8495 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP103
Synopsis:
The IFCCA Prize Competition for the Design of Cities fonds primarily documents the activities involved in the organization and realization of the Prize Competition, as well as the most active years of the IFCCA. The fonds is made up of primarily of textual documents dating from 1992 to 2001. The Prize Competition challenged architects from around the world to rethink and redesign a site on the western edge of Manhattan, New York City, New York. Five finalists were chosen by a jury of well known figures in the architecture field, and given four months to complete their proposals. Peter Eisenman, Peter Eisenman Architects, New York City, was declared the winner on 28 June 1999. Two exhibitions of the work of the finalists, in New York City (1999, with an accompanying colloquium) and at the CCA in Montreal (2000-2001) followed the Prize Competition.
AP103
Synopsis:
The IFCCA Prize Competition for the Design of Cities fonds primarily documents the activities involved in the organization and realization of the Prize Competition, as well as the most active years of the IFCCA. The fonds is made up of primarily of textual documents dating from 1992 to 2001. The Prize Competition challenged architects from around the world to rethink and redesign a site on the western edge of Manhattan, New York City, New York. Five finalists were chosen by a jury of well known figures in the architecture field, and given four months to complete their proposals. Peter Eisenman, Peter Eisenman Architects, New York City, was declared the winner on 28 June 1999. Two exhibitions of the work of the finalists, in New York City (1999, with an accompanying colloquium) and at the CCA in Montreal (2000-2001) followed the Prize Competition.
People:
Date:
1992-2001, predominant 1996-2001
1992-2001, predominant 1996-2001
Title:
IFCCA Prize Competition for the Design of Cities fonds
Actions:
AP103
Synopsis:
The IFCCA Prize Competition for the Design of Cities fonds primarily documents the activities involved in the organization and realization of the Prize Competition, as well as the most active years of the IFCCA. The fonds is made up of primarily of textual documents dating from 1992 to 2001. The Prize Competition challenged architects from around the world to rethink and redesign a site on the western edge of Manhattan, New York City, New York. Five finalists were chosen by a jury of well known figures in the architecture field, and given four months to complete their proposals. Peter Eisenman, Peter Eisenman Architects, New York City, was declared the winner on 28 June 1999. Two exhibitions of the work of the finalists, in New York City (1999, with an accompanying colloquium) and at the CCA in Montreal (2000-2001) followed the Prize Competition.
IFCCA Prize Competition for the Design of Cities fonds
Actions:
AP103
Synopsis:
The IFCCA Prize Competition for the Design of Cities fonds primarily documents the activities involved in the organization and realization of the Prize Competition, as well as the most active years of the IFCCA. The fonds is made up of primarily of textual documents dating from 1992 to 2001. The Prize Competition challenged architects from around the world to rethink and redesign a site on the western edge of Manhattan, New York City, New York. Five finalists were chosen by a jury of well known figures in the architecture field, and given four months to complete their proposals. Peter Eisenman, Peter Eisenman Architects, New York City, was declared the winner on 28 June 1999. Two exhibitions of the work of the finalists, in New York City (1999, with an accompanying colloquium) and at the CCA in Montreal (2000-2001) followed the Prize Competition.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1992-2001, predominant 1996-2001
1992-2001, predominant 1996-2001
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Marcel Parizeau fonds
Marcel Parizeau fonds
Actions:
Reference number:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
People:
Date:
1917-1955
1917-1955
Title:
Marcel Parizeau fonds
Actions:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Marcel Parizeau fonds
Actions:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1917-1955
1917-1955
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP198
Synopsis:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
AP198
Synopsis:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
People:
Date:
1997-2000
1997-2000
Title:
Kivi Sotamaa OCEAN North project records
Actions:
AP198
Synopsis:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Kivi Sotamaa OCEAN North project records
Actions:
AP198
Synopsis:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1997-2000
1997-2000
People:
Level of archival description:
Project
Project
Reference number:
AP206.S1.1969.PR01
Description:
This project series documents a theatre for the J&K Academy of Art, Culture and Languages in Jammu, India from 1969-1973. The theatre consisted of two square shaped volumes, turned on their axis to overlap at their corners, with the stage located at the overlap. The building's exterior, faced in stone, was highlighted by three levels of verandas and showed the exposed roof frame. A free-standing cylindrical volume next to the main building served as the emergency exit, with spiral stairs wrapping its exterior. This project also included the design of furniture for the theatre, most notably the audience seats. Two additional buildings were proposed, an office block and an Institute of Music and Fine Arts, but they do not appear to have been built. The theatre was renamed the Abhinav Theatre soon after its completion. This project is recorded through drawings and correspondence dating from 1969-1973. The drawings are mostly originals and include plans, elevations, sections, details and furniture drawings.
AP206.S1.1969.PR01
Description:
This project series documents a theatre for the J&K Academy of Art, Culture and Languages in Jammu, India from 1969-1973. The theatre consisted of two square shaped volumes, turned on their axis to overlap at their corners, with the stage located at the overlap. The building's exterior, faced in stone, was highlighted by three levels of verandas and showed the exposed roof frame. A free-standing cylindrical volume next to the main building served as the emergency exit, with spiral stairs wrapping its exterior. This project also included the design of furniture for the theatre, most notably the audience seats. Two additional buildings were proposed, an office block and an Institute of Music and Fine Arts, but they do not appear to have been built. The theatre was renamed the Abhinav Theatre soon after its completion. This project is recorded through drawings and correspondence dating from 1969-1973. The drawings are mostly originals and include plans, elevations, sections, details and furniture drawings.
People:
Date:
1969-1973
1969-1973
Title:
Theatre for J&K Academy of Art, Culture and Languages, Jammu, India (1969-1973)
Actions:
AP206.S1.1969.PR01
Description:
This project series documents a theatre for the J&K Academy of Art, Culture and Languages in Jammu, India from 1969-1973. The theatre consisted of two square shaped volumes, turned on their axis to overlap at their corners, with the stage located at the overlap. The building's exterior, faced in stone, was highlighted by three levels of verandas and showed the exposed roof frame. A free-standing cylindrical volume next to the main building served as the emergency exit, with spiral stairs wrapping its exterior. This project also included the design of furniture for the theatre, most notably the audience seats. Two additional buildings were proposed, an office block and an Institute of Music and Fine Arts, but they do not appear to have been built. The theatre was renamed the Abhinav Theatre soon after its completion. This project is recorded through drawings and correspondence dating from 1969-1973. The drawings are mostly originals and include plans, elevations, sections, details and furniture drawings.
Theatre for J&K Academy of Art, Culture and Languages, Jammu, India (1969-1973)
Actions:
AP206.S1.1969.PR01
Description:
This project series documents a theatre for the J&K Academy of Art, Culture and Languages in Jammu, India from 1969-1973. The theatre consisted of two square shaped volumes, turned on their axis to overlap at their corners, with the stage located at the overlap. The building's exterior, faced in stone, was highlighted by three levels of verandas and showed the exposed roof frame. A free-standing cylindrical volume next to the main building served as the emergency exit, with spiral stairs wrapping its exterior. This project also included the design of furniture for the theatre, most notably the audience seats. Two additional buildings were proposed, an office block and an Institute of Music and Fine Arts, but they do not appear to have been built. The theatre was renamed the Abhinav Theatre soon after its completion. This project is recorded through drawings and correspondence dating from 1969-1973. The drawings are mostly originals and include plans, elevations, sections, details and furniture drawings.
Level of archival description:
Project
Project
Date:
1969-1973
1969-1973
People:
Level of archival description:
Project
Project
Reference number:
AP206.S1.1983.PR01
Description:
This project series documents residential housing for officers at the Reserve Bank of India in Chandigarh, India from 1983-1986. The project consisted of four-storey apartment blocks located on twelve blocks totalling 2.87 acres. The apartment blocks had oblong-shaped spiraling staircases at exterior openings along the buildings' elevations. Located in Sector 44B, the apartments observed both the norms of the bank's staff quarters guidelines and the architectural control established in Chandigarh. This project was proposed in two phases, the second of which integrated public spaces, amenities and maintenance quarters into the campus. The project is recorded through drawings, textual records and a photograph dating from 1983-2003. About half the drawings are originals and included are plans, elevations, sections, details and structural and electrical drawings. Many of these are working drawings, but some presentation drawings are included. The textual records consist of specifications, reports, correspondence and the project contract. The photograph shows Aditya Prakash on the roof of the finished building.
AP206.S1.1983.PR01
Description:
This project series documents residential housing for officers at the Reserve Bank of India in Chandigarh, India from 1983-1986. The project consisted of four-storey apartment blocks located on twelve blocks totalling 2.87 acres. The apartment blocks had oblong-shaped spiraling staircases at exterior openings along the buildings' elevations. Located in Sector 44B, the apartments observed both the norms of the bank's staff quarters guidelines and the architectural control established in Chandigarh. This project was proposed in two phases, the second of which integrated public spaces, amenities and maintenance quarters into the campus. The project is recorded through drawings, textual records and a photograph dating from 1983-2003. About half the drawings are originals and included are plans, elevations, sections, details and structural and electrical drawings. Many of these are working drawings, but some presentation drawings are included. The textual records consist of specifications, reports, correspondence and the project contract. The photograph shows Aditya Prakash on the roof of the finished building.
People:
Date:
1983-2003
1983-2003
Title:
Reserve Bank of India officers' quarters, Chandigarh, India (1983-1986)
Actions:
AP206.S1.1983.PR01
Description:
This project series documents residential housing for officers at the Reserve Bank of India in Chandigarh, India from 1983-1986. The project consisted of four-storey apartment blocks located on twelve blocks totalling 2.87 acres. The apartment blocks had oblong-shaped spiraling staircases at exterior openings along the buildings' elevations. Located in Sector 44B, the apartments observed both the norms of the bank's staff quarters guidelines and the architectural control established in Chandigarh. This project was proposed in two phases, the second of which integrated public spaces, amenities and maintenance quarters into the campus. The project is recorded through drawings, textual records and a photograph dating from 1983-2003. About half the drawings are originals and included are plans, elevations, sections, details and structural and electrical drawings. Many of these are working drawings, but some presentation drawings are included. The textual records consist of specifications, reports, correspondence and the project contract. The photograph shows Aditya Prakash on the roof of the finished building.
Reserve Bank of India officers' quarters, Chandigarh, India (1983-1986)
Actions:
AP206.S1.1983.PR01
Description:
This project series documents residential housing for officers at the Reserve Bank of India in Chandigarh, India from 1983-1986. The project consisted of four-storey apartment blocks located on twelve blocks totalling 2.87 acres. The apartment blocks had oblong-shaped spiraling staircases at exterior openings along the buildings' elevations. Located in Sector 44B, the apartments observed both the norms of the bank's staff quarters guidelines and the architectural control established in Chandigarh. This project was proposed in two phases, the second of which integrated public spaces, amenities and maintenance quarters into the campus. The project is recorded through drawings, textual records and a photograph dating from 1983-2003. About half the drawings are originals and included are plans, elevations, sections, details and structural and electrical drawings. Many of these are working drawings, but some presentation drawings are included. The textual records consist of specifications, reports, correspondence and the project contract. The photograph shows Aditya Prakash on the roof of the finished building.
Level of archival description:
Project
Project
Date:
1983-2003
1983-2003
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1988.PR03
Description:
This project series documents the first phase of development for renovations to the Stratford Festival Theatre in Stratford, Ontario in 1988. The office identified the project number as 8806. Conceived with Thomas Payne as the partner-in-charge, this project consisted of the master plan for future renovations to the famous tent-shaped theatre. The proposed renovations included a new, larger lobby, improvements to the entrance and arrival area, landscaping and the addition of a marquee space. The plan divided these renovations into several phases, the last of which proposed the addition of a new museum space. The realization of this project began in 1994, and was completed under a different project number (see project series AP056.S1.1994.PR14 in this fonds). The project is recorded through drawings and photographic materials dating from on or around 1988, with one drawing from 1995. The drawings include sketches, presentation drawings, plans, elevations and sections. The photographic materials consist of an aerial site photograph and studies of the project model.
AP056.S1.1988.PR03
Description:
This project series documents the first phase of development for renovations to the Stratford Festival Theatre in Stratford, Ontario in 1988. The office identified the project number as 8806. Conceived with Thomas Payne as the partner-in-charge, this project consisted of the master plan for future renovations to the famous tent-shaped theatre. The proposed renovations included a new, larger lobby, improvements to the entrance and arrival area, landscaping and the addition of a marquee space. The plan divided these renovations into several phases, the last of which proposed the addition of a new museum space. The realization of this project began in 1994, and was completed under a different project number (see project series AP056.S1.1994.PR14 in this fonds). The project is recorded through drawings and photographic materials dating from on or around 1988, with one drawing from 1995. The drawings include sketches, presentation drawings, plans, elevations and sections. The photographic materials consist of an aerial site photograph and studies of the project model.
People:
Date:
1988, 1995
1988, 1995
Title:
The Stratford Festival Theatre, Phase I, Stratford, Ontario (1988)
Actions:
AP056.S1.1988.PR03
Description:
This project series documents the first phase of development for renovations to the Stratford Festival Theatre in Stratford, Ontario in 1988. The office identified the project number as 8806. Conceived with Thomas Payne as the partner-in-charge, this project consisted of the master plan for future renovations to the famous tent-shaped theatre. The proposed renovations included a new, larger lobby, improvements to the entrance and arrival area, landscaping and the addition of a marquee space. The plan divided these renovations into several phases, the last of which proposed the addition of a new museum space. The realization of this project began in 1994, and was completed under a different project number (see project series AP056.S1.1994.PR14 in this fonds). The project is recorded through drawings and photographic materials dating from on or around 1988, with one drawing from 1995. The drawings include sketches, presentation drawings, plans, elevations and sections. The photographic materials consist of an aerial site photograph and studies of the project model.
The Stratford Festival Theatre, Phase I, Stratford, Ontario (1988)
Actions:
AP056.S1.1988.PR03
Description:
This project series documents the first phase of development for renovations to the Stratford Festival Theatre in Stratford, Ontario in 1988. The office identified the project number as 8806. Conceived with Thomas Payne as the partner-in-charge, this project consisted of the master plan for future renovations to the famous tent-shaped theatre. The proposed renovations included a new, larger lobby, improvements to the entrance and arrival area, landscaping and the addition of a marquee space. The plan divided these renovations into several phases, the last of which proposed the addition of a new museum space. The realization of this project began in 1994, and was completed under a different project number (see project series AP056.S1.1994.PR14 in this fonds). The project is recorded through drawings and photographic materials dating from on or around 1988, with one drawing from 1995. The drawings include sketches, presentation drawings, plans, elevations and sections. The photographic materials consist of an aerial site photograph and studies of the project model.
Level of archival description:
Project
Project
Date:
1988, 1995
1988, 1995
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1967.PR02
Description:
This project series documents terminal 2 at Toronto International Airport in Mississauga, Ontario from 1967-1972. The office identified the project number as 67121. This project consisted of the first stage of phase two of the building's construction. The three-storey terminal had a linear design with 31 gates and was commissioned by the government Department of Transport Air Services. Terminal One, known as Aeroquay One and also designed by John B. Parkin Associates, could no longer accommodate the growing number of passengers and the wingspan of larger jets. This terminal was constructed to meet the new needs of the airport. The project is recorded through reprographic copies of drawings dating from 1970-1971, which include construction plans, elevations, details, and mechanical, electrical and structural drawings. Some drawings in this project series were created by the architectural firm Searle, Wilbee, Rowland, which was one of the names used for Parkin's firm after the merger of John B. Parkin Associates with Winnipeg-based firm Smith, Carter and Searle.
AP018.S1.1967.PR02
Description:
This project series documents terminal 2 at Toronto International Airport in Mississauga, Ontario from 1967-1972. The office identified the project number as 67121. This project consisted of the first stage of phase two of the building's construction. The three-storey terminal had a linear design with 31 gates and was commissioned by the government Department of Transport Air Services. Terminal One, known as Aeroquay One and also designed by John B. Parkin Associates, could no longer accommodate the growing number of passengers and the wingspan of larger jets. This terminal was constructed to meet the new needs of the airport. The project is recorded through reprographic copies of drawings dating from 1970-1971, which include construction plans, elevations, details, and mechanical, electrical and structural drawings. Some drawings in this project series were created by the architectural firm Searle, Wilbee, Rowland, which was one of the names used for Parkin's firm after the merger of John B. Parkin Associates with Winnipeg-based firm Smith, Carter and Searle.
People:
Date:
1970-1971
1970-1971
Title:
Toronto International Airport Terminal Number Two, Phase Two Stage One, Mississauga, Ontario (1967-1972)
Actions:
AP018.S1.1967.PR02
Description:
This project series documents terminal 2 at Toronto International Airport in Mississauga, Ontario from 1967-1972. The office identified the project number as 67121. This project consisted of the first stage of phase two of the building's construction. The three-storey terminal had a linear design with 31 gates and was commissioned by the government Department of Transport Air Services. Terminal One, known as Aeroquay One and also designed by John B. Parkin Associates, could no longer accommodate the growing number of passengers and the wingspan of larger jets. This terminal was constructed to meet the new needs of the airport. The project is recorded through reprographic copies of drawings dating from 1970-1971, which include construction plans, elevations, details, and mechanical, electrical and structural drawings. Some drawings in this project series were created by the architectural firm Searle, Wilbee, Rowland, which was one of the names used for Parkin's firm after the merger of John B. Parkin Associates with Winnipeg-based firm Smith, Carter and Searle.
Toronto International Airport Terminal Number Two, Phase Two Stage One, Mississauga, Ontario (1967-1972)
Actions:
AP018.S1.1967.PR02
Description:
This project series documents terminal 2 at Toronto International Airport in Mississauga, Ontario from 1967-1972. The office identified the project number as 67121. This project consisted of the first stage of phase two of the building's construction. The three-storey terminal had a linear design with 31 gates and was commissioned by the government Department of Transport Air Services. Terminal One, known as Aeroquay One and also designed by John B. Parkin Associates, could no longer accommodate the growing number of passengers and the wingspan of larger jets. This terminal was constructed to meet the new needs of the airport. The project is recorded through reprographic copies of drawings dating from 1970-1971, which include construction plans, elevations, details, and mechanical, electrical and structural drawings. Some drawings in this project series were created by the architectural firm Searle, Wilbee, Rowland, which was one of the names used for Parkin's firm after the merger of John B. Parkin Associates with Winnipeg-based firm Smith, Carter and Searle.
Level of archival description:
Project
Project
Date:
1970-1971
1970-1971
People:
Level of archival description:
Project
Project
Reference number:
AP140.S2.SS1.D70
Description:
File documents an unexecuted project for the Abando Passenger Interchange, in Bilbao, Spain. The office of James Stirling, Michael Wilford and Associates was appointed in 1985 to design the Passenger Interchange, including a dance and music school. The building programme was revised and enlarged in 1991 and design work began in 1992. This second project was developed after the death of James Stirling in 1992 by the firm of Michael Wilford and Partners. Material in this file was produced between 1974 and 2000. File contains reference drawings, presentation drawings and a large number of design development and working drawings. Photographic materials include views of the site by photographers Millar and Harris, aerial views of existing railway stations by photographers FOAT S.L., and views of models by photographer Chris Edgcombe, John Donat Photography and by Kandor Modelmakers. Textual records include photographs, a study model and model parts. Drawings, photographic materials and textual records also relate to several Abando Passenger Interchange exhibitions. File also contains a presentation model.
AP140.S2.SS1.D70
Description:
File documents an unexecuted project for the Abando Passenger Interchange, in Bilbao, Spain. The office of James Stirling, Michael Wilford and Associates was appointed in 1985 to design the Passenger Interchange, including a dance and music school. The building programme was revised and enlarged in 1991 and design work began in 1992. This second project was developed after the death of James Stirling in 1992 by the firm of Michael Wilford and Partners. Material in this file was produced between 1974 and 2000. File contains reference drawings, presentation drawings and a large number of design development and working drawings. Photographic materials include views of the site by photographers Millar and Harris, aerial views of existing railway stations by photographers FOAT S.L., and views of models by photographer Chris Edgcombe, John Donat Photography and by Kandor Modelmakers. Textual records include photographs, a study model and model parts. Drawings, photographic materials and textual records also relate to several Abando Passenger Interchange exhibitions. File also contains a presentation model.
People:
Date:
1974-1999
1974-1999
Title:
Abando Passenger Interchange, Bilbao, Spain
Actions:
AP140.S2.SS1.D70
Description:
File documents an unexecuted project for the Abando Passenger Interchange, in Bilbao, Spain. The office of James Stirling, Michael Wilford and Associates was appointed in 1985 to design the Passenger Interchange, including a dance and music school. The building programme was revised and enlarged in 1991 and design work began in 1992. This second project was developed after the death of James Stirling in 1992 by the firm of Michael Wilford and Partners. Material in this file was produced between 1974 and 2000. File contains reference drawings, presentation drawings and a large number of design development and working drawings. Photographic materials include views of the site by photographers Millar and Harris, aerial views of existing railway stations by photographers FOAT S.L., and views of models by photographer Chris Edgcombe, John Donat Photography and by Kandor Modelmakers. Textual records include photographs, a study model and model parts. Drawings, photographic materials and textual records also relate to several Abando Passenger Interchange exhibitions. File also contains a presentation model.
Abando Passenger Interchange, Bilbao, Spain
Actions:
AP140.S2.SS1.D70
Description:
File documents an unexecuted project for the Abando Passenger Interchange, in Bilbao, Spain. The office of James Stirling, Michael Wilford and Associates was appointed in 1985 to design the Passenger Interchange, including a dance and music school. The building programme was revised and enlarged in 1991 and design work began in 1992. This second project was developed after the death of James Stirling in 1992 by the firm of Michael Wilford and Partners. Material in this file was produced between 1974 and 2000. File contains reference drawings, presentation drawings and a large number of design development and working drawings. Photographic materials include views of the site by photographers Millar and Harris, aerial views of existing railway stations by photographers FOAT S.L., and views of models by photographer Chris Edgcombe, John Donat Photography and by Kandor Modelmakers. Textual records include photographs, a study model and model parts. Drawings, photographic materials and textual records also relate to several Abando Passenger Interchange exhibitions. File also contains a presentation model.
Level of archival description:
File 70
File 70
Date:
1974-1999
1974-1999
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
People:
Date:
2004
2004
Title:
Instalação na Exposição "Entrez Lentement" per il Salone del Mobile [Installation for the "Entrez Lentement" exhibition at the Salone de Mobile], Milan (2005)
Actions:
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
Instalação na Exposição "Entrez Lentement" per il Salone del Mobile [Installation for the "Entrez Lentement" exhibition at the Salone de Mobile], Milan (2005)
Actions:
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
Level of archival description:
Project
Project
Date:
2004
2004
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP178.S1.1998.PR03.SS3
Description:
This project subseries documents the Casa Pátio building attached to the Edifício Zaida in Granada, Spain. While the records were held in the office’s archives this project was assigned the number 98/90 C. The office assigned the dates 1998-2006 to this project subseries. This was phase 2 of the larger project to redevelop three parcels of land that faced the Plaza Puerta Real. This part of the larger Zaida building, an old courtyard house, was located between the Zaida building and neighbouring buildings. The exterior was reimagined in the style of the new Zaida building, but it was visually separated through its unique window arrangement. Documenting this project subseries are drawings, textual records and photographic materials dating from 2003-2005. The textual records include correspondence and documentation on the design of furniture, accessories, artwork and the mechanical and techinical aspects of the buildings. The drawings include structural, mechanical and technical drawings, as well as details. The photographic materials show the building's construction and the built project.
AP178.S1.1998.PR03.SS3
Description:
This project subseries documents the Casa Pátio building attached to the Edifício Zaida in Granada, Spain. While the records were held in the office’s archives this project was assigned the number 98/90 C. The office assigned the dates 1998-2006 to this project subseries. This was phase 2 of the larger project to redevelop three parcels of land that faced the Plaza Puerta Real. This part of the larger Zaida building, an old courtyard house, was located between the Zaida building and neighbouring buildings. The exterior was reimagined in the style of the new Zaida building, but it was visually separated through its unique window arrangement. Documenting this project subseries are drawings, textual records and photographic materials dating from 2003-2005. The textual records include correspondence and documentation on the design of furniture, accessories, artwork and the mechanical and techinical aspects of the buildings. The drawings include structural, mechanical and technical drawings, as well as details. The photographic materials show the building's construction and the built project.
People:
Date:
2003-2005
2003-2005
Title:
Edifício Zaida, Casa Pátio [Zaida building, Courtyard House], Granada, Spain (1998-2006)
Actions:
AP178.S1.1998.PR03.SS3
Description:
This project subseries documents the Casa Pátio building attached to the Edifício Zaida in Granada, Spain. While the records were held in the office’s archives this project was assigned the number 98/90 C. The office assigned the dates 1998-2006 to this project subseries. This was phase 2 of the larger project to redevelop three parcels of land that faced the Plaza Puerta Real. This part of the larger Zaida building, an old courtyard house, was located between the Zaida building and neighbouring buildings. The exterior was reimagined in the style of the new Zaida building, but it was visually separated through its unique window arrangement. Documenting this project subseries are drawings, textual records and photographic materials dating from 2003-2005. The textual records include correspondence and documentation on the design of furniture, accessories, artwork and the mechanical and techinical aspects of the buildings. The drawings include structural, mechanical and technical drawings, as well as details. The photographic materials show the building's construction and the built project.
Edifício Zaida, Casa Pátio [Zaida building, Courtyard House], Granada, Spain (1998-2006)
Actions:
AP178.S1.1998.PR03.SS3
Description:
This project subseries documents the Casa Pátio building attached to the Edifício Zaida in Granada, Spain. While the records were held in the office’s archives this project was assigned the number 98/90 C. The office assigned the dates 1998-2006 to this project subseries. This was phase 2 of the larger project to redevelop three parcels of land that faced the Plaza Puerta Real. This part of the larger Zaida building, an old courtyard house, was located between the Zaida building and neighbouring buildings. The exterior was reimagined in the style of the new Zaida building, but it was visually separated through its unique window arrangement. Documenting this project subseries are drawings, textual records and photographic materials dating from 2003-2005. The textual records include correspondence and documentation on the design of furniture, accessories, artwork and the mechanical and techinical aspects of the buildings. The drawings include structural, mechanical and technical drawings, as well as details. The photographic materials show the building's construction and the built project.
Level of archival description:
Project
Project
Date:
2003-2005
2003-2005
People:
