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In order to encourage the networking of autonomous individuals, free of monumentalized institutions of culture and in the name of revitalizing the true, unseen culture of Berlin, the center of the city is declared as a Free-Zone and a network of Freespaces is established. The criteria of Freespace is established as follows: 1) No a priori determination of use: use must(...)
Lebbeus Woods: free-zone-Berlin
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In order to encourage the networking of autonomous individuals, free of monumentalized institutions of culture and in the name of revitalizing the true, unseen culture of Berlin, the center of the city is declared as a Free-Zone and a network of Freespaces is established. The criteria of Freespace is established as follows: 1) No a priori determination of use: use must be invented by those who dare to claim Freespace as their own. 2) Difficulty of occupation: the faint need to apply. 3) Absence of discernible order: hierarchy is frustrated; heterarchy unavoidable. Lebbeus Woods, Research Institute for Experimental Architecture, NYC, 18 November 1990, assisted by Leo Modrcin and Olive Brown
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Power / architecture
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Power and architecture are fundamental to the question of how contemporary society and architecture work together. Since power lacks a comprehensive logic, coherence and instrumentalization capability, the question refers both to the autonomous powers of the architectural forms and to a set of external powers represented through architecture. Through eight essays by(...)
Architectural Theory
March 2018
Power / architecture
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Power and architecture are fundamental to the question of how contemporary society and architecture work together. Since power lacks a comprehensive logic, coherence and instrumentalization capability, the question refers both to the autonomous powers of the architectural forms and to a set of external powers represented through architecture. Through eight essays by contributors, along with images, drawings and documents, the book renders visible a set of entities, informal conventions, stakeholders and means involved in the creation of architecture; that is, the dynamics of the collective that ceaselessly tests the architectural composition of the common world. With selected projects by Herzog & de Meuron, Rem Koolhaas, Eduardo Souto de Moura and many more.
Architectural Theory
archives
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approximately 45,313 items, 17.2 linear meters of textual records, 0.05 linear meter of graphic materials., Arranged by series. 1- Architectural projects, service...
Abalos & Herreros fonds, 1920-2009.
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approximately 45,313 items, 17.2 linear meters of textual records, 0.05 linear meter of graphic materials., Arranged by series. 1- Architectural projects, service...
archives
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Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside(...)
Drawing on architecture: the object of lives, 1970-1990
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Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside the process of building. In Drawing on Architecture, Jordan Kauffman offers an account of how architectural drawings—promoted by a network of galleries and collectors, exhibitions and events—emerged as aesthetic objects and ultimately attained status as important cultural and historical artifacts, and how this was both emblematic of changes in architecture and a catalyst for these changes.
Architectural Drawing
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Because feminism has suddenly become a fashionable commodity, were in desperate need of a more inclusive and varied reflection on contemporary girlhood, cross-cultural feminism, and the relationship between gender, politics, and philosophy. "Sense and Sensibility" wishes to explore oppositions and contradictions between objects and subjects, between gender identities, and(...)
Sense & Sensibility. Onomatopee 150
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Because feminism has suddenly become a fashionable commodity, were in desperate need of a more inclusive and varied reflection on contemporary girlhood, cross-cultural feminism, and the relationship between gender, politics, and philosophy. "Sense and Sensibility" wishes to explore oppositions and contradictions between objects and subjects, between gender identities, and between theory and visual modes of culture here and now. A book that works as part reader and part exhibition document presents the thought processes of four female artists points of view. It features a collection of autonomous work, research outcomes, reflections, essays, interviews, columns, letters, and notes on contemporary feminism by a variety of artists and academics, writers, rioteers, curators and journalists.
Art Theory
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Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical(...)
Aesthetics and contemporary art
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Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical paradigms—and in particular, with the global extension of the Western art world since 1989. This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as “sensate thinking”; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld.
Art Theory
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Konstantin Melnikov (1890–1974) is unquestionably one of the outstanding architects of the 20th century—in spite of the fact that he fell silent early, leaving behind only limited work that was insufficiently publicized, and restricted almost exclusively to Moscow, the city of his birth in which he spent nearly his entire life and which did not appreciate him. He was(...)
Konstantin Melnikov and his House
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Konstantin Melnikov (1890–1974) is unquestionably one of the outstanding architects of the 20th century—in spite of the fact that he fell silent early, leaving behind only limited work that was insufficiently publicized, and restricted almost exclusively to Moscow, the city of his birth in which he spent nearly his entire life and which did not appreciate him. He was raised in humble circumstances, but enjoyed an excellent education. Beginning in the mid-1920s, after the turmoil that followed the war, revolution and civil war, his career soared at almost meteoric speed as he took the lead in the young Soviet architecture movement with completely autonomous, highly artistic buildings that were free from dogmatism of any kind.
Architecture Monographs
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nce the capital of the Aztec Empire, Mexico City has continuously evolved over the centuries to become one of the largest megalopolises in the world. The exuberant metropolis of the present day can be seen as a patchwork of Aztec, Hispanic, and contemporary Western cultures. This guide not only covers large-scale projects such as the campus of the National Autonomous(...)
Mexico City architectural guide, 2nd edition
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nce the capital of the Aztec Empire, Mexico City has continuously evolved over the centuries to become one of the largest megalopolises in the world. The exuberant metropolis of the present day can be seen as a patchwork of Aztec, Hispanic, and contemporary Western cultures. This guide not only covers large-scale projects such as the campus of the National Autonomous University of Mexico, the site of vibrant, mural-covered buildings by some of the nation’s leading architects from the 1950s. It also highlights lesser-known gems such as striking modernist chapels and cutting-edge commercial buildings. This expanded edition explores the work of internationally renowned architect Luis Barragán in detail and features an introduction to contemporary architecture in Mexico.
City Guides
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From the capital of the Aztec Empire to one of the largest megalopolises today, Mexico City has withstood enormous changes throughout its history. An overarching mosaic of Aztec, Hispanic and contemporary Western cultures has determined the exuberant metropolis we know today, with both local and world-renowned artists and architects having invested their talents in this(...)
Mexico City Architectural guide
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From the capital of the Aztec Empire to one of the largest megalopolises today, Mexico City has withstood enormous changes throughout its history. An overarching mosaic of Aztec, Hispanic and contemporary Western cultures has determined the exuberant metropolis we know today, with both local and world-renowned artists and architects having invested their talents in this capital. Large-scale urban projects – such as the construction of the National Autonomous University of Mexico (UNAM) – have furthermore placed this city on the UNESCO World Heritage List owing to their tremendous artistic detail and innovative designs. With its array of 230 photographs, drawings and specified maps, the Architectural Guide Mexico City will take you on an exhaustive tour of 100 buildings and monuments dispersed throughout the city.
City Guides
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Drawing on rich historical research, Silvia Federici maps the connections between the previous forms of enclosure that occurred with the birth of capitalism and the destruction of the commons and the "new enclosures" at the heart of the present phase of global capitalist accumulation. Considering the commons from a feminist perspective, this collection centers on women(...)
Re-enchanting the world: feminism and the politics of the commons
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Drawing on rich historical research, Silvia Federici maps the connections between the previous forms of enclosure that occurred with the birth of capitalism and the destruction of the commons and the "new enclosures" at the heart of the present phase of global capitalist accumulation. Considering the commons from a feminist perspective, this collection centers on women and reproductive work as crucial to both our economic survival and the construction of a world free from the hierarchies and divisions capital has planted in the body of the world proletariat. Federici is clear that the commons should not be understood as happy islands in a sea of exploitative relations but rather autonomous spaces from which to challenge the existing capitalist organization of life and labor.
Critical Theory