29661 Results
Form:
exhibitions
exhibitions
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
24 May 2015 to 12 July 2015
24 May 2015 to 12 July 2015
Title:
Jai Tech: Ábalos&Herreros selected by Juan José Castellón
Actions:
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Jai Tech: Ábalos&Herreros selected by Juan José Castellón
Actions:
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Form:
exhibitions
exhibitions
Date:
24 May 2015 to
12 July 2015
24 May 2015 to
12 July 2015
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Form:
textual records
textual records
Title:
DDR [Miscellaneous, 1981]
DDR [Miscellaneous, 1981]
Actions:
Reference number:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
People:
Date:
1981
1981
Title:
DDR [Miscellaneous, 1981]
Actions:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
DDR [Miscellaneous, 1981]
Actions:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
Form:
textual records
textual records
Date:
1981
1981
People:
Form:
events
events
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Date:
5 October 2017, 6:30pm
5 October 2017, 6:30pm
Title:
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Form:
events
events
Date:
5 October 2017
6:30pm
5 October 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Form:
exhibitions
exhibitions
Actions:
Description:
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Location:
Main galleries
Main galleries
Date:
21 May 2014 to 5 October 2014
21 May 2014 to 5 October 2014
Title:
Archaeology of the Digital: Media and Machines
Actions:
Description:
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Archaeology of the Digital: Media and Machines
Actions:
Description:
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Form:
exhibitions
exhibitions
Date:
21 May 2014 to
5 October 2014
21 May 2014 to
5 October 2014
Location:
Main galleries
Main galleries
Form:
events
events
Title:
In Response
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
Location:
Main galleries
Main galleries
Date:
10 March 2016 to 1 April 2016
10 March 2016 to 1 April 2016
Title:
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
Form:
events
events
Date:
10 March 2016 to
1 April 2016
10 March 2016 to
1 April 2016
Location:
Main galleries
Main galleries
Form:
events
events
Form:
events
events
Date:
27 May 2018
11am to 4pm
27 May 2018
11am to 4pm
Location:
Shaughnessy House
Shaughnessy House
Form:
events
events
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
14 May 2015 , 6pm
14 May 2015 , 6pm
Title:
Architecture or Revolution? A Conversation with Nuno Portas and Nuno Grande
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Architecture or Revolution? A Conversation with Nuno Portas and Nuno Grande
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Form:
events
events
Date:
14 May 2015
6pm
14 May 2015
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Actions:
Reference number:
DR2006:0167
Description:
Le lustre est composé de 105 éléments en forme de larme. Chaque larme est en acrylique et contient soit un spécimen organique soit un objet trouvé cueilli par Gilles Clément d'un "Tiers paysage" près du Jardin du CCA. Attaché au bout de chaque élément est un fil en plastique. Lors de l'exposition "Environ(ne)ment", les éléments furent supendus du plafond pour former le lustre. -- The chandelier is composed of 105 teardrop-shaped elements, each of which is attached to a plastic cord. Each "teardrop" is made of acrylic, and in each one is encased either an organic specimen or a found object collected by Gilles Clément from a "Third Landscape" near the CCA Garden. For the "Environ(ne)ment" exhibition, each teardrop was suspended from the ceiling to form the chandelier.
DR2006:0167
Description:
Le lustre est composé de 105 éléments en forme de larme. Chaque larme est en acrylique et contient soit un spécimen organique soit un objet trouvé cueilli par Gilles Clément d'un "Tiers paysage" près du Jardin du CCA. Attaché au bout de chaque élément est un fil en plastique. Lors de l'exposition "Environ(ne)ment", les éléments furent supendus du plafond pour former le lustre. -- The chandelier is composed of 105 teardrop-shaped elements, each of which is attached to a plastic cord. Each "teardrop" is made of acrylic, and in each one is encased either an organic specimen or a found object collected by Gilles Clément from a "Third Landscape" near the CCA Garden. For the "Environ(ne)ment" exhibition, each teardrop was suspended from the ceiling to form the chandelier.
People:
Date:
2006
2006
Title:
Lustre installé au Centre canadien d'architecture dans le cadre de l'exposition "Environnement - manières d'agir pour demain"
Actions:
DR2006:0167
Description:
Le lustre est composé de 105 éléments en forme de larme. Chaque larme est en acrylique et contient soit un spécimen organique soit un objet trouvé cueilli par Gilles Clément d'un "Tiers paysage" près du Jardin du CCA. Attaché au bout de chaque élément est un fil en plastique. Lors de l'exposition "Environ(ne)ment", les éléments furent supendus du plafond pour former le lustre. -- The chandelier is composed of 105 teardrop-shaped elements, each of which is attached to a plastic cord. Each "teardrop" is made of acrylic, and in each one is encased either an organic specimen or a found object collected by Gilles Clément from a "Third Landscape" near the CCA Garden. For the "Environ(ne)ment" exhibition, each teardrop was suspended from the ceiling to form the chandelier.
Lustre installé au Centre canadien d'architecture dans le cadre de l'exposition "Environnement - manières d'agir pour demain"
Actions:
DR2006:0167
Description:
Le lustre est composé de 105 éléments en forme de larme. Chaque larme est en acrylique et contient soit un spécimen organique soit un objet trouvé cueilli par Gilles Clément d'un "Tiers paysage" près du Jardin du CCA. Attaché au bout de chaque élément est un fil en plastique. Lors de l'exposition "Environ(ne)ment", les éléments furent supendus du plafond pour former le lustre. -- The chandelier is composed of 105 teardrop-shaped elements, each of which is attached to a plastic cord. Each "teardrop" is made of acrylic, and in each one is encased either an organic specimen or a found object collected by Gilles Clément from a "Third Landscape" near the CCA Garden. For the "Environ(ne)ment" exhibition, each teardrop was suspended from the ceiling to form the chandelier.
Date:
2006
2006
People:
Form:
exhibitions
exhibitions
Description:
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Location:
Octagonal gallery ante-room
Octagonal gallery ante-room
Date:
6 December 1989 to 11 February 1990
6 December 1989 to 11 February 1990
Title:
Mills and Factories of New England: Photographs by Serge Hambourg
Actions:
Description:
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Mills and Factories of New England: Photographs by Serge Hambourg
Actions:
Description:
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Form:
exhibitions
exhibitions
Date:
6 December 1989 to
11 February 1990
6 December 1989 to
11 February 1990
Location:
Octagonal gallery ante-room
Octagonal gallery ante-room
