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In these diatribes on the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities, Hal Foster surveys our new political economy of design. This publication explores the historical relations of modern art and modern museum, the conceptual vicissitudes of art history and visual studies, the recent travails(...)
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In these diatribes on the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities, Hal Foster surveys our new political economy of design. This publication explores the historical relations of modern art and modern museum, the conceptual vicissitudes of art history and visual studies, the recent travails(...)
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Design and crime: (and other diatribes)
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In these diatribes on the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities, Hal Foster surveys our new political economy of design. This publication explores the historical relations of modern art and modern museum, the conceptual vicissitudes of art history and visual studies, the recent travails of art criticism, and the double aftermath of modernism and postmodernism in an attempt to illuminate the conditions for critical culture in the present.
Design and crime: (and other diatribes)
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In these diatribes on the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities, Hal Foster surveys our new political economy of design. This publication explores the historical relations of modern art and modern museum, the conceptual vicissitudes of art history and visual studies, the recent travails of art criticism, and the double aftermath of modernism and postmodernism in an attempt to illuminate the conditions for critical culture in the present.
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books
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January 2011
January 2011
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Design Theory
Design Theory
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vii, 368 pages, 35 unnumbered pages of plates : illustrations (some color) ; 21 cm
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vii, 368 pages, 35 unnumbered pages of plates : illustrations (some color) ; 21 cm
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Köln : Böhlau, 1992.
Köln : Böhlau, 1992.
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Avantgarde und Publikum : zur Rezeption avantgardistischer Kunst in Deutschland 1905-1933 / herausgegeben von Henrike Junge.
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vii, 368 pages, 35 unnumbered pages of plates : illustrations (some color) ; 21 cm
Avantgarde und Publikum : zur Rezeption avantgardistischer Kunst in Deutschland 1905-1933 / herausgegeben von Henrike Junge.
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vii, 368 pages, 35 unnumbered pages of plates : illustrations (some color) ; 21 cm
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books
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Köln : Böhlau, 1992.
Köln : Böhlau, 1992.
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''John McAndrew's Modernist Vision'' tells the story of the architect, scholar, and curator John McAndrew, who played a key role in redefining modernism in the United States from the 1930s onward. The designer of the Vassar College Art Library- arguably the first modern interior on a college campus- and the curator of architecture at the Museum of Modern Art in New York(...)
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''John McAndrew's Modernist Vision'' tells the story of the architect, scholar, and curator John McAndrew, who played a key role in redefining modernism in the United States from the 1930s onward. The designer of the Vassar College Art Library- arguably the first modern interior on a college campus- and the curator of architecture at the Museum of Modern Art in New York(...)
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John McAndrew's modernist vision
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''John McAndrew's Modernist Vision'' tells the story of the architect, scholar, and curator John McAndrew, who played a key role in redefining modernism in the United States from the 1930s onward. The designer of the Vassar College Art Library- arguably the first modern interior on a college campus- and the curator of architecture at the Museum of Modern Art in New York from 1937 to 1941, McAndrew was instrumental in creating a distinct and innovative aesthetic that bridged the European modernist lineage and American regional vernacular.
John McAndrew's modernist vision
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''John McAndrew's Modernist Vision'' tells the story of the architect, scholar, and curator John McAndrew, who played a key role in redefining modernism in the United States from the 1930s onward. The designer of the Vassar College Art Library- arguably the first modern interior on a college campus- and the curator of architecture at the Museum of Modern Art in New York from 1937 to 1941, McAndrew was instrumental in creating a distinct and innovative aesthetic that bridged the European modernist lineage and American regional vernacular.
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books
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October 2018
October 2018
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Architectural Theory
Architectural Theory
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A key primer to late-twentieth century Modernism, this monograph devoted to Wayne Thom chronicles his photographic practice and the architectural and urban environment in which he worked. An innovative chronicler of the booming West Coast urbanism of the 1960s and 70s, Thom’s photographs of key projects by path-breaking architecture firms such as William Pereira &(...)
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A key primer to late-twentieth century Modernism, this monograph devoted to Wayne Thom chronicles his photographic practice and the architectural and urban environment in which he worked. An innovative chronicler of the booming West Coast urbanism of the 1960s and 70s, Thom’s photographs of key projects by path-breaking architecture firms such as William Pereira &(...)
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Wayne Thom: Photographing the late Modern
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A key primer to late-twentieth century Modernism, this monograph devoted to Wayne Thom chronicles his photographic practice and the architectural and urban environment in which he worked. An innovative chronicler of the booming West Coast urbanism of the 1960s and 70s, Thom’s photographs of key projects by path-breaking architecture firms such as William Pereira & Associates, Edward Durell Stone, SOM, Gio Ponti, John Portman, I. M. Pei, and A. Quincy Jones helped establish the idea of cool architectural glamour of the era.
Wayne Thom: Photographing the late Modern
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A key primer to late-twentieth century Modernism, this monograph devoted to Wayne Thom chronicles his photographic practice and the architectural and urban environment in which he worked. An innovative chronicler of the booming West Coast urbanism of the 1960s and 70s, Thom’s photographs of key projects by path-breaking architecture firms such as William Pereira & Associates, Edward Durell Stone, SOM, Gio Ponti, John Portman, I. M. Pei, and A. Quincy Jones helped establish the idea of cool architectural glamour of the era.
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books
books
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December 2020
December 2020
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Photography monographs
Photography monographs
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books
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160 pages : illustrations (some color) ; 29 cm
Description:
160 pages : illustrations (some color) ; 29 cm
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Princeton, N.J. : Art Museum, Princeton University : Distributed by Princeton University Press, ©1978.
Princeton, N.J. : Art Museum, Princeton University : Distributed by Princeton University Press, ©1978.
Title:
Els Quatre Gats : art in Barcelona around 1900 / Marilyn McCully.
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160 pages : illustrations (some color) ; 29 cm
Els Quatre Gats : art in Barcelona around 1900 / Marilyn McCully.
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160 pages : illustrations (some color) ; 29 cm
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Princeton, N.J. : Art Museum, Princeton University : Distributed by Princeton University Press, ©1978.
Princeton, N.J. : Art Museum, Princeton University : Distributed by Princeton University Press, ©1978.
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$49.95
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The Hamptons, New York's fashionable summer beach resorts, are well known as weekend havens for city-dwellers who relish their idyllic setting on the Atlantic shore. Once quiet agricultural land, Eastern Long Island first became popular among artists,(...)
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The Hamptons, New York's fashionable summer beach resorts, are well known as weekend havens for city-dwellers who relish their idyllic setting on the Atlantic shore. Once quiet agricultural land, Eastern Long Island first became popular among artists,(...)
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Weekend utopia : modern living in the Hamptons
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The Hamptons, New York's fashionable summer beach resorts, are well known as weekend havens for city-dwellers who relish their idyllic setting on the Atlantic shore. Once quiet agricultural land, Eastern Long Island first became popular among artists, architects, writers, and society patrons in the 1920s, when it served as a breeding ground for modernism. From the avant-garde influence of luminaries like Jackson Pollock, Robert Motherwell, and Willem de Kooning, to the high modernism of Le Corbusier, Philip Johnson, and Richard Meier, new ideas about art, architecture, and modern living transformed the Hamptons and ultimately made it the destination of choice for those seeking respite from the battles of Wall Street and Madison Avenue. In "Weekend Utopia" Alastair Gordon traces this fascinating and complicated trajectory, both in architectural terms--looking at modest beach houses and modern mansions alike--and in the life stories of the world-famous artists and designers, whose influence is felt on "The Island" even today. Over 175 photographs and illustrations detail the architecture, interiors, and nuances of these beautiful weekend homes, and provide an intimate portrait of the people who inhabit them. This book combines architectural history with a broad social perspective and paints a comprehensive picture of an area that in many ways shaped modern American culture.
Weekend utopia : modern living in the Hamptons
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The Hamptons, New York's fashionable summer beach resorts, are well known as weekend havens for city-dwellers who relish their idyllic setting on the Atlantic shore. Once quiet agricultural land, Eastern Long Island first became popular among artists, architects, writers, and society patrons in the 1920s, when it served as a breeding ground for modernism. From the avant-garde influence of luminaries like Jackson Pollock, Robert Motherwell, and Willem de Kooning, to the high modernism of Le Corbusier, Philip Johnson, and Richard Meier, new ideas about art, architecture, and modern living transformed the Hamptons and ultimately made it the destination of choice for those seeking respite from the battles of Wall Street and Madison Avenue. In "Weekend Utopia" Alastair Gordon traces this fascinating and complicated trajectory, both in architectural terms--looking at modest beach houses and modern mansions alike--and in the life stories of the world-famous artists and designers, whose influence is felt on "The Island" even today. Over 175 photographs and illustrations detail the architecture, interiors, and nuances of these beautiful weekend homes, and provide an intimate portrait of the people who inhabit them. This book combines architectural history with a broad social perspective and paints a comprehensive picture of an area that in many ways shaped modern American culture.
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books
books
Publication:
May 2001, New York
May 2001, New York
Subject:
Residential Architecture
Residential Architecture
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Arriving in the United States in 1914, Viennese-born Paul T. Frankl (1886-1958) brought with him an outsider's fresh perspective and an enthusiasm for forging a uniquely American design aesthetic. In the years between the two world wars he, more than any other designer, helped shape the distinctive look of American modernism. This authoritative book draws on an extensive(...)
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Arriving in the United States in 1914, Viennese-born Paul T. Frankl (1886-1958) brought with him an outsider's fresh perspective and an enthusiasm for forging a uniquely American design aesthetic. In the years between the two world wars he, more than any other designer, helped shape the distinctive look of American modernism. This authoritative book draws on an extensive(...)
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Paul T. Frankl and modern American design
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Arriving in the United States in 1914, Viennese-born Paul T. Frankl (1886-1958) brought with him an outsider's fresh perspective and an enthusiasm for forging a uniquely American design aesthetic. In the years between the two world wars he, more than any other designer, helped shape the distinctive look of American modernism. This authoritative book draws on an extensive collection of unpublished documents and family papers and photographs to provide the first full account of Frankl's life and ideas. The book also explores the history of modern American design and the extent of Frankl's influence on its trajectory. In the early 1920s, Frankl opened a New York City shop that became an epicentre of American modernism. Over the next decades, his work encompassed everything from individual pieces of furniture and decorative accessories to entire interiors, and his style continuously evolved, from early 'Skyscraper' furniture to relaxed and casual designs favoured by the Hollywood elite in the 1930s to manufactured pieces for the mass market in the 1950s. The book charts the impact of Frankl's ideas on merchants and consumers, on his fellow designers, and on the changing look of American homes and workplaces. With close to 170 illustrations, "Paul T. Frankl and Modern American Design" is an essential reference on 20th-century design.
Paul T. Frankl and modern American design
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Arriving in the United States in 1914, Viennese-born Paul T. Frankl (1886-1958) brought with him an outsider's fresh perspective and an enthusiasm for forging a uniquely American design aesthetic. In the years between the two world wars he, more than any other designer, helped shape the distinctive look of American modernism. This authoritative book draws on an extensive collection of unpublished documents and family papers and photographs to provide the first full account of Frankl's life and ideas. The book also explores the history of modern American design and the extent of Frankl's influence on its trajectory. In the early 1920s, Frankl opened a New York City shop that became an epicentre of American modernism. Over the next decades, his work encompassed everything from individual pieces of furniture and decorative accessories to entire interiors, and his style continuously evolved, from early 'Skyscraper' furniture to relaxed and casual designs favoured by the Hollywood elite in the 1930s to manufactured pieces for the mass market in the 1950s. The book charts the impact of Frankl's ideas on merchants and consumers, on his fellow designers, and on the changing look of American homes and workplaces. With close to 170 illustrations, "Paul T. Frankl and Modern American Design" is an essential reference on 20th-century design.
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books
books
Publication:
May 2007, New Haven / London
May 2007, New Haven / London
Subject:
Design Monographs
Design Monographs
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books
books
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$59.99
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''Prairies entrelacées'', qui réunit certains des chercheurs les plus importants dans le domaine de l'artisanat au Canada, étudie les oeuvres créées par quarante-huit artistes entre les années 1960 et 2000. Ayant retrouvé et catalogué cette histoire oubliée, cet ouvrage s'intéresse tant aux artistes de la fibre qu'aux divers centres d'études et de production textile,(...)
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''Prairies entrelacées'', qui réunit certains des chercheurs les plus importants dans le domaine de l'artisanat au Canada, étudie les oeuvres créées par quarante-huit artistes entre les années 1960 et 2000. Ayant retrouvé et catalogué cette histoire oubliée, cet ouvrage s'intéresse tant aux artistes de la fibre qu'aux divers centres d'études et de production textile,(...)
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Prairies entrelacées: Tissage, modernismes et cadre élargi (1960-2000)
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''Prairies entrelacées'', qui réunit certains des chercheurs les plus importants dans le domaine de l'artisanat au Canada, étudie les oeuvres créées par quarante-huit artistes entre les années 1960 et 2000. Ayant retrouvé et catalogué cette histoire oubliée, cet ouvrage s'intéresse tant aux artistes de la fibre qu'aux divers centres d'études et de production textile, s'attardant en particulier aux contextes de création de ces œuvres. Chercheurs autochtones, experts des techniques textiles et des Prairies canadiennes proposent une plongée fascinante dans un mouvement artistique insuffisamment documenté jusqu'à présent.
Prairies entrelacées: Tissage, modernismes et cadre élargi (1960-2000)
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''Prairies entrelacées'', qui réunit certains des chercheurs les plus importants dans le domaine de l'artisanat au Canada, étudie les oeuvres créées par quarante-huit artistes entre les années 1960 et 2000. Ayant retrouvé et catalogué cette histoire oubliée, cet ouvrage s'intéresse tant aux artistes de la fibre qu'aux divers centres d'études et de production textile, s'attardant en particulier aux contextes de création de ces œuvres. Chercheurs autochtones, experts des techniques textiles et des Prairies canadiennes proposent une plongée fascinante dans un mouvement artistique insuffisamment documenté jusqu'à présent.
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books
books
Publication:
February 2024
February 2024
Subject:
Canadian art
Canadian art
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$42.00
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One of the most prominent and prolific designers and architects of the late twentieth century, Michael Graves is best known for his popular product designs, including the world-famous Alessi whistling-bird teakettle, and controversial buildings, such as the Portland Building in Oregon, Humana Building in Kentucky, and Dolphin and Swan Hotels at Walt Disney World, Florida.(...)
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One of the most prominent and prolific designers and architects of the late twentieth century, Michael Graves is best known for his popular product designs, including the world-famous Alessi whistling-bird teakettle, and controversial buildings, such as the Portland Building in Oregon, Humana Building in Kentucky, and Dolphin and Swan Hotels at Walt Disney World, Florida.(...)
Title:
Michael Graves: design for life
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One of the most prominent and prolific designers and architects of the late twentieth century, Michael Graves is best known for his popular product designs, including the world-famous Alessi whistling-bird teakettle, and controversial buildings, such as the Portland Building in Oregon, Humana Building in Kentucky, and Dolphin and Swan Hotels at Walt Disney World, Florida. Graves was widely seen as the leading voice of postmodernist architecture, which reintroduced human scale, color, and, sometimes, playful forms into the stark white vocabulary of modernism.
Michael Graves: design for life
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One of the most prominent and prolific designers and architects of the late twentieth century, Michael Graves is best known for his popular product designs, including the world-famous Alessi whistling-bird teakettle, and controversial buildings, such as the Portland Building in Oregon, Humana Building in Kentucky, and Dolphin and Swan Hotels at Walt Disney World, Florida. Graves was widely seen as the leading voice of postmodernist architecture, which reintroduced human scale, color, and, sometimes, playful forms into the stark white vocabulary of modernism.
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books
books
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November 2017
November 2017
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books
Title:
The radicant
The radicant
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First published in English. Version française va sortir en automne 2009. French edition to follow in fall 2009. “In ordinary language, ‘modernizing’ has come to mean reducing cultural and social reality to Western formats. And today, modernism amounts to a form of complicity with colonialism and Eurocentrism. Let us bet on a modernity which, far from absurdly duplicating(...)
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First published in English. Version française va sortir en automne 2009. French edition to follow in fall 2009. “In ordinary language, ‘modernizing’ has come to mean reducing cultural and social reality to Western formats. And today, modernism amounts to a form of complicity with colonialism and Eurocentrism. Let us bet on a modernity which, far from absurdly duplicating(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
September 2008, New York/Berlin
September 2008, New York/Berlin
Title:
The radicant
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First published in English. Version française va sortir en automne 2009. French edition to follow in fall 2009. “In ordinary language, ‘modernizing’ has come to mean reducing cultural and social reality to Western formats. And today, modernism amounts to a form of complicity with colonialism and Eurocentrism. Let us bet on a modernity which, far from absurdly duplicating that of the last century, would be specific to our epoch and would echo its own problematics: an altermodernity whose issues and features this book seeks to sketch out.”
The radicant
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First published in English. Version française va sortir en automne 2009. French edition to follow in fall 2009. “In ordinary language, ‘modernizing’ has come to mean reducing cultural and social reality to Western formats. And today, modernism amounts to a form of complicity with colonialism and Eurocentrism. Let us bet on a modernity which, far from absurdly duplicating that of the last century, would be specific to our epoch and would echo its own problematics: an altermodernity whose issues and features this book seeks to sketch out.”
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books
books
Publication:
September 2008, New York/Berlin
September 2008, New York/Berlin
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
