journals and magazines
Description:
1 online resource (volumes) : illustrations
Reims, Paris, Firmin-Didot and c.
Annales historiques de la Révolution française.
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Description:
1 online resource (volumes) : illustrations
journals and magazines
Reims, Paris, Firmin-Didot and c.
books
Description:
1 audiocassette : analog ; in plastic folder 17 x 13 cm + 24 slides (color) + 1 transcript (7 leaves ; 30 cm)
London, Eng. : Pidgeon Audio Visual : [Distributed by World Microfilms Publications], [1982]
Building with mud / Paul Oliver.
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1 audiocassette : analog ; in plastic folder 17 x 13 cm + 24 slides (color) + 1 transcript (7 leaves ; 30 cm)
books
London, Eng. : Pidgeon Audio Visual : [Distributed by World Microfilms Publications], [1982]
books
Description:
1 online resource : illustrations, portrait
London : IOM Communications, 2000-
The Hatfield memorial lectures / edited and foreword by Peter Beeley.
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Description:
1 online resource : illustrations, portrait
books
London : IOM Communications, 2000-
books
Description:
271 pages : color illustrations ; 25 cm
London : Thames & Hudson, 2010.
The new mathematics of architecture / Jane Burry + Mark Burry.
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271 pages : color illustrations ; 25 cm
books
London : Thames & Hudson, 2010.
books
Description:
1 audiocassette : analog ; in plastic folder 17 x 13 cm + 24 slides (color) + 1 transcript (7 leaves ; 30 cm)
London, Eng. : Pidgeon Audio Visual : [Distributed by World Microfilms Publications], [1981]
Concrete expression / Oscar Niemeyer.
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1 audiocassette : analog ; in plastic folder 17 x 13 cm + 24 slides (color) + 1 transcript (7 leaves ; 30 cm)
books
London, Eng. : Pidgeon Audio Visual : [Distributed by World Microfilms Publications], [1981]
books
Description:
463 pages : illustrations (some color), color map ; 24 cm
Montréal, Québec, Canada : Centre canadien d'architecture, [2017]
Quand le numérique marque-t-il l'architecture? / sous la direction d'Andrew Goodhouse ; traduction, Marie-Josée Arcand [and 4 others].
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463 pages : illustrations (some color), color map ; 24 cm
books
Montréal, Québec, Canada : Centre canadien d'architecture, [2017]
books
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vii, 115-231 pages including plates, phot. plates, 2 photographs (including frontispiece) 23 cm
Washington, D.C., Gibson Brothers, printers [©1869]
The rotunda and dome of the U.S. Capitol. By S.D. Wyeth.
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vii, 115-231 pages including plates, phot. plates, 2 photographs (including frontispiece) 23 cm
books
Washington, D.C., Gibson Brothers, printers [©1869]
audio
Description:
1 online resource.
[Place of publication not identified] : Aksioma Institute for Contemporary Art, 2023.
audio
[Place of publication not identified] : Aksioma Institute for Contemporary Art, 2023.
books
Description:
1 audiocassette : analog ; in plastic folder 17 x 13 cm + 24 slides (color)
London : Pidgeon Audio Visual : [Distributed by World Microfilms Publications], [1988]
Layering and change / Peter Cook.
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1 audiocassette : analog ; in plastic folder 17 x 13 cm + 24 slides (color)
books
London : Pidgeon Audio Visual : [Distributed by World Microfilms Publications], [1988]
The second digital turn
$33.95
(available to order)
Summary:
Almost a generation ago, the early software for computer aided design and manufacturing (CAD/CAM) spawned a style of smooth and curving lines and surfaces that gave visible form to the first digital age, and left an indelible mark on contemporary architecture. But today's digitally intelligent architecture no longer looks that way. In The Second Digital Turn, Mario Carpo(...)
The second digital turn
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Price:
$33.95
(available to order)
Summary:
Almost a generation ago, the early software for computer aided design and manufacturing (CAD/CAM) spawned a style of smooth and curving lines and surfaces that gave visible form to the first digital age, and left an indelible mark on contemporary architecture. But today's digitally intelligent architecture no longer looks that way. In The Second Digital Turn, Mario Carpo explains that this is because the design professions are now coming to terms with a new kind of digital tools they have adopted—no longer tools for making but tools for thinking. In the early 1990s the design professions were the first to intuit and interpret the new technical logic of the digital age: digital mass-customization (the use of digital tools to mass-produce variations at no extra cost) has already changed the way we produce and consume almost everything, and the same technology applied to commerce at large is now heralding a new society without scale—a flat marginal cost society where bigger markets will not make anything cheaper. But today, the unprecedented power of computation also favors a new kind of science where prediction can be based on sheer information retrieval, and form finding by simulation and optimization can replace deduction from mathematical formulas. Designers have been toying with machine thinking and machine learning for some time, and the apparently unfathomable complexity of the physical shapes they are now creating already expresses a new form of artificial intelligence, outside the tradition of modern science and alien to the organic logic of our mind.
Digital Architecture