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Sixty-eight portraits of Guido Guidi realized col tempo and over the course of multiple encounters by : Mariano Andreani, Nicola Baldazzi, Cesare Ballardini, Olivo Barbieri, Gianantonio Battistella, Emanuele Benini, Enrico Benvenuti, Michele Buda, Giammario Corsi, Jean-Paul Deridder, Alessandra Dragoni, Luca Fiore, Jonathan Frantini, Antonello Frongia, Marcello Galvani,(...)
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Sixty-eight portraits of Guido Guidi realized col tempo and over the course of multiple encounters by : Mariano Andreani, Nicola Baldazzi, Cesare Ballardini, Olivo Barbieri, Gianantonio Battistella, Emanuele Benini, Enrico Benvenuti, Michele Buda, Giammario Corsi, Jean-Paul Deridder, Alessandra Dragoni, Luca Fiore, Jonathan Frantini, Antonello Frongia, Marcello Galvani,(...)
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Photography monographs
Photography monographs
Publication:
December 2024
December 2024
Title:
Guido
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Sixty-eight portraits of Guido Guidi realized col tempo and over the course of multiple encounters by : Mariano Andreani, Nicola Baldazzi, Cesare Ballardini, Olivo Barbieri, Gianantonio Battistella, Emanuele Benini, Enrico Benvenuti, Michele Buda, Giammario Corsi, Jean-Paul Deridder, Alessandra Dragoni, Luca Fiore, Jonathan Frantini, Antonello Frongia, Marcello Galvani, Luca Gambi, Francesca Gardini, John Gossage, Stefano Graziani, Anna Guidi, Takashi Homma, Gerry Johansson, Flavio Marchetti, Nicole Marchi, Andrea Savorani Neri, Francesco Neri, Luca Nostri, Francesco Raffaelli, Sabrina Ragucci, Mattia Sangiorgi, Mariano Sartore, Stephen Shore, Mike Slack, Massimo Sordi, Jem Southam, John Spinks, Giovanni Zaffagnini, Antonello Zoffoli.
Guido
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Sixty-eight portraits of Guido Guidi realized col tempo and over the course of multiple encounters by : Mariano Andreani, Nicola Baldazzi, Cesare Ballardini, Olivo Barbieri, Gianantonio Battistella, Emanuele Benini, Enrico Benvenuti, Michele Buda, Giammario Corsi, Jean-Paul Deridder, Alessandra Dragoni, Luca Fiore, Jonathan Frantini, Antonello Frongia, Marcello Galvani, Luca Gambi, Francesca Gardini, John Gossage, Stefano Graziani, Anna Guidi, Takashi Homma, Gerry Johansson, Flavio Marchetti, Nicole Marchi, Andrea Savorani Neri, Francesco Neri, Luca Nostri, Francesco Raffaelli, Sabrina Ragucci, Mattia Sangiorgi, Mariano Sartore, Stephen Shore, Mike Slack, Massimo Sordi, Jem Southam, John Spinks, Giovanni Zaffagnini, Antonello Zoffoli.
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books
books
Publication:
December 2024
December 2024
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$85.00
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Coinciding with the exhibition of the same name at the Galleria Nazionale delle Marche at the Palazzo Ducale in Urbino, eight internationally-renowned photographers describe Giancarlo De Carlo's work in Urbino. They are also professors at Istituto Superiore per le Industrie Artistiche. Paola Binante, Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford, Stefano(...)
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Coinciding with the exhibition of the same name at the Galleria Nazionale delle Marche at the Palazzo Ducale in Urbino, eight internationally-renowned photographers describe Giancarlo De Carlo's work in Urbino. They are also professors at Istituto Superiore per le Industrie Artistiche. Paola Binante, Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford, Stefano(...)
Title:
Spiriti: Eight photographers recount Giancarlo de Carlo in Urbino
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Coinciding with the exhibition of the same name at the Galleria Nazionale delle Marche at the Palazzo Ducale in Urbino, eight internationally-renowned photographers describe Giancarlo De Carlo's work in Urbino. They are also professors at Istituto Superiore per le Industrie Artistiche. Paola Binante, Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford, Stefano Graziani, Armin Linke, and Giovanna Silva explore and recount the essence of the Italian architect's work through their own photographs of the spaces he designed, adding written accounts of their interpretation. De Carlo is quoted as saying a place is a space "experienced, consumed, perennially transformed by human presence".
Spiriti: Eight photographers recount Giancarlo de Carlo in Urbino
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Coinciding with the exhibition of the same name at the Galleria Nazionale delle Marche at the Palazzo Ducale in Urbino, eight internationally-renowned photographers describe Giancarlo De Carlo's work in Urbino. They are also professors at Istituto Superiore per le Industrie Artistiche. Paola Binante, Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford, Stefano Graziani, Armin Linke, and Giovanna Silva explore and recount the essence of the Italian architect's work through their own photographs of the spaces he designed, adding written accounts of their interpretation. De Carlo is quoted as saying a place is a space "experienced, consumed, perennially transformed by human presence".
Form:
books
books
Publication:
August 2021
August 2021
Subject:
Photography Collections
Photography Collections
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books
books
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$79.00
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Giancarlo de Carlo first visited Urbino in 1951 to carry out a minor refurbishment of the offices of the rector of the University. This was the beginning of his lifetime engagement with the small town where he continued working over the next five decades. This book is part of the "Everything without content" series by Kersten Geers, Jelena Pancevac and Joris Kritis, and(...)
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Summary:
Giancarlo de Carlo first visited Urbino in 1951 to carry out a minor refurbishment of the offices of the rector of the University. This was the beginning of his lifetime engagement with the small town where he continued working over the next five decades. This book is part of the "Everything without content" series by Kersten Geers, Jelena Pancevac and Joris Kritis, and(...)
Title:
Giancarlo De Carlo: Experiments in thickness
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Giancarlo de Carlo first visited Urbino in 1951 to carry out a minor refurbishment of the offices of the rector of the University. This was the beginning of his lifetime engagement with the small town where he continued working over the next five decades. This book is part of the "Everything without content" series by Kersten Geers, Jelena Pancevac and Joris Kritis, and it presents the work Giancarlo de Carlo built in Urbino in the 1960s and 70s, in the shadow of his involvement in Team 10 debates that challenged modernist doctrines on architecture and urbanism. The eight buildings in this book are presented in drawings by students of the Academy of Architecture USI, Mendriso, and photographs by Stefano Graziani.
Giancarlo De Carlo: Experiments in thickness
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Summary:
Giancarlo de Carlo first visited Urbino in 1951 to carry out a minor refurbishment of the offices of the rector of the University. This was the beginning of his lifetime engagement with the small town where he continued working over the next five decades. This book is part of the "Everything without content" series by Kersten Geers, Jelena Pancevac and Joris Kritis, and it presents the work Giancarlo de Carlo built in Urbino in the 1960s and 70s, in the shadow of his involvement in Team 10 debates that challenged modernist doctrines on architecture and urbanism. The eight buildings in this book are presented in drawings by students of the Academy of Architecture USI, Mendriso, and photographs by Stefano Graziani.
Form:
books
books
Publication:
November 2023
November 2023
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Super Superstudio
Super Superstudio
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$52.50
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Superstudio (1966–86), a group of Florence-based architects comprising Adolfo Natalini, Cristiano Toraldo di Francia, Roberto Magris, Gian Piero Frassinelli, Alessandro Magris and, from 1970 to 1972, Alessandro Poli, were among the leading radical architects of the 1960s. Almost 50 years after the group’s establishment, their designs are gathered for the first time in(...)
$52.50
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Superstudio (1966–86), a group of Florence-based architects comprising Adolfo Natalini, Cristiano Toraldo di Francia, Roberto Magris, Gian Piero Frassinelli, Alessandro Magris and, from 1970 to 1972, Alessandro Poli, were among the leading radical architects of the 1960s. Almost 50 years after the group’s establishment, their designs are gathered for the first time in(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
February 2016
February 2016
Title:
Super Superstudio
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Superstudio (1966–86), a group of Florence-based architects comprising Adolfo Natalini, Cristiano Toraldo di Francia, Roberto Magris, Gian Piero Frassinelli, Alessandro Magris and, from 1970 to 1972, Alessandro Poli, were among the leading radical architects of the 1960s. Almost 50 years after the group’s establishment, their designs are gathered for the first time in this volume, which contextualizes the firm’s works with that of contemporary artists, including Danai Anesiadou, Alexandra Bachzetsis, Ila Beka and Louise Lemoine, Pablo Bronstein and Stefano Graziani, among many others. This catalogue compiles Superstudio’s documents—including images, collages, critical writings and storyboards—drawn from the archive, and includes critical contributions from curators Andreas Angelidakis, Vittorio Pizzigoni and Valer Scelsi. Super Superstudio is an important tribute to an assault on modernism, that, as the volume reveals, remained and remains relevant for generations to come.
Super Superstudio
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Superstudio (1966–86), a group of Florence-based architects comprising Adolfo Natalini, Cristiano Toraldo di Francia, Roberto Magris, Gian Piero Frassinelli, Alessandro Magris and, from 1970 to 1972, Alessandro Poli, were among the leading radical architects of the 1960s. Almost 50 years after the group’s establishment, their designs are gathered for the first time in this volume, which contextualizes the firm’s works with that of contemporary artists, including Danai Anesiadou, Alexandra Bachzetsis, Ila Beka and Louise Lemoine, Pablo Bronstein and Stefano Graziani, among many others. This catalogue compiles Superstudio’s documents—including images, collages, critical writings and storyboards—drawn from the archive, and includes critical contributions from curators Andreas Angelidakis, Vittorio Pizzigoni and Valer Scelsi. Super Superstudio is an important tribute to an assault on modernism, that, as the volume reveals, remained and remains relevant for generations to come.
Form:
books
books
Publication:
February 2016
February 2016
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$66.95
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Summary:
Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial(...)
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Summary:
Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial(...)
Title:
Everything Without Content 251. The large city
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Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial condition. An artificial nature where zero-kilometre food production, electric bikes and trail running enable everyone to live large. Without nostalgia for its industrial ruins, nor contempt for modernity, the city was the subject of a year-long studio led by Kersten Geers at the Academy of Architecture USI in Mendrisio. As a form of “applied theory”, the book presents students’ projects—an imaginary city—coupled with some real projects: Megafactory by OFFICE and Palais des Expositions by Architecten Jan de Vylder Inge Vinck & AgwA. The book features photographs of Charleroi by Stefano Graziani.
Everything Without Content 251. The large city
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$66.95
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Summary:
Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial condition. An artificial nature where zero-kilometre food production, electric bikes and trail running enable everyone to live large. Without nostalgia for its industrial ruins, nor contempt for modernity, the city was the subject of a year-long studio led by Kersten Geers at the Academy of Architecture USI in Mendrisio. As a form of “applied theory”, the book presents students’ projects—an imaginary city—coupled with some real projects: Megafactory by OFFICE and Palais des Expositions by Architecten Jan de Vylder Inge Vinck & AgwA. The book features photographs of Charleroi by Stefano Graziani.
Form:
books
books
Publication:
June 2025
June 2025
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$16.00
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Summary:
Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad(...)
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad(...)
Title:
Alina, Barbara, Halina, Helena, Zofia
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad shared her enthusiasm after researching the work of five women that conceived several residential neighbourhoods in Warsaw after the Second World War and redefined the city as a green haven. If the two book projects she presented in our exhibition—Atlas (2000) and Copy Cities (2003–2004)—brought together multiple fragments of her extensive and systematic documentary work on cities, her survey of the work of Alina Scholtz, Barbara Brukalska, Halina Skibniewska, Helena Syrkus, and Zofia Hansen leads now to a travel diary that reflects on the role of architecture and landscape architecture in defining places of bonding and belonging.
Alina, Barbara, Halina, Helena, Zofia
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad shared her enthusiasm after researching the work of five women that conceived several residential neighbourhoods in Warsaw after the Second World War and redefined the city as a green haven. If the two book projects she presented in our exhibition—Atlas (2000) and Copy Cities (2003–2004)—brought together multiple fragments of her extensive and systematic documentary work on cities, her survey of the work of Alina Scholtz, Barbara Brukalska, Halina Skibniewska, Helena Syrkus, and Zofia Hansen leads now to a travel diary that reflects on the role of architecture and landscape architecture in defining places of bonding and belonging.
Form:
books
books
Publication:
November 2024
November 2024
Subject:
CCA Publications
CCA Publications
Form:
journals and magazines
journals and magazines
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$32.00
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Accattone #4 draws on the idea of collection to explore mythical methods and visual ethnographies in contemporary practices, with an interest in the compression, into a single artefact, of long periods of history, power relations, memories and everyday experience. It features anthropology museums, underground data centres and minor collections performed in private houses,(...)
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Accattone #4 draws on the idea of collection to explore mythical methods and visual ethnographies in contemporary practices, with an interest in the compression, into a single artefact, of long periods of history, power relations, memories and everyday experience. It features anthropology museums, underground data centres and minor collections performed in private houses,(...)
Title:
ACCATTONE 4, Magazine on architecture 2016
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Accattone #4 draws on the idea of collection to explore mythical methods and visual ethnographies in contemporary practices, with an interest in the compression, into a single artefact, of long periods of history, power relations, memories and everyday experience. It features anthropology museums, underground data centres and minor collections performed in private houses, double-sided masks and architectural strata in a floor slab or a facade, totemic mock-ups on a 1:1 scale and metaphors in the desert. Invited contributions include words and documents by Frida Escobedo, photos by Kristien Daem, Philippe Braquenier and Stefano Graziani, a return on an installation by Ištvan Išt Huzjan with Sam Steverlynck, Frank Tuytschaever and Jurgen Vergotte, our visit to Pierre Leguillon’s Museum of Mistakes and ARU’s visit to an house by Peter Märkli, an interview with 51N4E, photos of Camille Henrot’s installation The Pale Fox, essays by Cédric Libert and Freek Persyn, models and mock-ups by Bruther, XDGA, CAB, Barthélémy-Griño, Michel Desvigne.
ACCATTONE 4, Magazine on architecture 2016
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$32.00
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Summary:
Accattone #4 draws on the idea of collection to explore mythical methods and visual ethnographies in contemporary practices, with an interest in the compression, into a single artefact, of long periods of history, power relations, memories and everyday experience. It features anthropology museums, underground data centres and minor collections performed in private houses, double-sided masks and architectural strata in a floor slab or a facade, totemic mock-ups on a 1:1 scale and metaphors in the desert. Invited contributions include words and documents by Frida Escobedo, photos by Kristien Daem, Philippe Braquenier and Stefano Graziani, a return on an installation by Ištvan Išt Huzjan with Sam Steverlynck, Frank Tuytschaever and Jurgen Vergotte, our visit to Pierre Leguillon’s Museum of Mistakes and ARU’s visit to an house by Peter Märkli, an interview with 51N4E, photos of Camille Henrot’s installation The Pale Fox, essays by Cédric Libert and Freek Persyn, models and mock-ups by Bruther, XDGA, CAB, Barthélémy-Griño, Michel Desvigne.
Form:
journals and magazines
journals and magazines
Publication:
September 2016
September 2016
Subject:
Magazines
Magazines
