8533 Results
Level of archival description:
Project
Project
Reference number:
AP056.S1.1994.PR02
Description:
This project series documents additions to the Dunkeld Residence in Georgeville, Québec in 1994. The home, owned by Donald Sutherland and Francine Racette, was also referred to as the Sutherland Residence. The office identified the project number as 9423. This project consisted of the addition of a deck to the back of the Victorian home, which had been previous renovated by Arthur Erickson and Cornelia Oberlander in the late 1980s. Sketches in this project series also show the development of a stand-alone garage with room for four cars, a boat and a tractor. The project is recorded through drawings dating from on or around 1994. These drawings are mostly sketches, but copies of Arthur Erickson's project drawings are also included.
AP056.S1.1994.PR02
Description:
This project series documents additions to the Dunkeld Residence in Georgeville, Québec in 1994. The home, owned by Donald Sutherland and Francine Racette, was also referred to as the Sutherland Residence. The office identified the project number as 9423. This project consisted of the addition of a deck to the back of the Victorian home, which had been previous renovated by Arthur Erickson and Cornelia Oberlander in the late 1980s. Sketches in this project series also show the development of a stand-alone garage with room for four cars, a boat and a tractor. The project is recorded through drawings dating from on or around 1994. These drawings are mostly sketches, but copies of Arthur Erickson's project drawings are also included.
People:
Date:
1994
1994
Title:
Dunkeld Residence, Georgeville, Québec (1994)
Actions:
AP056.S1.1994.PR02
Description:
This project series documents additions to the Dunkeld Residence in Georgeville, Québec in 1994. The home, owned by Donald Sutherland and Francine Racette, was also referred to as the Sutherland Residence. The office identified the project number as 9423. This project consisted of the addition of a deck to the back of the Victorian home, which had been previous renovated by Arthur Erickson and Cornelia Oberlander in the late 1980s. Sketches in this project series also show the development of a stand-alone garage with room for four cars, a boat and a tractor. The project is recorded through drawings dating from on or around 1994. These drawings are mostly sketches, but copies of Arthur Erickson's project drawings are also included.
Dunkeld Residence, Georgeville, Québec (1994)
Actions:
AP056.S1.1994.PR02
Description:
This project series documents additions to the Dunkeld Residence in Georgeville, Québec in 1994. The home, owned by Donald Sutherland and Francine Racette, was also referred to as the Sutherland Residence. The office identified the project number as 9423. This project consisted of the addition of a deck to the back of the Victorian home, which had been previous renovated by Arthur Erickson and Cornelia Oberlander in the late 1980s. Sketches in this project series also show the development of a stand-alone garage with room for four cars, a boat and a tractor. The project is recorded through drawings dating from on or around 1994. These drawings are mostly sketches, but copies of Arthur Erickson's project drawings are also included.
Level of archival description:
Project
Project
Date:
1994
1994
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1990.PR01
Description:
This project series documents a proposal for renovations and additions to 347 and 372 Bay Street in Toronto in 1990. The office identified the project number as 9004. The majority of materials in this project series focus on renovations and additions to 347 Bay Street, which was built in 1926 by Chapman & Oxley and known as the National Building. The building was to have retail, restaurant and lobby space on the ground floor, and open floor layouts on the remaining floors to rent to tenants. Some sketches for 372 Bay Street are also included. The project is recorded through drawings and a presentation painting dating from 1990. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and axonometric drawings.
AP056.S1.1990.PR01
Description:
This project series documents a proposal for renovations and additions to 347 and 372 Bay Street in Toronto in 1990. The office identified the project number as 9004. The majority of materials in this project series focus on renovations and additions to 347 Bay Street, which was built in 1926 by Chapman & Oxley and known as the National Building. The building was to have retail, restaurant and lobby space on the ground floor, and open floor layouts on the remaining floors to rent to tenants. Some sketches for 372 Bay Street are also included. The project is recorded through drawings and a presentation painting dating from 1990. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and axonometric drawings.
People:
Date:
1990
1990
Title:
347 and 372 Bay Street, Toronto (1990)
Actions:
AP056.S1.1990.PR01
Description:
This project series documents a proposal for renovations and additions to 347 and 372 Bay Street in Toronto in 1990. The office identified the project number as 9004. The majority of materials in this project series focus on renovations and additions to 347 Bay Street, which was built in 1926 by Chapman & Oxley and known as the National Building. The building was to have retail, restaurant and lobby space on the ground floor, and open floor layouts on the remaining floors to rent to tenants. Some sketches for 372 Bay Street are also included. The project is recorded through drawings and a presentation painting dating from 1990. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and axonometric drawings.
347 and 372 Bay Street, Toronto (1990)
Actions:
AP056.S1.1990.PR01
Description:
This project series documents a proposal for renovations and additions to 347 and 372 Bay Street in Toronto in 1990. The office identified the project number as 9004. The majority of materials in this project series focus on renovations and additions to 347 Bay Street, which was built in 1926 by Chapman & Oxley and known as the National Building. The building was to have retail, restaurant and lobby space on the ground floor, and open floor layouts on the remaining floors to rent to tenants. Some sketches for 372 Bay Street are also included. The project is recorded through drawings and a presentation painting dating from 1990. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and axonometric drawings.
Level of archival description:
Project
Project
Date:
1990
1990
People:
Level of archival description:
Project
Project
Reference number:
AP056.S1.1997.PR01
Description:
This project series documents the general design for Crabtree & Evelyn stores across the Unites States from 1997-1998. The office identified the project number as 9716. This project consisted of the prototype design for the cosmetic and homecare stores. It was first implemented in Philadelphia, with subsequent stores in Roseville, Minnesota, Farmington, Connecticut and Raleigh, North Carolina following a similar design. These stores had custom display furnishings and fixtures including leaf-shaped tables, wavy tables, round cash counters, curved wood shelves in the corners and beech wood and sandblasted glass shelves lining the walls. The project is recorded through drawings and accompanying textual records dating from 1997-1998. The drawings include sketches, plans, elevations, perspectives, furnishings, details and construction drawings.
AP056.S1.1997.PR01
Description:
This project series documents the general design for Crabtree & Evelyn stores across the Unites States from 1997-1998. The office identified the project number as 9716. This project consisted of the prototype design for the cosmetic and homecare stores. It was first implemented in Philadelphia, with subsequent stores in Roseville, Minnesota, Farmington, Connecticut and Raleigh, North Carolina following a similar design. These stores had custom display furnishings and fixtures including leaf-shaped tables, wavy tables, round cash counters, curved wood shelves in the corners and beech wood and sandblasted glass shelves lining the walls. The project is recorded through drawings and accompanying textual records dating from 1997-1998. The drawings include sketches, plans, elevations, perspectives, furnishings, details and construction drawings.
People:
Date:
1997-1998
1997-1998
Title:
Crabtree and Evelyn, United States (1997-1998)
Actions:
AP056.S1.1997.PR01
Description:
This project series documents the general design for Crabtree & Evelyn stores across the Unites States from 1997-1998. The office identified the project number as 9716. This project consisted of the prototype design for the cosmetic and homecare stores. It was first implemented in Philadelphia, with subsequent stores in Roseville, Minnesota, Farmington, Connecticut and Raleigh, North Carolina following a similar design. These stores had custom display furnishings and fixtures including leaf-shaped tables, wavy tables, round cash counters, curved wood shelves in the corners and beech wood and sandblasted glass shelves lining the walls. The project is recorded through drawings and accompanying textual records dating from 1997-1998. The drawings include sketches, plans, elevations, perspectives, furnishings, details and construction drawings.
Crabtree and Evelyn, United States (1997-1998)
Actions:
AP056.S1.1997.PR01
Description:
This project series documents the general design for Crabtree & Evelyn stores across the Unites States from 1997-1998. The office identified the project number as 9716. This project consisted of the prototype design for the cosmetic and homecare stores. It was first implemented in Philadelphia, with subsequent stores in Roseville, Minnesota, Farmington, Connecticut and Raleigh, North Carolina following a similar design. These stores had custom display furnishings and fixtures including leaf-shaped tables, wavy tables, round cash counters, curved wood shelves in the corners and beech wood and sandblasted glass shelves lining the walls. The project is recorded through drawings and accompanying textual records dating from 1997-1998. The drawings include sketches, plans, elevations, perspectives, furnishings, details and construction drawings.
Level of archival description:
Project
Project
Date:
1997-1998
1997-1998
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
People:
Date:
1984-2005
1984-2005
Title:
Projecto para um Edifício de Habitação em Campo di Marte [Housing complex, Campo di Marte], Giudecca, Venice, Italy, (1985)
Actions:
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
Projecto para um Edifício de Habitação em Campo di Marte [Housing complex, Campo di Marte], Giudecca, Venice, Italy, (1985)
Actions:
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
Level of archival description:
Project
Project
Date:
1984-2005
1984-2005
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1984.PR05
Description:
This project series documents the Casa Erhard Josef Pascher in Sintra, Portugal. While the records were held in the office’s archives this project was assigned the number 24/80. The office assigned the dates 1984-1985 to this project The project files document a house comissioned by Erhard Josef Pascher. The house included a library, garage, workshop, small garden, swimming pool, sauna and terrace. The client asked for a solar power system and for the interior to have whitewashed walls, tiled floors and built-in cupboards. Miguel Guedes de Carvalho collaborated with Siza on this project. The house was not built. Documenting this project are sketches, studies and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the project site.
AP178.S1.1984.PR05
Description:
This project series documents the Casa Erhard Josef Pascher in Sintra, Portugal. While the records were held in the office’s archives this project was assigned the number 24/80. The office assigned the dates 1984-1985 to this project The project files document a house comissioned by Erhard Josef Pascher. The house included a library, garage, workshop, small garden, swimming pool, sauna and terrace. The client asked for a solar power system and for the interior to have whitewashed walls, tiled floors and built-in cupboards. Miguel Guedes de Carvalho collaborated with Siza on this project. The house was not built. Documenting this project are sketches, studies and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the project site.
People:
Date:
1983-1987
1983-1987
Title:
Casa Erhard Josef Pascher [Erhard Josef Pascher house], Sintra, Portugal (1984)
Actions:
AP178.S1.1984.PR05
Description:
This project series documents the Casa Erhard Josef Pascher in Sintra, Portugal. While the records were held in the office’s archives this project was assigned the number 24/80. The office assigned the dates 1984-1985 to this project The project files document a house comissioned by Erhard Josef Pascher. The house included a library, garage, workshop, small garden, swimming pool, sauna and terrace. The client asked for a solar power system and for the interior to have whitewashed walls, tiled floors and built-in cupboards. Miguel Guedes de Carvalho collaborated with Siza on this project. The house was not built. Documenting this project are sketches, studies and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the project site.
Casa Erhard Josef Pascher [Erhard Josef Pascher house], Sintra, Portugal (1984)
Actions:
AP178.S1.1984.PR05
Description:
This project series documents the Casa Erhard Josef Pascher in Sintra, Portugal. While the records were held in the office’s archives this project was assigned the number 24/80. The office assigned the dates 1984-1985 to this project The project files document a house comissioned by Erhard Josef Pascher. The house included a library, garage, workshop, small garden, swimming pool, sauna and terrace. The client asked for a solar power system and for the interior to have whitewashed walls, tiled floors and built-in cupboards. Miguel Guedes de Carvalho collaborated with Siza on this project. The house was not built. Documenting this project are sketches, studies and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the project site.
Level of archival description:
Project
Project
Date:
1983-1987
1983-1987
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1983.PR14
Description:
This project series documents the National Aviation Museum which is part of Rockliffe Airport in Ottawa Ontario from 1983-1987. The office identified the project number as 8320. This project consisted of a building, commissioned by Public Works Canada, to house Canada's aviation museum collections. The basementless building was approximately five storeys in height, triangular shaped, and located between a runway and base building at the Rockcliffe Airport. This project is recorded through drawings, photographic materials and textual records dating from 1983-1987. The majority of the drawings are reprographic copies of details, arranged within the textual materials. Photographs and negative strips show the construction progress of the project. The textual records include correspondence, specifications, instructions to tenderers, schedules and financial documentation.
AP018.S1.1983.PR14
Description:
This project series documents the National Aviation Museum which is part of Rockliffe Airport in Ottawa Ontario from 1983-1987. The office identified the project number as 8320. This project consisted of a building, commissioned by Public Works Canada, to house Canada's aviation museum collections. The basementless building was approximately five storeys in height, triangular shaped, and located between a runway and base building at the Rockcliffe Airport. This project is recorded through drawings, photographic materials and textual records dating from 1983-1987. The majority of the drawings are reprographic copies of details, arranged within the textual materials. Photographs and negative strips show the construction progress of the project. The textual records include correspondence, specifications, instructions to tenderers, schedules and financial documentation.
People:
Date:
1983-1987
1983-1987
Title:
National Aviation Museum, Rockcliffe Airport, Ottawa, Ontario (1983-1987)
Actions:
AP018.S1.1983.PR14
Description:
This project series documents the National Aviation Museum which is part of Rockliffe Airport in Ottawa Ontario from 1983-1987. The office identified the project number as 8320. This project consisted of a building, commissioned by Public Works Canada, to house Canada's aviation museum collections. The basementless building was approximately five storeys in height, triangular shaped, and located between a runway and base building at the Rockcliffe Airport. This project is recorded through drawings, photographic materials and textual records dating from 1983-1987. The majority of the drawings are reprographic copies of details, arranged within the textual materials. Photographs and negative strips show the construction progress of the project. The textual records include correspondence, specifications, instructions to tenderers, schedules and financial documentation.
National Aviation Museum, Rockcliffe Airport, Ottawa, Ontario (1983-1987)
Actions:
AP018.S1.1983.PR14
Description:
This project series documents the National Aviation Museum which is part of Rockliffe Airport in Ottawa Ontario from 1983-1987. The office identified the project number as 8320. This project consisted of a building, commissioned by Public Works Canada, to house Canada's aviation museum collections. The basementless building was approximately five storeys in height, triangular shaped, and located between a runway and base building at the Rockcliffe Airport. This project is recorded through drawings, photographic materials and textual records dating from 1983-1987. The majority of the drawings are reprographic copies of details, arranged within the textual materials. Photographs and negative strips show the construction progress of the project. The textual records include correspondence, specifications, instructions to tenderers, schedules and financial documentation.
Level of archival description:
Project
Project
Date:
1983-1987
1983-1987
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1981.PR21
Description:
This project series documents work for the Canadian Coast Guard College in Sydney, Nova Scotia from 1981-1986. The office identified the project number as 8123. This project consisted of the design and construction of a new boathouse, machine shop, entry areas and gate house for the College. The main component of the project was the boat house. Built on the shore, the boat house was designed for off-season storage of large work boats with a heated maintenance area. The project is recorded through drawings, photographic materials and textual records dating from 1976-1981. The photographs show the project site and model. The textual records include correspondence, meeting minutes, regulations, project programs, specifications, tender documents, electrical and mechanical documentation, schedules, and cost analysis records.
AP018.S1.1981.PR21
Description:
This project series documents work for the Canadian Coast Guard College in Sydney, Nova Scotia from 1981-1986. The office identified the project number as 8123. This project consisted of the design and construction of a new boathouse, machine shop, entry areas and gate house for the College. The main component of the project was the boat house. Built on the shore, the boat house was designed for off-season storage of large work boats with a heated maintenance area. The project is recorded through drawings, photographic materials and textual records dating from 1976-1981. The photographs show the project site and model. The textual records include correspondence, meeting minutes, regulations, project programs, specifications, tender documents, electrical and mechanical documentation, schedules, and cost analysis records.
People:
Date:
1976-1986
1976-1986
Title:
Canadian Coast Guard College, Boat House, Machine Shop, Campus Entry and Gatehouse, Sydney, Nova Scotia (1981-1986)
Actions:
AP018.S1.1981.PR21
Description:
This project series documents work for the Canadian Coast Guard College in Sydney, Nova Scotia from 1981-1986. The office identified the project number as 8123. This project consisted of the design and construction of a new boathouse, machine shop, entry areas and gate house for the College. The main component of the project was the boat house. Built on the shore, the boat house was designed for off-season storage of large work boats with a heated maintenance area. The project is recorded through drawings, photographic materials and textual records dating from 1976-1981. The photographs show the project site and model. The textual records include correspondence, meeting minutes, regulations, project programs, specifications, tender documents, electrical and mechanical documentation, schedules, and cost analysis records.
Canadian Coast Guard College, Boat House, Machine Shop, Campus Entry and Gatehouse, Sydney, Nova Scotia (1981-1986)
Actions:
AP018.S1.1981.PR21
Description:
This project series documents work for the Canadian Coast Guard College in Sydney, Nova Scotia from 1981-1986. The office identified the project number as 8123. This project consisted of the design and construction of a new boathouse, machine shop, entry areas and gate house for the College. The main component of the project was the boat house. Built on the shore, the boat house was designed for off-season storage of large work boats with a heated maintenance area. The project is recorded through drawings, photographic materials and textual records dating from 1976-1981. The photographs show the project site and model. The textual records include correspondence, meeting minutes, regulations, project programs, specifications, tender documents, electrical and mechanical documentation, schedules, and cost analysis records.
Level of archival description:
Project
Project
Date:
1976-1986
1976-1986
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
People:
Date:
1994-2007
1994-2007
Title:
Barcelona Forum 2004, Santa Adrià de Besòs, Barcelona, Spain (2000)
Actions:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
Barcelona Forum 2004, Santa Adrià de Besòs, Barcelona, Spain (2000)
Actions:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
Level of archival description:
Project
Project
Date:
1994-2007
1994-2007
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
People:
Date:
1988-1996
1988-1996
Title:
Stratford Festival Theatre, Renovations, Stratford, Ontario (1994-1997)
Actions:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
Stratford Festival Theatre, Renovations, Stratford, Ontario (1994-1997)
Actions:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
Level of archival description:
Project
Project
Date:
1988-1996
1988-1996
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1969.PR04
Description:
This project series documents the master plan for the future Art Gallery of Ontario (AGO) expansion projects in Toronto in 1969. The office identified the project number as 69035. This project outlines the complete master plan for future expansions of the gallery. For decades, the AGO, under its previous name, The Art Gallery of Toronto, consisted of the nineteenth century Grange mansion and a gallery to its north. The project shows the growth of the AGO from two small buildings surrounded by parks to a much larger two storey building that would touch Dundas Street to the north, Beverly Street to the West, and McCaul Street and the Ontario College of Art to the East. In total, three stages were proposed in this plan to increase the AGO sevenfold from 32,000 square feet of gallery space to 253,000 square feet. In addition, a parking lot was proposed in the Dundas Street Mall to the east of the gallery. Originally, the stages were known in the documentation as Phases I, II, III, and IA but their names evolved with the project. Each stage was eventually given its own project number by the office and the original master plan documented in this project series changed in size and design over the years. This project contract was originally given to John B. Parkin Associates. However, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, including presentation boards, dating from 1965-1978. The majority of these are original drawings showing the design planning of the art gallery.
AP018.S1.1969.PR04
Description:
This project series documents the master plan for the future Art Gallery of Ontario (AGO) expansion projects in Toronto in 1969. The office identified the project number as 69035. This project outlines the complete master plan for future expansions of the gallery. For decades, the AGO, under its previous name, The Art Gallery of Toronto, consisted of the nineteenth century Grange mansion and a gallery to its north. The project shows the growth of the AGO from two small buildings surrounded by parks to a much larger two storey building that would touch Dundas Street to the north, Beverly Street to the West, and McCaul Street and the Ontario College of Art to the East. In total, three stages were proposed in this plan to increase the AGO sevenfold from 32,000 square feet of gallery space to 253,000 square feet. In addition, a parking lot was proposed in the Dundas Street Mall to the east of the gallery. Originally, the stages were known in the documentation as Phases I, II, III, and IA but their names evolved with the project. Each stage was eventually given its own project number by the office and the original master plan documented in this project series changed in size and design over the years. This project contract was originally given to John B. Parkin Associates. However, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, including presentation boards, dating from 1965-1978. The majority of these are original drawings showing the design planning of the art gallery.
People:
Date:
1965-1981
1965-1981
Title:
Art Gallery of Ontario, The Master Plan, Toronto (1969)
Actions:
AP018.S1.1969.PR04
Description:
This project series documents the master plan for the future Art Gallery of Ontario (AGO) expansion projects in Toronto in 1969. The office identified the project number as 69035. This project outlines the complete master plan for future expansions of the gallery. For decades, the AGO, under its previous name, The Art Gallery of Toronto, consisted of the nineteenth century Grange mansion and a gallery to its north. The project shows the growth of the AGO from two small buildings surrounded by parks to a much larger two storey building that would touch Dundas Street to the north, Beverly Street to the West, and McCaul Street and the Ontario College of Art to the East. In total, three stages were proposed in this plan to increase the AGO sevenfold from 32,000 square feet of gallery space to 253,000 square feet. In addition, a parking lot was proposed in the Dundas Street Mall to the east of the gallery. Originally, the stages were known in the documentation as Phases I, II, III, and IA but their names evolved with the project. Each stage was eventually given its own project number by the office and the original master plan documented in this project series changed in size and design over the years. This project contract was originally given to John B. Parkin Associates. However, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, including presentation boards, dating from 1965-1978. The majority of these are original drawings showing the design planning of the art gallery.
Art Gallery of Ontario, The Master Plan, Toronto (1969)
Actions:
AP018.S1.1969.PR04
Description:
This project series documents the master plan for the future Art Gallery of Ontario (AGO) expansion projects in Toronto in 1969. The office identified the project number as 69035. This project outlines the complete master plan for future expansions of the gallery. For decades, the AGO, under its previous name, The Art Gallery of Toronto, consisted of the nineteenth century Grange mansion and a gallery to its north. The project shows the growth of the AGO from two small buildings surrounded by parks to a much larger two storey building that would touch Dundas Street to the north, Beverly Street to the West, and McCaul Street and the Ontario College of Art to the East. In total, three stages were proposed in this plan to increase the AGO sevenfold from 32,000 square feet of gallery space to 253,000 square feet. In addition, a parking lot was proposed in the Dundas Street Mall to the east of the gallery. Originally, the stages were known in the documentation as Phases I, II, III, and IA but their names evolved with the project. Each stage was eventually given its own project number by the office and the original master plan documented in this project series changed in size and design over the years. This project contract was originally given to John B. Parkin Associates. However, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, including presentation boards, dating from 1965-1978. The majority of these are original drawings showing the design planning of the art gallery.
Level of archival description:
Project
Project
Date:
1965-1981
1965-1981
People:
