books
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484 pages : illustrations (chiefly color) ; 29 cm
Minneapolis : Walker Art Center, [2023], New York, NY : Available through D.A.P./Distributed Art Publishers, ©2023
Multiple realities : experimental art in the Eastern Bloc, 1960s-1980s / with contributions by Ivana Bago, Dušan Barok, Anna Daučíková, Michał Grzegorzek, Libuše Jarcovjáková, Daniel Muzyczuk, Alexandra Pirici, Pavel S. Pyś, Karol Radziszewski, Kathleen Reinhardt, Natalia Sielewicz ; edited by Pavel S. Pyś.
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484 pages : illustrations (chiefly color) ; 29 cm
books
Minneapolis : Walker Art Center, [2023], New York, NY : Available through D.A.P./Distributed Art Publishers, ©2023
books
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xv, 732 pages : illustrations (some color) ; 32 cm
New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
The great utopia : the Russian and Soviet avant-garde, 1915-1932 / Solomon R. Guggenheim Museum [and others].
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xv, 732 pages : illustrations (some color) ; 32 cm
books
New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
audio
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1 online resource.
[Place of publication not identified] : Lateral Addition, 2015.
audio
[Place of publication not identified] : Lateral Addition, 2015.
$53.50
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In the 1920s, an unprecedented program of architectural and cultural renewal was established in the German city of Frankfurt am Main. This scheme became inscribed in cultural history under the name ''The New Frankfurt.'' As part of the housing and urban development initiative decided in 1925, more than 10,000 new residential units were planned. The Building Ministry’s(...)
July 2019
New human, new housing: architecture of the New Frankfurt 1925-1933
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In the 1920s, an unprecedented program of architectural and cultural renewal was established in the German city of Frankfurt am Main. This scheme became inscribed in cultural history under the name ''The New Frankfurt.'' As part of the housing and urban development initiative decided in 1925, more than 10,000 new residential units were planned. The Building Ministry’s architects, recruited from home and abroad, created pioneering work in many areas. Examples include the typification of family-oriented flats, plans for affordable apartments for those on low incomes, the first standard kitchen, the industrial prefabrication of building shells, the construction of schools designed around children’s needs, and integrated urban and green planning. In this book, four essays delve into the cultural background of the scheme and provide illuminating insights into the context of the work of its many actors.
journals and magazines
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Reduce, retrieve and remove are the three new processes being added to those already expanded upon in the previous a+t issue. The recent additions refer to refusal and relinquishment options for the current living environment. After having undergone a series of material, formal, technical and economical adjustments, the role of inhabiting a space is viewed with a fresh(...)
A+T 41: reclaim domestic actions
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Reduce, retrieve and remove are the three new processes being added to those already expanded upon in the previous a+t issue. The recent additions refer to refusal and relinquishment options for the current living environment. After having undergone a series of material, formal, technical and economical adjustments, the role of inhabiting a space is viewed with a fresh perspective. This issue contains 53 domestic actions, all of which try to recapture the spirit of feeling at-home.
journals and magazines
November 2013
books
Description:
xiv, 476 pages : illustrations ; 26 cm.
New York : Fordham University Press, 2014.
Sabato Rodia's Towers in Watts : art, migrations, development / edited by Luisa Del Giudice.
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xiv, 476 pages : illustrations ; 26 cm.
books
New York : Fordham University Press, 2014.
$89.95
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Collage is an artistic language comprising found images, fragmentary forms, and unexpected juxtapositions. While it first gained status as high art in the early twentieth century, the past decade has seen a fresh explosion of artists using this dynamic and experimental approach to image making. Organised in an A-Z sequence by artist, the book features both well-known(...)
Vitamin C: Collage in contemporary art
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Collage is an artistic language comprising found images, fragmentary forms, and unexpected juxtapositions. While it first gained status as high art in the early twentieth century, the past decade has seen a fresh explosion of artists using this dynamic and experimental approach to image making. Organised in an A-Z sequence by artist, the book features both well-known collagists, and a plethora of lesser-known names deserving of greater attention. Taking a broad definition – from analog cut-and-paste compositions and photomontages to digital composed imagery and animations – Vitamin C+ showcases 108 living artists who employ collage as a central part of their visual-art practice, as selected by 69 leading experts, including museum directors, curators, critics, and collectors. The survey also features an engaging and informative introduction by Yuval Etgar, an internationally renowned expert in the area.
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In the late 1980s, more than 30 of the era’s most acclaimed artists – including Jean-Michel Basquiat, David Hockney, Roy Lichtenstein, Salvador Dalí, and Keith Haring – designed unique and fully operational fairground attractions specifically for the original park, including rides, interactive sculptures, games, performances, and music. Each artist’s contribution is(...)
February 2023
Luna Luna: The art amusement park
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In the late 1980s, more than 30 of the era’s most acclaimed artists – including Jean-Michel Basquiat, David Hockney, Roy Lichtenstein, Salvador Dalí, and Keith Haring – designed unique and fully operational fairground attractions specifically for the original park, including rides, interactive sculptures, games, performances, and music. Each artist’s contribution is documented in photographs that show the artist at work, with details of the artworks, and showing the art in the context of the exhibition. Giving access to rare artworks that have not been widely viewed in 35 years, this book is being published for the first time in English with an updated preface.
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The research exhibition ''BioMedia: The age of media with life-like behavior'' at ZKM | Center for Art and Media Karlsruhe presents works that intersect the realms of art, science, and technology. The media systems on show, which range from digital, computer-generated, and computer-simulated systems to complex adaptive robots and interactive installations, simulate(...)
February 2023
BioMedia: The age of media with life-like behavior
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The research exhibition ''BioMedia: The age of media with life-like behavior'' at ZKM | Center for Art and Media Karlsruhe presents works that intersect the realms of art, science, and technology. The media systems on show, which range from digital, computer-generated, and computer-simulated systems to complex adaptive robots and interactive installations, simulate various different aspects of life beyond movement and raise fundamental questions about the interaction between human and non-human beings and what inorganic life might mean in the future. The term ''BioMedia'' or biomimetic media is used here to refer to media that exhibit life-like forms of behaviour. Over sixty artists have contributed works illustrating the exhibition themes. The book accompanying the show focuses on the artworks, which are described in detail in richly illustrated texts.
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What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This(...)
Present archives: Reflections from a collection of prints
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What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This publication collects three years' work within present_continuous, a project aimed at enhancing a collection of prints housed at the Biblioteca Nazionale Universitaria in Turin. A still rather unexplored point of excellence in the institution’s holdings, which was organised in albums in the 1860s by the eclectic Piedmontese collector and connoisseur Giovanni Volpato. The project includes a cataloguing campaign, a symposium whose purpose was to renew the contemporary perception of the archive and in an international call was opened in order to select two artists – Alessandra Messali and Ryts Monet (Enrico De Napoli) – for a residency program dedicated to creating new perspectives, right from the collection of print, trying to voicing the social and cultural issues of our time.