Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
11 May 2016 to 16 October 2016
Archaeology of the Digital: Complexity and Convention
Actions:
Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
PH1986:1084
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
architecture, sculpture
1856
Partial view, eastern mahadvara [main entrance] gorupa, Virupaksha Temple Complex, Vijayanagara, Hampi, India
Actions:
PH1986:1084
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
architecture, sculpture
PH1986:1096
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
architecture
1856
View of the Deepastambha [lamp post] with mandapas of the Vithala Temple Complex in the background, Vijayanagara, Hampi, India
Actions:
PH1986:1096
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
architecture
PH1986:1097
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
architecture, sculpture
1856
Close-up view of a fragment of stone with a bas-relief depicting the mythological figure Bhima, Bhima's Gate, Vijayanagara, Hampi, India
Actions:
PH1986:1097
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
architecture, sculpture
archives
Level of archival description:
Fonds
AP195
Synopsis:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
1996 - 2015
Zaha Hadid Architects Phaeno Science Centre project records
Actions:
AP195
Synopsis:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
archives
Level of archival description:
Fonds
1996 - 2015
drawings
DR1988:0433:010
Description:
- Abrasion marks at the t. indicate that the finial on the tallest turret of the great tower was erased. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
architecture
October 1849
East elevation for Fonthill House, with section on line IK
Actions:
DR1988:0433:010
Description:
- Abrasion marks at the t. indicate that the finial on the tallest turret of the great tower was erased. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
drawings
October 1849
architecture
drawings
DR1988:0433:011
Description:
- Abrasion marks at the t. indicated that the finial on the tallest turret of the great tower was erased. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
architecture
October 1849
South elevation for Fonthill House
Actions:
DR1988:0433:011
Description:
- Abrasion marks at the t. indicated that the finial on the tallest turret of the great tower was erased. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
drawings
October 1849
architecture
drawings
DR1988:0433:012
Description:
- Abrasion marks at the t. indicate that the finial on the tallest turret of the great tower was erased. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
architecture
October 1849
West elevation for Fonthill House
Actions:
DR1988:0433:012
Description:
- Abrasion marks at the t. indicate that the finial on the tallest turret of the great tower was erased. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
drawings
October 1849
architecture
drawings
DR1988:0433:022
Description:
- Abrasion marks at the t. and c.r. suggest that a finial design was altered and in one case redrawn. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
architecture
October 1849
Sections for Fonthill House on lines LM, NO, and PQ showing the courtyards
Actions:
DR1988:0433:022
Description:
- Abrasion marks at the t. and c.r. suggest that a finial design was altered and in one case redrawn. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
drawings
October 1849
architecture
drawings
Elevations and profiles for variant types of dormer windows for the office buildings, Fonthill House
DR1988:0433:029
Description:
- Designs for three types of gabled dormer windows for the service wings of Fonthill House, Wiltshire. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
architecture
October 1849
Elevations and profiles for variant types of dormer windows for the office buildings, Fonthill House
Actions:
DR1988:0433:029
Description:
- Designs for three types of gabled dormer windows for the service wings of Fonthill House, Wiltshire. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
drawings
October 1849
architecture