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books
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''Climax change!'' offers an overview of how the current environmental emergency will impact the practice of architecture. At a crossroads in which the construction sector and built environment produce nearly 40% of greenhouse gases accountable for global warming, architects are just starting to acknowledge their complicity in an impending disaster. In need of a(...)
$59.95
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Summary:
''Climax change!'' offers an overview of how the current environmental emergency will impact the practice of architecture. At a crossroads in which the construction sector and built environment produce nearly 40% of greenhouse gases accountable for global warming, architects are just starting to acknowledge their complicity in an impending disaster. In need of a(...)
Title:
Climax change! Architecture's paradigm shift after the ecological crisis
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$59.95
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''Climax change!'' offers an overview of how the current environmental emergency will impact the practice of architecture. At a crossroads in which the construction sector and built environment produce nearly 40% of greenhouse gases accountable for global warming, architects are just starting to acknowledge their complicity in an impending disaster. In need of a paradigm shift similar to that of the Modern Movement, architecture desperately requires clear guidelines and targets so as to operate its inevitable transformation towards an ecologically-friendly design logic. From historical analyses of ecocide or the environmental avant-gardes, to topics such as decarbonization, degrowth, the Great Transition and the aspirations of Green New Deals, this book features ten essays around today's climate change debates, bringing them home to architectural thinking.
Climax change! Architecture's paradigm shift after the ecological crisis
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$59.95
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Summary:
''Climax change!'' offers an overview of how the current environmental emergency will impact the practice of architecture. At a crossroads in which the construction sector and built environment produce nearly 40% of greenhouse gases accountable for global warming, architects are just starting to acknowledge their complicity in an impending disaster. In need of a paradigm shift similar to that of the Modern Movement, architecture desperately requires clear guidelines and targets so as to operate its inevitable transformation towards an ecologically-friendly design logic. From historical analyses of ecocide or the environmental avant-gardes, to topics such as decarbonization, degrowth, the Great Transition and the aspirations of Green New Deals, this book features ten essays around today's climate change debates, bringing them home to architectural thinking.
Form:
books
books
Publication:
July 2022
July 2022
Subject:
Green Architecture
Green Architecture
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books
books
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$35.95
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Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you’re confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on. In this book, Helen Hester and Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our(...)
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Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you’re confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on. In this book, Helen Hester and Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our(...)
Title:
After work: The fight for free time
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Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you’re confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on. In this book, Helen Hester and Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our lives – how the vacuum of free time has been taken up by vacuuming. Examining the history of the home over the past century – from running water to white goods to smart homes – they show how repeated efforts to reduce the burden of this work have faced a variety of barriers, challenges, and reversals. Charting the trajectory of our domestic spaces over the past century, Hester and Srnicek consider new possibilities for the future, uncovering the abandoned ideas of anti-housework visionaries and sketching out a path towards real free time for all, where everyone is at liberty to pursue their passions, or do nothing at all. It will require rethinking our living arrangements, our expectations and our cities.
After work: The fight for free time
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$35.95
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Summary:
Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you’re confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on. In this book, Helen Hester and Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our lives – how the vacuum of free time has been taken up by vacuuming. Examining the history of the home over the past century – from running water to white goods to smart homes – they show how repeated efforts to reduce the burden of this work have faced a variety of barriers, challenges, and reversals. Charting the trajectory of our domestic spaces over the past century, Hester and Srnicek consider new possibilities for the future, uncovering the abandoned ideas of anti-housework visionaries and sketching out a path towards real free time for all, where everyone is at liberty to pursue their passions, or do nothing at all. It will require rethinking our living arrangements, our expectations and our cities.
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books
books
Publication:
July 2023
July 2023
Subject:
Social
Social
Form:
books
books
Title:
Photography and death
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
Title:
Photography and death
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$35.95
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
Photography and death
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$35.95
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Summary:
The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$50.00
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Summary:
In the early 1950s, many in the architectural profession turned their gaze towards India, where an ideal modern city seemed to be becoming a reality. When Le Corbusier and his team started work in February 1951 in Chandigarh, American planner Albert Mayer and his young principal architect Matthew Nowicki had already completed a land development plan for the site. The(...)
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In the early 1950s, many in the architectural profession turned their gaze towards India, where an ideal modern city seemed to be becoming a reality. When Le Corbusier and his team started work in February 1951 in Chandigarh, American planner Albert Mayer and his young principal architect Matthew Nowicki had already completed a land development plan for the site. The(...)
Title:
Chandigarh: Living with Le Corbusier
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$50.00
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In the early 1950s, many in the architectural profession turned their gaze towards India, where an ideal modern city seemed to be becoming a reality. When Le Corbusier and his team started work in February 1951 in Chandigarh, American planner Albert Mayer and his young principal architect Matthew Nowicki had already completed a land development plan for the site. The challenge Le Corbusier then faced was to demonstrate how a city designed from the drawing board could feel humane, functional and viable once built. Once the home of public officials, Chandigarh has become a vibrant garden city and a magnet for the booming Indian software industry. Attracted to the idea of a possible dialogue and contradiction between European architecture and Indian lifestyle, German ethnographer Bärbel Högner began photographing the city. Chandigarh: Living with Le Corbusier surveys Le Courbusier's contribution to India's first planned city, while simultaneously revealing Högner's passionate interest and impeccable eye for architectural detail.
Chandigarh: Living with Le Corbusier
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$50.00
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Summary:
In the early 1950s, many in the architectural profession turned their gaze towards India, where an ideal modern city seemed to be becoming a reality. When Le Corbusier and his team started work in February 1951 in Chandigarh, American planner Albert Mayer and his young principal architect Matthew Nowicki had already completed a land development plan for the site. The challenge Le Corbusier then faced was to demonstrate how a city designed from the drawing board could feel humane, functional and viable once built. Once the home of public officials, Chandigarh has become a vibrant garden city and a magnet for the booming Indian software industry. Attracted to the idea of a possible dialogue and contradiction between European architecture and Indian lifestyle, German ethnographer Bärbel Högner began photographing the city. Chandigarh: Living with Le Corbusier surveys Le Courbusier's contribution to India's first planned city, while simultaneously revealing Högner's passionate interest and impeccable eye for architectural detail.
Form:
books
books
Publication:
May 2011
May 2011
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
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$37.50
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During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to(...)
$37.50
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Summary:
During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to(...)
Title:
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
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$37.50
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During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to analyze Soviet attitudes towards the West. While many visitors were profoundly affected by their Soviet tours, so too was the Soviet system. The early experiences of building showcases and teaching outsiders to perceive the future-in-the-making constitute a neglected international part of the emergence of Stalinism at home. Michael David-Fox contends that each side critically examined the other, negotiating feelings of inferiority and superiority, admiration and enmity, emulation and rejection. By the time of the Great Purges, these tensions gave way to the dramatic triumph of xenophobia and isolationism; whereas in the twenties the new regime assumed it had much to learn from Western modernity, by the Stalinist thirties the Soviet order was declared superior in all respects.
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
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$37.50
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Summary:
During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to analyze Soviet attitudes towards the West. While many visitors were profoundly affected by their Soviet tours, so too was the Soviet system. The early experiences of building showcases and teaching outsiders to perceive the future-in-the-making constitute a neglected international part of the emergence of Stalinism at home. Michael David-Fox contends that each side critically examined the other, negotiating feelings of inferiority and superiority, admiration and enmity, emulation and rejection. By the time of the Great Purges, these tensions gave way to the dramatic triumph of xenophobia and isolationism; whereas in the twenties the new regime assumed it had much to learn from Western modernity, by the Stalinist thirties the Soviet order was declared superior in all respects.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Current Exhibitions
Current Exhibitions
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books
books
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$49.95
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Summary:
In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy(...)
$49.95
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In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy(...)
Title:
The National Gallery of Canada : ideas and architecture
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In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy with philosophy, art theory, and architectural analysis, Ord provides vivid accounts of successive directors' struggles to obtain a permanent home for the nation's art. Ord looks at the gallery's historical and intellectual context - from 1910 when Eric Brown became the gallery's founding director, through Jean Sutherland Boggs, to Shirley Thomson - shedding light on its acquisitions, government policy towards the arts, and the public's deep-rooted suspicion of avant-garde art. In showing how Canadian art came to be housed in a building whose architectural and ideological sources include Gothic cathedrals, Islamic mosques, Egyptian temples, St Peter's Basilica, and the squared-stone facades of the Holy City of Jerusalem, The National Gallery of Canada insightfully explores the relationship of Canada's art and its National Gallery to the project of the Canadian nation state.
The National Gallery of Canada : ideas and architecture
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$49.95
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Summary:
In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy with philosophy, art theory, and architectural analysis, Ord provides vivid accounts of successive directors' struggles to obtain a permanent home for the nation's art. Ord looks at the gallery's historical and intellectual context - from 1910 when Eric Brown became the gallery's founding director, through Jean Sutherland Boggs, to Shirley Thomson - shedding light on its acquisitions, government policy towards the arts, and the public's deep-rooted suspicion of avant-garde art. In showing how Canadian art came to be housed in a building whose architectural and ideological sources include Gothic cathedrals, Islamic mosques, Egyptian temples, St Peter's Basilica, and the squared-stone facades of the Holy City of Jerusalem, The National Gallery of Canada insightfully explores the relationship of Canada's art and its National Gallery to the project of the Canadian nation state.
Form:
books
books
Publication:
June 2003, Montréal
June 2003, Montréal
Subject:
Architecture in Canada
Architecture in Canada
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books
books
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Description:
ix, 206 pages ; 24 cm
Description:
ix, 206 pages ; 24 cm
Author:
Subject:
Publication:
Oakland, California : University of California Press, [2017], ©2017
Oakland, California : University of California Press, [2017], ©2017
Title:
The prison school : educational inequality and school discipline in the age of mass incarceration / Lizbet Simmons.
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Description:
ix, 206 pages ; 24 cm
The prison school : educational inequality and school discipline in the age of mass incarceration / Lizbet Simmons.
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Description:
ix, 206 pages ; 24 cm
Form:
books
books
Publication:
Oakland, California : University of California Press, [2017], ©2017
Oakland, California : University of California Press, [2017], ©2017
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books
books
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$29.50
(available to order)
Summary:
This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil(...)
$29.50
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Summary:
This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 1999, London
January 1999, London
Title:
Visions of ruin : architectural fantasies & designs for garden follies
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$29.50
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This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil ruins, and in Paris the great chef Antoine Carême served blancmanges in the shape of Roman ruins. John Soane represents the climax of this fascination. In the garden of his Museum at No.13 Lincoln's Inn Fields is the 'Monk's Yard', a mock-ruin assembled from medieval fragments of the Palace of Westminster. At his country house, Pitzhanger Manor in Ealing, he pretended that a mock-classical ruin was a Roman temple he had discovered at the bottom of the garden. He commemorated the completion of his masterpiece, the Bank of England, by exhibiting a series of astonishing views of the structure as if a ruin. He even wrote a narrative, "Crude Hints Towards the History of My House", in which he imagined an archaeologist of future centuries inspecting the fragments of his home. The transcribed text is reprinted in this publication. Architects and artists include Robert Adam, William Chambers, Hubert Robert, Piranesi, Clerrisseau, Richard Wilson, J. M. W. Turner, Gustave Doré and John Martin.
Visions of ruin : architectural fantasies & designs for garden follies
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$29.50
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Summary:
This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil ruins, and in Paris the great chef Antoine Carême served blancmanges in the shape of Roman ruins. John Soane represents the climax of this fascination. In the garden of his Museum at No.13 Lincoln's Inn Fields is the 'Monk's Yard', a mock-ruin assembled from medieval fragments of the Palace of Westminster. At his country house, Pitzhanger Manor in Ealing, he pretended that a mock-classical ruin was a Roman temple he had discovered at the bottom of the garden. He commemorated the completion of his masterpiece, the Bank of England, by exhibiting a series of astonishing views of the structure as if a ruin. He even wrote a narrative, "Crude Hints Towards the History of My House", in which he imagined an archaeologist of future centuries inspecting the fragments of his home. The transcribed text is reprinted in this publication. Architects and artists include Robert Adam, William Chambers, Hubert Robert, Piranesi, Clerrisseau, Richard Wilson, J. M. W. Turner, Gustave Doré and John Martin.
Form:
books
books
Publication:
January 1999, London
January 1999, London
Subject:
Architecture Monographs
Architecture Monographs
Form:
journals and magazines
journals and magazines
Title:
Quaderns 238 : hyperurban
Quaderns 238 : hyperurban
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$39.95
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Summary:
The previous issue of "Quaderns" dealt with urban dysfunction or, rather, with the dysfunctionality of the suburban model and of the elements attendant on this dysfunctionality: the increase in mobility based on private transport, the appearance of shopping and leisure centres linked to road networks, the development of a mortgage system geared towards the purchase of(...)
$39.95
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Summary:
The previous issue of "Quaderns" dealt with urban dysfunction or, rather, with the dysfunctionality of the suburban model and of the elements attendant on this dysfunctionality: the increase in mobility based on private transport, the appearance of shopping and leisure centres linked to road networks, the development of a mortgage system geared towards the purchase of(...)
Subject:
Magazines
Magazines
Publication:
January 1900, Barcelona
January 1900, Barcelona
Title:
Quaderns 238 : hyperurban
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$39.95
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Summary:
The previous issue of "Quaderns" dealt with urban dysfunction or, rather, with the dysfunctionality of the suburban model and of the elements attendant on this dysfunctionality: the increase in mobility based on private transport, the appearance of shopping and leisure centres linked to road networks, the development of a mortgage system geared towards the purchase of the family home, and the social and environmental consequences of the extension across the territory of low-density urban sprawl. This issue sets out to address the opposite pole of dysfunctionality. On the basis of the paradox established by the images of scenes one and two, it aims to draw out an itinerary that takes in various places where the urban phenomenon approaches a degree of paroxysm. It explores situations that are brought about in very specific contexts of the city and that respond to the idea of the hyperurban, of the urban taken to the extreme of its spatial and signic saturation: city-centre districts, busy markets, plots so tiny as to be almost non-existent, the marginal occupation of residual spaces in the centre which are too small to be of any interest to the speculators... In short, a whole series of situations with conditions of density, concentration and intensity of use that are well in excess of the levels usually found in the urban fabric. It is between the suburban unconscious and hyperurban over-reality that the most plausible forms of a possible city are likely to be found.
Quaderns 238 : hyperurban
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$39.95
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Summary:
The previous issue of "Quaderns" dealt with urban dysfunction or, rather, with the dysfunctionality of the suburban model and of the elements attendant on this dysfunctionality: the increase in mobility based on private transport, the appearance of shopping and leisure centres linked to road networks, the development of a mortgage system geared towards the purchase of the family home, and the social and environmental consequences of the extension across the territory of low-density urban sprawl. This issue sets out to address the opposite pole of dysfunctionality. On the basis of the paradox established by the images of scenes one and two, it aims to draw out an itinerary that takes in various places where the urban phenomenon approaches a degree of paroxysm. It explores situations that are brought about in very specific contexts of the city and that respond to the idea of the hyperurban, of the urban taken to the extreme of its spatial and signic saturation: city-centre districts, busy markets, plots so tiny as to be almost non-existent, the marginal occupation of residual spaces in the centre which are too small to be of any interest to the speculators... In short, a whole series of situations with conditions of density, concentration and intensity of use that are well in excess of the levels usually found in the urban fabric. It is between the suburban unconscious and hyperurban over-reality that the most plausible forms of a possible city are likely to be found.
Form:
journals and magazines
journals and magazines
Publication:
January 1900, Barcelona
January 1900, Barcelona
Subject:
Magazines
Magazines
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books
books
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Description:
523 pages : color illustration, facsimiles ; 30 cm
Description:
523 pages : color illustration, facsimiles ; 30 cm
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Subject:
Publication:
Cinisello Balsamo, Milano : Silvana editoriale, [2023], © 2023
Cinisello Balsamo, Milano : Silvana editoriale, [2023], © 2023
Title:
Seeds of knowledge : early modern illustrated herbals / edited by Michael Jakob ; designed by Ewald Frick.
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Description:
523 pages : color illustration, facsimiles ; 30 cm
Seeds of knowledge : early modern illustrated herbals / edited by Michael Jakob ; designed by Ewald Frick.
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Description:
523 pages : color illustration, facsimiles ; 30 cm
Form:
books
books
Publication:
Cinisello Balsamo, Milano : Silvana editoriale, [2023], © 2023
Cinisello Balsamo, Milano : Silvana editoriale, [2023], © 2023
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