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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to,(...)
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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to,(...)
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Exhibiting the postmodern: the 1980 Venice Architecture Biennale
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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to, often with an assumed familiarity, by people who forget that they never actually saw it themselves, the exhibition has acquired a formidable “afterlife,” as Léa-Catherine Szacka calls it. It has been in this afterlife that the exhibition came into its own.
Exhibiting the postmodern: the 1980 Venice Architecture Biennale
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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to, often with an assumed familiarity, by people who forget that they never actually saw it themselves, the exhibition has acquired a formidable “afterlife,” as Léa-Catherine Szacka calls it. It has been in this afterlife that the exhibition came into its own.
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books
books
Publication:
September 2017
September 2017
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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A garden in Venice
A garden in Venice
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An account by Frederic Eden - Gertrude Jekyll's brother-in-law and Sir Anthony Eden's great uncle - of a garden that he acquired, planted and cultivated around the turn of the 20th century. First published by "Country Life" in 1903, and reissued in France in 2002, this book is illustrated with woodcuts in the style of and period photographs, and tells the story of the(...)
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An account by Frederic Eden - Gertrude Jekyll's brother-in-law and Sir Anthony Eden's great uncle - of a garden that he acquired, planted and cultivated around the turn of the 20th century. First published by "Country Life" in 1903, and reissued in France in 2002, this book is illustrated with woodcuts in the style of and period photographs, and tells the story of the(...)
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A garden in Venice
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An account by Frederic Eden - Gertrude Jekyll's brother-in-law and Sir Anthony Eden's great uncle - of a garden that he acquired, planted and cultivated around the turn of the 20th century. First published by "Country Life" in 1903, and reissued in France in 2002, this book is illustrated with woodcuts in the style of and period photographs, and tells the story of the creation of an English garden in the most improbable site imaginable on the Giudecca. The garden became, unsurprisingly, a resort of poets and aesthetes, and, having been given to the ex-queen of Aspasia and Yugoslavia, ended up as the property of the equally mad Austrian artist Hundertwasser. Now a "monumento nazionale", the Giardino Eden is still there, but closed to the public until funds for its restoration become available. Postface by Marie-Thérèse Weal.
A garden in Venice
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An account by Frederic Eden - Gertrude Jekyll's brother-in-law and Sir Anthony Eden's great uncle - of a garden that he acquired, planted and cultivated around the turn of the 20th century. First published by "Country Life" in 1903, and reissued in France in 2002, this book is illustrated with woodcuts in the style of and period photographs, and tells the story of the creation of an English garden in the most improbable site imaginable on the Giudecca. The garden became, unsurprisingly, a resort of poets and aesthetes, and, having been given to the ex-queen of Aspasia and Yugoslavia, ended up as the property of the equally mad Austrian artist Hundertwasser. Now a "monumento nazionale", the Giardino Eden is still there, but closed to the public until funds for its restoration become available. Postface by Marie-Thérèse Weal.
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books
books
Publication:
September 2003, London
September 2003, London
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Gardens
Gardens
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Description:
76 pages ; 23 cm
Description:
76 pages ; 23 cm
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[Venezia] : Pel Picotti, [1833]
[Venezia] : Pel Picotti, [1833]
Title:
Discorsi letti nella I.R. Accademia di belle arti in Venezia per la distribuzione de' premii nell'anno 1833.
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76 pages ; 23 cm
Discorsi letti nella I.R. Accademia di belle arti in Venezia per la distribuzione de' premii nell'anno 1833.
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76 pages ; 23 cm
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books
books
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[Venezia] : Pel Picotti, [1833]
[Venezia] : Pel Picotti, [1833]
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247 pages : illustrations (black and white, and colour) ; 19 cm
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247 pages : illustrations (black and white, and colour) ; 19 cm
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Budapest : Ludwig Múzeum-Kortárs Művészeti Múzeum, 2016.
Budapest : Ludwig Múzeum-Kortárs Művészeti Múzeum, 2016.
Title:
Aektivátorok : Helyi aktív építészet : 15th International Architecture Exhibition, La Biennale di Venezia 2016 28.5-27.11, Magyar Pavilon / szerkesztő / editor: Boros Géza ; angol fordítás / English translation: Sipos Dániel = Aectivators : locally active architecture : 15th International architecture exhibition, La Biennale di Venezia 2016, 28.5-27.11, Hungarian Pavilion /
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247 pages : illustrations (black and white, and colour) ; 19 cm
Aektivátorok : Helyi aktív építészet : 15th International Architecture Exhibition, La Biennale di Venezia 2016 28.5-27.11, Magyar Pavilon / szerkesztő / editor: Boros Géza ; angol fordítás / English translation: Sipos Dániel = Aectivators : locally active architecture : 15th International architecture exhibition, La Biennale di Venezia 2016, 28.5-27.11, Hungarian Pavilion /
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247 pages : illustrations (black and white, and colour) ; 19 cm
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books
books
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Budapest : Ludwig Múzeum-Kortárs Művészeti Múzeum, 2016.
Budapest : Ludwig Múzeum-Kortárs Művészeti Múzeum, 2016.
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111 pages ; 29 cm
Description:
111 pages ; 29 cm
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Klagenfurt : Ritter, ©1997.
Klagenfurt : Ritter, ©1997.
Title:
Wolf D. Prix, Helmut Swiczinsky : Coop Himmelb(l)au Austria : from cloud to cloud, Biennale di Venezia 1996, Sixth International Exhibition of Architecture ... Sept. 15-Nov. 17, 1996.
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111 pages ; 29 cm
Wolf D. Prix, Helmut Swiczinsky : Coop Himmelb(l)au Austria : from cloud to cloud, Biennale di Venezia 1996, Sixth International Exhibition of Architecture ... Sept. 15-Nov. 17, 1996.
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111 pages ; 29 cm
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books
books
Publication:
Klagenfurt : Ritter, ©1997.
Klagenfurt : Ritter, ©1997.
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books
books
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$42.00
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Modernisation in the 20th century has deeply transformed Japanese society, bringing economic wealth and social well-being, but also increasing divisions and specialisation in society. This transformation has been increasingly questioned in recent years, and finds expression in architectural projects. The catalogue for the Japanese Pavilion at the Venice Architecture(...)
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Modernisation in the 20th century has deeply transformed Japanese society, bringing economic wealth and social well-being, but also increasing divisions and specialisation in society. This transformation has been increasingly questioned in recent years, and finds expression in architectural projects. The catalogue for the Japanese Pavilion at the Venice Architecture(...)
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
Publication:
January 2018
January 2018
Title:
Architectural ethnography: Japanese pavilion Venice Biennale 2018
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$42.00
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Summary:
Modernisation in the 20th century has deeply transformed Japanese society, bringing economic wealth and social well-being, but also increasing divisions and specialisation in society. This transformation has been increasingly questioned in recent years, and finds expression in architectural projects. The catalogue for the Japanese Pavilion at the Venice Architecture Biennale, curated by Momoyo Kaijima, one of the founders of Atelier Bow-Wow, this volume examines the role of architectural drawings in this reappraisal, as they form the basis on which a common approach in the design of individualised yet shared environments in today’s globalised society can be formulated. It proposes architectural ethnography as a methodology of social engagement.
Architectural ethnography: Japanese pavilion Venice Biennale 2018
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Modernisation in the 20th century has deeply transformed Japanese society, bringing economic wealth and social well-being, but also increasing divisions and specialisation in society. This transformation has been increasingly questioned in recent years, and finds expression in architectural projects. The catalogue for the Japanese Pavilion at the Venice Architecture Biennale, curated by Momoyo Kaijima, one of the founders of Atelier Bow-Wow, this volume examines the role of architectural drawings in this reappraisal, as they form the basis on which a common approach in the design of individualised yet shared environments in today’s globalised society can be formulated. It proposes architectural ethnography as a methodology of social engagement.
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books
books
Publication:
January 2018
January 2018
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
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books
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3 volumes : illustrations (some color) ; 22 cm
Description:
3 volumes : illustrations (some color) ; 22 cm
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Publication:
Venezia : Marsilio, 2014.
Venezia : Marsilio, 2014.
Title:
Innesti/Grafting : Padiglione Italia, 14. Mostra Internazionale di Architettura la Biennale di Venezia / [a cura di Cino Zucchi, Nina Bassoli].
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3 volumes : illustrations (some color) ; 22 cm
Innesti/Grafting : Padiglione Italia, 14. Mostra Internazionale di Architettura la Biennale di Venezia / [a cura di Cino Zucchi, Nina Bassoli].
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3 volumes : illustrations (some color) ; 22 cm
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books
books
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Venezia : Marsilio, 2014.
Venezia : Marsilio, 2014.
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44 pages, 168 unnumbered pages : chiefly illustrations ; 27 cm
Description:
44 pages, 168 unnumbered pages : chiefly illustrations ; 27 cm
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Publication:
Istanbul, Turkey : Istanbul Foundation for Culture and Arts, [2016]
Istanbul, Turkey : Istanbul Foundation for Culture and Arts, [2016]
Title:
Darzanà : iki tersane, bir vasıta = two arsenals, one vessel / coordinating editor, Feride Çiçekoğlu ; visual editor, Gökçen Erkılıç ; photographs, Cemal Emden.
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44 pages, 168 unnumbered pages : chiefly illustrations ; 27 cm
Darzanà : iki tersane, bir vasıta = two arsenals, one vessel / coordinating editor, Feride Çiçekoğlu ; visual editor, Gökçen Erkılıç ; photographs, Cemal Emden.
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44 pages, 168 unnumbered pages : chiefly illustrations ; 27 cm
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books
books
Publication:
Istanbul, Turkey : Istanbul Foundation for Culture and Arts, [2016]
Istanbul, Turkey : Istanbul Foundation for Culture and Arts, [2016]
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14 pages ; 23 cm
Description:
14 pages ; 23 cm
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[Italy?] : [publisher not identified], [1812?]
[Italy?] : [publisher not identified], [1812?]
Title:
Regolamento disciplinale per l'esecuzione del Reale Decreto 15 agosto 1812.
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14 pages ; 23 cm
Regolamento disciplinale per l'esecuzione del Reale Decreto 15 agosto 1812.
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14 pages ; 23 cm
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books
books
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[Italy?] : [publisher not identified], [1812?]
[Italy?] : [publisher not identified], [1812?]
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Form:
audio
audio
Title:
Ocean Nation.
Ocean Nation.
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1 online resource.
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Publication:
[Place of publication not identified] : TBA21-Academy, 2021.
[Place of publication not identified] : TBA21-Academy, 2021.
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audio
audio
Publication:
[Place of publication not identified] : TBA21-Academy, 2021.
[Place of publication not identified] : TBA21-Academy, 2021.
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