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books
books
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$39.99
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At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and(...)
$39.99
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Summary:
At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and(...)
Title:
Dreaming in books: the making of the bibliographic imagination in the romantic age
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At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and overflowing literary environment. Learning how to use and want books occurred through more than the technological, commercial, or legal conditions that made the growing proliferation of books possible; the making of such bibliographic fantasies was importantly a product of the symbolic operations contained within books as well. Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, "Dreaming in Books" tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age.
Dreaming in books: the making of the bibliographic imagination in the romantic age
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Price:
$39.99
(available to order)
Summary:
At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and overflowing literary environment. Learning how to use and want books occurred through more than the technological, commercial, or legal conditions that made the growing proliferation of books possible; the making of such bibliographic fantasies was importantly a product of the symbolic operations contained within books as well. Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, "Dreaming in Books" tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age.
Form:
books
books
Publication:
April 2009
April 2009
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$56.50
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Summary:
Canadian architect Fred Hollingsworth designed his first house in 1946. Since then he has created some of the most innovative homes of the twentieth century. Hollingsworth's home designs incorporate an open floor plan and a keen observance of the flow between the inside and outside environment. Using natural materials with an emphasis on texture and natural lighting,(...)
$56.50
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Canadian architect Fred Hollingsworth designed his first house in 1946. Since then he has created some of the most innovative homes of the twentieth century. Hollingsworth's home designs incorporate an open floor plan and a keen observance of the flow between the inside and outside environment. Using natural materials with an emphasis on texture and natural lighting,(...)
Subject:
Architecture in Canada
Architecture in Canada
Publication:
October 2005,
October 2005,
Title:
Living spaces : the architecture of Fred Thornton Hollingsworth
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$56.50
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Canadian architect Fred Hollingsworth designed his first house in 1946. Since then he has created some of the most innovative homes of the twentieth century. Hollingsworth's home designs incorporate an open floor plan and a keen observance of the flow between the inside and outside environment. Using natural materials with an emphasis on texture and natural lighting, Hollingsworth is one of the few modernist architects who look wholly to organic form as the basis of their design aesthetic. "Living spaces" is a detailed monograph on Hollingsworth's career, revealing how he and a handful of visionary architects pioneered the acclaimed "West Coast Style" and helped establish modern ideals of structure and utility. Through full-page images, architectural plans, and text from the artist himself, this book follows an acclaimed architect from his early days to his most recent achievements that show his continued commitment to innovation.
Living spaces : the architecture of Fred Thornton Hollingsworth
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$56.50
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Summary:
Canadian architect Fred Hollingsworth designed his first house in 1946. Since then he has created some of the most innovative homes of the twentieth century. Hollingsworth's home designs incorporate an open floor plan and a keen observance of the flow between the inside and outside environment. Using natural materials with an emphasis on texture and natural lighting, Hollingsworth is one of the few modernist architects who look wholly to organic form as the basis of their design aesthetic. "Living spaces" is a detailed monograph on Hollingsworth's career, revealing how he and a handful of visionary architects pioneered the acclaimed "West Coast Style" and helped establish modern ideals of structure and utility. Through full-page images, architectural plans, and text from the artist himself, this book follows an acclaimed architect from his early days to his most recent achievements that show his continued commitment to innovation.
Form:
books
books
Publication:
October 2005,
October 2005,
Subject:
Architecture in Canada
Architecture in Canada
Form:
books
books
Price:
$30.00
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Summary:
In "Chasing the perfect" writer/designer Natalia Ilyin delivers her observations on design and the world it has molded. According to Ilyin, "Modern design is based on deeply idealist notions, and its inherent perfectionism has dovetailed beautifully with our commodity-based economy's need to keep people itching so that they will buy things and keep the society chugging(...)
$30.00
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Summary:
In "Chasing the perfect" writer/designer Natalia Ilyin delivers her observations on design and the world it has molded. According to Ilyin, "Modern design is based on deeply idealist notions, and its inherent perfectionism has dovetailed beautifully with our commodity-based economy's need to keep people itching so that they will buy things and keep the society chugging(...)
Title:
Chasing the perfect : thoughts on modernist design in our time
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$30.00
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Summary:
In "Chasing the perfect" writer/designer Natalia Ilyin delivers her observations on design and the world it has molded. According to Ilyin, "Modern design is based on deeply idealist notions, and its inherent perfectionism has dovetailed beautifully with our commodity-based economy's need to keep people itching so that they will buy things and keep the society chugging along. I began "Chasing the perfect" because I started to become aware of this collusion, this silent pressure that a language of design based in perfectionism had brought to bear on how I developed as a person." "Chasing the perfect" is especially relevant in our times as interest in graphic, industrial, and architectural design moves more and more into mainstream culture. Each of the 10 chapters features Ilyin’s accessible and often hilarious writing, which is highlighted with a broad range of images-some quite unexpected-from the designed world around us.
Chasing the perfect : thoughts on modernist design in our time
Actions:
Price:
$30.00
(available to order)
Summary:
In "Chasing the perfect" writer/designer Natalia Ilyin delivers her observations on design and the world it has molded. According to Ilyin, "Modern design is based on deeply idealist notions, and its inherent perfectionism has dovetailed beautifully with our commodity-based economy's need to keep people itching so that they will buy things and keep the society chugging along. I began "Chasing the perfect" because I started to become aware of this collusion, this silent pressure that a language of design based in perfectionism had brought to bear on how I developed as a person." "Chasing the perfect" is especially relevant in our times as interest in graphic, industrial, and architectural design moves more and more into mainstream culture. Each of the 10 chapters features Ilyin’s accessible and often hilarious writing, which is highlighted with a broad range of images-some quite unexpected-from the designed world around us.
Form:
books
books
Publication:
January 1900, New York
January 1900, New York
Subject:
Design Theory
Design Theory
Form:
books
books
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$54.95
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Summary:
In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework(...)
$54.95
(available to order)
Summary:
In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework(...)
Title:
Contact: Art and the pull of print
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$54.95
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Summary:
In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond.
Contact: Art and the pull of print
Actions:
Price:
$54.95
(available to order)
Summary:
In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond.
Form:
books
books
Publication:
May 2024
May 2024
Subject:
Art Theory
Art Theory
Form:
books
books
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$54.95
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Summary:
Hannah Höch (1889–1978) moved between differing worlds: as an editorial assistant with a major Berlin-based magazine publisher, and as the only woman who could hold her own in the German capital’s vibrant Dada scene of the 1920s. Cutting and montage also shaped film, still a new medium in the 1920s, which strongly influenced Höch’s art: she understood her assembled(...)
$54.95
(available to order)
Summary:
Hannah Höch (1889–1978) moved between differing worlds: as an editorial assistant with a major Berlin-based magazine publisher, and as the only woman who could hold her own in the German capital’s vibrant Dada scene of the 1920s. Cutting and montage also shaped film, still a new medium in the 1920s, which strongly influenced Höch’s art: she understood her assembled(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2024
February 2024
Title:
Hannah Höch: Assembled worlds
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$54.95
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Summary:
Hannah Höch (1889–1978) moved between differing worlds: as an editorial assistant with a major Berlin-based magazine publisher, and as the only woman who could hold her own in the German capital’s vibrant Dada scene of the 1920s. Cutting and montage also shaped film, still a new medium in the 1920s, which strongly influenced Höch’s art: she understood her assembled pictures as static films. This richly illustrated and expertly annotated book explores comprehensively for the first time Höch’s life-long fascination with film and the visual culture of the modern industrial age. Covering her entire career, It demonstrates how montage evolved in a field of tension between artistic experimentation, commercial exploitation, and political appropriation. A text on photomontage by Höch, written in 1948, and a text-collage on the history of montage, in which major protagonists of Modernism and Avant-garde have their say, round out this volume.
Hannah Höch: Assembled worlds
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$54.95
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Summary:
Hannah Höch (1889–1978) moved between differing worlds: as an editorial assistant with a major Berlin-based magazine publisher, and as the only woman who could hold her own in the German capital’s vibrant Dada scene of the 1920s. Cutting and montage also shaped film, still a new medium in the 1920s, which strongly influenced Höch’s art: she understood her assembled pictures as static films. This richly illustrated and expertly annotated book explores comprehensively for the first time Höch’s life-long fascination with film and the visual culture of the modern industrial age. Covering her entire career, It demonstrates how montage evolved in a field of tension between artistic experimentation, commercial exploitation, and political appropriation. A text on photomontage by Höch, written in 1948, and a text-collage on the history of montage, in which major protagonists of Modernism and Avant-garde have their say, round out this volume.
Form:
books
books
Publication:
February 2024
February 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Actions:
Price:
$108.95
(available to order)
Summary:
This international exploration of Jewish and Holocaust museums, modern synagogues, Jewish community centers and schools demonstrates how these important structures lend architectural shape to the Jewish identity. Architects commissioned to build religious-based structures are uniquely responsible to the history and values of the community they represent. Nowhere is this(...)
$108.95
(available to order)
Summary:
This international exploration of Jewish and Holocaust museums, modern synagogues, Jewish community centers and schools demonstrates how these important structures lend architectural shape to the Jewish identity. Architects commissioned to build religious-based structures are uniquely responsible to the history and values of the community they represent. Nowhere is this(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
April 2004, Munich
April 2004, Munich
Title:
Jewish identity in contemporary architecture
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$108.95
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Summary:
This international exploration of Jewish and Holocaust museums, modern synagogues, Jewish community centers and schools demonstrates how these important structures lend architectural shape to the Jewish identity. Architects commissioned to build religious-based structures are uniquely responsible to the history and values of the community they represent. Nowhere is this more evident than within the Jewish structures of the late twentieth and early twenty-first centuries, a time of disruption, destruction, immigration, and reconstruction of Jewish society. Accompanying a touring exhibition, this important work demonstrates the fundamental differences among fifteen museums, synagogues, community centers and schools throughout the world. It covers sites in America, where the architecture of Jewish institutions looks back on a legacy of uninterrupted development; in Israel, where the great wave of immigration adopted modernist as well as Mediterranean traditions; and in Europe, where rebuilding and reconciliation attempt to balance a history of pain and tragedy.
Jewish identity in contemporary architecture
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Price:
$108.95
(available to order)
Summary:
This international exploration of Jewish and Holocaust museums, modern synagogues, Jewish community centers and schools demonstrates how these important structures lend architectural shape to the Jewish identity. Architects commissioned to build religious-based structures are uniquely responsible to the history and values of the community they represent. Nowhere is this more evident than within the Jewish structures of the late twentieth and early twenty-first centuries, a time of disruption, destruction, immigration, and reconstruction of Jewish society. Accompanying a touring exhibition, this important work demonstrates the fundamental differences among fifteen museums, synagogues, community centers and schools throughout the world. It covers sites in America, where the architecture of Jewish institutions looks back on a legacy of uninterrupted development; in Israel, where the great wave of immigration adopted modernist as well as Mediterranean traditions; and in Europe, where rebuilding and reconciliation attempt to balance a history of pain and tragedy.
Form:
books
books
Publication:
April 2004, Munich
April 2004, Munich
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Actions:
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$70.00
(available to order)
Summary:
This intimate portrait of eight houses by the Maine architect Carol A. Wilson illustrates how "local" is an idea as close to architecture as it is to food. Focusing on climate, seasons, views, local materials, the ecological history of building sites, and collaborations with local artisans, Wilson crafts exquisitely designed and built houses that celebrate the beauty of(...)
$70.00
(available to order)
Summary:
This intimate portrait of eight houses by the Maine architect Carol A. Wilson illustrates how "local" is an idea as close to architecture as it is to food. Focusing on climate, seasons, views, local materials, the ecological history of building sites, and collaborations with local artisans, Wilson crafts exquisitely designed and built houses that celebrate the beauty of(...)
Title:
Northern exposure: works of Carol A. Wilson Architect
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$70.00
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Summary:
This intimate portrait of eight houses by the Maine architect Carol A. Wilson illustrates how "local" is an idea as close to architecture as it is to food. Focusing on climate, seasons, views, local materials, the ecological history of building sites, and collaborations with local artisans, Wilson crafts exquisitely designed and built houses that celebrate the beauty of New England and the power of architecture to combine modern forms with a traditional built landscape. Following introductory texts by Enrico Pinna and Juhani Pallasmaa, and a conversation between Wilson and John Leroux, each project opens with a foldout of plans---transitioning from hand-drawn to computer-aided---and information about the house, before culminating in a selection of exterior, interior, and detail photographs. The book closes with an interview in twenty questions that elaborates on Wilson's working principles and the history of her studio for the past thirty years.
Northern exposure: works of Carol A. Wilson Architect
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Price:
$70.00
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Summary:
This intimate portrait of eight houses by the Maine architect Carol A. Wilson illustrates how "local" is an idea as close to architecture as it is to food. Focusing on climate, seasons, views, local materials, the ecological history of building sites, and collaborations with local artisans, Wilson crafts exquisitely designed and built houses that celebrate the beauty of New England and the power of architecture to combine modern forms with a traditional built landscape. Following introductory texts by Enrico Pinna and Juhani Pallasmaa, and a conversation between Wilson and John Leroux, each project opens with a foldout of plans---transitioning from hand-drawn to computer-aided---and information about the house, before culminating in a selection of exterior, interior, and detail photographs. The book closes with an interview in twenty questions that elaborates on Wilson's working principles and the history of her studio for the past thirty years.
Form:
books
books
Publication:
October 2017
October 2017
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Destruction
Destruction
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$33.50
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Summary:
The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects.(...)
$33.50
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Summary:
The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects.(...)
Title:
Destruction
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$33.50
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Summary:
The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects. The self-destructing artwork extinguishes art’s fixity as arrested form and ushers in the ephemeral and contingent "open work." This anthology explores artworks that convey the threat of destruction an how they have disrupted the perceived integrity of built structures and institutions. Artistic acts of iconoclasm or risk to the self have raised consciousness of authoritarian oppression. More understated works explore the theme of destruction in armed conflict, media violence, and threats to the environment. These text make up the first collection to be focused systematically on destruction in modern and contemporary art.
Destruction
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$33.50
(available to order)
Summary:
The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects. The self-destructing artwork extinguishes art’s fixity as arrested form and ushers in the ephemeral and contingent "open work." This anthology explores artworks that convey the threat of destruction an how they have disrupted the perceived integrity of built structures and institutions. Artistic acts of iconoclasm or risk to the self have raised consciousness of authoritarian oppression. More understated works explore the theme of destruction in armed conflict, media violence, and threats to the environment. These text make up the first collection to be focused systematically on destruction in modern and contemporary art.
Form:
books
books
Publication:
August 2017
August 2017
Subject:
Art Theory
Art Theory
Form:
books
books
Actions:
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$48.00
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Summary:
Since the 1990's, Olafur Eliasson has been exploring cognitive and physical phenomena as we know them from the natural sciences and nature. He uses both technically sophisticated equipment and deceptively simple means such as water or light to create artificial landscapes and moments of perception that let viewers perceive or reenact natural phenomena. Their strongly(...)
$48.00
(available to order)
Summary:
Since the 1990's, Olafur Eliasson has been exploring cognitive and physical phenomena as we know them from the natural sciences and nature. He uses both technically sophisticated equipment and deceptively simple means such as water or light to create artificial landscapes and moments of perception that let viewers perceive or reenact natural phenomena. Their strongly(...)
Title:
Olafur Eliasson : sonne statt regen
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$48.00
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Since the 1990's, Olafur Eliasson has been exploring cognitive and physical phenomena as we know them from the natural sciences and nature. He uses both technically sophisticated equipment and deceptively simple means such as water or light to create artificial landscapes and moments of perception that let viewers perceive or reenact natural phenomena. Their strongly atmospheric but entirely constructed nature makes viewers become painfully conscious of how far modern civilization has progressed from immediate experience; they question the acceptance of authenticity in the area of perception. This book, published in an edition of only 1,500 copies and conceived in cooperation with the artist, features a series of landscape photographs by Eliasson from his native Iceland, exploring the limits and conventions of our traditional view of landscape. They show that our perception of nature has been fundamentally affected by cultural influences, memories, and expectations.
Olafur Eliasson : sonne statt regen
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$48.00
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Summary:
Since the 1990's, Olafur Eliasson has been exploring cognitive and physical phenomena as we know them from the natural sciences and nature. He uses both technically sophisticated equipment and deceptively simple means such as water or light to create artificial landscapes and moments of perception that let viewers perceive or reenact natural phenomena. Their strongly atmospheric but entirely constructed nature makes viewers become painfully conscious of how far modern civilization has progressed from immediate experience; they question the acceptance of authenticity in the area of perception. This book, published in an edition of only 1,500 copies and conceived in cooperation with the artist, features a series of landscape photographs by Eliasson from his native Iceland, exploring the limits and conventions of our traditional view of landscape. They show that our perception of nature has been fundamentally affected by cultural influences, memories, and expectations.
Form:
books
books
Publication:
April 2003, Munich
April 2003, Munich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Actions:
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$84.90
(available to order)
Summary:
Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and(...)
$84.90
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Summary:
Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and(...)
Title:
Greater American camera: Making Modernism in Mexico
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$84.90
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Summary:
Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and their Mexican contemporaries in forging a new photographic style. Monica Bravo offers fresh insights concerning Weston’s friendship with Diego Rivera; Modotti’s images of labor, which she published alongside the writings of the Stridentists; Strand’s engagement with folk themes and the work of composer Carlos Chávez; and the influence of Manuel Álvarez Bravo on Levitt’s contributions to a New World surrealism. Exploring how these dialogues resulted in a distinct kind of modernism characterized by inter-American interests, the book reveals the ways in which cross-border collaboration shaped a new "greater American" aesthetic.
Greater American camera: Making Modernism in Mexico
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Price:
$84.90
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Summary:
Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and their Mexican contemporaries in forging a new photographic style. Monica Bravo offers fresh insights concerning Weston’s friendship with Diego Rivera; Modotti’s images of labor, which she published alongside the writings of the Stridentists; Strand’s engagement with folk themes and the work of composer Carlos Chávez; and the influence of Manuel Álvarez Bravo on Levitt’s contributions to a New World surrealism. Exploring how these dialogues resulted in a distinct kind of modernism characterized by inter-American interests, the book reveals the ways in which cross-border collaboration shaped a new "greater American" aesthetic.
Form:
books
books
Publication:
June 2021
June 2021
Subject:
Photography Collections
Photography Collections
