbia University Katherine Rinne, California College of the Arts
Support Grants 2008
Actions:
Description:
Robert González, School of Architecture, Tulane University Ann Ferebee, Institute for Urban Design, New York Detlef Mertins, Department of Architecture, University of Pennsylvania Frances Richard, Barnard College, Columbia University Katherine Rinne, California College of the Arts
Form:
research
research
Date:
7 January 2008 to
31 July 2008
7 January 2008 to
31 July 2008
Form:
exhibitions
exhibitions
Title:
The Mound of Vendôme
The Mound of Vendôme
Actions:
Description:
The mound of Vendôme is a seemingly simple yet provocative artifact: an earthwork that became a central part of a radical attempt to transform urban iconography during the two-month rule of the Paris Commune in 1871. This exhibition and research project recalls this lost structure and calls for its contemporary reconstruction and historicization. Curated by David Gissen,(...)
The mound of Vendôme is a seemingly simple yet provocative artifact: an earthwork that became a central part of a radical attempt to transform urban iconography during the two-month rule of the Paris Commune in 1871. This exhibition and research project recalls this lost structure and calls for its contemporary reconstruction and historicization. Curated by David Gissen,(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
19 June 2014 to 28 September 2014
19 June 2014 to 28 September 2014
Title:
The Mound of Vendôme
Actions:
Description:
The mound of Vendôme is a seemingly simple yet provocative artifact: an earthwork that became a central part of a radical attempt to transform urban iconography during the two-month rule of the Paris Commune in 1871. This exhibition and research project recalls this lost structure and calls for its contemporary reconstruction and historicization. Curated by David Gissen,(...)
The Mound of Vendôme
Actions:
Description:
The mound of Vendôme is a seemingly simple yet provocative artifact: an earthwork that became a central part of a radical attempt to transform urban iconography during the two-month rule of the Paris Commune in 1871. This exhibition and research project recalls this lost structure and calls for its contemporary reconstruction and historicization. Curated by David Gissen,(...)
Form:
exhibitions
exhibitions
Date:
19 June 2014 to
28 September 2014
19 June 2014 to
28 September 2014
Location:
Octagonal gallery
Octagonal gallery
