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$66.95
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Robert Smithson: Art In Continual Movement is a seminal compilation of material from different archives in the Netherlands and the US: photographs, film recordings, drawings, texts and letters dealing with the famous land art work Broken Circle/Spiral Hill in Emmen, Drenthe (Netherlands), which Robert Smithson designed in 1971 for the exhibition Sonsbeek buiten de perken.(...)
$66.95
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Summary:
Robert Smithson: Art In Continual Movement is a seminal compilation of material from different archives in the Netherlands and the US: photographs, film recordings, drawings, texts and letters dealing with the famous land art work Broken Circle/Spiral Hill in Emmen, Drenthe (Netherlands), which Robert Smithson designed in 1971 for the exhibition Sonsbeek buiten de perken.(...)
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Robert Smithson : art in continual movement
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$66.95
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Robert Smithson: Art In Continual Movement is a seminal compilation of material from different archives in the Netherlands and the US: photographs, film recordings, drawings, texts and letters dealing with the famous land art work Broken Circle/Spiral Hill in Emmen, Drenthe (Netherlands), which Robert Smithson designed in 1971 for the exhibition Sonsbeek buiten de perken. This is one of only three preserved land art works of Smithson worldwide. The significance of this particular art work has been relatively neglected in the extensive literature on Smithson’s work, nevertheless, it is one of his key works.
Robert Smithson : art in continual movement
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Robert Smithson: Art In Continual Movement is a seminal compilation of material from different archives in the Netherlands and the US: photographs, film recordings, drawings, texts and letters dealing with the famous land art work Broken Circle/Spiral Hill in Emmen, Drenthe (Netherlands), which Robert Smithson designed in 1971 for the exhibition Sonsbeek buiten de perken. This is one of only three preserved land art works of Smithson worldwide. The significance of this particular art work has been relatively neglected in the extensive literature on Smithson’s work, nevertheless, it is one of his key works.
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books
books
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December 2012
December 2012
Subject:
Land Art
Land Art
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books
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$63.95
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Robert Smithson (1938–1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In "Robert Smithson", Ann Reynolds elucidates the complexity of Smithson’s work and thought by placing them in(...)
$63.95
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Robert Smithson (1938–1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In "Robert Smithson", Ann Reynolds elucidates the complexity of Smithson’s work and thought by placing them in(...)
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November 2002, Cambridge, Mass.
November 2002, Cambridge, Mass.
Title:
Robert Smithson : learning from New Jersey and elsewhere
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Robert Smithson (1938–1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In "Robert Smithson", Ann Reynolds elucidates the complexity of Smithson’s work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson’s widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of Smithson’s working life--magazines, postcards from other artists, notebooks, and perhaps most important, his library--from which she reconstructs the physical and conceptual world that Smithson inhabited. Reynolds explores the relation of Smithson’s art-making, thinking about art-making, writing, and interaction with other artists to the articulated ideology and discreet assumptions that determined the parameters of artistic practice of the time. A central focus of Reynolds’s analysis is Smithson’s fascination with the blind spots at the center of established ways of seeing and thinking about culture. For Smithson, New Jersey was such a blind spot, and he returned there again and again, alone and with fellow artists, to make art that, through its location alone, undermined assumptions about what and, more important, where, art should be. For those who guarded the integrity of the established art world, New Jersey was "elsewhere"; but for Smithson, "elsewheres" were the defining, if often forgotten, locations on the map of contemporary culture.
Robert Smithson : learning from New Jersey and elsewhere
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Robert Smithson (1938–1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In "Robert Smithson", Ann Reynolds elucidates the complexity of Smithson’s work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson’s widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of Smithson’s working life--magazines, postcards from other artists, notebooks, and perhaps most important, his library--from which she reconstructs the physical and conceptual world that Smithson inhabited. Reynolds explores the relation of Smithson’s art-making, thinking about art-making, writing, and interaction with other artists to the articulated ideology and discreet assumptions that determined the parameters of artistic practice of the time. A central focus of Reynolds’s analysis is Smithson’s fascination with the blind spots at the center of established ways of seeing and thinking about culture. For Smithson, New Jersey was such a blind spot, and he returned there again and again, alone and with fellow artists, to make art that, through its location alone, undermined assumptions about what and, more important, where, art should be. For those who guarded the integrity of the established art world, New Jersey was "elsewhere"; but for Smithson, "elsewheres" were the defining, if often forgotten, locations on the map of contemporary culture.
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books
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November 2002, Cambridge, Mass.
November 2002, Cambridge, Mass.
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240 pages : illustrations (some color), plans ; 29 cm + 1 CD-ROM (4 3/4 in.)
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240 pages : illustrations (some color), plans ; 29 cm + 1 CD-ROM (4 3/4 in.)
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New York : W.W. Norton, ©2006.
New York : W.W. Norton, ©2006.
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Key houses of the twentieth century : plans, sections and elevations / Colin Davies.
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240 pages : illustrations (some color), plans ; 29 cm + 1 CD-ROM (4 3/4 in.)
Key houses of the twentieth century : plans, sections and elevations / Colin Davies.
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240 pages : illustrations (some color), plans ; 29 cm + 1 CD-ROM (4 3/4 in.)
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books
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New York : W.W. Norton, ©2006.
New York : W.W. Norton, ©2006.
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1 online resource
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[Place of publication not identified] : Primary Information, 2012., [Place of publication not identified] : Seth Siegelaub, 2012.
[Place of publication not identified] : Primary Information, 2012., [Place of publication not identified] : Seth Siegelaub, 2012.
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books
books
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[Place of publication not identified] : Primary Information, 2012., [Place of publication not identified] : Seth Siegelaub, 2012.
[Place of publication not identified] : Primary Information, 2012., [Place of publication not identified] : Seth Siegelaub, 2012.
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$105.00
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"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of(...)
$105.00
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Summary:
"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of(...)
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Robert Smithson and the American landscape
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"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of modernist sense of art and nature. Moreover, Graziani shows how Smithson’s earthworks formed part of what was called the ‘new conservationism’ in the late 1960s and how they gave material form to the contradictions of a sociological issue that was inseparable from its economic legacy.
Robert Smithson and the American landscape
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"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of modernist sense of art and nature. Moreover, Graziani shows how Smithson’s earthworks formed part of what was called the ‘new conservationism’ in the late 1960s and how they gave material form to the contradictions of a sociological issue that was inseparable from its economic legacy.
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books
books
Publication:
May 2004, Cambridge / New York
May 2004, Cambridge / New York
Subject:
Land Art
Land Art
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books
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Bureau for Open Culture 2013
Bureau for Open Culture 2013
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books
books
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Bureau for Open Culture 2013
Bureau for Open Culture 2013
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$36.00
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Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. The government refused to give it protection as a historic building despite widespread public support for its retention. This book uncovers(...)
$36.00
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Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. The government refused to give it protection as a historic building despite widespread public support for its retention. This book uncovers(...)
Title:
Robin Hood Gardens re-visions: Alison and Peter Smithson
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Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. The government refused to give it protection as a historic building despite widespread public support for its retention. This book uncovers the history of the project, arguing for its historical and architectural significance and for its future role in local housing provision. It includes support from architects Richard Rogers and Zaha Hadid, with previously unpublished text and pictures by Alison + Peter Smithson and photographs by Sandra Lousada and Ioana Marinescu. With contributions by: Catherine Croft, Alan Powers, Dirk van den Heuvel, Ken Baker, Simon Smithson, Amanda Baillieu, Zaha Hadid, Sir Stuart Lipton, Peter St John, Neil Jackson, Deborah Saunt, Richard Rogers, Ann Power, Dan Cruickshank
Robin Hood Gardens re-visions: Alison and Peter Smithson
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$36.00
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Summary:
Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. The government refused to give it protection as a historic building despite widespread public support for its retention. This book uncovers the history of the project, arguing for its historical and architectural significance and for its future role in local housing provision. It includes support from architects Richard Rogers and Zaha Hadid, with previously unpublished text and pictures by Alison + Peter Smithson and photographs by Sandra Lousada and Ioana Marinescu. With contributions by: Catherine Croft, Alan Powers, Dirk van den Heuvel, Ken Baker, Simon Smithson, Amanda Baillieu, Zaha Hadid, Sir Stuart Lipton, Peter St John, Neil Jackson, Deborah Saunt, Richard Rogers, Ann Power, Dan Cruickshank
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$60.00
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The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture(...)
$60.00
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Summary:
The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture(...)
Title:
Not quite architecture: writing around Alison and Peter Smithson
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The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture and urbanism and also take up subjects that are “not quite architecture” (the name of a series of articles written by Alison Smithson for the Architects’ Journal)—including fashion design, graphic communication, and children’s tales. In this book, M. Christine Boyer explores the Smithsons’ writings—books, articles, lectures, unpublished manuscripts, and private papers. She focuses on unpublished material, reading the letter, the scribbled note, the undelivered lecture, the scrapbook, the “magic box,” as words in the language of modern architectural history—especially that of postwar England, where the Smithsons and other architects were at the center of the richest possible range of cultural encounters. Boyer is “writing around” the Smithsons’ work by considering the cultural contexts in which they formed and wrote about their ideas.
Not quite architecture: writing around Alison and Peter Smithson
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Summary:
The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture and urbanism and also take up subjects that are “not quite architecture” (the name of a series of articles written by Alison Smithson for the Architects’ Journal)—including fashion design, graphic communication, and children’s tales. In this book, M. Christine Boyer explores the Smithsons’ writings—books, articles, lectures, unpublished manuscripts, and private papers. She focuses on unpublished material, reading the letter, the scribbled note, the undelivered lecture, the scrapbook, the “magic box,” as words in the language of modern architectural history—especially that of postwar England, where the Smithsons and other architects were at the center of the richest possible range of cultural encounters. Boyer is “writing around” the Smithsons’ work by considering the cultural contexts in which they formed and wrote about their ideas.
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books
books
Publication:
March 2017
March 2017
Subject:
Architectural Theory
Architectural Theory
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xcv, 512 pages : illustrations (black and white), plans ; 25 cm
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xcv, 512 pages : illustrations (black and white), plans ; 25 cm
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Abingdon, Oxon ; New York : Routledge, 2022., ©2022
Abingdon, Oxon ; New York : Routledge, 2022., ©2022
Title:
The Routledge companion to architectural drawings and models : from translating to archiving, collecting and displaying / edited by Federica Goffi.
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xcv, 512 pages : illustrations (black and white), plans ; 25 cm
The Routledge companion to architectural drawings and models : from translating to archiving, collecting and displaying / edited by Federica Goffi.
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xcv, 512 pages : illustrations (black and white), plans ; 25 cm
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books
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Abingdon, Oxon ; New York : Routledge, 2022., ©2022
Abingdon, Oxon ; New York : Routledge, 2022., ©2022
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$64.95
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"The space between" is the third part of the collected works of the legendary English Brutalist architects Alison (1928–93) and Peter Smithson (1923–2003), a complement to the volumes The Charged Void: Architecture and The Charged Void: Urbanism (respectively published in 2001 and 2005). While the Charged Void books dealt with both the built and unbuilt projects of the(...)
$64.95
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Summary:
"The space between" is the third part of the collected works of the legendary English Brutalist architects Alison (1928–93) and Peter Smithson (1923–2003), a complement to the volumes The Charged Void: Architecture and The Charged Void: Urbanism (respectively published in 2001 and 2005). While the Charged Void books dealt with both the built and unbuilt projects of the(...)
Title:
Alison and Peter Smithson: the space between
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"The space between" is the third part of the collected works of the legendary English Brutalist architects Alison (1928–93) and Peter Smithson (1923–2003), a complement to the volumes The Charged Void: Architecture and The Charged Void: Urbanism (respectively published in 2001 and 2005). While the Charged Void books dealt with both the built and unbuilt projects of the Smithsons, supplemented with brief commentary, The Space Between is a richly illustrated text book on the architects, with drawings and photographs mostly by the Smithsons themselves. It can be considered a summary of their thinking as architects that spans the entirety of their career, attempting to grasp the identity of places through the observation of everyday life, developing what they liked to call “a sensibility of place.”
Alison and Peter Smithson: the space between
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$64.95
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"The space between" is the third part of the collected works of the legendary English Brutalist architects Alison (1928–93) and Peter Smithson (1923–2003), a complement to the volumes The Charged Void: Architecture and The Charged Void: Urbanism (respectively published in 2001 and 2005). While the Charged Void books dealt with both the built and unbuilt projects of the Smithsons, supplemented with brief commentary, The Space Between is a richly illustrated text book on the architects, with drawings and photographs mostly by the Smithsons themselves. It can be considered a summary of their thinking as architects that spans the entirety of their career, attempting to grasp the identity of places through the observation of everyday life, developing what they liked to call “a sensibility of place.”
Form:
books
books
Publication:
May 2017
May 2017
Subject:
Architecture Monographs
Architecture Monographs
