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xiii, 146 pages : illustrations ; 26 cm
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xiii, 146 pages : illustrations ; 26 cm
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Cambridge, Mass. : Published for the Graham Foundation for Advanced Studies in the Fine Arts, Chicago, Ill., and the Institute for Architecture and Urban Studies, New York, N.Y., by MIT Press, 1982.
Cambridge, Mass. : Published for the Graham Foundation for Advanced Studies in the Fine Arts, Chicago, Ill., and the Institute for Architecture and Urban Studies, New York, N.Y., by MIT Press, 1982.
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Spoken into the void : collected essays, 1897-1900 / Adolf Loos ; introduction by Aldo Rossi ; translation by Jane O. Newman and John H. Smith.
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xiii, 146 pages : illustrations ; 26 cm
Spoken into the void : collected essays, 1897-1900 / Adolf Loos ; introduction by Aldo Rossi ; translation by Jane O. Newman and John H. Smith.
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xiii, 146 pages : illustrations ; 26 cm
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books
books
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Cambridge, Mass. : Published for the Graham Foundation for Advanced Studies in the Fine Arts, Chicago, Ill., and the Institute for Architecture and Urban Studies, New York, N.Y., by MIT Press, 1982.
Cambridge, Mass. : Published for the Graham Foundation for Advanced Studies in the Fine Arts, Chicago, Ill., and the Institute for Architecture and Urban Studies, New York, N.Y., by MIT Press, 1982.
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229 pages : color illustrations, plans ; 23 cm
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229 pages : color illustrations, plans ; 23 cm
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[Novato, California] : Applied Research and Design Publishing, [2019], ©2019
[Novato, California] : Applied Research and Design Publishing, [2019], ©2019
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Not interesting : on the limits of criticism in architecture / text and images, Andrew Atwood ; editor, Ryan Roark.
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229 pages : color illustrations, plans ; 23 cm
Not interesting : on the limits of criticism in architecture / text and images, Andrew Atwood ; editor, Ryan Roark.
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229 pages : color illustrations, plans ; 23 cm
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books
books
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[Novato, California] : Applied Research and Design Publishing, [2019], ©2019
[Novato, California] : Applied Research and Design Publishing, [2019], ©2019
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26 pages : illustrations (some color), plans, portraits ; 29 cm
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26 pages : illustrations (some color), plans, portraits ; 29 cm
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Hamburg : Hamburger Kunsthalle, 1984.
Hamburg : Hamburger Kunsthalle, 1984.
Title:
Architektur Visionen : Konzepte der 80er Jahre : schöner Wohnen, zeigt Zeichnungen und Modelle von zehn internationalen Architekten.
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26 pages : illustrations (some color), plans, portraits ; 29 cm
Architektur Visionen : Konzepte der 80er Jahre : schöner Wohnen, zeigt Zeichnungen und Modelle von zehn internationalen Architekten.
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26 pages : illustrations (some color), plans, portraits ; 29 cm
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books
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Hamburg : Hamburger Kunsthalle, 1984.
Hamburg : Hamburger Kunsthalle, 1984.
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236 pages : illustrations (some color) ; 24 x 30 cm
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236 pages : illustrations (some color) ; 24 x 30 cm
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[Monza] : Johan & Levi editore, [2014]
[Monza] : Johan & Levi editore, [2014]
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Roma interrotta : twelve interventions on the Nolli's plan of Rome : in the MAXXI architettura collections / Piero Sartogo, Costantino Dardi, Antoine Grumbach, James Shirling, Paolo Portoghesi, Romaldo Giugola, Robert Venturi, Colin Rowe, Michael Graves, Leon Krier, Aldo Rossi, Robert Krier.
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236 pages : illustrations (some color) ; 24 x 30 cm
Roma interrotta : twelve interventions on the Nolli's plan of Rome : in the MAXXI architettura collections / Piero Sartogo, Costantino Dardi, Antoine Grumbach, James Shirling, Paolo Portoghesi, Romaldo Giugola, Robert Venturi, Colin Rowe, Michael Graves, Leon Krier, Aldo Rossi, Robert Krier.
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236 pages : illustrations (some color) ; 24 x 30 cm
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books
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[Monza] : Johan & Levi editore, [2014]
[Monza] : Johan & Levi editore, [2014]
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Aldo Rossi: The urban fact
Aldo Rossi: The urban fact
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$88.00
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The great Italian architect, designer, theorist and printmaker Aldo Rossi (1931–97) galvanized the postmodernist architectural movement in the middle of the 20th century with his unique synthesis of influences such as Adolf Loos, Giorgio de Chirico and Soviet architecture. From his publication Architecture of the City (1966) to his 1976 exhibition Analogous City, Rossi(...)
$88.00
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The great Italian architect, designer, theorist and printmaker Aldo Rossi (1931–97) galvanized the postmodernist architectural movement in the middle of the 20th century with his unique synthesis of influences such as Adolf Loos, Giorgio de Chirico and Soviet architecture. From his publication Architecture of the City (1966) to his 1976 exhibition Analogous City, Rossi(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
November 2021
November 2021
Title:
Aldo Rossi: The urban fact
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The great Italian architect, designer, theorist and printmaker Aldo Rossi (1931–97) galvanized the postmodernist architectural movement in the middle of the 20th century with his unique synthesis of influences such as Adolf Loos, Giorgio de Chirico and Soviet architecture. From his publication Architecture of the City (1966) to his 1976 exhibition Analogous City, Rossi spent a decade developing a theory of urban design that focused on the “collective memory” of a city as an essential element of its urban planning and gave consideration to how buildings and urban areas age over time. Here, Rossi’s theory is applied to his own works from that period, both built and unbuilt, in a careful selection of 23 projects that express this memory-based paradigm of civic existence and construction. Aldo Rossi: The Urban Fact thus unifies Rossi’s theory and practice, demonstrating the visionary dimension driving his singular brand of postmodernism.
Aldo Rossi: The urban fact
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Summary:
The great Italian architect, designer, theorist and printmaker Aldo Rossi (1931–97) galvanized the postmodernist architectural movement in the middle of the 20th century with his unique synthesis of influences such as Adolf Loos, Giorgio de Chirico and Soviet architecture. From his publication Architecture of the City (1966) to his 1976 exhibition Analogous City, Rossi spent a decade developing a theory of urban design that focused on the “collective memory” of a city as an essential element of its urban planning and gave consideration to how buildings and urban areas age over time. Here, Rossi’s theory is applied to his own works from that period, both built and unbuilt, in a careful selection of 23 projects that express this memory-based paradigm of civic existence and construction. Aldo Rossi: The Urban Fact thus unifies Rossi’s theory and practice, demonstrating the visionary dimension driving his singular brand of postmodernism.
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books
books
Publication:
November 2021
November 2021
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$28.99
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Aldo Rossi, after graduating in 1959, worked on the magazine Casabella-Continuità, which he edited from 1961 to 1964. From 1966, the year in which he published his first important text, The architecture of the City, Rossi's early work is a response to the continuity of certain formal patterns in Italian rationalism and the significance of history in architecture. His(...)
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Aldo Rossi, after graduating in 1959, worked on the magazine Casabella-Continuità, which he edited from 1961 to 1964. From 1966, the year in which he published his first important text, The architecture of the City, Rossi's early work is a response to the continuity of certain formal patterns in Italian rationalism and the significance of history in architecture. His(...)
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Aldo Rossi: works and projects
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Aldo Rossi, after graduating in 1959, worked on the magazine Casabella-Continuità, which he edited from 1961 to 1964. From 1966, the year in which he published his first important text, The architecture of the City, Rossi's early work is a response to the continuity of certain formal patterns in Italian rationalism and the significance of history in architecture. His later work has been shaped by mannerism and a tirelss determination to keep on inventing, showing evident signs of modernism and innovation. In his secondary capacity as designer of interiors, furniture and objects, he has more directly recreated the conventional comfort of his own world of forms.
Aldo Rossi: works and projects
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$28.99
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Aldo Rossi, after graduating in 1959, worked on the magazine Casabella-Continuità, which he edited from 1961 to 1964. From 1966, the year in which he published his first important text, The architecture of the City, Rossi's early work is a response to the continuity of certain formal patterns in Italian rationalism and the significance of history in architecture. His later work has been shaped by mannerism and a tirelss determination to keep on inventing, showing evident signs of modernism and innovation. In his secondary capacity as designer of interiors, furniture and objects, he has more directly recreated the conventional comfort of his own world of forms.
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books
books
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January 1991, Barcelona
January 1991, Barcelona
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$64.95
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«Pour Aldo Rossi l’architecture se déploie comme un rite: les signes architecturaux qui se répètent, les différents types qui sont repris d’un projet à l’autre, reproduisent la corporalité qui est à leur origine. Dans ce rituel, le monde des sensations et des impulsions obscures que la rationalité moderne avait rejeté refont surface de manière inattendue. À travers(...)
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«Pour Aldo Rossi l’architecture se déploie comme un rite: les signes architecturaux qui se répètent, les différents types qui sont repris d’un projet à l’autre, reproduisent la corporalité qui est à leur origine. Dans ce rituel, le monde des sensations et des impulsions obscures que la rationalité moderne avait rejeté refont surface de manière inattendue. À travers(...)
Title:
Aldo Rossi architecte du suspens
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«Pour Aldo Rossi l’architecture se déploie comme un rite: les signes architecturaux qui se répètent, les différents types qui sont repris d’un projet à l’autre, reproduisent la corporalité qui est à leur origine. Dans ce rituel, le monde des sensations et des impulsions obscures que la rationalité moderne avait rejeté refont surface de manière inattendue. À travers l’identification de l’architecture au corps animal ou humain, le désir qui était mis à l’écart de toute création est réintroduit dans l’architecture. Il s’agit d’un désir latent, inquiet de sa propre mort, un désir qui ne saurait s’exprimer autrement qu’à travers la répétition d’une typologie architecturale invariable. Parler de suspens en architecture revient ainsi, dans un premier temps, à évoquer un état de figement dont la finalité serait d’accéder à une temporalité anhistorique où la fixité domine. Toutefois, parler de suspens c’est aussi suggérer qu’il existe une attente et une latence au sein de cette fixité. C’est dire que le temps du suspens est corporel et inquiet.» Nous entraînant dans une enquête subtile qui traverse les écrits, projets et dessins réalisés entre 1959 et 1982 par l’architecte italien, l’ouvrage de Can Onaner permet de dévoiler sous un jour nouveau les notions et thèmes fondamentaux de l’œuvre d’Aldo Rossi: le type, la répétition, la permanence. Mais aussi de fonder le concept de suspens comme une nouvelle approche théorique de l’architecture, emblème de tout projet architectural inquiet de sa pérennité et mythe nécessaire, sinon fondateur, de toute urbanité.
Aldo Rossi architecte du suspens
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«Pour Aldo Rossi l’architecture se déploie comme un rite: les signes architecturaux qui se répètent, les différents types qui sont repris d’un projet à l’autre, reproduisent la corporalité qui est à leur origine. Dans ce rituel, le monde des sensations et des impulsions obscures que la rationalité moderne avait rejeté refont surface de manière inattendue. À travers l’identification de l’architecture au corps animal ou humain, le désir qui était mis à l’écart de toute création est réintroduit dans l’architecture. Il s’agit d’un désir latent, inquiet de sa propre mort, un désir qui ne saurait s’exprimer autrement qu’à travers la répétition d’une typologie architecturale invariable. Parler de suspens en architecture revient ainsi, dans un premier temps, à évoquer un état de figement dont la finalité serait d’accéder à une temporalité anhistorique où la fixité domine. Toutefois, parler de suspens c’est aussi suggérer qu’il existe une attente et une latence au sein de cette fixité. C’est dire que le temps du suspens est corporel et inquiet.» Nous entraînant dans une enquête subtile qui traverse les écrits, projets et dessins réalisés entre 1959 et 1982 par l’architecte italien, l’ouvrage de Can Onaner permet de dévoiler sous un jour nouveau les notions et thèmes fondamentaux de l’œuvre d’Aldo Rossi: le type, la répétition, la permanence. Mais aussi de fonder le concept de suspens comme une nouvelle approche théorique de l’architecture, emblème de tout projet architectural inquiet de sa pérennité et mythe nécessaire, sinon fondateur, de toute urbanité.
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books
books
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October 2016
October 2016
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Current Exhibitions
Current Exhibitions
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165 pages, 3 unnumbered pages : illustrations (some color), plans (some color) ; 22 cm.
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165 pages, 3 unnumbered pages : illustrations (some color), plans (some color) ; 22 cm.
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[Venezia] : Officina Edizioni, [1980]., Roma : Luciano Chiovini, 1980.
[Venezia] : Officina Edizioni, [1980]., Roma : Luciano Chiovini, 1980.
Title:
10 immagini per Venezia : mostra dei progetti per Cannaregio Ovest : Venezia, Ala Napoleonica, 1 aprile-30 aprile 1980 / [di] Raimund Abraham, Carlo Aymonino, Peter Eisenman, John Hejduk, Bernhard Hoesli, Rafael Moneo, Valeriano Pastor, Gianugo Polesello, Aldo Rossi, Luciano Semerani ; a cura di Francesco Dal Co.
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165 pages, 3 unnumbered pages : illustrations (some color), plans (some color) ; 22 cm.
10 immagini per Venezia : mostra dei progetti per Cannaregio Ovest : Venezia, Ala Napoleonica, 1 aprile-30 aprile 1980 / [di] Raimund Abraham, Carlo Aymonino, Peter Eisenman, John Hejduk, Bernhard Hoesli, Rafael Moneo, Valeriano Pastor, Gianugo Polesello, Aldo Rossi, Luciano Semerani ; a cura di Francesco Dal Co.
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165 pages, 3 unnumbered pages : illustrations (some color), plans (some color) ; 22 cm.
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books
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[Venezia] : Officina Edizioni, [1980]., Roma : Luciano Chiovini, 1980.
[Venezia] : Officina Edizioni, [1980]., Roma : Luciano Chiovini, 1980.
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$69.95
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Summary:
Aldo Rossi (1931-97) is a key figure in 20th-century architecture. Discarding utopian pretences, his work claimed the autonomy of architecture with formal restraint, and remains highly influential both in theory and practice until the present day. In this new book, Diogo Seixas Lopes looks at Rossi's work through the lens of a term often used to describe the great(...)
$69.95
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Summary:
Aldo Rossi (1931-97) is a key figure in 20th-century architecture. Discarding utopian pretences, his work claimed the autonomy of architecture with formal restraint, and remains highly influential both in theory and practice until the present day. In this new book, Diogo Seixas Lopes looks at Rossi's work through the lens of a term often used to describe the great(...)
Publication:
December 2014
December 2014
Title:
Melancholy and architecture: on Aldo Rossi
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Aldo Rossi (1931-97) is a key figure in 20th-century architecture. Discarding utopian pretences, his work claimed the autonomy of architecture with formal restraint, and remains highly influential both in theory and practice until the present day. In this new book, Diogo Seixas Lopes looks at Rossi's work through the lens of a term often used to describe the great architect's work: melancholy. While the influence of melancholy on literature and visual arts has been debated extensively, its presence in architecture has been largely overlooked. By exploring Rossi's entire career, Lopes traces out the oscillation between enthusiasm and disenchantment that marks Rossi's oeuvre.
Melancholy and architecture: on Aldo Rossi
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$69.95
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Aldo Rossi (1931-97) is a key figure in 20th-century architecture. Discarding utopian pretences, his work claimed the autonomy of architecture with formal restraint, and remains highly influential both in theory and practice until the present day. In this new book, Diogo Seixas Lopes looks at Rossi's work through the lens of a term often used to describe the great architect's work: melancholy. While the influence of melancholy on literature and visual arts has been debated extensively, its presence in architecture has been largely overlooked. By exploring Rossi's entire career, Lopes traces out the oscillation between enthusiasm and disenchantment that marks Rossi's oeuvre.
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books
books
Publication:
December 2014
December 2014
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books
books
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$74.95
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Summary:
Gabriele Basilico followed Aldo Rossi's work for almost twenty years, accompanying his rise to become a leading figure in international architecture (winning the Pritzker Prize in 1990). His photographs reveal their deep professional affinity: the two shared Milanese origins, degrees from the Politecnico, an interest in social issues and urban transformation, and even(...)
$74.95
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Summary:
Gabriele Basilico followed Aldo Rossi's work for almost twenty years, accompanying his rise to become a leading figure in international architecture (winning the Pritzker Prize in 1990). His photographs reveal their deep professional affinity: the two shared Milanese origins, degrees from the Politecnico, an interest in social issues and urban transformation, and even(...)
Subject:
Photography monographs
Photography monographs
Publication:
March 2026
March 2026
Title:
Gabriele Basilico fotografa Aldo Rossi
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Gabriele Basilico followed Aldo Rossi's work for almost twenty years, accompanying his rise to become a leading figure in international architecture (winning the Pritzker Prize in 1990). His photographs reveal their deep professional affinity: the two shared Milanese origins, degrees from the Politecnico, an interest in social issues and urban transformation, and even more importantly, the moral compass with which they explored the world around them. Growing up in a Milan of which the industrial civilisation was by then in its death throes, they grasped the opportunity to create a new language still mindful of tradition. The volume brings together Basilico's photographs of Rossi's architecture for the first time, and is enriched by contributions from Chiara Spangaro and Pier Paolo Tamburelli, project notes by Rossi, as well as the writings that they dedicated to each other.
Gabriele Basilico fotografa Aldo Rossi
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$74.95
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Summary:
Gabriele Basilico followed Aldo Rossi's work for almost twenty years, accompanying his rise to become a leading figure in international architecture (winning the Pritzker Prize in 1990). His photographs reveal their deep professional affinity: the two shared Milanese origins, degrees from the Politecnico, an interest in social issues and urban transformation, and even more importantly, the moral compass with which they explored the world around them. Growing up in a Milan of which the industrial civilisation was by then in its death throes, they grasped the opportunity to create a new language still mindful of tradition. The volume brings together Basilico's photographs of Rossi's architecture for the first time, and is enriched by contributions from Chiara Spangaro and Pier Paolo Tamburelli, project notes by Rossi, as well as the writings that they dedicated to each other.
Form:
books
books
Publication:
March 2026
March 2026
Subject:
Photography monographs
Photography monographs
