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Un ouvrage qui clôt dix ans d'atelier photographique documentaire autour du site Artem mené à l'École nationale supérieure d'art et de design de Nancy. Réalisés par plusieurs promotions d'étudiants, les clichés illustrent l'évolution des lieux depuis la destruction des anciennes casernes de Molitor jusqu'à la fin du programme de construction et d'aménagement.
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Un ouvrage qui clôt dix ans d'atelier photographique documentaire autour du site Artem mené à l'École nationale supérieure d'art et de design de Nancy. Réalisés par plusieurs promotions d'étudiants, les clichés illustrent l'évolution des lieux depuis la destruction des anciennes casernes de Molitor jusqu'à la fin du programme de construction et d'aménagement.
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En construction : de Molitor à Artem
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Un ouvrage qui clôt dix ans d'atelier photographique documentaire autour du site Artem mené à l'École nationale supérieure d'art et de design de Nancy. Réalisés par plusieurs promotions d'étudiants, les clichés illustrent l'évolution des lieux depuis la destruction des anciennes casernes de Molitor jusqu'à la fin du programme de construction et d'aménagement.
En construction : de Molitor à Artem
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$47.95
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Un ouvrage qui clôt dix ans d'atelier photographique documentaire autour du site Artem mené à l'École nationale supérieure d'art et de design de Nancy. Réalisés par plusieurs promotions d'étudiants, les clichés illustrent l'évolution des lieux depuis la destruction des anciennes casernes de Molitor jusqu'à la fin du programme de construction et d'aménagement.
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books
books
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October 2020
October 2020
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Photography Collections
Photography Collections
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$84.90
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Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and(...)
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Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and(...)
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Greater American camera: Making Modernism in Mexico
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Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and their Mexican contemporaries in forging a new photographic style. Monica Bravo offers fresh insights concerning Weston’s friendship with Diego Rivera; Modotti’s images of labor, which she published alongside the writings of the Stridentists; Strand’s engagement with folk themes and the work of composer Carlos Chávez; and the influence of Manuel Álvarez Bravo on Levitt’s contributions to a New World surrealism. Exploring how these dialogues resulted in a distinct kind of modernism characterized by inter-American interests, the book reveals the ways in which cross-border collaboration shaped a new "greater American" aesthetic.
Greater American camera: Making Modernism in Mexico
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Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and their Mexican contemporaries in forging a new photographic style. Monica Bravo offers fresh insights concerning Weston’s friendship with Diego Rivera; Modotti’s images of labor, which she published alongside the writings of the Stridentists; Strand’s engagement with folk themes and the work of composer Carlos Chávez; and the influence of Manuel Álvarez Bravo on Levitt’s contributions to a New World surrealism. Exploring how these dialogues resulted in a distinct kind of modernism characterized by inter-American interests, the book reveals the ways in which cross-border collaboration shaped a new "greater American" aesthetic.
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books
books
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June 2021
June 2021
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Photography Collections
Photography Collections
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books
books
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But still, it turns
But still, it turns
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell(...)
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell(...)
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But still, it turns
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is.
But still, it turns
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is.
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books
books
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February 2021
February 2021
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Photography Collections
Photography Collections
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books
books
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$63.00
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially(...)
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially(...)
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Fotoclubismo: Brazilian modernist photography and the Foto-Cine Clube Bandeirante 1946-1964
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene—a status that has been all but forgotten.
Fotoclubismo: Brazilian modernist photography and the Foto-Cine Clube Bandeirante 1946-1964
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene—a status that has been all but forgotten.
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books
books
Publication:
April 2021
April 2021
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Photography Collections
Photography Collections
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books
books
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Inspired and guided by Bernd and Hiller Becher, themselves pioneers in the area of documentary photography, the artists of Germany’s Düsseldorf School not only pushed the boundaries of their teachers’ practice, but also ushered in three generations of technical and compositional achievement that is rivalled in importance only by the arrival of colour photography. This(...)
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Inspired and guided by Bernd and Hiller Becher, themselves pioneers in the area of documentary photography, the artists of Germany’s Düsseldorf School not only pushed the boundaries of their teachers’ practice, but also ushered in three generations of technical and compositional achievement that is rivalled in importance only by the arrival of colour photography. This(...)
Title:
The Düsseldorf School of Photography
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Inspired and guided by Bernd and Hiller Becher, themselves pioneers in the area of documentary photography, the artists of Germany’s Düsseldorf School not only pushed the boundaries of their teachers’ practice, but also ushered in three generations of technical and compositional achievement that is rivalled in importance only by the arrival of colour photography. This book introduces readers to the historic, cultural, and scientific environments in which the Bechers’ practice thrived. It explores the teaching philosophies with which they encouraged their students, and considers the qualities that highlight the Düsseldorf School: intricate detail, large scale, painterly distance combined with an immersive quality. The plate section, organized by artist, features 160 images by Andreas Gursky, Thomas Struth, Thomas Ruff, Candida Höfer, Axel Hütte, Laurenz Berges, Elger Esser, Simone Nieweg, Jörg Sasse, and Petra Wunderlich.
The Düsseldorf School of Photography
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Inspired and guided by Bernd and Hiller Becher, themselves pioneers in the area of documentary photography, the artists of Germany’s Düsseldorf School not only pushed the boundaries of their teachers’ practice, but also ushered in three generations of technical and compositional achievement that is rivalled in importance only by the arrival of colour photography. This book introduces readers to the historic, cultural, and scientific environments in which the Bechers’ practice thrived. It explores the teaching philosophies with which they encouraged their students, and considers the qualities that highlight the Düsseldorf School: intricate detail, large scale, painterly distance combined with an immersive quality. The plate section, organized by artist, features 160 images by Andreas Gursky, Thomas Struth, Thomas Ruff, Candida Höfer, Axel Hütte, Laurenz Berges, Elger Esser, Simone Nieweg, Jörg Sasse, and Petra Wunderlich.
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books
books
Publication:
February 2022
February 2022
Subject:
Photography Collections
Photography Collections
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books
books
Title:
Sculpting reality
Sculpting reality
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The medium of photography has long had tenuous ties to both the truth and the arts. This volume traces the evolution of documentary photography—from its origin as a journalistic tool through its development into a distinct artistic and aesthetic form. Beginning in the 1930s with Walker Evans’ foundational influence on the genre and culminating in the 1980s with the(...)
$61.00
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The medium of photography has long had tenuous ties to both the truth and the arts. This volume traces the evolution of documentary photography—from its origin as a journalistic tool through its development into a distinct artistic and aesthetic form. Beginning in the 1930s with Walker Evans’ foundational influence on the genre and culminating in the 1980s with the(...)
Title:
Sculpting reality
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$61.00
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The medium of photography has long had tenuous ties to both the truth and the arts. This volume traces the evolution of documentary photography—from its origin as a journalistic tool through its development into a distinct artistic and aesthetic form. Beginning in the 1930s with Walker Evans’ foundational influence on the genre and culminating in the 1980s with the experimental color work of Anthony Hernández and Tod Papageorge, Sculpting Reality presents a careful selection of work from 18 of the most influential figures in 20th-century North American documentary photography.
Sculpting reality
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The medium of photography has long had tenuous ties to both the truth and the arts. This volume traces the evolution of documentary photography—from its origin as a journalistic tool through its development into a distinct artistic and aesthetic form. Beginning in the 1930s with Walker Evans’ foundational influence on the genre and culminating in the 1980s with the experimental color work of Anthony Hernández and Tod Papageorge, Sculpting Reality presents a careful selection of work from 18 of the most influential figures in 20th-century North American documentary photography.
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books
books
Publication:
September 2021
September 2021
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Photography Collections
Photography Collections
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$54.00
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Featuring photographs by Joachim Brohm, Michael Disqué, Klaus Frahm, Andreas Gehrke, John Gossage, Volker Heinze, Kai-Olaf Hesse, Lockemann/Neudörfl, Margret Nissen and Michael Schmidt. The "Topography of terror" is a one of the most significant memorial sites of recent times. How is the past inscribed in the landscape? How do we regard a place that once housed the(...)
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Featuring photographs by Joachim Brohm, Michael Disqué, Klaus Frahm, Andreas Gehrke, John Gossage, Volker Heinze, Kai-Olaf Hesse, Lockemann/Neudörfl, Margret Nissen and Michael Schmidt. The "Topography of terror" is a one of the most significant memorial sites of recent times. How is the past inscribed in the landscape? How do we regard a place that once housed the(...)
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Photography Collections
Photography Collections
Publication:
September 2019
September 2019
Title:
Land's end: The 'Topography of Terror'. Site as reflected in contemporary photography
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Featuring photographs by Joachim Brohm, Michael Disqué, Klaus Frahm, Andreas Gehrke, John Gossage, Volker Heinze, Kai-Olaf Hesse, Lockemann/Neudörfl, Margret Nissen and Michael Schmidt. The "Topography of terror" is a one of the most significant memorial sites of recent times. How is the past inscribed in the landscape? How do we regard a place that once housed the central instruments of terror of the Nazi regime? How has this no-man’s-land, once at the frontier of East and West, changed over time? "Land’s end" features ten artists who photographed what is now the Topography of Terror site between 1981 und 2014, including John Gossage, Michael Schmidt and Joachim Brohm.
Land's end: The 'Topography of Terror'. Site as reflected in contemporary photography
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$54.00
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Summary:
Featuring photographs by Joachim Brohm, Michael Disqué, Klaus Frahm, Andreas Gehrke, John Gossage, Volker Heinze, Kai-Olaf Hesse, Lockemann/Neudörfl, Margret Nissen and Michael Schmidt. The "Topography of terror" is a one of the most significant memorial sites of recent times. How is the past inscribed in the landscape? How do we regard a place that once housed the central instruments of terror of the Nazi regime? How has this no-man’s-land, once at the frontier of East and West, changed over time? "Land’s end" features ten artists who photographed what is now the Topography of Terror site between 1981 und 2014, including John Gossage, Michael Schmidt and Joachim Brohm.
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books
books
Publication:
September 2019
September 2019
Subject:
Photography Collections
Photography Collections
Form:
books
books
Price:
$50.00
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architekturbild, the European Architectural Photography Prize, has been awarded on a two-yearly basis since 1995. The theme for 2021 is "The urban in the periphery". Migration between conurbations and rural areas, their respective attractiveness and independence, but also dependence and interdependence with one another: What would be more predestined to trace the subtle(...)
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architekturbild, the European Architectural Photography Prize, has been awarded on a two-yearly basis since 1995. The theme for 2021 is "The urban in the periphery". Migration between conurbations and rural areas, their respective attractiveness and independence, but also dependence and interdependence with one another: What would be more predestined to trace the subtle(...)
Title:
The urban in the periphery: European architectural photography
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architekturbild, the European Architectural Photography Prize, has been awarded on a two-yearly basis since 1995. The theme for 2021 is "The urban in the periphery". Migration between conurbations and rural areas, their respective attractiveness and independence, but also dependence and interdependence with one another: What would be more predestined to trace the subtle or even obvious effects of the urban-rural movement than architectural photography?
The urban in the periphery: European architectural photography
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architekturbild, the European Architectural Photography Prize, has been awarded on a two-yearly basis since 1995. The theme for 2021 is "The urban in the periphery". Migration between conurbations and rural areas, their respective attractiveness and independence, but also dependence and interdependence with one another: What would be more predestined to trace the subtle or even obvious effects of the urban-rural movement than architectural photography?
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books
books
Publication:
October 2021
October 2021
Subject:
Photography Collections
Photography Collections
Form:
books
books
Price:
$90.00
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''Shining lights'' is the first critical anthology to bring together the groundbreaking work of Black women photographers active in the UK during the 1980s and 1990s, providing a richly illustrated overview of a significant and overlooked chapter of photographic history. Seen through the lens of Britain’s sociopolitical and cultural contexts, the publication draws on both(...)
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''Shining lights'' is the first critical anthology to bring together the groundbreaking work of Black women photographers active in the UK during the 1980s and 1990s, providing a richly illustrated overview of a significant and overlooked chapter of photographic history. Seen through the lens of Britain’s sociopolitical and cultural contexts, the publication draws on both(...)
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Shining lights: Black women in photography in the UK 1980s-90s
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''Shining lights'' is the first critical anthology to bring together the groundbreaking work of Black women photographers active in the UK during the 1980s and 1990s, providing a richly illustrated overview of a significant and overlooked chapter of photographic history. Seen through the lens of Britain’s sociopolitical and cultural contexts, the publication draws on both lived experience and historical investigation to explore the communities, experiments, collaborations, and complexities that defined the decades.
Shining lights: Black women in photography in the UK 1980s-90s
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''Shining lights'' is the first critical anthology to bring together the groundbreaking work of Black women photographers active in the UK during the 1980s and 1990s, providing a richly illustrated overview of a significant and overlooked chapter of photographic history. Seen through the lens of Britain’s sociopolitical and cultural contexts, the publication draws on both lived experience and historical investigation to explore the communities, experiments, collaborations, and complexities that defined the decades.
Form:
books
books
Publication:
August 2023
August 2023
Subject:
Photography Collections
Photography Collections
Form:
books
books
Price:
$80.00
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Summary:
Despite the rich discourse surrounding it and the dynamic practice that it engendered, the photographic avant-garde in Japan only existed for a brief period during the 1920s and ’30s. Yet it also contributed to the continuation of the production of radical visual arts and played a key role in the education of a post-war generation of Japanese artists who came of age in(...)
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Despite the rich discourse surrounding it and the dynamic practice that it engendered, the photographic avant-garde in Japan only existed for a brief period during the 1920s and ’30s. Yet it also contributed to the continuation of the production of radical visual arts and played a key role in the education of a post-war generation of Japanese artists who came of age in(...)
Title:
Avant-Garde rising: The photographic vanguard in modern Japan
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Despite the rich discourse surrounding it and the dynamic practice that it engendered, the photographic avant-garde in Japan only existed for a brief period during the 1920s and ’30s. Yet it also contributed to the continuation of the production of radical visual arts and played a key role in the education of a post-war generation of Japanese artists who came of age in the 1950s and ’60s. Initially centred around Osaka and the Kansai region, the movement was inspired by contact with the work of photographers and surrealists overseas, at first through magazines and photobooks and later by touring exhibitions in Japan. This catalogue presents an impressive visual history of the movement.
Avant-Garde rising: The photographic vanguard in modern Japan
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Despite the rich discourse surrounding it and the dynamic practice that it engendered, the photographic avant-garde in Japan only existed for a brief period during the 1920s and ’30s. Yet it also contributed to the continuation of the production of radical visual arts and played a key role in the education of a post-war generation of Japanese artists who came of age in the 1950s and ’60s. Initially centred around Osaka and the Kansai region, the movement was inspired by contact with the work of photographers and surrealists overseas, at first through magazines and photobooks and later by touring exhibitions in Japan. This catalogue presents an impressive visual history of the movement.
Form:
books
books
Publication:
August 2022
August 2022
Subject:
Photography Collections
Photography Collections
