e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
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Log 62 : fall 2024
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also(...)
Log 62 : fall 2024
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also distancing itself from a more radical critical approach that leans toward an ‘anthropologization’ of architecture."
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Festina Lente n.02
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Le deuxième numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée à Rennes », imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales.
Festina Lente n.02
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Le deuxième numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée à Rennes », imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales.
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Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des(...)
EKES (EarthKeeping EarthShaking) n° 02 : Sonder les droits de la Terre
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Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des projets et des propos présentés dans l'ouvrage trouve son reflet dans la variété textuelle et iconographique qui constitue Sonder les droits de la Terre. La mise en regard d'entretiens, d'essais, de conférences avec plus de 130 images donne à voir les formes par lesquelles la création contemporaine s'exprime pour, par et avec la nature.
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Detail 12 2024 : Masonry
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In this issue, ''Detail'' showcase the winning projects for the Detail Award 2024, including the recipient of the Students’ Award and the winner of the Readers’ Award, which received 486 out of 2,133 votes in our online poll. Notably, this year’s awards celebrate projects by architecture firms and universities across Europe – from Denmark to Spain and Switzerland. This(...)
Detail 12 2024 : Masonry
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In this issue, ''Detail'' showcase the winning projects for the Detail Award 2024, including the recipient of the Students’ Award and the winner of the Readers’ Award, which received 486 out of 2,133 votes in our online poll. Notably, this year’s awards celebrate projects by architecture firms and universities across Europe – from Denmark to Spain and Switzerland. This issue also turns to masonry architecture, with explorations of natural stone traditions in France’s Bouches-du- Rhône region, the Brighton College campus in southern England, and Denmark’s brick building heritage.
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the(...)
Texte zur kunst #136: Lecture
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the possibilities that the monological format opens up. The contributions to the issue demonstrate how the lecture’s inherently authoritarian interpellation can be repurposed for a critique of power and for subversive ends, highlighting, in particular, the lecture performance as a potent intervention into established hierarchies and regimes of knowledge. In a practical extension of these discussions, six artists and scholars reflect on the approaches, structures, rhetorics, and methodologies of their presentations in video lectures produced for the issue.
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Walter Pichler foresaw the future nearly 60 years ago. His “TV-Helmet (Portable Living Room)” anticipated technologies akin to today’s cyber glasses. At the time, this vision was nothing short of revolutionary. Today, such concepts are not only a reality but have advanced significantly. Virtual and digital realities are now integral to designing, planning, and(...)
Detail 1/2 2025 : Digital and sustainable
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Walter Pichler foresaw the future nearly 60 years ago. His “TV-Helmet (Portable Living Room)” anticipated technologies akin to today’s cyber glasses. At the time, this vision was nothing short of revolutionary. Today, such concepts are not only a reality but have advanced significantly. Virtual and digital realities are now integral to designing, planning, and constructing spaces – far more than mere devices for experiencing them. Lengthy construction workflows, optimised designs, and the complex coordination of planning, cost control, and project management are increasingly digitalised. We can now program buildings to meet parametric specifications, construct homes using 3D printing, and create detailed 3D models of existing buildings to analyse them before renovation even begins. While landscape has transformed dramatically, digitalisation in architecture is clearly still in its early stages. To begin the year, this issue shines a spotlight on the digital present and future of architecture, exploring how digital tools can enhance sustainability. Our project documentations showcase an array of approaches, from digital material passports to parametric models and BIM applications for existing structures. Experts offer insight on the complexities of planning and construction processes.
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GA Houses 195
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"GA Houses" documents outstanding new residential architecture from all over the world. With projects by selgascano + Diego Cano, Olson Kundig, Norisada Maeda, Luciano Kruk, Takashi Fujino, Antony Liu + Studio TonTon, Makoto Tamada + Natsuko Wakimoto, Ignacio Rojas Hirigoyen, Tomohiro Hata, and Taichi Mitsuya + Yuwa Saito.
GA Houses 195
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"GA Houses" documents outstanding new residential architecture from all over the world. With projects by selgascano + Diego Cano, Olson Kundig, Norisada Maeda, Luciano Kruk, Takashi Fujino, Antony Liu + Studio TonTon, Makoto Tamada + Natsuko Wakimoto, Ignacio Rojas Hirigoyen, Tomohiro Hata, and Taichi Mitsuya + Yuwa Saito.
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In the Fall Winter 24-25 issue which closes the fifteenth anniversary celebration of ''Cura', ''Coming of Age'' is a plural and multifaceted story of growth, discovery, affirmation, defeat and corruption, that recounts the ambiguities of the present time, the sense of loss of illusions, trapped in a reality in front of which one is both an adult and a child, corrupt and(...)
Cura n.43
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In the Fall Winter 24-25 issue which closes the fifteenth anniversary celebration of ''Cura', ''Coming of Age'' is a plural and multifaceted story of growth, discovery, affirmation, defeat and corruption, that recounts the ambiguities of the present time, the sense of loss of illusions, trapped in a reality in front of which one is both an adult and a child, corrupt and innocent, cynical and curious. A limbo between hope and reality places events in which we witness a whole that unfolds at once inside and outside of us. Propelled into such ambiguity—neither past nor future—we are overwhelmed by a flow of things and events, a changing and metamorphic landscape, which translates the upheavals of a new awareness and a new age.
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D’hier à aujourd’hui, les livres et les bibliothèques publiques demeurent une composante vitale de la vie communautaire. Les bibliothèques, en plus des livres et des archives qu’elles contiennent, représentent un grand patrimoine collectif. Les différents articles retraceront l’histoire du développement des bibliothèques publiques au Québec, des petites municipalités aux(...)
Continuité n. 183 : Patrimoine et bibliothèques
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D’hier à aujourd’hui, les livres et les bibliothèques publiques demeurent une composante vitale de la vie communautaire. Les bibliothèques, en plus des livres et des archives qu’elles contiennent, représentent un grand patrimoine collectif. Les différents articles retraceront l’histoire du développement des bibliothèques publiques au Québec, des petites municipalités aux grandes villes; brosseront le portrait de bibliothèques qui ont investi un bâtiment patrimonial; offriront une incursion derrière le rideau des collections de livres rares et anciens et de leur préservation; feront découvrir comment l’intelligence artificielle permet de décrypter des écrits anciens qui nous resteraient autrement secrets; et permettront d’entrer dans l’univers littéraire de personnalités chouchous des québécois.
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