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Paffard Keatinge-Clay was born near Stonehenge in England, studied in London and Zurich, worked in both Le Corbusier's studio in Paris and at Frank Lloyd Wright's Taliesin, and then settled in the American West, where he worked for Skidmore, Owings & Merrill before starting out on his own. While he remained in the U.S. until the mid-1970s, and practiced there, his work(...)
Paffard Keatinge-Clay : modern architect(ure) / modern master(s)
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Paffard Keatinge-Clay was born near Stonehenge in England, studied in London and Zurich, worked in both Le Corbusier's studio in Paris and at Frank Lloyd Wright's Taliesin, and then settled in the American West, where he worked for Skidmore, Owings & Merrill before starting out on his own. While he remained in the U.S. until the mid-1970s, and practiced there, his work remains largely unknown even in San Francisco, where he spent more than 20 years. His brand of orthodox Modernism was decidedly out of step with the prevailing Bay Area Modernism exemplified by figures like Moore, Wurster, McCue and Turnbull, who dominated both the academic and professional arenas of the period. Keatinge-Clay had to struggle to execute his own expressive, nonconformist architectural language, and when he did, he garnered minimal recognition. This book brings to light the importance of his work as representative of its time period and clarifies the influences his mentors - including Mies van der Rohe, Richard Neutra and Charles and Ray Eames--had upon it.
Architecture Monographs
Josef Frank : life and work
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Educated in Vienna just after the turn of the century, Frank became the leader of the younger generation of architects in Austria after the First World War. But Frank fell from grace when he emerged as a forceful critic of the extremes of modern architecture and design during the early 1930s. Dismissing the demands for a unified modern style, Frank insisted that it was(...)
Josef Frank : life and work
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Educated in Vienna just after the turn of the century, Frank became the leader of the younger generation of architects in Austria after the First World War. But Frank fell from grace when he emerged as a forceful critic of the extremes of modern architecture and design during the early 1930s. Dismissing the demands for a unified modern style, Frank insisted that it was pluralism, not uniformity, that most characterized life in the new machine age. He called instead for a more humane modernism, one that responded to people's everyday needs and left room for sentimentality and historical influences. He was able to put these ideas into practice when, in 1933, he was forced to leave Vienna for Sweden. There his work came to define Swedish (or Scandinavian) modern design. For more than thirty years he was the chief designer for the Stockholm furnishings firm Svenskt Tenn, producing colorful, cozy, and eclectic designs that provided a refreshing alternative to the architectural mainstream of the day and presaged the coming revolt against modernism in the 1960s.
Architecture Monographs
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Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as(...)
Architecture Monographs
September 2021
Master of the midcentury: the architecture of Williiam F. Cody
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Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as "Desert Modern." While his architecture was disciplined and technically innovative, Cody did not practice an austere modernism; he imbued in his projects a love for social spaces, rich with patterns, texture, color, and art. Though the majority of Cody's built work was concentrated in California and Arizona, he had commissions in other western states, Hawaii, Mexico, Honduras, and Cuba. From icons like the Del Marcos Hotel (1946), to inventive country clubs like the Eldorado (1957), to houses for celebrities (Frank Sinatra, Bing Crosby, Walt Disney), Cody's projects defined the emerging West Coast lifestyle that combined luxury, leisure, and experimental design. Cody also pushed the boundaries of engineering, with beams and roof slabs so thin that his buildings seemed to defy gravity.
Architecture Monographs
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Neues Leben, neues Bauen : die Moderne in der Architektur der SBZ/DDR 1945-1951 / Andreas Butter.
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822 pages : illustrations (some color) ; 25 cm + 1 CD-ROM (color ; 4 3/4 in.)
Berlin : Schiler, 2006.
Neues Leben, neues Bauen : die Moderne in der Architektur der SBZ/DDR 1945-1951 / Andreas Butter.
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822 pages : illustrations (some color) ; 25 cm + 1 CD-ROM (color ; 4 3/4 in.)
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Berlin : Schiler, 2006.
Lethbridge modern
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Arthur Erickson's internationally renowned example of "brutalist modernism", the University of Lethbridge, is a featured example in this review of the surprising number of buildings designed under the influence of Frank Lloyd Wright and Le Corbusier in this relatively small community. Illustrated with photographs and architectural drawings that showcase modern design in(...)
Lethbridge modern
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Arthur Erickson's internationally renowned example of "brutalist modernism", the University of Lethbridge, is a featured example in this review of the surprising number of buildings designed under the influence of Frank Lloyd Wright and Le Corbusier in this relatively small community. Illustrated with photographs and architectural drawings that showcase modern design in educational, religious, commercial, and industrial buildings and modern homes, Forseth's essay is accompanied by an interview with Erickson.
Architecture in Canada
Field event / field space
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A collection of two and three dimensional studies describing an architecture and urbanism which proceeds from the idea of field or ground as the basis for a radical architecture. Collecting together detailed studies of the urbanisms of central European cities and cities of the former East Block, Field Event/Field Space takes a critical view of contemporary(...)
Field event / field space
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A collection of two and three dimensional studies describing an architecture and urbanism which proceeds from the idea of field or ground as the basis for a radical architecture. Collecting together detailed studies of the urbanisms of central European cities and cities of the former East Block, Field Event/Field Space takes a critical view of contemporary urban ideas, proposing stategies which counter the dominant paradigm of an oppositional Modernism.
Architectural Theory
Reassessing Paul Rudolph
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American architect Paul Rudolph (1918–1997) was internationally known in the 1950s and early 1960s for his powerful, large-scale concrete buildings. Hugely influential during his lifetime, Rudolph was one of the most significant American architects of his generation. To a remarkable extent, his reputation rose and fell with the fortunes of postwar modernism in America.(...)
Reassessing Paul Rudolph
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American architect Paul Rudolph (1918–1997) was internationally known in the 1950s and early 1960s for his powerful, large-scale concrete buildings. Hugely influential during his lifetime, Rudolph was one of the most significant American architects of his generation. To a remarkable extent, his reputation rose and fell with the fortunes of postwar modernism in America. This insightful book reconsiders Rudolph’s architecture and the discipline’s assessment of his projects.
Architectural Theory
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This book brings together three exceptional German visionaries of early modernism: the novelist, poet, and inventor Paul Scheerbart, architect Bruno Taut, and architect and artist Paul Goesch. All three men were wildly creative, offering unprecedented meldings of art and architecture into fantasias of invention that spoke directly to the concerns of the early Weimar(...)
Modern visionaries: Paul Scheebart, Bruno Taut, Paul Goesch
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This book brings together three exceptional German visionaries of early modernism: the novelist, poet, and inventor Paul Scheerbart, architect Bruno Taut, and architect and artist Paul Goesch. All three men were wildly creative, offering unprecedented meldings of art and architecture into fantasias of invention that spoke directly to the concerns of the early Weimar Republic—while anticipating many of the architectural and artistic innovations of the decades that followed.
Contemporary Architecture
San Rocco 14: 66
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1966 was a promising year. Aldo Rossi published "The Architecture of the City" and Robert Venturi came out with "Complexity and Contradiction in Architecture". The stage seemed set for a productive critique of modernism and the development of a more mature approach to the intricacies of architecture. Architecture seemed on the verge of rediscovering its collective nature(...)
San Rocco 14: 66
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1966 was a promising year. Aldo Rossi published "The Architecture of the City" and Robert Venturi came out with "Complexity and Contradiction in Architecture". The stage seemed set for a productive critique of modernism and the development of a more mature approach to the intricacies of architecture. Architecture seemed on the verge of rediscovering its collective nature and about to redefine its knowledge by starting from the city.
Magazines
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Albert Kahn is probably the most important industrial architect of the 20th century. With his factory for the Ford T models, designed for mass production, he found himself at the beginning of modern industrial architecture. His industrial buildings inspired the architects of European Modernism. They were the examples by which the structural rationality of Kahn?s(...)
Albert Kahn's industrial architecture: form follows performance
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Albert Kahn is probably the most important industrial architect of the 20th century. With his factory for the Ford T models, designed for mass production, he found himself at the beginning of modern industrial architecture. His industrial buildings inspired the architects of European Modernism. They were the examples by which the structural rationality of Kahn?s industrial developments became the guiding principle for the New Building movement up until today.
Architecture Monographs