$134.95
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Fifteen projects by Japanese architects are presented in this volume, which explores a mixed group of new buildings brought together under the theme of mass. Each work is illustrated through photos and drawings, and accompanied by detailed project data and description. Among the featured buildings are Okidai House by kenta eto, Studio Velocity’s Forest House in the City,(...)
Mass: details in Japan architecture
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$134.95
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Summary:
Fifteen projects by Japanese architects are presented in this volume, which explores a mixed group of new buildings brought together under the theme of mass. Each work is illustrated through photos and drawings, and accompanied by detailed project data and description. Among the featured buildings are Okidai House by kenta eto, Studio Velocity’s Forest House in the City, T-Nursery by Uchida Architect Design Office, Spiral Roof by Koji Kudo, Shugoin by Love Architecture Inc., Takato Tamagami’s Northern Nautilus, Zushi Apartment by K2YT, and others. The works, all of which are situated in Japan, commonly feature monolithic forms and closed facades.
books
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287 pages : illustrations (some color), plans ; 30 cm
London ; New York : Phaidon, 2003.
Morphosis / essay by Thom Mayne ; with commentary by Val Warke.
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287 pages : illustrations (some color), plans ; 30 cm
books
London ; New York : Phaidon, 2003.
archives
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2 items : illustrations (some color), plans ; 30 cm or smaller
Polshek Gluck & Associates, Architects : prospectus, 1978-1980.
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2 items : illustrations (some color), plans ; 30 cm or smaller
archives
books
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127 pages : illustrations ; 47 x 20 cm
New York : Black Dog & Leventhal : Distributed by Workman, ©1996.
Skyscrapers / Judith Dupré ; introductory interview with Philip Johnson.
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127 pages : illustrations ; 47 x 20 cm
books
New York : Black Dog & Leventhal : Distributed by Workman, ©1996.
books
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183 pages : illustrations (chiefly color) ; 29 cm
Aldeasa, Madrid : Museo Nacional Centro de Arte Reina Sofía, ©2002.
Jean Nouvel / [catalogue, Ana Cela, Ana Martín].
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183 pages : illustrations (chiefly color) ; 29 cm
books
Aldeasa, Madrid : Museo Nacional Centro de Arte Reina Sofía, ©2002.
Japan-ness in architecture
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Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the(...)
History until 1900, Asia
January 1900, Cambridge / London
Japan-ness in architecture
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Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization -- what Isozaki calls "Japanesquization" -- lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures. Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers. Arata Isosaki is a leading Japanese architect. His works include the Museum of Contemporary Art, Los Angeles, the Olympic Stadium in Barcelona, the Volksbank Center am Postdamer Platz in Berlin, the Team Disney Building in Orlando, and the Tokyo University of Art and Design. Translated by Sabu Kohso. Foreword by Toshiko Mori.
History until 1900, Asia
books
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[189] pages : chiefly illustrations (some color), plans ; 23 cm.
Firenze : Centro Di, ©1976.
Frank Lloyd Wright, disegni 1887-1959 / Alberto Izzo, Camillo Gubitosi.
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[189] pages : chiefly illustrations (some color), plans ; 23 cm.
books
Firenze : Centro Di, ©1976.
books
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127 pages : illustrations (some color), maps, plans ; 24 cm
Munich ; London : Prestel, ©2006.
Kazuyo Sejima + Ryue Nishizawa : SANAA ; The Zollverein School of Management and Design, Essen, Germany / edited by Kristin Feireiss ; with contributions by Floris Alkemade [and others] ; [translations: James Roderick O'Donovan].
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127 pages : illustrations (some color), maps, plans ; 24 cm
books
Munich ; London : Prestel, ©2006.
Architecture for Benetton
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Because United Colors of Benetton’s core business is clothing, the contemporary culture of design plays an important role in the group’s activity, including its corporate architecture. Benetton’s international brand style - combining colour, energy, and practicality - can be seen first in its buildings. In 1964, long before it was fashionable for designers to employ(...)
Commercial interiors, Building types
May 2005, Milan
Architecture for Benetton
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$110.00
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Because United Colors of Benetton’s core business is clothing, the contemporary culture of design plays an important role in the group’s activity, including its corporate architecture. Benetton’s international brand style - combining colour, energy, and practicality - can be seen first in its buildings. In 1964, long before it was fashionable for designers to employ brand-name architects, Lucianno Benetton chose two very young and ambitious architects, Afra and Tobia Scarpa, to design his first textile factory. This project marked the beginning of a vision of architecture aimed at enhancing the workplace: an architecture where image and substance come together. This unique book, brilliantly designed by Massimo Vignelli, brings together all of the Benetton buildings, including plans, 500 colour illustrations, superb photographs by Antonia Mulas, an interview with Luciano Benetton, and a chapter dedicated to Tadao Ando’s Fabrica building. With text in English, French, Spanish, German, and Japanese.
Commercial interiors, Building types
$60.00
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Summary:
In 21 texts, From the Things Themselves presents approaches relating architecture to phenomenology, and vice-versa. The philosophies of Husserl, Heidegger, and Merleau-Ponty are revisited and experienced through numerous architectural realizations: from the virtual world of Second Life, the poetical and spiritual worlds of Greek temples, Cistercian or Baroque churches,(...)
From the things themselves : architecture and phenomenology
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$60.00
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In 21 texts, From the Things Themselves presents approaches relating architecture to phenomenology, and vice-versa. The philosophies of Husserl, Heidegger, and Merleau-Ponty are revisited and experienced through numerous architectural realizations: from the virtual world of Second Life, the poetical and spiritual worlds of Greek temples, Cistercian or Baroque churches, Chinese and Japanese gardens, to the work of contemporary architects.
Architectural Theory