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Dernier secteur en suspens de Paris Rive Gauche, le quartier Austerlitz-Gare vient de faire l'objet d'un marché de définition mené en maîtrise d'ouvrage conjointe par la Semapa et la SNCF. Quatre groupements multiprofessionnels étaient appelés à participer conduits par les architectes-urbanistes: Ateliers 234, Jean-Marie Duthilleul - AREP Associé à Jean Nouvel - AJN et(...)
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Dernier secteur en suspens de Paris Rive Gauche, le quartier Austerlitz-Gare vient de faire l'objet d'un marché de définition mené en maîtrise d'ouvrage conjointe par la Semapa et la SNCF. Quatre groupements multiprofessionnels étaient appelés à participer conduits par les architectes-urbanistes: Ateliers 234, Jean-Marie Duthilleul - AREP Associé à Jean Nouvel - AJN et(...)
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
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February 2008, Canéjan
February 2008, Canéjan
Title:
Quartier Austerlitz Gare: Étude de définition
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Dernier secteur en suspens de Paris Rive Gauche, le quartier Austerlitz-Gare vient de faire l'objet d'un marché de définition mené en maîtrise d'ouvrage conjointe par la Semapa et la SNCF. Quatre groupements multiprofessionnels étaient appelés à participer conduits par les architectes-urbanistes: Ateliers 234, Jean-Marie Duthilleul - AREP Associé à Jean Nouvel - AJN et Michel Desvigne, BTUA (Bernard Tschumi urbaniste architectes), Claus en KAAN Associé à Jean-Pierre Pranlas-Descours. Au terme d'une consultation de presque deux ans d'études, de septembre 2005 à avril 2007, déroulée en deux phases, le projet du groupement Jean-Marie Duthilleul - AREP / Jean Nouvel - AJN / Michel Desvignes a été déclaré lauréat en juin 2007 par la commission d'appel d'offres commune Semapa / SNCF en charge de l'opération.
Quartier Austerlitz Gare: Étude de définition
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Dernier secteur en suspens de Paris Rive Gauche, le quartier Austerlitz-Gare vient de faire l'objet d'un marché de définition mené en maîtrise d'ouvrage conjointe par la Semapa et la SNCF. Quatre groupements multiprofessionnels étaient appelés à participer conduits par les architectes-urbanistes: Ateliers 234, Jean-Marie Duthilleul - AREP Associé à Jean Nouvel - AJN et Michel Desvigne, BTUA (Bernard Tschumi urbaniste architectes), Claus en KAAN Associé à Jean-Pierre Pranlas-Descours. Au terme d'une consultation de presque deux ans d'études, de septembre 2005 à avril 2007, déroulée en deux phases, le projet du groupement Jean-Marie Duthilleul - AREP / Jean Nouvel - AJN / Michel Desvignes a été déclaré lauréat en juin 2007 par la commission d'appel d'offres commune Semapa / SNCF en charge de l'opération.
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books
books
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February 2008, Canéjan
February 2008, Canéjan
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Commercial interiors, Building types
Commercial interiors, Building types
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books
books
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Walter Benjamin's "Arcades project" suggests that space can become a storyteller: if so, plenty of fleeting stories can be read in the space of modernity, where repetition and the unexpected cross-pollinate. In "Space as storyteller", Laura Chiesa explores several stories across a wide range of time that narrate spatial jumps, from Benjamin's tangential take on the(...)
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Walter Benjamin's "Arcades project" suggests that space can become a storyteller: if so, plenty of fleeting stories can be read in the space of modernity, where repetition and the unexpected cross-pollinate. In "Space as storyteller", Laura Chiesa explores several stories across a wide range of time that narrate spatial jumps, from Benjamin's tangential take on the(...)
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Space as storyteller: spatial jumps in architecture, critical theory, and literature
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Walter Benjamin's "Arcades project" suggests that space can become a storyteller: if so, plenty of fleeting stories can be read in the space of modernity, where repetition and the unexpected cross-pollinate. In "Space as storyteller", Laura Chiesa explores several stories across a wide range of time that narrate spatial jumps, from Benjamin's tangential take on the cityscape, the experimentalism of Futurist theatricality, the multiple and potential atlases narrated by Italo Calvino and Georges Perec, and the posturban thought and practice of Bernard Tschumi and Rem Koolhaas/OMA. Space as Storyteller diverts attention from isolated disciplines and historical or geographical contexts toward transdisciplinary encounters that mobilize the potential to invent new spaces of comparison, a potential the author describes as "architecturability."
Space as storyteller: spatial jumps in architecture, critical theory, and literature
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Walter Benjamin's "Arcades project" suggests that space can become a storyteller: if so, plenty of fleeting stories can be read in the space of modernity, where repetition and the unexpected cross-pollinate. In "Space as storyteller", Laura Chiesa explores several stories across a wide range of time that narrate spatial jumps, from Benjamin's tangential take on the cityscape, the experimentalism of Futurist theatricality, the multiple and potential atlases narrated by Italo Calvino and Georges Perec, and the posturban thought and practice of Bernard Tschumi and Rem Koolhaas/OMA. Space as Storyteller diverts attention from isolated disciplines and historical or geographical contexts toward transdisciplinary encounters that mobilize the potential to invent new spaces of comparison, a potential the author describes as "architecturability."
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books
books
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July 2016
July 2016
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
Piranesi and the modern age
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume,(...)
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume,(...)
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Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi's work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Tschudi's exploration of Piranesi's influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas.
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi's work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Tschudi's exploration of Piranesi's influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas.
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books
books
Publication:
November 2022
November 2022
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Abstract 2015
Abstract 2015
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ABSTRACT is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2015 edition includes the applied(...)
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ABSTRACT is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2015 edition includes the applied(...)
Title:
Abstract 2015
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ABSTRACT is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2015 edition includes the applied research of the school's laboratories and projects from design studios taught by Benjamin Aranda, Eric Bunge and Mimi Hoang, Juan Herreros, Steven Holl, Jeffrey Inaba, Andres Jaque, Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Kate Orff, Jorge Otero-Pailos, Hilary Sample, Bernard Tschumi, Nanako Umemoto and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
Abstract 2015
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ABSTRACT is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2015 edition includes the applied research of the school's laboratories and projects from design studios taught by Benjamin Aranda, Eric Bunge and Mimi Hoang, Juan Herreros, Steven Holl, Jeffrey Inaba, Andres Jaque, Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Kate Orff, Jorge Otero-Pailos, Hilary Sample, Bernard Tschumi, Nanako Umemoto and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
Form:
books
books
Publication:
February 2016
February 2016
Subject:
Contemporary Architecture
Contemporary Architecture
Form:
journals and magazines
journals and magazines
Title:
Praxis 8, re:programing
Praxis 8, re:programing
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of(...)
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of(...)
Title:
Praxis 8, re:programing
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of computer culture, has empowered architects to see what was traditionally considered a given, as something that can be reprogrammed at will. FEATURED ARCHITECTS & DESIGNERS Rem Koolhaas, Bernard Tschumi, Studio(n-1), Mack Scogin Merrill Elam, Taller de Chile, Interboro, Stoner Meek, Meyer Rosenberg, Central Office of Architecture, Pierre de Angelis and Carmen Suero, R, WW. FEATURED WRITERS Vincent James and Jennifer Yoos, Penelope Dean, Thomas de Monchaux, Kazys Varnelis, Ron Witte, John McMorrough, WORKac.
Praxis 8, re:programing
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of computer culture, has empowered architects to see what was traditionally considered a given, as something that can be reprogrammed at will. FEATURED ARCHITECTS & DESIGNERS Rem Koolhaas, Bernard Tschumi, Studio(n-1), Mack Scogin Merrill Elam, Taller de Chile, Interboro, Stoner Meek, Meyer Rosenberg, Central Office of Architecture, Pierre de Angelis and Carmen Suero, R, WW. FEATURED WRITERS Vincent James and Jennifer Yoos, Penelope Dean, Thomas de Monchaux, Kazys Varnelis, Ron Witte, John McMorrough, WORKac.
Form:
journals and magazines
journals and magazines
Publication:
May 2006, Colombus
May 2006, Colombus
Subject:
Magazines
Magazines
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books
books
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on(...)
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on(...)
Title:
Architecture's desire: reading the late avant-garde
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive "decompositions" and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the "cinegrammatic" delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence.
Architecture's desire: reading the late avant-garde
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$30.00
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Summary:
While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive "decompositions" and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the "cinegrammatic" delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence.
Form:
books
books
Publication:
November 2009
November 2009
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Abstract 2017
Abstract 2017
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$47.95
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"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied(...)
$47.95
(available to order)
Summary:
"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied(...)
Title:
Abstract 2017
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$47.95
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Summary:
"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied research of the school's laboratories and projects from design studios taught by Eric Bunge and Mimi Hoang, Kersten Geers, Juan Herreros, Steven Holl, Andres Jaque, Momoyo Kaijima and Yoshiharu Tsukumoto, and Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Umberto Napolitano, Kate Orff, Jorge Otero-Pailos, Rural Urban Framework, Hilary Sample, Bernard Tschumi, and Enrique Walker and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
Abstract 2017
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$47.95
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Summary:
"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied research of the school's laboratories and projects from design studios taught by Eric Bunge and Mimi Hoang, Kersten Geers, Juan Herreros, Steven Holl, Andres Jaque, Momoyo Kaijima and Yoshiharu Tsukumoto, and Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Umberto Napolitano, Kate Orff, Jorge Otero-Pailos, Rural Urban Framework, Hilary Sample, Bernard Tschumi, and Enrique Walker and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
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books
books
Publication:
May 2018
May 2018
Subject:
Contemporary Architecture
Contemporary Architecture
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books
books
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$36.95
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Dès 1981, surgit l'idée de créer une salle de concert dévolue aux spectacles de variétés et de rock, élargis aux musiques populaires. La France est en effet dépourvue de ce genre d'équipement. L'objectif principal est de faire connaître à un large public la richesse des musiques actuelles, au sein d'un lieu adapté et de grande capacité. Inventé par les professionnels du(...)
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Dès 1981, surgit l'idée de créer une salle de concert dévolue aux spectacles de variétés et de rock, élargis aux musiques populaires. La France est en effet dépourvue de ce genre d'équipement. L'objectif principal est de faire connaître à un large public la richesse des musiques actuelles, au sein d'un lieu adapté et de grande capacité. Inventé par les professionnels du(...)
Title:
Les zénith en France: histoire de 1984 à nos jours
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Dès 1981, surgit l'idée de créer une salle de concert dévolue aux spectacles de variétés et de rock, élargis aux musiques populaires. La France est en effet dépourvue de ce genre d'équipement. L'objectif principal est de faire connaître à un large public la richesse des musiques actuelles, au sein d'un lieu adapté et de grande capacité. Inventé par les professionnels du spectacle Daniel Colling et Daniel Keravec, le concept de Zénith est né. Il se concrétise par la réalisation du premier projet de ce type, conçu par les architectes Philippe Chaix et Jean Paul Morel, le Zénith de Paris, érigé au Parc de la Villette en 1984. Suivront seize autres édifices bâtis dans différentes villes, comme Montpellier (1986), Toulon (1992), Pau (1992), Nancy (1993), etc. jusqu'aux trois derniers construits à Strasbourg, Saint-Étienne et Amiens. Pour les villes concernées, être dotées d'un Zénith représente une fierté et un gage de succès qui demeurent toujours d'actualité. Chaque salle, qui fait l'objet d'un traitement architectural particulier, est dessinée par un architecte de renom, tels que le suisse Bernard Tschumi, le hollandais Rem Koolhaas ou l'italien Massimiliano Fuksas.
Les zénith en France: histoire de 1984 à nos jours
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Dès 1981, surgit l'idée de créer une salle de concert dévolue aux spectacles de variétés et de rock, élargis aux musiques populaires. La France est en effet dépourvue de ce genre d'équipement. L'objectif principal est de faire connaître à un large public la richesse des musiques actuelles, au sein d'un lieu adapté et de grande capacité. Inventé par les professionnels du spectacle Daniel Colling et Daniel Keravec, le concept de Zénith est né. Il se concrétise par la réalisation du premier projet de ce type, conçu par les architectes Philippe Chaix et Jean Paul Morel, le Zénith de Paris, érigé au Parc de la Villette en 1984. Suivront seize autres édifices bâtis dans différentes villes, comme Montpellier (1986), Toulon (1992), Pau (1992), Nancy (1993), etc. jusqu'aux trois derniers construits à Strasbourg, Saint-Étienne et Amiens. Pour les villes concernées, être dotées d'un Zénith représente une fierté et un gage de succès qui demeurent toujours d'actualité. Chaque salle, qui fait l'objet d'un traitement architectural particulier, est dessinée par un architecte de renom, tels que le suisse Bernard Tschumi, le hollandais Rem Koolhaas ou l'italien Massimiliano Fuksas.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
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books
books
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$54.99
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Summary:
Today, architecture schools are truly international in their intake, as students are able to select from courses worldwide. For school leavers and undergraduates, the choice is bewildering. Where different institutions provide very different courses and ultimately very different architects, the very act of shopping for a degree is an incredibly important stage in an(...)
$54.99
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Summary:
Today, architecture schools are truly international in their intake, as students are able to select from courses worldwide. For school leavers and undergraduates, the choice is bewildering. Where different institutions provide very different courses and ultimately very different architects, the very act of shopping for a degree is an incredibly important stage in an(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
November 2004, Chichester
November 2004, Chichester
Title:
Back to school : architectural education - the information and the argument
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Today, architecture schools are truly international in their intake, as students are able to select from courses worldwide. For school leavers and undergraduates, the choice is bewildering. Where different institutions provide very different courses and ultimately very different architects, the very act of shopping for a degree is an incredibly important stage in an architecture student’s career. This book is set to become a touchstone publication for anyone involved in architectural education, from the academic to the aspiring student. It provides interviews with four of the most influential educators/heads of schools around the world: Peter Cook, Chair, the Bartlett School of Architecture, London, UK; Bernard Tschumi, Dean, School of Architecture at Columbia University, USA; Leon van Schaik, Innovation Professor of Architecture, Royal Melbourne Institute of Technology, Australia; Elia Zenghelis, Berlage, Dusseldorf. This is followed by short self-biographies of eleven further prominent figures including Rem Koolhaas, Anthony Vidler and Paul Virilio. It is the first publication of its kind to comprehensively cover architectural education in its current context as an international market. It will feature the first invaluable listing of architectural schools worldwide: no dedicated listing currently exists in printed form or on the web, giving students a useful reference from which to start the decision making process.
Back to school : architectural education - the information and the argument
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$54.99
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Summary:
Today, architecture schools are truly international in their intake, as students are able to select from courses worldwide. For school leavers and undergraduates, the choice is bewildering. Where different institutions provide very different courses and ultimately very different architects, the very act of shopping for a degree is an incredibly important stage in an architecture student’s career. This book is set to become a touchstone publication for anyone involved in architectural education, from the academic to the aspiring student. It provides interviews with four of the most influential educators/heads of schools around the world: Peter Cook, Chair, the Bartlett School of Architecture, London, UK; Bernard Tschumi, Dean, School of Architecture at Columbia University, USA; Leon van Schaik, Innovation Professor of Architecture, Royal Melbourne Institute of Technology, Australia; Elia Zenghelis, Berlage, Dusseldorf. This is followed by short self-biographies of eleven further prominent figures including Rem Koolhaas, Anthony Vidler and Paul Virilio. It is the first publication of its kind to comprehensively cover architectural education in its current context as an international market. It will feature the first invaluable listing of architectural schools worldwide: no dedicated listing currently exists in printed form or on the web, giving students a useful reference from which to start the decision making process.
Form:
books
books
Publication:
November 2004, Chichester
November 2004, Chichester
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
books
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$45.00
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Summary:
In this book, Vladimir Belogolovsky reflects on nearly twenty years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito,(...)
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In this book, Vladimir Belogolovsky reflects on nearly twenty years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito,(...)
Title:
Imagine buildings floating like clouds: Thoughts and visions of contemporary architecture from 101 key creatives
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In this book, Vladimir Belogolovsky reflects on nearly twenty years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito, Glenn Murcutt, Renzo Piano, Moshe Safdie, Ric Scofido, Richard Serra, Frank Stella, Michael Sorkin, Stanley Tigerman, Bernard Tschumi, Lin Utzon, Massimo Vignelli, Madelon Vriesendorp, and so many others. He exposes the complexity of their thought processes, while comparing and contrasting them to one another to distill more than 101 ideas. His engaging narrative captures the stories behind every project and every personality while exploring many important questions, including: What makes a building architecture? How would a Futurist solve problems vs those whose focus is on nostalgia? The selection of interviews gathers many answers and intentions, but inevitably, also many more questions. ''Imagine buildings floating like clouds'' represents a diverse group of multitalented, creative people who work in disparate places culturally and climatically and came of age in very different times- from the revolutionary 1960s to our own time, when the future, for many, is being more feared than desired.
Imagine buildings floating like clouds: Thoughts and visions of contemporary architecture from 101 key creatives
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(available in store)
Summary:
In this book, Vladimir Belogolovsky reflects on nearly twenty years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito, Glenn Murcutt, Renzo Piano, Moshe Safdie, Ric Scofido, Richard Serra, Frank Stella, Michael Sorkin, Stanley Tigerman, Bernard Tschumi, Lin Utzon, Massimo Vignelli, Madelon Vriesendorp, and so many others. He exposes the complexity of their thought processes, while comparing and contrasting them to one another to distill more than 101 ideas. His engaging narrative captures the stories behind every project and every personality while exploring many important questions, including: What makes a building architecture? How would a Futurist solve problems vs those whose focus is on nostalgia? The selection of interviews gathers many answers and intentions, but inevitably, also many more questions. ''Imagine buildings floating like clouds'' represents a diverse group of multitalented, creative people who work in disparate places culturally and climatically and came of age in very different times- from the revolutionary 1960s to our own time, when the future, for many, is being more feared than desired.
Form:
books
books
Publication:
June 2022
June 2022
Subject:
Contemporary Architecture
Contemporary Architecture
