Project
AP140.S2.SS1.D41
Description:
File documents an unexecuted project for an arts centre, an addition to existing 18th-century house and lodges for the University of St. Andrews, Scotland, United Kingdom. Material in this file was produced between 1971 and 1974. File contains design development drawings, several presentation drawings and working drawings. Photographic materials include views of drawings as well as views of a model by John Donat Photography. File also contains textual records.
1971-1974
Arts Centre, University of St. Andrews, St. Andrews, England, United Kingdom
Actions:
AP140.S2.SS1.D41
Description:
File documents an unexecuted project for an arts centre, an addition to existing 18th-century house and lodges for the University of St. Andrews, Scotland, United Kingdom. Material in this file was produced between 1971 and 1974. File contains design development drawings, several presentation drawings and working drawings. Photographic materials include views of drawings as well as views of a model by John Donat Photography. File also contains textual records.
File 41
1971-1974
Project
AP022.S1.1973.PR09
Description:
File documents an integrated development constructed on city blocks 51, 61 and 71 in downtown Vancouver, British Columbia. The project consists of a Provincial Government Office complex including a terraced civic space (Robson Square), a Provincial Law Courts building, and a former courthouse building (F.M. Rattenbury, architect) converted to house the Vancouver Art Gallery (built). File contains design development drawings, presentation drawings, presentation panels, working drawings, photographs and slides, models and textual documents (includes photographs).
1973-1981
Three Block Project, Robson Square
Actions:
AP022.S1.1973.PR09
Description:
File documents an integrated development constructed on city blocks 51, 61 and 71 in downtown Vancouver, British Columbia. The project consists of a Provincial Government Office complex including a terraced civic space (Robson Square), a Provincial Law Courts building, and a former courthouse building (F.M. Rattenbury, architect) converted to house the Vancouver Art Gallery (built). File contains design development drawings, presentation drawings, presentation panels, working drawings, photographs and slides, models and textual documents (includes photographs).
Project
1973-1981
exhibitions
Victorian medical experts insisted that houses were like bodies—that buildings could be sick—and that healthy architecture entailed a “systematic” approach to domestic sanitation, drawing from the burgeoning field of physiology. *Corpus Sanum in Domo Sano—“a healthy body in a healthy house”—explores the spatial, professional, and gender implications of the(...)
Hall cases
13 November 1991 to 16 February 1992
Corpus Sanum in Domo Sano: The Architecture of the Domestic Sanitation Movement, 1870-1914
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Description:
Victorian medical experts insisted that houses were like bodies—that buildings could be sick—and that healthy architecture entailed a “systematic” approach to domestic sanitation, drawing from the burgeoning field of physiology. *Corpus Sanum in Domo Sano—“a healthy body in a healthy house”—explores the spatial, professional, and gender implications of the(...)
exhibitions
13 November 1991 to
16 February 1992
Hall cases
photographs
DR2012:0012:103:004
Description:
File containing documents in English and French, including reference materials and photograph of the following locations: - Place Victoria (3 photographs); - Marriott Château Champlain (1 photograph); - Unidentified street (1 photograph); - Unidentified house (1 photograph). Possibly related to Louis Martin's 2013 book, On architecture: Melvin Charney: a critical anthology. Original folder inscribed in graphite: MC ANTHO - PHOTOS URGENT
1966-1967
Reference photographs of various Montréal's locations
Actions:
DR2012:0012:103:004
Description:
File containing documents in English and French, including reference materials and photograph of the following locations: - Place Victoria (3 photographs); - Marriott Château Champlain (1 photograph); - Unidentified street (1 photograph); - Unidentified house (1 photograph). Possibly related to Louis Martin's 2013 book, On architecture: Melvin Charney: a critical anthology. Original folder inscribed in graphite: MC ANTHO - PHOTOS URGENT
photographs
1966-1967
Project
Model City, Philadelphia
AP027.S1.D47
Description:
Proposed simulation model concerned with urban renewal in North Philadelphia, an area which houses a resident population in excess of 300,000 people. The proposed analysis would examine the social, economic and physical systems affected by renewal.
urban planning
1968
Model City, Philadelphia
Actions:
AP027.S1.D47
Description:
Proposed simulation model concerned with urban renewal in North Philadelphia, an area which houses a resident population in excess of 300,000 people. The proposed analysis would examine the social, economic and physical systems affected by renewal.
File 47
1968
urban planning
Series
AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
1990-1992
Dymaxion Dwelling Machine, Wichita, Kansas
Actions:
AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
Série
1990-1992
archives
Level of archival description:
Fonds
Shim-Sutcliffe fonds
AP110
Synopsis:
The Shim-Sutcliffe fonds documents the work of the architectural firm Shim-Sutcliffe. The fonds includes drawings, models, and objects related to architectural projects dating from 1988-2009.
1988-2009
Shim-Sutcliffe fonds
Actions:
AP110
Synopsis:
The Shim-Sutcliffe fonds documents the work of the architectural firm Shim-Sutcliffe. The fonds includes drawings, models, and objects related to architectural projects dating from 1988-2009.
archives
Level of archival description:
Fonds
1988-2009
Project
AP075.S1.1955.PR03
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for Dr. & Mrs. Robert Levin's residence, located on Phelps Drive and Windsor Avenue in Brightwaters, Long Island, New York. Oberlander worked on this project in the mid-1950s. The project consists of a design for a residence surrounded by woodland with a flower garden in the front of the house and a terrace and a lawn at the back. The project series contains five reprographic copies of working drawings, including planting plans with plant list and a section for shrubs planting details.
1955
Residence of Dr. & Mrs. Robert Levin, Long Island, New York (1955)
Actions:
AP075.S1.1955.PR03
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for Dr. & Mrs. Robert Levin's residence, located on Phelps Drive and Windsor Avenue in Brightwaters, Long Island, New York. Oberlander worked on this project in the mid-1950s. The project consists of a design for a residence surrounded by woodland with a flower garden in the front of the house and a terrace and a lawn at the back. The project series contains five reprographic copies of working drawings, including planting plans with plant list and a section for shrubs planting details.
Project
1955
A super-library combining five national collections in one building, Paris’s National Library of France was the final Grands travaux of President François Mitterrand. Initially commissioned to house all French production of words, images, and sounds since 1945, its architectural competition captured the confusion and variety of architectural thinking in 1989. OMA’s(...)
Octagonal gallery
15 May 2012 to 9 September 2012
Très Grande Bibliothèque (Very Big Library)
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Description:
A super-library combining five national collections in one building, Paris’s National Library of France was the final Grands travaux of President François Mitterrand. Initially commissioned to house all French production of words, images, and sounds since 1945, its architectural competition captured the confusion and variety of architectural thinking in 1989. OMA’s(...)
Octagonal gallery
DR1988:0365
Description:
- This drawing shows a design for the layout of the top half of a page, with the heading executed in pen and black ink, and the text indicated with green pencil lines. The heading was written inside a scrolled border which incorporates a drawing of a house with a bay window. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture
1920s or 1930s
Page layout with the head title for "The Charm of the Bay Window"
Actions:
DR1988:0365
Description:
- This drawing shows a design for the layout of the top half of a page, with the heading executed in pen and black ink, and the text indicated with green pencil lines. The heading was written inside a scrolled border which incorporates a drawing of a house with a bay window. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture