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A selection of Melanie Friend’s images from the Berlin Wall in 1985, during the Cold War, contrast with the joyful celebrations at the Wall on New Year’s Eve 1989 (seven weeks after the fall of the Wall).
Melanie Friend: Berlin Wall 1985-1990
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A selection of Melanie Friend’s images from the Berlin Wall in 1985, during the Cold War, contrast with the joyful celebrations at the Wall on New Year’s Eve 1989 (seven weeks after the fall of the Wall).
Photography monographs
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This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Presenting more than 250 illustrations - depicting discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - 'Soviet Space Graphics' unlocks the door to the creative inner workings of the USSR.
Soviet space graphics: cosmic visions from the USSR
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This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Presenting more than 250 illustrations - depicting discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - 'Soviet Space Graphics' unlocks the door to the creative inner workings of the USSR.
Printed Matter
Public photographic spaces, exhibitions of propaganda, from Pressa to the family of man, 1928-55
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This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War.(...)
Public photographic spaces, exhibitions of propaganda, from Pressa to the family of man, 1928-55
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$86.95
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This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.
Museums and Universal Exhibitions
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Transporting readers from derelict homesteads to Cold War test sites, "Curated decay" presents an unparalleled provocation to conventional thinking on the conservation of cultural heritage. Caitlin DeSilvey proposes rethinking the care of certain vulnerable sites in terms of ecology and entropy, explaining how we must adopt an ethical stance that allows us to collaborate(...)
Curated decay: heritage beyond saving
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Transporting readers from derelict homesteads to Cold War test sites, "Curated decay" presents an unparalleled provocation to conventional thinking on the conservation of cultural heritage. Caitlin DeSilvey proposes rethinking the care of certain vulnerable sites in terms of ecology and entropy, explaining how we must adopt an ethical stance that allows us to collaborate with—rather than defend against—natural processes.
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In the decades following World War Two, and in part in response to the Cold War, governments across Western Europe set out ambitious programmes for social welfare and the redistribution of wealth that aimed to improve the everyday lives of their citizens. Many of these welfare state programmes - housing, schools, new towns, cultural and leisure centres – involved not just(...)
Urban Theory
September 2014
Architecture and the welfare state
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In the decades following World War Two, and in part in response to the Cold War, governments across Western Europe set out ambitious programmes for social welfare and the redistribution of wealth that aimed to improve the everyday lives of their citizens. Many of these welfare state programmes - housing, schools, new towns, cultural and leisure centres – involved not just construction but a new approach to architectural design, in which the welfare objectives of these state-funded programmes were delineated and debated. The impact on architects and architectural design was profound and far-reaching, with welfare state projects moving centre-stage in architectural discourse not just in Europe but worldwide.
Urban Theory
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Wonderland manual is a cultural version of the NATO Cold War strategy of flexible response . Pursuing the military analogy, the manual is a continuation by other means of what Wonderland has been doing for the past years: accelerating the exchange of information among young architects in Europe.It is first and foremost a guide containing facts and figures, tips and(...)
Wonderland : manual for emerging architects
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Wonderland manual is a cultural version of the NATO Cold War strategy of flexible response . Pursuing the military analogy, the manual is a continuation by other means of what Wonderland has been doing for the past years: accelerating the exchange of information among young architects in Europe.It is first and foremost a guide containing facts and figures, tips and experiences and as such can be seen as a handbook for European architects at the start of their careers.
Architectural Theory
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The artists discussed in Space-Age Aesthetics looked beyond the limits of the picture, exploring space, mass media, pop culture, nuclear power, and science fiction to connect new art to the dramatic changes taking place through the encroaching Space Age. Space-Age Aesthetics begins by addressing the imagery of space exploration as a field of mythical representation(...)
January 2010
Space-age aesthetics: Lucio Fontana, Yves Klein, and the Postwar European Avant-Garde
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The artists discussed in Space-Age Aesthetics looked beyond the limits of the picture, exploring space, mass media, pop culture, nuclear power, and science fiction to connect new art to the dramatic changes taking place through the encroaching Space Age. Space-Age Aesthetics begins by addressing the imagery of space exploration as a field of mythical representation informed by Cold War politics and acted out in an expansive variety of media, from the picture press to comic books.
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This set of essays brings together studies that challenge interpretations of the development of modernist architecture in Third World countries during the Cold War. The topics look at modernism’s part in the transnational development of building technologies and the construction of national and cultural identity. Architectural modernism is far more than another instance(...)
Third World modernism: architecture, development and identity
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This set of essays brings together studies that challenge interpretations of the development of modernist architecture in Third World countries during the Cold War. The topics look at modernism’s part in the transnational development of building technologies and the construction of national and cultural identity. Architectural modernism is far more than another instance of Western expansionist aspirations; it has been developed in cross-cultural spaces and variously localized into nation-building programs and social welfare projects.
Modernism
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This publication analyzes diverse aspects of the architectural, theoretical, and didactical oeuvre of Oskar Hansen, who was the Polish member of Team 10, a group of architects that challenged standard views of urbanism more than fifty years ago. In chronicling the impact of Hansen’s theory of “Open Form” on architecture, urban planning, experimental film, and visual arts(...)
Oskar Hansen : opening Modernism. On open form architecture, art and didactics
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This publication analyzes diverse aspects of the architectural, theoretical, and didactical oeuvre of Oskar Hansen, who was the Polish member of Team 10, a group of architects that challenged standard views of urbanism more than fifty years ago. In chronicling the impact of Hansen’s theory of “Open Form” on architecture, urban planning, experimental film, and visual arts in postwar Poland, this volume traces the flow of architectural ideas in a Europe divided by the Cold War.
Architectural Theory
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Guantánamo has become a symbol of what has gone wrong in the War on Terror. Yet Guantánamo is more than a U.S. naval base and prison in Cuba, it is a town, and our military occupation there has required more than soldiers and sailors--it has required workers. This revealing history of the women and men who worked on the U.S. naval base in Guantánamo Bay tells the story of(...)
Guantanamo: a working-class history between empire and revolution
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Guantánamo has become a symbol of what has gone wrong in the War on Terror. Yet Guantánamo is more than a U.S. naval base and prison in Cuba, it is a town, and our military occupation there has required more than soldiers and sailors--it has required workers. This revealing history of the women and men who worked on the U.S. naval base in Guantánamo Bay tells the story of U.S.-Cuban relations from a new perspective, and at the same time, shows how neocolonialism, empire, and revolution transformed the lives of everyday people. Drawing from rich oral histories and little-explored Cuban archives, Jana K. Lipman analyzes how the Cold War and the Cuban revolution made the naval base a place devoid of law and accountability.
Critical Theory