books
Description:
159 pages : chiefly illustrations ; 23 x 24 cm.
Lomé : Editions Haho., 1993.
Trésors cachés du vieux Lomé : l'architecture populaire ancienne de la capitale du Togo / textes, Yves Marguerat ; photographies, Lucien Roux [and others].
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Description:
159 pages : chiefly illustrations ; 23 x 24 cm.
books
Lomé : Editions Haho., 1993.
books
Decolonize museums
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The idealized Western museum, as typified by the Metropolitan Museum of Art, the British Museum, and the Museum of Natural History, has remained much the same for over a century: a uniquely rarified public space of cool stone, providing an experience of leisure and education for the general public while carefully tending fragile artifacts from distant lands. As questions(...)
Decolonize museums
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The idealized Western museum, as typified by the Metropolitan Museum of Art, the British Museum, and the Museum of Natural History, has remained much the same for over a century: a uniquely rarified public space of cool stone, providing an experience of leisure and education for the general public while carefully tending fragile artifacts from distant lands. As questions about representation and ethics have increasingly arisen, these institutions have proclaimed their interest in diversity and responsible conservation, asserting both their adaptability and their immovably essential role in a flourishing and culturally rich society. With "Decolonize museums," Shimrit Lee punctures this fantasy, tracing the essentially colonial origins of the concept of the museum.
books
February 2023
Museology
C magaine 163: chorus
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C’s Chorus issue marks the beginning of our new print look, shaped by Hwa-Jin Jun, where we also ask what becomes possible if we embrace changing physical formats and materials as an ethos. We think of chorus as a collective noun: for voices, noises, expressions (of rage, solidarity, and otherwise). This issue embraces polyphony, or simultaneity, a chorus that does not(...)
C magaine 163: chorus
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C’s Chorus issue marks the beginning of our new print look, shaped by Hwa-Jin Jun, where we also ask what becomes possible if we embrace changing physical formats and materials as an ethos. We think of chorus as a collective noun: for voices, noises, expressions (of rage, solidarity, and otherwise). This issue embraces polyphony, or simultaneity, a chorus that does not dissolve distinction within the collective. From voice as infrastructure, a way of rehearsing coordination and collective power amidst spreading fascist logics, to the dispersal of seeds, anti-colonial cosmologies, melancholic sound in the colour blue, attuning to ancestors in museum collections, and the subtle accumulations in working-class time, we bring a cacophony of grievance and desire.
Magazines
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The ports of the Swahili coast-- Zanzibar and Mombasa among them-- have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. "The surface of things" examines the complex maritime dynamics(...)
The surface of things: A history of photography from the Swahili Coast
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The ports of the Swahili coast-- Zanzibar and Mombasa among them-- have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. "The surface of things" examines the complex maritime dynamics that shaped the photography of coastal Africa, exploring the pleasure and power of beautiful things and the ways people and their pictures transcended the boundaries of the colonial world. Immersing readers in the globally interconnected networks of eastern Africa’s port cities, Prita Meier demonstrates how photographs are not static images but mobile objects with remarkable shape-shifting qualities.
Photography Collections
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"Singapore Architecture" portrays the intruiging architectural heritage of Asia's crossroads city. Singapore's exotic mix of people and colourful history is reflected in the city's architecture. The early temples, shop houses, and colonial monuments are documented, through to the growth of the modern city and a skyline which reflects Singapore's role as a global city.(...)
Contemporary Asian Architecture
August 2004, Singapore / Sydney
Singapore architecture : short history
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"Singapore Architecture" portrays the intruiging architectural heritage of Asia's crossroads city. Singapore's exotic mix of people and colourful history is reflected in the city's architecture. The early temples, shop houses, and colonial monuments are documented, through to the growth of the modern city and a skyline which reflects Singapore's role as a global city. The broad spectrum of Singapore's buildings is displayed with private houses, public buildings, public housing, shrines, mosques and office towers. The major landmark buildings of downtown Singapore have been designed by celebrated international architects. The recent work of local architects represents a unique and dynamic mix of cross-cultural influences, combining Asian style with a thorough knowledge of Modern architecture.
Contemporary Asian Architecture
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Peter Rowe and Yun Fu’s second volume on the modernization of architecture in the Far East deals with Southeast Asia and Austronesia, including the 12 nation states of Vietnam, Cambodia, Laos, Myanmar, Thailand, Malaysia, Singapore, Indonesia, Brunei, East Timor, Philippines and Taiwan, as well as the ocean peoples of Polynesia, Melanesia and Micronesia. The modern(...)
Southeast Asia modern: from roots to contemporary turns
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Peter Rowe and Yun Fu’s second volume on the modernization of architecture in the Far East deals with Southeast Asia and Austronesia, including the 12 nation states of Vietnam, Cambodia, Laos, Myanmar, Thailand, Malaysia, Singapore, Indonesia, Brunei, East Timor, Philippines and Taiwan, as well as the ocean peoples of Polynesia, Melanesia and Micronesia. The modern architecture of these culturally and nationally heterogenous regions echoes local vernacular traditions and colonial as well as postcolonial hegemonies from both the East and the West. The book tells the stories of these separate roots and their culmination into contemporary architectural production, analyzing the distinctiveness and quality of approx. 65 building projects that have emerged in the past half century.
Contemporary Asian Architecture
Modernist affect grid
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In 1962, Place Ville Marie, Montreal’s cross-shaped office tower and underground shopping mall—named after the French Catholic settlement of unceded Mohawk territory that became the colonial city—opened to the public as the Commonwealth’s tallest ''nerve centre'' and ''breathing machine.'' The same year, Silvan Tomkins, the father of affect theory, published Volume I of(...)
Modernist affect grid
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In 1962, Place Ville Marie, Montreal’s cross-shaped office tower and underground shopping mall—named after the French Catholic settlement of unceded Mohawk territory that became the colonial city—opened to the public as the Commonwealth’s tallest ''nerve centre'' and ''breathing machine.'' The same year, Silvan Tomkins, the father of affect theory, published Volume I of ''Affect imagery consciousness'', which exuberantly draws on the then-sensational cybernetic brain-computer metaphor. 1962 also saw the publication of ''Story sequence analysis'' by Magda Arnold, a luddistic and devoutly Catholic psychologist who mothered the monumental cognitive appraisal theory of emotion. ''Modernist affect grid’s'' essay-poems triangulate these events as they emerge amidst the Cold War tech race’s paranoid and projective ambition.
Architecture de Montréal
Life is not useful
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Indigenous leader and activist Ailton Krenak reminds us that we must awaken from the comatose senselessness we have been immersed in since the beginning of the modern colonial project, where order, progress, development, consumerism, and capitalism have taken over our entire existence, leaving us only very partially alive, and, in fact, almost dead. To awaken from the(...)
Life is not useful
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Indigenous leader and activist Ailton Krenak reminds us that we must awaken from the comatose senselessness we have been immersed in since the beginning of the modern colonial project, where order, progress, development, consumerism, and capitalism have taken over our entire existence, leaving us only very partially alive, and, in fact, almost dead. To awaken from the coma of modernity is, for Krenak, to awaken to the possibility of becoming attuned to “the cosmic sense of life.” He points out that the COVID-19 pandemic affects all so-called “human” lives and that the time is ripe for us all to reflect on and undo the exclusivity and distinction that have characterized the concept of humanity throughout Western modernity.
Social
War zones: gta papers 2
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We tend to think of war as being fought in specific, bounded places—war zones. But since the end of World War II, warfare has taken different forms, with the wars themselves often undeclared and their battlegrounds ill-defined. This book addresses that shift. ''War Zones'' examines the people, landscapes, and built environments that are subject to both the civil and(...)
War zones: gta papers 2
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We tend to think of war as being fought in specific, bounded places—war zones. But since the end of World War II, warfare has taken different forms, with the wars themselves often undeclared and their battlegrounds ill-defined. This book addresses that shift. ''War Zones'' examines the people, landscapes, and built environments that are subject to both the civil and military aims and control of armed conflicts today. From colonial or total war, asymmetric war or counterinsurgency to barricaded or besieged cities, refugee camps or borderlines, to nuclear bunkers or ''war ghosts,'' to states of emergency and drone warfare, these texts disclose the complicated spatial aspects and process of formation of war zones past and present.
Architectural Theory
Sydney XXXL
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In less than 250 years Sydney has evolved from fledgling colonial outpost to thriving global city. But behind the perfect postcard images, it is a city that struggles with its own success. This is the point of departure for renowned Sydney architect Ed Lippmann, a first-hand witness to the problems that have emerged from the city’s lack of planning who offers perspectives(...)
Sydney XXXL
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In less than 250 years Sydney has evolved from fledgling colonial outpost to thriving global city. But behind the perfect postcard images, it is a city that struggles with its own success. This is the point of departure for renowned Sydney architect Ed Lippmann, a first-hand witness to the problems that have emerged from the city’s lack of planning who offers perspectives on how such issues might be avoided in the future. ‘Sydney XXXL’ digs deeply into the city’s history, charting the financial and political interests that shaped its development and identifying the key decisions that need to be made to accommodate future population growth in a more liveable, sustainable city.