258 Results
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books
books
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$60.00
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Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the(...)
$60.00
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Summary:
Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the(...)
Publication:
March 2017
March 2017
Title:
The present is the form of all life: the time capsules of Ant Farm and LST
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$60.00
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Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the idea of the time capsule as a reliable means of cultural preservation. Published as a supplement to the exhibition "The Present Is the Form of All Life: The Time Capsules of Ant Farm and LST", this book features essays, an interview with LST, and many never before published or reproduced images of archival material, tracing the time capsule works of Ant Farm and successor group LST from analog archive to digital database.
The present is the form of all life: the time capsules of Ant Farm and LST
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Price:
$60.00
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Summary:
Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the idea of the time capsule as a reliable means of cultural preservation. Published as a supplement to the exhibition "The Present Is the Form of All Life: The Time Capsules of Ant Farm and LST", this book features essays, an interview with LST, and many never before published or reproduced images of archival material, tracing the time capsule works of Ant Farm and successor group LST from analog archive to digital database.
Form:
books
books
Publication:
March 2017
March 2017
Form:
books
books
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$125.00
(available in store)
Summary:
The ultimate typographic experiment from one of the world's foremost typography studios, MuirMcNeil’s Two Type System presents a systematic approach to form-giving that liberates the design process from the narrow confines of individual self-expression. Using a combination of algorithm, chance, and deliberation, a core database of 23 type systems and 198 individual(...)
$125.00
(available in store)
Summary:
The ultimate typographic experiment from one of the world's foremost typography studios, MuirMcNeil’s Two Type System presents a systematic approach to form-giving that liberates the design process from the narrow confines of individual self-expression. Using a combination of algorithm, chance, and deliberation, a core database of 23 type systems and 198 individual(...)
Title:
System process form: Type as algorithm
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$125.00
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Summary:
The ultimate typographic experiment from one of the world's foremost typography studios, MuirMcNeil’s Two Type System presents a systematic approach to form-giving that liberates the design process from the narrow confines of individual self-expression. Using a combination of algorithm, chance, and deliberation, a core database of 23 type systems and 198 individual fonts is interpolated to generate millions of hybrid forms in which every dot, line, space, and letter is designed to correspond and collaborate in close harmony. The showcased examples, selected for their distinctively abstract and striking qualities, are printed in three vibrant neon inks and metallic black. The result, far more than a mere catalog of typefaces, demonstrates the power of excavating design problems at their deepest roots, allowing abundant and diverse outcomes to proliferate spontaneously.
System process form: Type as algorithm
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Price:
$125.00
(available in store)
Summary:
The ultimate typographic experiment from one of the world's foremost typography studios, MuirMcNeil’s Two Type System presents a systematic approach to form-giving that liberates the design process from the narrow confines of individual self-expression. Using a combination of algorithm, chance, and deliberation, a core database of 23 type systems and 198 individual fonts is interpolated to generate millions of hybrid forms in which every dot, line, space, and letter is designed to correspond and collaborate in close harmony. The showcased examples, selected for their distinctively abstract and striking qualities, are printed in three vibrant neon inks and metallic black. The result, far more than a mere catalog of typefaces, demonstrates the power of excavating design problems at their deepest roots, allowing abundant and diverse outcomes to proliferate spontaneously.
Form:
books
books
Publication:
June 2024
June 2024
Subject:
Graphic Design and Typography
Graphic Design and Typography
Form:
books
books
Title:
Low cost design, vol. 1
Low cost design, vol. 1
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$55.00
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Summary:
This publication is based on the principle that the most innovative design ideas are probably not the ones passing through patent offices. Functioning as a visual dictionary of everyday ingenuity and self-sufficiency, and spanning Northern Europe and the Mediterranean, it catalogues inspiring examples of the creative repurposing of detritus, and of overlooked land, by(...)
$55.00
(available to order)
Summary:
This publication is based on the principle that the most innovative design ideas are probably not the ones passing through patent offices. Functioning as a visual dictionary of everyday ingenuity and self-sufficiency, and spanning Northern Europe and the Mediterranean, it catalogues inspiring examples of the creative repurposing of detritus, and of overlooked land, by(...)
Title:
Low cost design, vol. 1
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$55.00
(available to order)
Summary:
This publication is based on the principle that the most innovative design ideas are probably not the ones passing through patent offices. Functioning as a visual dictionary of everyday ingenuity and self-sufficiency, and spanning Northern Europe and the Mediterranean, it catalogues inspiring examples of the creative repurposing of detritus, and of overlooked land, by ordinary people — whether for reasons of subsistence, politics or sheer artistry. Thus, a flowerpot and a section of a fence become an improvised barbeque; a tree stump on a sidewalk is carved into a makeshift one-seater. The innovations are classified as either "objects" or "actions," demonstrating a decentralized but palpable European movement conscious of avoiding waste. The book features an essay by the artist and designer Daniele Pario Perra, who in 2001 began the Design on the Cheap database.
Low cost design, vol. 1
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Price:
$55.00
(available to order)
Summary:
This publication is based on the principle that the most innovative design ideas are probably not the ones passing through patent offices. Functioning as a visual dictionary of everyday ingenuity and self-sufficiency, and spanning Northern Europe and the Mediterranean, it catalogues inspiring examples of the creative repurposing of detritus, and of overlooked land, by ordinary people — whether for reasons of subsistence, politics or sheer artistry. Thus, a flowerpot and a section of a fence become an improvised barbeque; a tree stump on a sidewalk is carved into a makeshift one-seater. The innovations are classified as either "objects" or "actions," demonstrating a decentralized but palpable European movement conscious of avoiding waste. The book features an essay by the artist and designer Daniele Pario Perra, who in 2001 began the Design on the Cheap database.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Industrial Design
Industrial Design
Form:
books
books
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$80.00
(available to order)
Summary:
In Youkilis’s first publication, the depth of this engagement with human patterns of behaviour is archived and scattered across a diverse range of themes, divided into chapters that playfully tease the tensions between categorisation and chance that inform his observational works. Made exclusively of video stills, ''Somewhere'' scours Youkilis’s database for images of(...)
$80.00
(available to order)
Summary:
In Youkilis’s first publication, the depth of this engagement with human patterns of behaviour is archived and scattered across a diverse range of themes, divided into chapters that playfully tease the tensions between categorisation and chance that inform his observational works. Made exclusively of video stills, ''Somewhere'' scours Youkilis’s database for images of(...)
Title:
Sam Youkilis: Somewhere 2017-2023
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$80.00
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Summary:
In Youkilis’s first publication, the depth of this engagement with human patterns of behaviour is archived and scattered across a diverse range of themes, divided into chapters that playfully tease the tensions between categorisation and chance that inform his observational works. Made exclusively of video stills, ''Somewhere'' scours Youkilis’s database for images of everything from the time of day–7:07AM, 12:33PM—to unmade beds, the act of cutting, thresholds, dancing couples and gestures of romance. Presented as a dense 500-page sequence, ''Somewhere'' activates the archive and the typology as a source of human joy and communion while emboldening his subjects and unlocking the deep essence of different places worldwide. Youkilis embraces the real by engaging with both ephemerality and sincerity, while steeped in reverence for the photographic medium through a meticulous engagement with composition, colour, chiaroscuro and framing.
Sam Youkilis: Somewhere 2017-2023
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$80.00
(available to order)
Summary:
In Youkilis’s first publication, the depth of this engagement with human patterns of behaviour is archived and scattered across a diverse range of themes, divided into chapters that playfully tease the tensions between categorisation and chance that inform his observational works. Made exclusively of video stills, ''Somewhere'' scours Youkilis’s database for images of everything from the time of day–7:07AM, 12:33PM—to unmade beds, the act of cutting, thresholds, dancing couples and gestures of romance. Presented as a dense 500-page sequence, ''Somewhere'' activates the archive and the typology as a source of human joy and communion while emboldening his subjects and unlocking the deep essence of different places worldwide. Youkilis embraces the real by engaging with both ephemerality and sincerity, while steeped in reverence for the photographic medium through a meticulous engagement with composition, colour, chiaroscuro and framing.
Form:
books
books
Publication:
December 2023
December 2023
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$32.95
(available to order)
Summary:
How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. 'Cataloguing Culture' examines how colonialism operates(...)
$32.95
(available to order)
Summary:
How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. 'Cataloguing Culture' examines how colonialism operates(...)
Title:
Cataloguing culture: legacies of colonialism in museum documentation
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$32.95
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Summary:
How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. 'Cataloguing Culture' examines how colonialism operates in museum bureaucracies. Using the Smithsonian’s National Museum of Natural History as her reference, Hannah Turner organizes her study by the technologies framing museum work over two hundred years: field records, the ledger, the card catalogue, the punch card, and eventually the database. She examines how categories were applied to ethnographic material culture and became routine throughout federal collecting institutions. As Indigenous communities encounter the documentary traces of imperialism while attempting to reclaim what is theirs, this publication shines a light on access to and return of cultural heritage.
Cataloguing culture: legacies of colonialism in museum documentation
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Price:
$32.95
(available to order)
Summary:
How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. 'Cataloguing Culture' examines how colonialism operates in museum bureaucracies. Using the Smithsonian’s National Museum of Natural History as her reference, Hannah Turner organizes her study by the technologies framing museum work over two hundred years: field records, the ledger, the card catalogue, the punch card, and eventually the database. She examines how categories were applied to ethnographic material culture and became routine throughout federal collecting institutions. As Indigenous communities encounter the documentary traces of imperialism while attempting to reclaim what is theirs, this publication shines a light on access to and return of cultural heritage.
Form:
books
books
Publication:
December 2020
December 2020
Subject:
Museology
Museology
Form:
books
books
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$39.95
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Summary:
Beyond a design school, the Harvard Graduate School of Design (GSD) is an immersive environment — a dense atmosphere saturated with creative and intellectual activity. Platform 4 represents a selective sampling of agendas cultivated at the GSD during the last academic year, revealing a diverse mixture of projects, research, and events. Organized as a searchable database,(...)
$39.95
(available to order)
Summary:
Beyond a design school, the Harvard Graduate School of Design (GSD) is an immersive environment — a dense atmosphere saturated with creative and intellectual activity. Platform 4 represents a selective sampling of agendas cultivated at the GSD during the last academic year, revealing a diverse mixture of projects, research, and events. Organized as a searchable database,(...)
Title:
GSD Platform 4 : a year of reseach through studio work, theses, lectures, exhibitions, and events at the Harvard University Graduate School of Design
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$39.95
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Summary:
Beyond a design school, the Harvard Graduate School of Design (GSD) is an immersive environment — a dense atmosphere saturated with creative and intellectual activity. Platform 4 represents a selective sampling of agendas cultivated at the GSD during the last academic year, revealing a diverse mixture of projects, research, and events. Organized as a searchable database, this publication documents both site and situation at the GSD—it is an institutional index. While Platform 4 records research trajectories from the past year, it also has the capacity to set agendas for future work. By framing a set of issues and topics, Platform 4 focuses attention towards particular areas of interest, allowing individual work to build on and contribute to a larger body of disciplinary knowledge. In that sense, the themes within this book become projective, they provide frameworks for future inquiry.
GSD Platform 4 : a year of reseach through studio work, theses, lectures, exhibitions, and events at the Harvard University Graduate School of Design
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Price:
$39.95
(available to order)
Summary:
Beyond a design school, the Harvard Graduate School of Design (GSD) is an immersive environment — a dense atmosphere saturated with creative and intellectual activity. Platform 4 represents a selective sampling of agendas cultivated at the GSD during the last academic year, revealing a diverse mixture of projects, research, and events. Organized as a searchable database, this publication documents both site and situation at the GSD—it is an institutional index. While Platform 4 records research trajectories from the past year, it also has the capacity to set agendas for future work. By framing a set of issues and topics, Platform 4 focuses attention towards particular areas of interest, allowing individual work to build on and contribute to a larger body of disciplinary knowledge. In that sense, the themes within this book become projective, they provide frameworks for future inquiry.
Form:
books
books
Publication:
February 2012
February 2012
Subject:
Contemporary Architecture
Contemporary Architecture
Form:
books
books
Title:
Imagery in the 21st century
Imagery in the 21st century
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$44.95
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Summary:
We are surrounded by images as never before: on Flickr, Facebook, and YouTube; on thousands of television channels; in digital games and virtual worlds; in media art and science. Without new efforts to visualize complex ideas, structures, and systems, today’s informatio explosion would be unmanageable. The digital image represents endless options for manipulation; images(...)
$44.95
(available in store)
Summary:
We are surrounded by images as never before: on Flickr, Facebook, and YouTube; on thousands of television channels; in digital games and virtual worlds; in media art and science. Without new efforts to visualize complex ideas, structures, and systems, today’s informatio explosion would be unmanageable. The digital image represents endless options for manipulation; images(...)
Title:
Imagery in the 21st century
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Price:
$44.95
(available in store)
Summary:
We are surrounded by images as never before: on Flickr, Facebook, and YouTube; on thousands of television channels; in digital games and virtual worlds; in media art and science. Without new efforts to visualize complex ideas, structures, and systems, today’s informatio explosion would be unmanageable. The digital image represents endless options for manipulation; images seem capable of changing interactively or even autonomously. This volume offers systematic and interdisciplinary reflections on these new image worlds and new analytical approaches to the visual. This publication examines this revolution in various fields, with researchers from the natural sciences and the humanities meeting to achieve a deeper understanding of the meaning and impact of the image in our time. The contributors explore and discuss new critical terms of multidisciplinary scope, from database economy to the dramaturgy of hypermedia, from visualizations in neurosciences to the image in bio art. They consider the power of the image in the development of human consciousness, pursue new definitions of visual phenomena, and examine new tools for image research and visual analysis. The goal is to expand visual competence in investigating new visual worlds and to build cross-disciplinary exchanges among the arts, humanities, and natural sciences.
Imagery in the 21st century
Actions:
Price:
$44.95
(available in store)
Summary:
We are surrounded by images as never before: on Flickr, Facebook, and YouTube; on thousands of television channels; in digital games and virtual worlds; in media art and science. Without new efforts to visualize complex ideas, structures, and systems, today’s informatio explosion would be unmanageable. The digital image represents endless options for manipulation; images seem capable of changing interactively or even autonomously. This volume offers systematic and interdisciplinary reflections on these new image worlds and new analytical approaches to the visual. This publication examines this revolution in various fields, with researchers from the natural sciences and the humanities meeting to achieve a deeper understanding of the meaning and impact of the image in our time. The contributors explore and discuss new critical terms of multidisciplinary scope, from database economy to the dramaturgy of hypermedia, from visualizations in neurosciences to the image in bio art. They consider the power of the image in the development of human consciousness, pursue new definitions of visual phenomena, and examine new tools for image research and visual analysis. The goal is to expand visual competence in investigating new visual worlds and to build cross-disciplinary exchanges among the arts, humanities, and natural sciences.
Form:
books
books
Publication:
September 2011
September 2011
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$41.95
(available to order)
Summary:
The Urban Spectator is a lively and utterly fascinating exploration of the ways in which technologies have influenced our collective conception of the American city, as well as our relationship with urban space and architecture. Eric Gordon argues that the city, developing late and in conjunction with a range of modern media, produced a particular way of seeing--what he(...)
$41.95
(available to order)
Summary:
The Urban Spectator is a lively and utterly fascinating exploration of the ways in which technologies have influenced our collective conception of the American city, as well as our relationship with urban space and architecture. Eric Gordon argues that the city, developing late and in conjunction with a range of modern media, produced a particular way of seeing--what he(...)
Title:
The urban spectator: American concept-cities from Kodak to Google
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$41.95
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Summary:
The Urban Spectator is a lively and utterly fascinating exploration of the ways in which technologies have influenced our collective conception of the American city, as well as our relationship with urban space and architecture. Eric Gordon argues that the city, developing late and in conjunction with a range of modern media, produced a particular way of seeing--what he labels "possessive spectatorship." Lacking the historical rootedness of European cities, the American city was open to individual interpretation, definition, and ownership. Beginning with the White City of the Chicago World's Fair of 1893 and the efforts to commodify the concept city through photography, Gordon shows how the American city has always been a product of the collision between the dominant conceptualization, shaped by contemporary media, and the spectator. From the viewfinder of the Kodak camera, to the public display of early cinema, to the speculative desire of network radio, all the way to machine-age utopianism, nostalgia, and America's "rerun" culture, the city is an amalgam of practice and concept. All of this comes to a head in the "database city" where urban spectatorship takes on the characteristics of a Google search. In new urban developments, the spectator searches, retrieves, and combines urban references to construct each experience of the city.
The urban spectator: American concept-cities from Kodak to Google
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Price:
$41.95
(available to order)
Summary:
The Urban Spectator is a lively and utterly fascinating exploration of the ways in which technologies have influenced our collective conception of the American city, as well as our relationship with urban space and architecture. Eric Gordon argues that the city, developing late and in conjunction with a range of modern media, produced a particular way of seeing--what he labels "possessive spectatorship." Lacking the historical rootedness of European cities, the American city was open to individual interpretation, definition, and ownership. Beginning with the White City of the Chicago World's Fair of 1893 and the efforts to commodify the concept city through photography, Gordon shows how the American city has always been a product of the collision between the dominant conceptualization, shaped by contemporary media, and the spectator. From the viewfinder of the Kodak camera, to the public display of early cinema, to the speculative desire of network radio, all the way to machine-age utopianism, nostalgia, and America's "rerun" culture, the city is an amalgam of practice and concept. All of this comes to a head in the "database city" where urban spectatorship takes on the characteristics of a Google search. In new urban developments, the spectator searches, retrieves, and combines urban references to construct each experience of the city.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Urban Theory
Urban Theory
