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The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once(...)
The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once immensely reflective, both in its reference to history and to social or political situations of the present, and aware of its place within art history. In "The Art of Rachel Whiteread" a group of leading critics from museums and universities in Europe and North America examine the full range of Whiteread’s work, from the early domestic pieces of the late 1980s, through to her most recent public art projects such as "Monument" and "Room 101". These essays examine both the art historical legacy of post-minimalism within which Whiteread works and the historical commentaries that her site specific projects engender, and they suggest new critical approaches to what is likely to be one of the most enduring artistic projects of our time.
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November 2004, London
Contemporary Art Monographs
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This book contains five essays about the contemporary Japanese house illustrated with a selection of designs by young architects. The domestic space becomes a symbol of the ability to adapt to new cultural and technological patterns. The designers provide brilliant meditations on the continuous exchange between body and space in a country that readily accepts change and(...)
Japanese contemporary house: small anthology of floating spaces
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This book contains five essays about the contemporary Japanese house illustrated with a selection of designs by young architects. The domestic space becomes a symbol of the ability to adapt to new cultural and technological patterns. The designers provide brilliant meditations on the continuous exchange between body and space in a country that readily accepts change and looks forward to the future where buildings are not expected to last forever. Mutually interconnected spaces open to the exterior, and the exterior in turn is reflected within the house.
Contemporary Asian Architecture
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This book is an account of the nexus between place and power, investigating how the built forms of architecture and urban design act as mediators of social practices of power. Explored through a range of theories and case studies, this examination shows how lives are 'framed' within the clusters of rooms, buildings, streets and cities. These silent framings of everyday(...)
Framing places, mediating power in built form
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This book is an account of the nexus between place and power, investigating how the built forms of architecture and urban design act as mediators of social practices of power. Explored through a range of theories and case studies, this examination shows how lives are 'framed' within the clusters of rooms, buildings, streets and cities. These silent framings of everyday life also mediate practices of coercion, seduction and authorization as architects and urban designers engage with the articulation of dreams; imagining and constructing a 'better' future in someone's interest.
Architectural Theory
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German artist Kurt Schwitters' Hannover Merzbau, a combination of collage, sculpture, and architecture, began, according to Schwitters, in 1923 with a small construction in a corner of the artist's studio, a room contained within the apartment he shared with (...)
Kurt Schwitters' Merzbau : the cathedral of erotic misery
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German artist Kurt Schwitters' Hannover Merzbau, a combination of collage, sculpture, and architecture, began, according to Schwitters, in 1923 with a small construction in a corner of the artist's studio, a room contained within the apartment he shared with members of his family. Also called "The Cathedral of Erotic Misery" or KdeE, the project eventually took over many of the spaces of his living quarters, filling the rooms with grottoes and caves dedicated to friends, artists, and cultural events. Left unfinished when Schwitters fled Hannover in early 1938, the Merzbau was completely destroyed during an Allied bombing raid over Hannover in 1943. While the project is usually listed as a marginal episode in the annals of Modern art and architecture, the Merzbau is of seminal importance in understanding the complex relationships between several European Avant-garde movements, including Expressionism, Dada, Constructivism, and Merz, the one-man movement Schwitters insisted was available to anyone. The project also provides information supporting the belief that artists such as Joseph Beuys and Robert Rauschenberg consciously extend the project of Merz. In delving into Schwitters' creative 'principles,' as well as the influences of prominent artists and architects on the Merzbau and vice versa, Elizabeth Burns Gamard discusses the project's physical evolution, its hidden meanings, and its significance within the artist's entire oeuvre. She also focusses on the relationship between Schwitters' ideas and those of German nature mysticism and German Romanticism, thus providing an extensive genealogy of the project as well.
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January 1960, New York
Architectural Theory
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S'exprimant principalement par la sculpture et le dessin, Stephen Talasnik crée des paysages architecturaux fantastiques, précis et détaillés, qui donnent à voir de grandes étendues d'univers inconnus qui semblent exister hors de l'espace et du temps et qui invitent le spectateur à explorer les espaces de mondes imaginaires. Le livre inclus de nombreuses réproductions en(...)
September 2010
Stephen Talasnik: Panorama, monolithe intime
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S'exprimant principalement par la sculpture et le dessin, Stephen Talasnik crée des paysages architecturaux fantastiques, précis et détaillés, qui donnent à voir de grandes étendues d'univers inconnus qui semblent exister hors de l'espace et du temps et qui invitent le spectateur à explorer les espaces de mondes imaginaires. Le livre inclus de nombreuses réproductions en format panoramique, avec des textes par Andreas Schalhorn et Michael Sorkin. Publié pour accompagner l'exposition qui s'est tenue à Battat Contemporary, Montréal, du 7 septembre au 23 octobre, 2010. Working primarily within the media of sculpture and drawing, Stephen Talasnik produces sprawling, fantastical, architectural landscapes. Executed with detail and precision, these works open up unexpected and unfolding worlds, which seem to exist outside of defined time and space. Within these worlds, viewers are invited to imagine endless spatial and fictive possibilities. The book includes panoramic reproductions of drawings and sculptural installations, alongside essays by Andreas Schalhorn and Michael Sorkin. Published to accompany the exhibition held at the Battat Gallery, Montréal, September 7 to October 23, 2010.
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Drawing on his pioneering expertise in the relationship between graphic satire and architecture, Gabriele Neri retraces Alan Dunn’s path from painter to renowned cartoonist, offering an unconventional perspective on architectural and urban transformations—and on their perception within society. Featuring 200 carefully selected images, including Dunn’s correspondence,(...)
Alan Dunn: The cartoonist as architecttural critic
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Drawing on his pioneering expertise in the relationship between graphic satire and architecture, Gabriele Neri retraces Alan Dunn’s path from painter to renowned cartoonist, offering an unconventional perspective on architectural and urban transformations—and on their perception within society. Featuring 200 carefully selected images, including Dunn’s correspondence, unpublished cartoons, preliminary sketches, watercolors, and rare photographs, Alan Dunn demonstrates the critical potential of caricature and cartoons for architectural history. Through Neri’s deft analysis, the book also reveals the complex intersections of architecture with media, publishing, commerce, society, art, and politics.
Architectural Theory
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An extraordinary double world of Soviet drudgery Juxtaposed with sex and beauty, created by Boris Mikhailov, one of the most Influential photographers from the former Soviet Union Previously unpublished due to artistic restrictions imposed during the Communist era, this is a unique and highly collectible object, formed of 52 colour tableaux printed on separate unbound(...)
Boris Mikhailov: yesterday's sandwich
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An extraordinary double world of Soviet drudgery Juxtaposed with sex and beauty, created by Boris Mikhailov, one of the most Influential photographers from the former Soviet Union Previously unpublished due to artistic restrictions imposed during the Communist era, this is a unique and highly collectible object, formed of 52 colour tableaux printed on separate unbound boards and enclosed within a specially created folder and slip case Yesterday's Sandwich embodies Mikhailov's role as artist, documentary photographer and social observer demonstrating his rich imagination and practical solutions for survival in an unstable society
Contemporary Art Monographs
Nick Cave: Until
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"Until" takes readers inside Nick Cave's newest work. This illustrated book takes us inside of one of his iconic sculptures with an immersive environment populated by a dazzling array of found objects, echoing some of Cave's and America's most confounding dilemmas: gun violence, racial inequality, injustice within our cities police departments, and death. An installation(...)
Contemporary Art Monographs
May 2017
Nick Cave: Until
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"Until" takes readers inside Nick Cave's newest work. This illustrated book takes us inside of one of his iconic sculptures with an immersive environment populated by a dazzling array of found objects, echoing some of Cave's and America's most confounding dilemmas: gun violence, racial inequality, injustice within our cities police departments, and death. An installation diary and numerous images reveal how an idea becomes reality. "Until" also incorporates special appearances by dancers, singer/ songwriters, and poets, as well as community forums, and opportunities for public debate and engagement.
Contemporary Art Monographs
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The Netherlands has been and continues to be a testing ground where the future of labor is reimagined. Published in conjunction with the Dutch Pavilion at the 16th International Architecture Exhibition of La Biennale di Venezia, ''Work, Body, Leisure'' analyzes spatial arrangements and protocols molded for the interaction between humans and machines; spaces that challenge(...)
May 2018
Work, body, leisure. Dutch pavilion, 16th international Biennale di Venezia
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The Netherlands has been and continues to be a testing ground where the future of labor is reimagined. Published in conjunction with the Dutch Pavilion at the 16th International Architecture Exhibition of La Biennale di Venezia, ''Work, Body, Leisure'' analyzes spatial arrangements and protocols molded for the interaction between humans and machines; spaces that challenge traditional distinctions between work and leisure; the ways in which evolving notions of labor have categorized and defined bodies at particular moments in time; and the legal, cultural, and technical infrastructures that enable their exploitation, with the aim of fostering new forms of creativity and responsibility within the architectural field in response to emerging technologies of automation.
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In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer a biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the(...)
Cornelia Hahn Oberlander : making the Modern landscape
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In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer a biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the few women to graduate from Harvard University’s Graduate School of Design in the late 1940s. For six decades she has practiced socially responsible and ecologically sensitive planning for public landscapes. Herrington places Oberlander within a larger social and aesthetic context, chronicling both her personal and professional trajectory and her work in New York, Philadelphia, Vancouver, Seattle, Berlin, Toronto, and Montreal.
Landscape Architecture, Monographs