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In the projects featured throughout this edition, Azure hopes to expand the definition of culture as it’s normally viewed in the realm of institutional architecture — and to hone in on works that stretch design’s possibilities in housing these new expressions.
Azure 306
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In the projects featured throughout this edition, Azure hopes to expand the definition of culture as it’s normally viewed in the realm of institutional architecture — and to hone in on works that stretch design’s possibilities in housing these new expressions.
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New issue now available in the bookstore!
Detail 10 2024: Building envelopes
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New issue now available in the bookstore!
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October 189
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The latest issue is now available at the bookstore.
October 189
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The latest issue is now available at the bookstore.
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Oase 117: Project Village
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This latest issue of OASE contributes to the ongoing conversation around the architecture and urban design of villages, spurred by a growing demand for climate solutions within the field. The village is examined not as the antithesis of modernity but as its complex product.
Oase 117: Project Village
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This latest issue of OASE contributes to the ongoing conversation around the architecture and urban design of villages, spurred by a growing demand for climate solutions within the field. The village is examined not as the antithesis of modernity but as its complex product.
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Grey Room 97
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The latest issue is now available at the bookstore.
Grey Room 97
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The latest issue is now available at the bookstore.
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This 56th issue is the first one we are publishing in English, French, and now Spanish. Its title, ''Bulldozer Politics'', is a reference to a small book written by Léopold Lambert in 2016 about the systematic use of the bulldozer by the Israeli state to destroy Palestinian homes since 1948. This issue revisits this book, translates some of its main parts, and put its(...)
The Funambulist n.56 : Bulldozer politics
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This 56th issue is the first one we are publishing in English, French, and now Spanish. Its title, ''Bulldozer Politics'', is a reference to a small book written by Léopold Lambert in 2016 about the systematic use of the bulldozer by the Israeli state to destroy Palestinian homes since 1948. This issue revisits this book, translates some of its main parts, and put its argument about the precise political order of “ruination” in dialogue with other geographical contexts, namely India (Shivangi Mariam Raj), Colombia and Brazil (Jaime Amparo Alves and Stella Zagatto Paterniani), the US (Francesca Russello Ammon), France (Hajer Ben Boubaker), Egypt (Omnia Khalil and Azza Ezzat), and Cambodia (Kavich Neang).
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The intersection of architecture and the machine has a history that stretches back to the Industrial Revolution, however the machine has recently begun to appear in new ways in speculative architectural drawing and modelling. This issue of AD considers the influence of the machine as an allegorical device for exploring alternative architectural practices, and includes a(...)
The allegorical architectural machine
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The intersection of architecture and the machine has a history that stretches back to the Industrial Revolution, however the machine has recently begun to appear in new ways in speculative architectural drawing and modelling. This issue of AD considers the influence of the machine as an allegorical device for exploring alternative architectural practices, and includes a cross-section of viewpoints from emerging and established international practitioners and academics. Allegory, a technique native to literature, provides a critical method through which machine typologies can contribute to deeper architectural narratives, offering new lenses for challenging or reassembling conventional modes of thought. An allegorical architectural project can unveil a story that enhances our awareness of something important. This AD reveals how engagement with the machine as an allegorical device in architectural discourse provides an avenue for architecture to provoke new ideas in response to current environmental, political, economic, cultural and social issues. At the forefront of this discussion, it extends the criticality of the topic within the broader spectrum of history, theory, philosophy, allegory and new technologies.
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"Welcome to Issue #3 of Sociotype Journal, the type specimen for designers who like to read. Our theme this time is Home. What makes a home? Or a home away from home? And how does power (or a lack of it) change the concept and the reality of what ‘home’ means? Join us for a top-down and bottom-up tour of domesticity, from geometrically pristine masterplanned utopias, to(...)
Sociotype Journal, issue 3 : Home
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"Welcome to Issue #3 of Sociotype Journal, the type specimen for designers who like to read. Our theme this time is Home. What makes a home? Or a home away from home? And how does power (or a lack of it) change the concept and the reality of what ‘home’ means? Join us for a top-down and bottom-up tour of domesticity, from geometrically pristine masterplanned utopias, to an altogether more DIY approach: unplanned and off-grid, into the margins, into ruin, and into hiding in plain sight. We’ll look at Potemkin villages and replica cities, McMansions and sham castles, cube farms and hot desks; spite fences, coffin homes, hippie communes, suburban malls, Cold War-era radar stations and more."
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Kolaj Magazine exists to report on the International Collage Community. In this issue’s round-up of collage news, we report on Australian collagist Steve Tierney‘s new large scale collages that draw inspiration from photojournalism of the 1950s and 60s; Finnish collagist Riikka Fransila‘s large, 3D collage on the walls of Akateeminen Kirjakauppa in Helsinki; and Los(...)
Kolaj #40
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Kolaj Magazine exists to report on the International Collage Community. In this issue’s round-up of collage news, we report on Australian collagist Steve Tierney‘s new large scale collages that draw inspiration from photojournalism of the 1950s and 60s; Finnish collagist Riikka Fransila‘s large, 3D collage on the walls of Akateeminen Kirjakauppa in Helsinki; and Los Angeles artist Wendy Tigerman‘s collaborative book of dog collages.
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E-flux index #4
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines(...)
E-flux index #4
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines long-form essays from e-flux Journal and Architecture, reviews of exhibitions, books, and films from e-flux Criticism, articles and interviews by students and teachers from e-flux Education, and opinion pieces from e-flux Notes, organizing them thematically to “index the arts” and archive the present.
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