Minka, my farmhouse in Japan
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In 1959 the journalist John Roderick joined the Tokyo bureau of the Associated Press. There, he befriended a Japanese family, the Takishitas. After musing offhandedly that he would like to one day have his own house in Japan, the family unbeknownst to John set out to grant his wish. They found Roderick a 250-year-old minka, or hand-built farmhouse, with a thatched roof(...)
Minka, my farmhouse in Japan
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In 1959 the journalist John Roderick joined the Tokyo bureau of the Associated Press. There, he befriended a Japanese family, the Takishitas. After musing offhandedly that he would like to one day have his own house in Japan, the family unbeknownst to John set out to grant his wish. They found Roderick a 250-year-old minka, or hand-built farmhouse, with a thatched roof and held together entirely by wooden pegs and joinery. It was about to be washed away by flooding and was being offered for only fourteen dollars. Roderick graciously bought the house, but was privately dismayed at the prospect of living in this enormous old relic lacking heating, bathing, plumbing, and proper kitchen facilities. So the minka was dismantled and stored, where Roderick secretly hoped it would stay, as it did for several years. But Roderick's reverence for natural materials and his appreciation of traditional Japanese and Shinto craftsmanship eventually got the better of him. Before long a team of experienced carpenters were hoisting massive beams, laying wide wooden floors, and attaching the split-bamboo ceiling. In just forty days they rebuilt the house on a hill overlooking Kamakura, the ancient capital of Japan. Working together, they renovated the farmhouse, adding features such as floor-to-ceiling sliding glass doors and a modern kitchen, bath, and toilet. From these humble beginnings, Roderick's minka has become internationally known and has hosted such luminaries as Senator Hillary Clinton. John Roderick's architectural memoir "Minka" tells the compelling and often poignant story of how one man fell in love with the people, culture, and ancient building traditions of Japan, and reminds us all about the importance of craftsmanship and the meaning of place and home in the process.
Contemporary Asian Architecture
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In praise of shadows
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An essay which captures in an amusing, flowing commentary on architecture, drama, food, feminine beauty, and many other aspects of Japanese life the uneasy mixing of two clashing aesthetic traditions based on differing technologies.
Literature and poetry
January 1977, Stoney Creek, CT.
In praise of shadows
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An essay which captures in an amusing, flowing commentary on architecture, drama, food, feminine beauty, and many other aspects of Japanese life the uneasy mixing of two clashing aesthetic traditions based on differing technologies.
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January 1977, Stoney Creek, CT.
Literature and poetry
Shigeru Ban
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Based in Japan and one of an emerging generation of young, world-class architects, Shigeru Ban designs and builds graceful, serene structures using modest materials such as cardboard, paper tubes, bamboo, and prefabricated wood. His buildings are sometimes soaring and birdlike, sometimes simple, grounded, and evocative of the Japanese aesthetic, but always they are(...)
Architecture Monographs
October 2003, London / New York
Shigeru Ban
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Based in Japan and one of an emerging generation of young, world-class architects, Shigeru Ban designs and builds graceful, serene structures using modest materials such as cardboard, paper tubes, bamboo, and prefabricated wood. His buildings are sometimes soaring and birdlike, sometimes simple, grounded, and evocative of the Japanese aesthetic, but always they are integrated with and respectful of their surrounding environment. Ban has designed projects at both ends of the client spectrum: from one-room temporary houses of paper tubes for earthquake refugees worldwide to a 14,000 square-foot country house in Sharon, Connecticut – his first U.S. commission. His humanitarian efforts and his interest in recyclable, affordable, natural materials have won praise and attention from museums and critics in America and Europe. Ban’s Curtain Wall House was a favorite entry in the Museum of Modern Art’s “Un-Private House” exhibition in 1999; he has gone on to design a museum for children in Japan, a canal museum in France, and a private art museum in Belgium; he was included in the 2000 and 2002 Venice Biennale, and created the Japan Pavilion for the Expo 2000 in Hannover, Germany. He was a member of the Think team of architects selected in February 2003 as one of two finalist teams to compete for the commission to design the new World Trade Center site in New York.
Architecture Monographs
21st century Tokyo
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Authors Julian Worrall and Erez Golani Solomon present eighty-three buildings, from world-renowned projects such as Herzog & de Meuron's Prada building and FOA's Yokohama International Passenger Terminal, to private houses and office towers of glass and steel. Alongside Western architects, who have built some of their most outstanding projects in Tokyo, the authors(...)
21st century Tokyo
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Authors Julian Worrall and Erez Golani Solomon present eighty-three buildings, from world-renowned projects such as Herzog & de Meuron's Prada building and FOA's Yokohama International Passenger Terminal, to private houses and office towers of glass and steel. Alongside Western architects, who have built some of their most outstanding projects in Tokyo, the authors showcase recent works of celebrated Japanese architects, including Tadao Ando, Toyo Ito, Fumihiko Maki, and Kenzo Tange. Essays introduce each building not just from an architectural perspective, but also as part of the social, cultural, and political tapestry of the city, creating a full portrait of the metropolis. The book is divided into seven easy-to-navigate chapters, each covering a different Tokyo district, with detailed maps and access information, and illustrated throughout with black-and-white photography by Joshua Lieberman. This is an indispensable guidebook for the professional architect, the sightseer, or anyone with an interest in contemporary Japan. Tokyo—one of the most innovative and forward-thinking cities in the world, and nowhere is this more evident than in its modern architecture. Eighty-three of the city's latest buildings are gathered in these pages and introduced not just from an architectural perspective but as part of the social, cultural, and political tapestry of the city. With black-and-white photography spotlighting a wide range of projects, from the monumental masterpieces of famous architects to the everyday buildings often overlooked, this is a full overview of the architectural landscape of twenty-first-century Tokyo.
Contemporary Asian Architecture
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In the dazzling global metropolis of Shanghai, what has it meant to call this city home? In this account—part microhistory, part memoir—Jie Li salvages intimate recollections by successive generations of inhabitants of two vibrant, culturally mixed Shanghai alleyways from the Republican, Maoist, and post-Mao eras. Exploring three dimensions of private life—territories,(...)
April 2015
Shanghai homes: palimpsests of private life
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In the dazzling global metropolis of Shanghai, what has it meant to call this city home? In this account—part microhistory, part memoir—Jie Li salvages intimate recollections by successive generations of inhabitants of two vibrant, culturally mixed Shanghai alleyways from the Republican, Maoist, and post-Mao eras. Exploring three dimensions of private life—territories, artifacts, and gossip—Li re-creates the sounds, smells, look, and feel of home over a tumultuous century. First built by British and Japanese companies in 1915 and 1927, the two homes at the center of this narrative were located in an industrial part of the former "International Settlement." Before their recent demolition, they were nestled in Shanghai's labyrinthine alleyways, which housed more than half of the city's population from the Sino-Japanese War to the Cultural Revolution. Through interviews with her own family members as well as their neighbors, classmates, and co-workers, Li weaves a complex social tapestry reflecting the lived experiences of ordinary people struggling to absorb and adapt to major historical change. These voices include workers, intellectuals, Communists, Nationalists, foreigners, compradors, wives, concubines, and children who all fought for a foothold and haven in this city, witnessing spectacles so full of farce and pathos they could only be whispered as secret histories.
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Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery(...)
Frank Lloyd Wright: unpacking the archive
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Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery Architectural & Fine Arts Library, Columbia University), the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has “unpacked”— tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. Wright’s quest to build a mile-high skyscraper reveals him to be one of the earliest celebrity architects, using television, press relations and other forms of mass media to advance his own self-crafted image. A little-known project for a Rosenwald School for African-American children, together with other projects that engage Japanese and Native American culture, ask provocative questions about Wright’s positions on race and cultural identity. Still other investigations engage the architect’s lifelong dedication to affordable and do-it-yourself housing, as well as the ecological systems, both social and environmental, that informed his approach to cities, landscapes and even ornament. The publication aims to open up Wright’s work to questions, interrogations and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
Architecture Monographs
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11 volumes : illustrations (chiefly color), portrait ; 21 cm
New York, NY : Yoshii Gallery, New York, 2005.
Tadao ando : the process of creation: emaki-style sketchbooks.
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11 volumes : illustrations (chiefly color), portrait ; 21 cm
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New York, NY : Yoshii Gallery, New York, 2005.
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''Japan: nation building nature'' is the first book to map out the views of nature that have shaped the widely acclaimed but often misunderstood modern architecture of Japan. By connecting the dots between philosophy, design, geopolitics, and an earnest quest for a greener tomorrow, this book explains how Japanese culture can shed new light on our understanding of(...)
Japan: Nation building nature
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''Japan: nation building nature'' is the first book to map out the views of nature that have shaped the widely acclaimed but often misunderstood modern architecture of Japan. By connecting the dots between philosophy, design, geopolitics, and an earnest quest for a greener tomorrow, this book explains how Japanese culture can shed new light on our understanding of ecology, and vice-versa. Using a distinctive blend of academic research and personal experience, Joachim Nijs draws on architectural history to navigate Japan's complex and unique ecological ethic through the lens of four stereotypical phenomena: earthquakes, monsoon climates, nuclear erasure of life, and insularity.
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Special Feature: The books and magazines of Takashi Kono / Text by Naomichi Kawahata / Recollection of Takashi Kono [Japanese Only] Masayoshi Nakajo, Gan Hosoya, Hannmo Sugiura, Michiaki Matsuyama / Kazunari Hattori "Shikaku Dentatsu (Visual Communication)"/ Special Feature: The Work of Vier5 / Forms of Inquiry - The Architecture of Critical Graphic Design
Idea 326 The books and magazines of Tagashi Kono
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Special Feature: The books and magazines of Takashi Kono / Text by Naomichi Kawahata / Recollection of Takashi Kono [Japanese Only] Masayoshi Nakajo, Gan Hosoya, Hannmo Sugiura, Michiaki Matsuyama / Kazunari Hattori "Shikaku Dentatsu (Visual Communication)"/ Special Feature: The Work of Vier5 / Forms of Inquiry - The Architecture of Critical Graphic Design
Graphic Design and Typography
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John Pawson was born in 1949 in Halifax, in the north of England. Far removed from the preoccupations of mainstream 1980s architecture, here was work whose roots seemed to extend back through successive expressions of simplicity which have formed a consistent component of both Eastern and Western traditions - from Japanese concepts of Zen to Cistercian monastic(...)
El Croquis
January 2006, Madrid
El croquis 127 : John Pawson 1995 - 2005
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John Pawson was born in 1949 in Halifax, in the north of England. Far removed from the preoccupations of mainstream 1980s architecture, here was work whose roots seemed to extend back through successive expressions of simplicity which have formed a consistent component of both Eastern and Western traditions - from Japanese concepts of Zen to Cistercian monastic architecture and the serenely empty churches of the painter Saenredam.
El Croquis