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Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. The government refused to give it protection as a historic building despite widespread public support for its retention. This book uncovers(...)
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Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. The government refused to give it protection as a historic building despite widespread public support for its retention. This book uncovers(...)
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Robin Hood Gardens re-visions: Alison and Peter Smithson
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Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. The government refused to give it protection as a historic building despite widespread public support for its retention. This book uncovers the history of the project, arguing for its historical and architectural significance and for its future role in local housing provision. It includes support from architects Richard Rogers and Zaha Hadid, with previously unpublished text and pictures by Alison + Peter Smithson and photographs by Sandra Lousada and Ioana Marinescu. With contributions by: Catherine Croft, Alan Powers, Dirk van den Heuvel, Ken Baker, Simon Smithson, Amanda Baillieu, Zaha Hadid, Sir Stuart Lipton, Peter St John, Neil Jackson, Deborah Saunt, Richard Rogers, Ann Power, Dan Cruickshank
Robin Hood Gardens re-visions: Alison and Peter Smithson
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Summary:
Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. The government refused to give it protection as a historic building despite widespread public support for its retention. This book uncovers the history of the project, arguing for its historical and architectural significance and for its future role in local housing provision. It includes support from architects Richard Rogers and Zaha Hadid, with previously unpublished text and pictures by Alison + Peter Smithson and photographs by Sandra Lousada and Ioana Marinescu. With contributions by: Catherine Croft, Alan Powers, Dirk van den Heuvel, Ken Baker, Simon Smithson, Amanda Baillieu, Zaha Hadid, Sir Stuart Lipton, Peter St John, Neil Jackson, Deborah Saunt, Richard Rogers, Ann Power, Dan Cruickshank
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books
books
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October 2010
October 2010
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$60.00
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The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture(...)
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The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture(...)
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Not quite architecture: writing around Alison and Peter Smithson
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The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture and urbanism and also take up subjects that are “not quite architecture” (the name of a series of articles written by Alison Smithson for the Architects’ Journal)—including fashion design, graphic communication, and children’s tales. In this book, M. Christine Boyer explores the Smithsons’ writings—books, articles, lectures, unpublished manuscripts, and private papers. She focuses on unpublished material, reading the letter, the scribbled note, the undelivered lecture, the scrapbook, the “magic box,” as words in the language of modern architectural history—especially that of postwar England, where the Smithsons and other architects were at the center of the richest possible range of cultural encounters. Boyer is “writing around” the Smithsons’ work by considering the cultural contexts in which they formed and wrote about their ideas.
Not quite architecture: writing around Alison and Peter Smithson
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Summary:
The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture and urbanism and also take up subjects that are “not quite architecture” (the name of a series of articles written by Alison Smithson for the Architects’ Journal)—including fashion design, graphic communication, and children’s tales. In this book, M. Christine Boyer explores the Smithsons’ writings—books, articles, lectures, unpublished manuscripts, and private papers. She focuses on unpublished material, reading the letter, the scribbled note, the undelivered lecture, the scrapbook, the “magic box,” as words in the language of modern architectural history—especially that of postwar England, where the Smithsons and other architects were at the center of the richest possible range of cultural encounters. Boyer is “writing around” the Smithsons’ work by considering the cultural contexts in which they formed and wrote about their ideas.
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books
books
Publication:
March 2017
March 2017
Subject:
Architectural Theory
Architectural Theory
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books
books
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$64.95
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Summary:
"The space between" is the third part of the collected works of the legendary English Brutalist architects Alison (1928–93) and Peter Smithson (1923–2003), a complement to the volumes The Charged Void: Architecture and The Charged Void: Urbanism (respectively published in 2001 and 2005). While the Charged Void books dealt with both the built and unbuilt projects of the(...)
$64.95
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Summary:
"The space between" is the third part of the collected works of the legendary English Brutalist architects Alison (1928–93) and Peter Smithson (1923–2003), a complement to the volumes The Charged Void: Architecture and The Charged Void: Urbanism (respectively published in 2001 and 2005). While the Charged Void books dealt with both the built and unbuilt projects of the(...)
Title:
Alison and Peter Smithson: the space between
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"The space between" is the third part of the collected works of the legendary English Brutalist architects Alison (1928–93) and Peter Smithson (1923–2003), a complement to the volumes The Charged Void: Architecture and The Charged Void: Urbanism (respectively published in 2001 and 2005). While the Charged Void books dealt with both the built and unbuilt projects of the Smithsons, supplemented with brief commentary, The Space Between is a richly illustrated text book on the architects, with drawings and photographs mostly by the Smithsons themselves. It can be considered a summary of their thinking as architects that spans the entirety of their career, attempting to grasp the identity of places through the observation of everyday life, developing what they liked to call “a sensibility of place.”
Alison and Peter Smithson: the space between
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$64.95
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Summary:
"The space between" is the third part of the collected works of the legendary English Brutalist architects Alison (1928–93) and Peter Smithson (1923–2003), a complement to the volumes The Charged Void: Architecture and The Charged Void: Urbanism (respectively published in 2001 and 2005). While the Charged Void books dealt with both the built and unbuilt projects of the Smithsons, supplemented with brief commentary, The Space Between is a richly illustrated text book on the architects, with drawings and photographs mostly by the Smithsons themselves. It can be considered a summary of their thinking as architects that spans the entirety of their career, attempting to grasp the identity of places through the observation of everyday life, developing what they liked to call “a sensibility of place.”
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books
books
Publication:
May 2017
May 2017
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$56.00
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Summary:
Robert Smithson (1938–1973), an artist of paramount importance in postwar America, created radical new perspectives for landscape architecture, photography, art criticism, and site-specific installation. His Spiral Jetty - a 1,500-foot-long coil of rock built in 1970 at the edge of the Great Salt Lake - is widely appreciated as one of the most significant art projects of(...)
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Summary:
Robert Smithson (1938–1973), an artist of paramount importance in postwar America, created radical new perspectives for landscape architecture, photography, art criticism, and site-specific installation. His Spiral Jetty - a 1,500-foot-long coil of rock built in 1970 at the edge of the Great Salt Lake - is widely appreciated as one of the most significant art projects of(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
April 2004, New Haven / London
April 2004, New Haven / London
Title:
Mirror-Travels : Robert Smithson and history
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Robert Smithson (1938–1973), an artist of paramount importance in postwar America, created radical new perspectives for landscape architecture, photography, art criticism, and site-specific installation. His Spiral Jetty - a 1,500-foot-long coil of rock built in 1970 at the edge of the Great Salt Lake - is widely appreciated as one of the most significant art projects of the twentieth century. Less well known is the connection between the Jetty and the nearby Golden Spike National Historic Site, location of the completion of the first U.S. transcontinental railroad. The link between these two monuments is but one facet of an entire complex of historical reference and reflection that structures Smithson’s work. Mirror-Travels encompasses the full span of Smithson’s career, offering a close analysis of the artist’s working model of history and featuring comprehensive case studies of three of his most influential works: The Monuments of Passaic, Incidents of Mirror-Travel in the Yucatan, and the Spiral Jetty. Incorporating abundant new material from Smithson’s personal papers and library, Jennifer Roberts offers surprising new interpretations about the artist and his responses to the social, ideological, and material contradictions of his time.
Mirror-Travels : Robert Smithson and history
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Summary:
Robert Smithson (1938–1973), an artist of paramount importance in postwar America, created radical new perspectives for landscape architecture, photography, art criticism, and site-specific installation. His Spiral Jetty - a 1,500-foot-long coil of rock built in 1970 at the edge of the Great Salt Lake - is widely appreciated as one of the most significant art projects of the twentieth century. Less well known is the connection between the Jetty and the nearby Golden Spike National Historic Site, location of the completion of the first U.S. transcontinental railroad. The link between these two monuments is but one facet of an entire complex of historical reference and reflection that structures Smithson’s work. Mirror-Travels encompasses the full span of Smithson’s career, offering a close analysis of the artist’s working model of history and featuring comprehensive case studies of three of his most influential works: The Monuments of Passaic, Incidents of Mirror-Travel in the Yucatan, and the Spiral Jetty. Incorporating abundant new material from Smithson’s personal papers and library, Jennifer Roberts offers surprising new interpretations about the artist and his responses to the social, ideological, and material contradictions of his time.
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books
books
Publication:
April 2004, New Haven / London
April 2004, New Haven / London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Key urban housing of the twentieth century : plans, sections, and elevations / Hilary French.
Key urban housing of the twentieth century : plans, sections, and elevations / Hilary French.
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240 pages : illustrations (chiefly color), plans (some color), maps ; 29 cm + 1 CD-ROM (4 3/4 in.)
Description:
240 pages : illustrations (chiefly color), plans (some color), maps ; 29 cm + 1 CD-ROM (4 3/4 in.)
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New York : W.W. Norton, 2008.
New York : W.W. Norton, 2008.
Title:
Key urban housing of the twentieth century : plans, sections, and elevations / Hilary French.
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240 pages : illustrations (chiefly color), plans (some color), maps ; 29 cm + 1 CD-ROM (4 3/4 in.)
Key urban housing of the twentieth century : plans, sections, and elevations / Hilary French.
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240 pages : illustrations (chiefly color), plans (some color), maps ; 29 cm + 1 CD-ROM (4 3/4 in.)
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books
books
Publication:
New York : W.W. Norton, 2008.
New York : W.W. Norton, 2008.
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$39.95
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Summary:
The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the(...)
$39.95
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Summary:
The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the(...)
Title:
Earthwards. Robert Smithson and art after Babel
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The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the limitations of the museum prefigures key themes in postmodern criticism while underscoring the uniqueness of Smithson's own work as an artist, filmmaker, and writer. Gary Shapiro's elegant and incisive study of Smithson's career is the first book to address the full range of the artist's dazzling virtuosity. Ranging from Smithson's best known works such as Spiral Jetty and Partially Buried Woodshed to his photographs, films, and theoretical readings and writings, Shapiro's masterful book analyzes Smithson's art in relation to the legacy of American art of the 1960s and central philosophical themes in its contemporary reception.
Earthwards. Robert Smithson and art after Babel
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$39.95
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Summary:
The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the limitations of the museum prefigures key themes in postmodern criticism while underscoring the uniqueness of Smithson's own work as an artist, filmmaker, and writer. Gary Shapiro's elegant and incisive study of Smithson's career is the first book to address the full range of the artist's dazzling virtuosity. Ranging from Smithson's best known works such as Spiral Jetty and Partially Buried Woodshed to his photographs, films, and theoretical readings and writings, Shapiro's masterful book analyzes Smithson's art in relation to the legacy of American art of the 1960s and central philosophical themes in its contemporary reception.
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books
books
Publication:
November 1997
November 1997
Subject:
Land Art
Land Art
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
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Publication:
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Title:
An unfinished ... encyclopedia of ... scale figures without ... architecture / edited by Michael Meredith, Hilary Sample & MOS.
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
An unfinished ... encyclopedia of ... scale figures without ... architecture / edited by Michael Meredith, Hilary Sample & MOS.
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
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books
books
Publication:
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
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$56.95
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Summary:
This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the(...)
$56.95
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Summary:
This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the(...)
Title:
Allan Kaprow, Robert Smithson, and the limits of art
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This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits.
Allan Kaprow, Robert Smithson, and the limits of art
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$56.95
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Summary:
This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits.
Form:
books
books
Publication:
January 2014
January 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Alison and Peter Smithson
Alison and Peter Smithson
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$54.00
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Summary:
Structured thematically and chronologically, this publication gives a compact narrative of the Smithsons' work and ideas. As well as all of the major buildings - including the Economist complex, the Garden building at St Hilda's College, and the Robin Hood Gardens estate - the book also discusses unbuilt projects, including substantial work for the British embassy at(...)
$54.00
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Summary:
Structured thematically and chronologically, this publication gives a compact narrative of the Smithsons' work and ideas. As well as all of the major buildings - including the Economist complex, the Garden building at St Hilda's College, and the Robin Hood Gardens estate - the book also discusses unbuilt projects, including substantial work for the British embassy at(...)
Title:
Alison and Peter Smithson
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$54.00
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Structured thematically and chronologically, this publication gives a compact narrative of the Smithsons' work and ideas. As well as all of the major buildings - including the Economist complex, the Garden building at St Hilda's College, and the Robin Hood Gardens estate - the book also discusses unbuilt projects, including substantial work for the British embassy at Brasilia and the Kuwait mat-building. It culminates with the less well-known factory additions, museum and house for Axel Bruchhäuser, a furniture manufacturer in Germany.
Alison and Peter Smithson
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Structured thematically and chronologically, this publication gives a compact narrative of the Smithsons' work and ideas. As well as all of the major buildings - including the Economist complex, the Garden building at St Hilda's College, and the Robin Hood Gardens estate - the book also discusses unbuilt projects, including substantial work for the British embassy at Brasilia and the Kuwait mat-building. It culminates with the less well-known factory additions, museum and house for Axel Bruchhäuser, a furniture manufacturer in Germany.
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books
books
Publication:
September 2018
September 2018
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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viii,420p : ill. (some col.) ; 30cm
Description:
viii,420p : ill. (some col.) ; 30cm
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Publication:
New Haven, Conn. ; London : Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1993.
New Haven, Conn. ; London : Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1993.
Title:
Tower block : modern public housing in England, Scotland, Wales, and Northern Ireland / Miles Glendinning and Stefan Muthesius.
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viii,420p : ill. (some col.) ; 30cm
Tower block : modern public housing in England, Scotland, Wales, and Northern Ireland / Miles Glendinning and Stefan Muthesius.
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Description:
viii,420p : ill. (some col.) ; 30cm
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books
books
Publication:
New Haven, Conn. ; London : Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1993.
New Haven, Conn. ; London : Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1993.
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