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Description:
vii, 353 pages : illustrations (some color) ; 27 cm
Description:
vii, 353 pages : illustrations (some color) ; 27 cm
Subject:
- Walpole, Horace, 1717-1797 Art collections.,
- Walpole, Horace, 1717-1797,
- Walpole, Horace 1717-1797,
- Walpole, Horace.,
- Strawberry Hill (Twickenham, Londres, Angleterre),
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Art Collectors and collecting England London.,
- Art Collectionneurs et collections Angleterre Londres.,
- Art Collectors and collecting,
- Art Private collections,
- Bildband,
- Kunst,
- Kunstkritik,
- Malerei,
- Ästhetik,
- Kunstverzamelaars.,
- Strawberry Hill (Twickenham, London, England),
- England Richmond upon Thames Strawberry Hill (Twickenham),
- England London,
- England
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Publication:
New Haven : Yale University Press, ©2001.
New Haven : Yale University Press, ©2001.
Title:
The prime minister of taste : a portrait of Horace Walpole / Morris R. Brownell.
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Description:
vii, 353 pages : illustrations (some color) ; 27 cm
The prime minister of taste : a portrait of Horace Walpole / Morris R. Brownell.
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Description:
vii, 353 pages : illustrations (some color) ; 27 cm
Form:
books
books
Publication:
New Haven : Yale University Press, ©2001.
New Haven : Yale University Press, ©2001.
Subject:
- Walpole, Horace, 1717-1797 Art collections.,
- Walpole, Horace, 1717-1797,
- Walpole, Horace 1717-1797,
- Walpole, Horace.,
- Strawberry Hill (Twickenham, Londres, Angleterre),
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Art Collectors and collecting England London.,
- Art Collectionneurs et collections Angleterre Londres.,
- Art Collectors and collecting,
- Art Private collections,
- Bildband,
- Kunst,
- Kunstkritik,
- Malerei,
- Ästhetik,
- Kunstverzamelaars.,
- Strawberry Hill (Twickenham, London, England),
- England Richmond upon Thames Strawberry Hill (Twickenham),
- England London,
- England
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$49.95
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Summary:
Publiés initialement dans Architectural Design entre 1973 et 1975, la série des sept articles intitulée Collective Design rappelle l’essence collective de l’architecture. Au constat d’une fragmentation culturelle de la société jugée inéluctable, les Smithson interrogent la dimension politique de leur travail à un moment charnière de leur carrière. | Between 1973 and 1975,(...)
$49.95
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Summary:
Publiés initialement dans Architectural Design entre 1973 et 1975, la série des sept articles intitulée Collective Design rappelle l’essence collective de l’architecture. Au constat d’une fragmentation culturelle de la société jugée inéluctable, les Smithson interrogent la dimension politique de leur travail à un moment charnière de leur carrière. | Between 1973 and 1975,(...)
Title:
Collective Design : Alison & Peter Smithson
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$49.95
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Summary:
Publiés initialement dans Architectural Design entre 1973 et 1975, la série des sept articles intitulée Collective Design rappelle l’essence collective de l’architecture. Au constat d’une fragmentation culturelle de la société jugée inéluctable, les Smithson interrogent la dimension politique de leur travail à un moment charnière de leur carrière. | Between 1973 and 1975, Alison and Peter Smithson, published a series of seven articles in Architectural Design questioning the unity of the architectural form, as well as their commitment as architects. In recognition of the inevitable cultural fragmentation of society, they question the collective dimension of their work and their relationship with the community.
Collective Design : Alison & Peter Smithson
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$49.95
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Summary:
Publiés initialement dans Architectural Design entre 1973 et 1975, la série des sept articles intitulée Collective Design rappelle l’essence collective de l’architecture. Au constat d’une fragmentation culturelle de la société jugée inéluctable, les Smithson interrogent la dimension politique de leur travail à un moment charnière de leur carrière. | Between 1973 and 1975, Alison and Peter Smithson, published a series of seven articles in Architectural Design questioning the unity of the architectural form, as well as their commitment as architects. In recognition of the inevitable cultural fragmentation of society, they question the collective dimension of their work and their relationship with the community.
Subject:
Architectural Theory
Architectural Theory
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books
books
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Description:
233, [7] pages : illustrations (some color) ; 29 cm + 1 CD-ROM (4 3/4 in.)
Description:
233, [7] pages : illustrations (some color) ; 29 cm + 1 CD-ROM (4 3/4 in.)
Subject:
- Architectural drawing 20th century Computer-aided design.,
- Architecture, Modern 21st century Designs and plans.,
- Buildings History 20th century Designs and plans.,
- Dessin d'architecture 20e siècle Conception assistée par ordinateur.,
- Constructions Histoire 20e siècle Dessins et plans.,
- Architecture 21e siècle Dessins et plans.,
- Buildings,
- Architectural drawing Computer-aided design,
- Architecture, Modern,
- Architecture.,
- Dessin d'architecture.,
- Plan d'architecture.,
- 20e siècle.,
- Compact discs.,
- Optical disks.,
- CD-ROMs.,
- architectural drawings (visual works),
- History,
- Architectural drawings,
- Dessins d'architecture.
(See more)
Publication:
New York : W.W. Norton, ©2004.
New York : W.W. Norton, ©2004.
Title:
Key buildings of the twentieth century : plans, sections, and elevations / Richard Weston.
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233, [7] pages : illustrations (some color) ; 29 cm + 1 CD-ROM (4 3/4 in.)
Key buildings of the twentieth century : plans, sections, and elevations / Richard Weston.
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Description:
233, [7] pages : illustrations (some color) ; 29 cm + 1 CD-ROM (4 3/4 in.)
Form:
books
books
Publication:
New York : W.W. Norton, ©2004.
New York : W.W. Norton, ©2004.
Subject:
- Architectural drawing 20th century Computer-aided design.,
- Architecture, Modern 21st century Designs and plans.,
- Buildings History 20th century Designs and plans.,
- Dessin d'architecture 20e siècle Conception assistée par ordinateur.,
- Constructions Histoire 20e siècle Dessins et plans.,
- Architecture 21e siècle Dessins et plans.,
- Buildings,
- Architectural drawing Computer-aided design,
- Architecture, Modern,
- Architecture.,
- Dessin d'architecture.,
- Plan d'architecture.,
- 20e siècle.,
- Compact discs.,
- Optical disks.,
- CD-ROMs.,
- architectural drawings (visual works),
- History,
- Architectural drawings,
- Dessins d'architecture.
(See more)
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books
books
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Description:
366 pages : illustrations ; 23 cm.
Description:
366 pages : illustrations ; 23 cm.
Subject:
Publication:
Bielefeld : Transcript, [2014], ©2014
Bielefeld : Transcript, [2014], ©2014
Title:
Wohnen zeigen : Modelle und Akteure des Wohnens in Architektur und visueller Kultur / Irene Nierhaus, Andreas Nierhaus (Hg.) ; Redaktion: Johanna Hartmann.
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366 pages : illustrations ; 23 cm.
Wohnen zeigen : Modelle und Akteure des Wohnens in Architektur und visueller Kultur / Irene Nierhaus, Andreas Nierhaus (Hg.) ; Redaktion: Johanna Hartmann.
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366 pages : illustrations ; 23 cm.
Form:
books
books
Publication:
Bielefeld : Transcript, [2014], ©2014
Bielefeld : Transcript, [2014], ©2014
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$66.95
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Summary:
Robert Smithson: Art In Continual Movement is a seminal compilation of material from different archives in the Netherlands and the US: photographs, film recordings, drawings, texts and letters dealing with the famous land art work Broken Circle/Spiral Hill in Emmen, Drenthe (Netherlands), which Robert Smithson designed in 1971 for the exhibition Sonsbeek buiten de perken.(...)
$66.95
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Summary:
Robert Smithson: Art In Continual Movement is a seminal compilation of material from different archives in the Netherlands and the US: photographs, film recordings, drawings, texts and letters dealing with the famous land art work Broken Circle/Spiral Hill in Emmen, Drenthe (Netherlands), which Robert Smithson designed in 1971 for the exhibition Sonsbeek buiten de perken.(...)
Title:
Robert Smithson : art in continual movement
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$66.95
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Summary:
Robert Smithson: Art In Continual Movement is a seminal compilation of material from different archives in the Netherlands and the US: photographs, film recordings, drawings, texts and letters dealing with the famous land art work Broken Circle/Spiral Hill in Emmen, Drenthe (Netherlands), which Robert Smithson designed in 1971 for the exhibition Sonsbeek buiten de perken. This is one of only three preserved land art works of Smithson worldwide. The significance of this particular art work has been relatively neglected in the extensive literature on Smithson’s work, nevertheless, it is one of his key works.
Robert Smithson : art in continual movement
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$66.95
(available to order)
Summary:
Robert Smithson: Art In Continual Movement is a seminal compilation of material from different archives in the Netherlands and the US: photographs, film recordings, drawings, texts and letters dealing with the famous land art work Broken Circle/Spiral Hill in Emmen, Drenthe (Netherlands), which Robert Smithson designed in 1971 for the exhibition Sonsbeek buiten de perken. This is one of only three preserved land art works of Smithson worldwide. The significance of this particular art work has been relatively neglected in the extensive literature on Smithson’s work, nevertheless, it is one of his key works.
Subject:
Land Art
Land Art
Form:
books
books
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Description:
240 pages : illustrations (some color), plans ; 29 cm + 1 CD-ROM (4 3/4 in.)
Description:
240 pages : illustrations (some color), plans ; 29 cm + 1 CD-ROM (4 3/4 in.)
Subject:
- Architect-designed houses Designs and plans.,
- Architecture, Modern 20th century Designs and plans.,
- Maisons conçues par des architectes Dessins et plans.,
- Architecture 20e siècle Dessins et plans.,
- Architect-designed houses,
- Architecture, Modern,
- Architektur,
- Haus,
- CD-ROMs.,
- Designs and plans.,
- architectural drawings (visual works),
- Architectural drawings,
- Dessins d'architecture.
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Publication:
New York : W.W. Norton, ©2006.
New York : W.W. Norton, ©2006.
Title:
Key houses of the twentieth century : plans, sections and elevations / Colin Davies.
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Description:
240 pages : illustrations (some color), plans ; 29 cm + 1 CD-ROM (4 3/4 in.)
Key houses of the twentieth century : plans, sections and elevations / Colin Davies.
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Description:
240 pages : illustrations (some color), plans ; 29 cm + 1 CD-ROM (4 3/4 in.)
Form:
books
books
Publication:
New York : W.W. Norton, ©2006.
New York : W.W. Norton, ©2006.
Subject:
- Architect-designed houses Designs and plans.,
- Architecture, Modern 20th century Designs and plans.,
- Maisons conçues par des architectes Dessins et plans.,
- Architecture 20e siècle Dessins et plans.,
- Architect-designed houses,
- Architecture, Modern,
- Architektur,
- Haus,
- CD-ROMs.,
- Designs and plans.,
- architectural drawings (visual works),
- Architectural drawings,
- Dessins d'architecture.
(See more)
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books
books
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Description:
1 online resource
Author:
- Andre, Carl,,
- Barry, Robert,,
- Davis, Gene,,
- Diao, David,,
- Hay, Alex,,
- Held, Al,,
- Huebler, Douglas,,
- Huot, Robert,,
- Katz, Alex,,
- Kosuth, Joseph,,
- LeWitt, Sol,,
- Morris, Robert,,
- Murray, Robert,,
- Ryman, Robert,,
- Siegelaub, Seth, 1941-2013,,
- Smithson, Robert,,
- Sonnier, Keith,,
- Valentine, De Wain,,
- Weiner, Lawrence,,
- Library Stack,,
- Library Stack.
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Subject:
Publication:
[Place of publication not identified] : Primary Information, 2012., [Place of publication not identified] : Seth Siegelaub, 2012.
[Place of publication not identified] : Primary Information, 2012., [Place of publication not identified] : Seth Siegelaub, 2012.
Form:
books
books
Publication:
[Place of publication not identified] : Primary Information, 2012., [Place of publication not identified] : Seth Siegelaub, 2012.
[Place of publication not identified] : Primary Information, 2012., [Place of publication not identified] : Seth Siegelaub, 2012.
Author:
- Andre, Carl,,
- Barry, Robert,,
- Davis, Gene,,
- Diao, David,,
- Hay, Alex,,
- Held, Al,,
- Huebler, Douglas,,
- Huot, Robert,,
- Katz, Alex,,
- Kosuth, Joseph,,
- LeWitt, Sol,,
- Morris, Robert,,
- Murray, Robert,,
- Ryman, Robert,,
- Siegelaub, Seth, 1941-2013,,
- Smithson, Robert,,
- Sonnier, Keith,,
- Valentine, De Wain,,
- Weiner, Lawrence,,
- Library Stack,,
- Library Stack.
(See more)
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$63.95
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Summary:
Robert Smithson (1938–1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In "Robert Smithson", Ann Reynolds elucidates the complexity of Smithson’s work and thought by placing them in(...)
$63.95
(available to order)
Summary:
Robert Smithson (1938–1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In "Robert Smithson", Ann Reynolds elucidates the complexity of Smithson’s work and thought by placing them in(...)
Publication:
November 2002, Cambridge, Mass.
November 2002, Cambridge, Mass.
Title:
Robert Smithson : learning from New Jersey and elsewhere
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$63.95
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Summary:
Robert Smithson (1938–1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In "Robert Smithson", Ann Reynolds elucidates the complexity of Smithson’s work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson’s widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of Smithson’s working life--magazines, postcards from other artists, notebooks, and perhaps most important, his library--from which she reconstructs the physical and conceptual world that Smithson inhabited. Reynolds explores the relation of Smithson’s art-making, thinking about art-making, writing, and interaction with other artists to the articulated ideology and discreet assumptions that determined the parameters of artistic practice of the time. A central focus of Reynolds’s analysis is Smithson’s fascination with the blind spots at the center of established ways of seeing and thinking about culture. For Smithson, New Jersey was such a blind spot, and he returned there again and again, alone and with fellow artists, to make art that, through its location alone, undermined assumptions about what and, more important, where, art should be. For those who guarded the integrity of the established art world, New Jersey was "elsewhere"; but for Smithson, "elsewheres" were the defining, if often forgotten, locations on the map of contemporary culture.
Robert Smithson : learning from New Jersey and elsewhere
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$63.95
(available to order)
Summary:
Robert Smithson (1938–1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In "Robert Smithson", Ann Reynolds elucidates the complexity of Smithson’s work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson’s widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of Smithson’s working life--magazines, postcards from other artists, notebooks, and perhaps most important, his library--from which she reconstructs the physical and conceptual world that Smithson inhabited. Reynolds explores the relation of Smithson’s art-making, thinking about art-making, writing, and interaction with other artists to the articulated ideology and discreet assumptions that determined the parameters of artistic practice of the time. A central focus of Reynolds’s analysis is Smithson’s fascination with the blind spots at the center of established ways of seeing and thinking about culture. For Smithson, New Jersey was such a blind spot, and he returned there again and again, alone and with fellow artists, to make art that, through its location alone, undermined assumptions about what and, more important, where, art should be. For those who guarded the integrity of the established art world, New Jersey was "elsewhere"; but for Smithson, "elsewheres" were the defining, if often forgotten, locations on the map of contemporary culture.
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books
books
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books
books
Publication:
Bureau for Open Culture 2013
Bureau for Open Culture 2013
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$105.00
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Summary:
"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of(...)
$105.00
(available to order)
Summary:
"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of(...)
Title:
Robert Smithson and the American landscape
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$105.00
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Summary:
"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of modernist sense of art and nature. Moreover, Graziani shows how Smithson’s earthworks formed part of what was called the ‘new conservationism’ in the late 1960s and how they gave material form to the contradictions of a sociological issue that was inseparable from its economic legacy.
Robert Smithson and the American landscape
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Price:
$105.00
(available to order)
Summary:
"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of modernist sense of art and nature. Moreover, Graziani shows how Smithson’s earthworks formed part of what was called the ‘new conservationism’ in the late 1960s and how they gave material form to the contradictions of a sociological issue that was inseparable from its economic legacy.
Subject:
Land Art
Land Art