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Un photojournaliste, c'est d'abord un reporter qui écrit en images. La définition est simple et convoque immédiatement dans la mémoire collective une séries de noms et d'images entrés dans la postérité comme Robert Capa et la guerre d'Espagne ou Don McCullin et la guerre de Vietnam. Si les conflits, militaires ou sociaux, occupent toujours une place particulière dans le(...)
Ce monde-là : voyage aux frontières du photojournalisme
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Un photojournaliste, c'est d'abord un reporter qui écrit en images. La définition est simple et convoque immédiatement dans la mémoire collective une séries de noms et d'images entrés dans la postérité comme Robert Capa et la guerre d'Espagne ou Don McCullin et la guerre de Vietnam. Si les conflits, militaires ou sociaux, occupent toujours une place particulière dans le monde de photoreportage, le regard des photojournalistes s'est ouvert ces dernières décennies à d'autres réalités, développant des visions et des écritures plus singulières. Cet ouvrage réunit 134 photographes faisant oeuvre commune. Dans « Ce monde là », voyage unique à travers près de trente ans de photojournalisme, ils proposent une sélection personelle des images qu'ils on réalisées et qui ont marqué leurs parcours.
Photography Collections
$60.00
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This volume presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and(...)
Face to face: Portraits of artists by Tacita Dean, Brigitte Lacombe, and Catherine Opie
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This volume presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and publicity. Published in conjunction with an exhibition at the International Center of Photography (ICP), New York, the book includes essays by the exhibition’s curator, Helen Molesworth, and the artist and writer Jarrett Earnest.
Photography Collections
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Coast to Coast presents an extraordinary journey—via rail, steamboat, automobile, and even horseback— of a continent just beginning to discover itself. Traveling through the great cities, magnificent landscapes, and highways of a bygone America, the book is illustrated with vintage photographs, posters, travel brochures, and other charming ephemera.
Coast to coast: vintage travel in North America
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Coast to Coast presents an extraordinary journey—via rail, steamboat, automobile, and even horseback— of a continent just beginning to discover itself. Traveling through the great cities, magnificent landscapes, and highways of a bygone America, the book is illustrated with vintage photographs, posters, travel brochures, and other charming ephemera.
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New Topographics
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The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal,(...)
New Topographics
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The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore and Henry Wessel, Jr. Signaling the emergence of a new approach to landscape, New Topographics has since come to be understood as marking a paradigm shift, for the show occurred just as photography ceased to be an isolated, self-defined practice and took its place within the contemporary art world. In this vital reassessment of the genre, essays by Britt Salvesen and Alison Nordström accompany illustrations of selected works from the 1975 exhibition, with installation views and contextual comparisons, to demonstrate both the historical significance of New Topographics and its continued relevance today.
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Des murs...au mur
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Des murs aux murailles, en passant par les remparts, les murs de mémoire, les murs d'expression ou les murs sacrés, une découverte des murs du monde bâtis au cours de l'histoire et ayant une valeur symbolique : le Mur de Berlin, le Mur des lamentations à Jérusalem, la muraille de Chine, le mur entre la Cisjordanie et Israël, le mur entre les Etats-Unis et le Mexique...
Des murs...au mur
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Des murs aux murailles, en passant par les remparts, les murs de mémoire, les murs d'expression ou les murs sacrés, une découverte des murs du monde bâtis au cours de l'histoire et ayant une valeur symbolique : le Mur de Berlin, le Mur des lamentations à Jérusalem, la muraille de Chine, le mur entre la Cisjordanie et Israël, le mur entre les Etats-Unis et le Mexique...
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VU : the story of a magazine
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This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU : striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the(...)
VU : the story of a magazine
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This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU : striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the reader an insight into how the modern media came into being, as well as offering a snapshot of an entire era.
Photography Collections
$66.00
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one(...)
Newtown Creek: a photographic survey of New York's industrial waterway
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one of the oldest continuous industrial areas in the nation, it is now one of the most polluted. Newtown Creek is the first extensive documentation of this forgotten landscape. Anthony Hamboussi's five-year photographic survey captures the creek at a critical moment when gentrification and revitalization are just starting to change the area. From the ruins of Morgan Oil Company and the Newtown Metal Corporation to the footprints of the former Maspeth gasholders, Newtown Creek is a lost chapter in the visual history of industrial New York framed at the moment of its disappearance and transformation.
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews(...)
Starburst: color photography in America 1970-1980
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews of sources from the 1970s, and with an abundance of images, this survey makes a thorough assessment of this paradigm shift in the history of art photography.
Photography Collections
$96.00
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor(...)
Photography Collections
September 2010
Positions: photography of architecture, city and landscape in the Netherlands
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor that unites the photographers presented here--Theo Baart, Bas Princen, Ralph Kamena, Jannes Linders, Jeroen Musch and Hans Werlemann--is that each of them has brought a highly personal perspective to bear upon their approach to their commissions, and that each of their oeuvres has had a direct impact on contemporary architecture and urban planning. Positions examines the photographer's emancipation from documentary constraint to creative agency.
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From fairy tales to photography, nowhere is the complexity of human-animal relationships more apparent than in the creative arts. Art illuminates the nature and significance of animals in modern, Western thought, capturing the complicated union that has long existed between the animal kingdom and us. In Beauty and the Beast, authors Arluke and Bogdan explore this(...)
Beauty and the beast : Human-animal relations as revealed in real photo postcards, 1905-1935
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From fairy tales to photography, nowhere is the complexity of human-animal relationships more apparent than in the creative arts. Art illuminates the nature and significance of animals in modern, Western thought, capturing the complicated union that has long existed between the animal kingdom and us. In Beauty and the Beast, authors Arluke and Bogdan explore this relationship through the unique lens of photo postcards. This visual medium offers an enormous and relatively untapped archive to document their subject compellingly.
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