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Homosexuality is still a taboo subject in architectural history. When historical architectural personalities have lived outside the heterosexual norm, their private lives are readily shrouded in obscurity. As long as penal laws endured, social existence was constantly threatened, and hiding was a necessity. Defensive strategies were needed to protect themselves. To track(...)
Gay architects: Silent biographies from 18th to 20th century
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Homosexuality is still a taboo subject in architectural history. When historical architectural personalities have lived outside the heterosexual norm, their private lives are readily shrouded in obscurity. As long as penal laws endured, social existence was constantly threatened, and hiding was a necessity. Defensive strategies were needed to protect themselves. To track down these outsiders of the past, historical sources must be read queerly. This volume brings together 35 portraits of gay architects from the Baroque era to the modern age in North America, Europe and Palestine, presenting surprising biographies, admirable houses and, not infrequently, intelligently designed refuges with which the protagonists protected their private lives. Featured architects include: Stanford White, Ralph Adams Cram, Bertram Grosvenor Goodhue, Bruce Goff, Charles Moor, Lionel Pries, Barry Dierks, William Alexander Levy, Paul Rudolph, Horace Gifford, Luis Barragán, Geoffrey Bawa, Horace Walpole and more.
Architectural Theory
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Beginning with the earliest human occupation of North America, nearly 14,000 years ago, Nelles takes us on a whirlwind tour of the land and its inhabitants to the present day. Canada's enduring theme, he argues, is transformation. The country has undergone several fundamental changes-from Aboriginal occupation, to French and British colonization, to the rise of an(...)
A little history of Canada: second edition
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Beginning with the earliest human occupation of North America, nearly 14,000 years ago, Nelles takes us on a whirlwind tour of the land and its inhabitants to the present day. Canada's enduring theme, he argues, is transformation. The country has undergone several fundamental changes-from Aboriginal occupation, to French and British colonization, to the rise of an independent nation and distinct society-and it is doing so yet again. Fully revised throughout, this updated edition incorporates the latest research that helps us understand the course of history. A new concluding chapter unpacks the challenges that the country has faced in the twenty-first century: Canada-US relations post 9/11, the country's place within the global economy, a continuous influx of immigration, and the geographical consequences of global warming. Lively and opinionated, this is the ever-evolving story of a nation.
Architecture in Canada
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
Theory of Photography
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How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. 'Cataloguing Culture' examines how colonialism operates(...)
Cataloguing culture: legacies of colonialism in museum documentation
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How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. 'Cataloguing Culture' examines how colonialism operates in museum bureaucracies. Using the Smithsonian’s National Museum of Natural History as her reference, Hannah Turner organizes her study by the technologies framing museum work over two hundred years: field records, the ledger, the card catalogue, the punch card, and eventually the database. She examines how categories were applied to ethnographic material culture and became routine throughout federal collecting institutions. As Indigenous communities encounter the documentary traces of imperialism while attempting to reclaim what is theirs, this publication shines a light on access to and return of cultural heritage.
Museology
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Published to coincide with an exhibition at Chicago’s Newberry Library, Mapping Manifest Destiny: Chicago and the American West charts the historic role maps have played in imagining, understanding, promoting, and exploiting the Western frontier of North America. Featuring more than sixty full-color maps and views from the sixteenth through the twentieth centuries, this(...)
Architectural Plans and Cartography
August 2008, Chicago
Mapping manifest destiny: Chicago and the American West
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Published to coincide with an exhibition at Chicago’s Newberry Library, Mapping Manifest Destiny: Chicago and the American West charts the historic role maps have played in imagining, understanding, promoting, and exploiting the Western frontier of North America. Featuring more than sixty full-color maps and views from the sixteenth through the twentieth centuries, this fascinating book documents how maps encouraged Euro-Americans to see the West as a land of promise. Maps helped visualize a nation destined to expand across the continent to the Pacific Ocean. Curators Michael P. Conzen and Diane Dillon present an interpretively rich, carefully researched selection of items drawing on the Newberry’s superb collections of historic maps and Western Americana. They have organized the book into four sections: maps for empire, maps for building a new nation, maps for enlightenment, and maps for business.
Architectural Plans and Cartography
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island(...)
The Funambulist 20, November/December
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island (what many people call ''North America''.) Most of them depict Native lives in spaces that are not the reservations where the colonial narrative usually situates them. Whether in large cities such as Los Angeles or Saskatoon, or settler border towns in the periphery of reservations, the urban dimension of the first half of the dossier is omnipresent. The second half is dedicated to various forms of Indigenous resistance through space-making, anti-colonial solidarities, representative transgression, or architecture researches/projects.
Magazines
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One common feature of the wave of recent revolutions and revolts around the world is not political but rather architectural: many erupted on inner-city roundabouts. In thinking about the relation between protest and urban form, Eyal Weizman starts with the May 1980 uprising in Gwangju, South Korea, the first of the “roundabout revolutions,” and traces its lineage to the(...)
Critical spatial practice 6 : Eyal Weizman, the roundabout revolutions
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One common feature of the wave of recent revolutions and revolts around the world is not political but rather architectural: many erupted on inner-city roundabouts. In thinking about the relation between protest and urban form, Eyal Weizman starts with the May 1980 uprising in Gwangju, South Korea, the first of the “roundabout revolutions,” and traces its lineage to the Arab Spring and its hellish aftermath. Rereading the history of the roundabout through the vortices of history that traverse it, the book follows the development of the roundabout in Europe and North America in the early twentieth century, to its subsequent export to the colonial world in the context of attempts to discipline and police the “chaotic” non-Western city. How did an urban apparatus put in the service of authoritarian power became the locus of its undoing?
Critical Theory
books
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volumes : illustrations, plates, portraits, maps ; 31 cm
St. John's : Newfoundland Book Publishers, [©1937]-
The book of Newfoundland / editor, Joseph R. Smallwood ; associate editor, James R. Thomas.
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volumes : illustrations, plates, portraits, maps ; 31 cm
books
St. John's : Newfoundland Book Publishers, [©1937]-
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De Chirico : the metaphysical period, 1888-1919 / Paolo Baldacci ; [translation, Jeffrey Jennings].
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443 pages : illustrations (some color) ; 34 cm
Boston : Little, Brown, 1997., ©1997
De Chirico : the metaphysical period, 1888-1919 / Paolo Baldacci ; [translation, Jeffrey Jennings].
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443 pages : illustrations (some color) ; 34 cm
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Boston : Little, Brown, 1997., ©1997
On community
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We are all hinged to some definition of a community, be it as simple as where we live, complex as the beliefs we share, or as intentional as those we call family. In an episodic personal essay, Casey Plett draws on a range of firsthand experiences to start a conversation about the larger implications of community as a word, an idea, and a symbol. With each thread a(...)
On community
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We are all hinged to some definition of a community, be it as simple as where we live, complex as the beliefs we share, or as intentional as those we call family. In an episodic personal essay, Casey Plett draws on a range of firsthand experiences to start a conversation about the larger implications of community as a word, an idea, and a symbol. With each thread a cumulative definition of community, and what it has come to mean to Plett, emerges. Looking at phenomena from transgender literature, to Mennonite history, to hacker houses of Silicon Valley, and the rise of nationalism in North America, Plett delves into the thorny intractability of community’s boons and faults. Deeply personal, authoritative in its illuminations, On Community is an essential contribution to the larger cultural discourse that asks how, and to what socio-political ends, we form bonds with one another.
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