Rafael Vinoly architects
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This monograph highlights the global works of Vinoly. For nearly half a century Rafael Vinoly has been driven by the belief that the responsibility of architecture is to elevate the public realm. While his early work in Argentina transformed the landscape of his native country, his first major international projects - the John Jay College of Criminal Justice in New York(...)
Rafael Vinoly architects
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This monograph highlights the global works of Vinoly. For nearly half a century Rafael Vinoly has been driven by the belief that the responsibility of architecture is to elevate the public realm. While his early work in Argentina transformed the landscape of his native country, his first major international projects - the John Jay College of Criminal Justice in New York and the International Forum in Tokyo - established Vinoly as a global presence in architecture, whose buildings sustain a structural originality that transcends passing fads. This monograph features a chronological sampling of Vinoly's best work in the United States, Latin America, Europe, Asia, Africa and the Middle East. The large and small-scale projects encompass courthouses, private residences, athletic facilities, performing arts centres, museums and educational buildings. Illustrated with photographs, plans and drawings, and accented by Vinoly's personal reflection on his career, this volume brings together the achievements of one of today's most internationally acclaimed architects.
Architecture Monographs
The Selby is in your place
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This book was conceived when fashion and interiors photographer Todd Selby began taking portraits of dynamic and creative people —authors, musicians, artists, and designers — in their home environments and posting them on his web site. Nosy by nature, he wanted to see how personal style was reflected in private spaces. He found his answer in the color-rich and eclectic(...)
The Selby is in your place
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This book was conceived when fashion and interiors photographer Todd Selby began taking portraits of dynamic and creative people —authors, musicians, artists, and designers — in their home environments and posting them on his web site. Nosy by nature, he wanted to see how personal style was reflected in private spaces. He found his answer in the color-rich and eclectic quarters of a diverse group of subjects, including Simon Doonan and Jonathan Adler, Faris Rotter, Andre Walker, and Olivier Zahm, in New York, Los Angeles, Paris, Tokyo, Sydney, and London. Each profile is accompanied by Selby’s watercolor portraits of the subjects and objects from their homes, and illustrated questionnaires, which Selby asks each sitter to fill out. This book consists of over thirty profiles, many of which have never-before-seen, selected exclusively for the book. The result is a collection of unique spaces bursting with energy and personality that together create a colorful hodgepodge of inspirational interiors.
Interior Design
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Like a journey into the heart of urban solitude and its periphery, Serge Clément’s work draws the viewer into an intimate relationship with the image. As the images accumulate, they create an imaginary density of timeless fragments. For Clément, photography has always been closely related to the book, particularly along the idea that an image refers to other images. On(...)
Contemporary Art Monographs
June 2015
Dépaysé
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Like a journey into the heart of urban solitude and its periphery, Serge Clément’s work draws the viewer into an intimate relationship with the image. As the images accumulate, they create an imaginary density of timeless fragments. For Clément, photography has always been closely related to the book, particularly along the idea that an image refers to other images. On one hand, it signifies that an image is a leaky container with smoke, fog, streams and rivers, reflections, and streets running across the image. On the other, Serge Clément constantly questions the power of the photographic image to capture reality. A certain street, a certain perspective, this deserted place, the passers-by are not tied to a clearly identifiable world, but belong to the abstract universe of an essentially imaginary city. It is not important to know whether the place in question is Montreal or Tokyo, the viewer may rather lose himself between several places.
Contemporary Art Monographs
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Chapitres: Anatomie de la rue japonaise, La ville comme personnage : regards d’auteurs, La topographie fantasmée de Tôkyô, Chaos urbain : Scènes de destruction, Le manga dans la ville, Vertiginosités nippones, À la lueur de l’orient, Densha, Mon Amour, Visions of neo-tôkyô, Yûichi Yokoyama, bâtisseur de monde, L’architecture japonaise, entre le dedans et dehors
Mangapolis : la ville japonaise contemporaine dans le Manga
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Chapitres: Anatomie de la rue japonaise, La ville comme personnage : regards d’auteurs, La topographie fantasmée de Tôkyô, Chaos urbain : Scènes de destruction, Le manga dans la ville, Vertiginosités nippones, À la lueur de l’orient, Densha, Mon Amour, Visions of neo-tôkyô, Yûichi Yokoyama, bâtisseur de monde, L’architecture japonaise, entre le dedans et dehors
Contemporary Asian Architecture
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Traditional Japanese architecture is characterized by the working of natural materials such as wood, earth, and rock into remarkable structures. This precious cultural heritage has been preserved over the years in the form not only of the buildings themselves, but also of scale models created during repairs and other occasions. This book turns to those astoundingly(...)
Japanese architecture: traditional skills and natural materials
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Traditional Japanese architecture is characterized by the working of natural materials such as wood, earth, and rock into remarkable structures. This precious cultural heritage has been preserved over the years in the form not only of the buildings themselves, but also of scale models created during repairs and other occasions. This book turns to those astoundingly precise models to give a historical overview of the artistry and craftsmanship handed down through the generations in buildings of wide-ranging styles and techniques, from the seventh-century five-storied pagoda at Horyuji temple in Nara to the 1933 Nihombashi Takashimaya department store in Tokyo. Also included is a chapter on architectural plans, tools, and other materials illustrating the “traditional skills, techniques and knowledge of the conservation and transmission of wooden architecture in Japan,” which was inscribed on the UNESCO Intangible Cultural Heritage list in 2020. The accompanying discussion details efforts to overcome today’s challenges in passing Japan’s architectural heritage on to the next generation, including attracting and training new artisans, furthering skills, and securing tools and raw materials.
History until 1900, Asia
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Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been(...)
Soundspace : architecture for sound and vision
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Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been pre-eminently involved in drawing together these diverse disciplines. This book is an eclectic survey of issues central to building for contemporary media. Renowned guest authors from the fields of media and architecture have contributed ideas and projects, and an detailed overview of architectural acoustics serves as an integrated technical guide. Practical applications are presented in an illustrated portfolio of distinguished projects by studio bau:ton, ranging from museums to recording studios and film production facilities. Projects like the Fox Scoring Stage in Los Angeles or Bad Animals in Seattle are complemented by international examples such as Sony Music in Tokyo, X-Art in Austria and many more. Peter Grueneisen is the principal architect and a founder of studio bau:ton.
Materials and Lighting
Food + architecture
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Food is in architecture. We buy, cook and consume it in many different public places designed to accommodate, even enhance, these activities of daily life. Much of the urban streetscape is composed of just such places: the market, the grocery, the pub, the café and the restaurant, as well as the supermarket, fast-food outlet or takeaway. Likewise, architecture is in(...)
Commercial interiors, Building types
January 2003, London
Food + architecture
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Food is in architecture. We buy, cook and consume it in many different public places designed to accommodate, even enhance, these activities of daily life. Much of the urban streetscape is composed of just such places: the market, the grocery, the pub, the café and the restaurant, as well as the supermarket, fast-food outlet or takeaway. Likewise, architecture is in food. Chefs design dishes that resemble works of art but which must also stand up and be eaten. And architecture is like food. Each is fashioned from raw materials into a cultural product. We depend on both to meet ordinary needs and to celebrate special events. Architect and cook alike manipulate colour, texture and shape to tantalise our senses. Despite a burgeoning interest in many fields within the topic of food, "Food and architecture" explores the relationship between food and architecture. Featuring new restaurants in Tokyo, Sydney, London, and New York, it showcases the architectural pleasures of dining out, while interviews with restaurateur Alan Yau and designer James Soane reveal the creative thinking that makes a restaurant a theatrical experience.
Commercial interiors, Building types
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Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the(...)
The other Modern moverment: Architecture, 1920-1970
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Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. ''The other Modern movement'' profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962. Frampton’s account offers new insights into iconic buildings like Eileen Gray’s E-1027 House in France and Richard Neutra’s Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond’s Tokyo Golf Club and Alejandro de la Sota’s Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.
Modernism
Sophie Calle: Rachel Monique
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“She was successively called Rachel, Monique, Szyndler, Calle, Pagliero, Gonthier, Sindler. My mother liked people to talk about her. Her life did not appear in my work, and that annoyed her. When I set up my camera at the foot of the bed in which she lay dying – fearing that she would pass away in my absence, whereas I wanted to be present and hear her last words – she(...)
Sophie Calle: Rachel Monique
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“She was successively called Rachel, Monique, Szyndler, Calle, Pagliero, Gonthier, Sindler. My mother liked people to talk about her. Her life did not appear in my work, and that annoyed her. When I set up my camera at the foot of the bed in which she lay dying – fearing that she would pass away in my absence, whereas I wanted to be present and hear her last words – she exclaimed: ‘Finally.’”Sophie Calle describes Monique through extracts from personal notebooks and photographs from family albums, and presents her installation created at the Palais de Tokyo in homage to her mother, who died in 2007. This book was above all designed as an authentic art object, in collaboration with the artist. The cover text is embroidered to create a precious object, and all of the texts relating to the installation are embossed so as to evoke the texture of certain works by Sophie Calle. It is a highly personal and moving book, while at the same time offering thoughts on death that all of us can relate to.
Contemporary Art Monographs
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Michael Wolf achieved fame when he won the 2005 World Press Photo with his China, Factory of the World project, and the 2010 World Press Photo with Tokyo Compression. The present book offers his personal take on the French capital. Singling out typical architectural features of the Parisian landscape he renders the seemingly banal immortal. Roofs, chimneys, and lights(...)
Paris
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Michael Wolf achieved fame when he won the 2005 World Press Photo with his China, Factory of the World project, and the 2010 World Press Photo with Tokyo Compression. The present book offers his personal take on the French capital. Singling out typical architectural features of the Parisian landscape he renders the seemingly banal immortal. Roofs, chimneys, and lights provide the pictures with rhythm, with their colors, shapes, and above all their volumes. Wolf invites the reader to enter his highly distinctive visual world and let his gaze follow the snaking lines of walls and gutters, dwelling on unexpected details lovingly picked out. The photographer's underlying desire is to encourage us to consider the environmental and architectural context that provides a framework for all these rigorously rectangular features. This dreamlike journey into a Paris viewed from the rooftops is underlined in the second part of the book. The shadows of trees decorate the façades of various buildings, creating a visual poetry and prompting an intimate dialogue where, in the absence of all human presence, nature and architecture blend into one another.
Photography monographs