Sandra Meigs: strange loop
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A catalogue of Carleton University Art Gallery's exhibition of paintings of architectural interiors by Victoria painter Sandra Meigs. Rendered in grey-scale and complex linear perspective, the paintings are based on studies of 19th-century mansions in Newport, Rhode Island. The essay analyzes Meigs’s work in relation to Gaston Bachelard’s theories on the psychological(...)
Sandra Meigs: strange loop
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A catalogue of Carleton University Art Gallery's exhibition of paintings of architectural interiors by Victoria painter Sandra Meigs. Rendered in grey-scale and complex linear perspective, the paintings are based on studies of 19th-century mansions in Newport, Rhode Island. The essay analyzes Meigs’s work in relation to Gaston Bachelard’s theories on the psychological meanings of the house.
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It is assumed that every inch of the world has been explored and charted; that there is nowhere new to go. But perhaps it is the everyday places around us—the cities we live in—that need to be rediscovered. What does it feel like to find the city’s edge, to explore its forgotten tunnels and scale unfinished skyscrapers high above the metropolis? Explore Everything(...)
Explore everything: place-hacking the city
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It is assumed that every inch of the world has been explored and charted; that there is nowhere new to go. But perhaps it is the everyday places around us—the cities we live in—that need to be rediscovered. What does it feel like to find the city’s edge, to explore its forgotten tunnels and scale unfinished skyscrapers high above the metropolis? Explore Everything reclaims the city, recasting it as a place for endless adventure. Plotting expeditions from London, Paris, Berlin, Detroit, Chicago, Las Vegas and Los Angeles, Bradley L. Garrett has evaded urban security in order to experience the city in ways beyond the boundaries of conventional life. He calls it ‘place hacking’: the recoding of closed, secret, hidden and forgotten urban space to make them realms of opportunity.
Urban Theory
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Activism is a critical point of contention for institutions and genealogies of contemporary art around the world. Yet artists have consistently engaged in activist discourse, lending their skills to social movements, and regularly participating in civil and social rights campaigns while also boycotting cultural institutions and exerting significant pressure on them. This(...)
Activism: Whitechapel Documents of Contemporary Art
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Activism is a critical point of contention for institutions and genealogies of contemporary art around the world. Yet artists have consistently engaged in activist discourse, lending their skills to social movements, and regularly participating in civil and social rights campaigns while also boycotting cultural institutions and exerting significant pressure on them. This timely volume, edited by Tom Snow and Afonso Ramos, addresses an extraordinary moment in debates over the institutional frameworks and networks of art including large-scale direct actions, as well as a radical rethinking of art venues and urban spaces according to racial, class, or gender-based disparities, including demonstrations against the extractive and exploitative practices of neoliberal accumulation and climate catastrophe. From ACT UP and its affiliate groups since the dawn of the AIDS crisis to the counter-spectacle and street theatrics of the so-called Arab Spring and Occupy, to ongoing protest movements such as Black Lives Matter, Rhodes Must Fall, and Decolonize This Place, activist aesthetics has proven increasingly difficult to define under traditional classifications. Resurgent campaigns for decolonial reckoning, ecological justice, gender equality, indigenous rights and antiracist pedagogies indicate that the role of activism in contemporary art practice urges a critical reassessment. One pressing question is whether contemporary art’s most radical politics now takes place outside, against, or in spite of, conventional sites of display such as museums, biennials, and galleries.
Art Theory
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Inside the postmodern wonderland of the Shonandai Cultural Center, Japan's first large-scale public facility to be designed by a female architect The first major public project by Japanese architect Itsuko Hasegawa (born 1941), the Shonandai Cultural Center is notable in its attempt to refute modernism by returning to a '60s techno-avant-garde.
Itsuko Hasegawa: Shonandai – Exposing the World. Everything without content 242
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Inside the postmodern wonderland of the Shonandai Cultural Center, Japan's first large-scale public facility to be designed by a female architect The first major public project by Japanese architect Itsuko Hasegawa (born 1941), the Shonandai Cultural Center is notable in its attempt to refute modernism by returning to a '60s techno-avant-garde.
Architecture Monographs
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"The Continuous Monument", developed by the Italian collective Superstudio during summer 1969, is one of the most known visionary projects within the history of architecture. In sketchbooks Number 11 and 12, dated over a few months between May and November 1969, much of the story of the Continuous Monument emerges – as it were, fully-fledged – from its first conception as(...)
Sketchbook 12 and the continuous monument: Adolfo Natalini
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"The Continuous Monument", developed by the Italian collective Superstudio during summer 1969, is one of the most known visionary projects within the history of architecture. In sketchbooks Number 11 and 12, dated over a few months between May and November 1969, much of the story of the Continuous Monument emerges – as it were, fully-fledged – from its first conception as a belt around Florence, and its later ambitious circumnavigation of the globe, to its diffident public manifestation – at the scale of a gallery – for the first of the two exhibitions in Graz in 1969. The drawings became the basis of the now better-known Superstudio collages.
Architecture Monographs
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Building with straw bales is a technique pioneered a century ago in the state of Nebraska. In recent years there has been a renaissance in the use of straw as a building material largely in the American Southwest, but also in Canada, Australia, France, Holland, Germany, Austria and China. Straw is a renewable resource with excellent insulating properties. It is a cheap(...)
Straw bale construction manual: design and technology of a sustainable architecture
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Building with straw bales is a technique pioneered a century ago in the state of Nebraska. In recent years there has been a renaissance in the use of straw as a building material largely in the American Southwest, but also in Canada, Australia, France, Holland, Germany, Austria and China. Straw is a renewable resource with excellent insulating properties. It is a cheap and easy-to-use option for self-builders, and even large-scale structures can be erected using timber framework filled with straw. This book is a practical, hands-on guide to building with straw. Fire safety, protection against moisture, damp, pests and parasites are treated in detail. Numerous on-site photos document the process of assembly and construction step by step.
Materials and Lighting
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For this yearbook, our annual selection of the representative arcitecture of Japan, fifty works have been chosen from those published in Shinkenchiku Jutaku Tokushu and are presented in order of the amount of floor area, from smallest to largest. Rather than using a highly arbitary order based either on the circumstances surrounding the work, its topicality or building(...)
The Japan architect JA 68 winter 2008, Yearbook 2007
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For this yearbook, our annual selection of the representative arcitecture of Japan, fifty works have been chosen from those published in Shinkenchiku Jutaku Tokushu and are presented in order of the amount of floor area, from smallest to largest. Rather than using a highly arbitary order based either on the circumstances surrounding the work, its topicality or building type, in adopting this pratical arrangement from small to large scale, we anticipate that the latent similarities, proximities and differences that surface will become apparent and incite new discoveries.
Magazines
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The interior is that space that architecture makes, which is at once set apart from the world and in its midst. Regardless of its scale, whether that of a dwelling, a temple, a settlement, a city or a continental territory, the interior is informed and shaped by ideas. These ideas appear in architecture and in the great variety of its interiors that we take to be public:(...)
The public interior as idea and project
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The interior is that space that architecture makes, which is at once set apart from the world and in its midst. Regardless of its scale, whether that of a dwelling, a temple, a settlement, a city or a continental territory, the interior is informed and shaped by ideas. These ideas appear in architecture and in the great variety of its interiors that we take to be public: those within which we consider ourselves to be free individuals, and where we see ourselves among others; those within which we are conscious of our place in society and in the world. Public interiors have been designed to affect and condition our consciousness and our behaviour, our relations to others and to authority.
Architectural Theory
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Despite the exaggerated news of the untimely 'death of the detail' by Greg Lynn, the architectural detail is now more lifelike and active than ever before. In this era of digital design and production technologies, new materials, parametrics, building information modeling (BIM), augmented realities and the nano-bio-information-computation consilience, the detail is now an(...)
AD 230, July/August 2014: future details of architecture
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Despite the exaggerated news of the untimely 'death of the detail' by Greg Lynn, the architectural detail is now more lifelike and active than ever before. In this era of digital design and production technologies, new materials, parametrics, building information modeling (BIM), augmented realities and the nano-bio-information-computation consilience, the detail is now an increasingly vital force in architecture. Though such digitally designed and produced details are diminishing in size to the molecular and nano levels, they are increasingly becoming more complex, multi-functional, high performance and self-replicating. Far from being a non-essential and final finish, this new type of highly evolved high-tech detail is rapidly becoming the indispensable and critical core, the (sometimes iconic) DNA of an innovative new species of built environmental form that is spawning in scale and prominence, across product, interior, urban and landscape design. This issue of AD re-examines the history, theories and design of the world’s most significant spatial details, and explores their innovative potentials and possibilities for the future of architecture.
Magazines
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The Chinese Dream is a visual tour de force, both encyclopedic in scope and holistic in approach. Cutting across all levels of scale - from individual to nation - and backed by a truly multi-disciplinary team (encompassing architecture and urban planning, politics, economics, arts and culture, environmental concerns, and sociology) the book synthesizes a vast body of(...)
The chinese dream: a society under construction
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The Chinese Dream is a visual tour de force, both encyclopedic in scope and holistic in approach. Cutting across all levels of scale - from individual to nation - and backed by a truly multi-disciplinary team (encompassing architecture and urban planning, politics, economics, arts and culture, environmental concerns, and sociology) the book synthesizes a vast body of research to tackle the big contemporary questions, and to unpack the paradoxes at the heart of Chinas struggle for change. Bold texts, self-critical design proposals, and thousands of graphics reveal China in all its raucous diversity. This is space as you have never seen it before: brash, outlandish, and very Chinese.
Arch Middle East