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People want a better quality of life now, genuine environmental responsibility, and local control over their own futures. "The urban village" is a seminal intellectual and practical contribution to the construction of such possibilities. It introduces new ideas, like territorial patrimony, and sustainable, local-level autonomous development, describing both the(...)
The urban village : a charter for democracy and local self-sustainable development
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People want a better quality of life now, genuine environmental responsibility, and local control over their own futures. "The urban village" is a seminal intellectual and practical contribution to the construction of such possibilities. It introduces new ideas, like territorial patrimony, and sustainable, local-level autonomous development, describing both the methodological aspects and the visionary, alternative communities which could become possible. Professor Magnaghi sees these as being profoundly democratic, environmentally sustainable, and embodying sufficient local economic strength to resist globalization. Another potential gain would be an increase in social well-being as measured by the quality of life, solidarity, and the development of non-commercial caring relations.
Urban Theory
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TURBA is the first journal for the study, theory, and praxis of curatorial strategies in the live arts. The live arts are broadly defined as those arts in which contingent, momentary acts and events, performed by human or other autonomous agents, are crucial to the aesthetic perception and the emergence of meaning in ephemeral time-based work. They include, but are not(...)
TURBA vol. 4 issue 2 : Curating audience-relationships & engagements
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TURBA is the first journal for the study, theory, and praxis of curatorial strategies in the live arts. The live arts are broadly defined as those arts in which contingent, momentary acts and events, performed by human or other autonomous agents, are crucial to the aesthetic perception and the emergence of meaning in ephemeral time-based work. They include, but are not limited to, dance, music, sound art, theatre, performance art, verbal arts, circus arts, live media arts and inter-arts performance works. With this journal, we aim to create a platform for the exploration of ideas, concepts, constraints, expectations, and contingencies which guide and drive curatorial practices in these fields.
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Climate-friendly construction is essential if we are to ensure that future generations can enjoy comfortable living spaces. Design and the choice of materials help to considerably reduce the climate impact of buildings. The techniques featured in this book come from all five climatic zones and many are drawn from non-European and bygone societies. The low-tech approaches,(...)
Architecture follows climate: Traditional architecture in the five climate zones
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Climate-friendly construction is essential if we are to ensure that future generations can enjoy comfortable living spaces. Design and the choice of materials help to considerably reduce the climate impact of buildings. The techniques featured in this book come from all five climatic zones and many are drawn from non-European and bygone societies. The low-tech approaches, illustrated in schematic drawings and explained in texts, are a source of inspiration for the design of sustainable and energy-autonomous building structures. "Architecture follows climate" provides the first in-depth and comprehensive overview of passive building techniques that have been tried and tested for centuries.
Green Architecture
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In this book Pallasmaa progresses his case for a multi–sensory approach to architecture, espoused in The Eyes of the Skin, by taking a wider view of the role of embodiment in human existential reactions, experiences and expressions as well as the processes of making and thinking. ‘The Thinking Hand’ is a metaphor for the characteristic independence and autonomous activity(...)
The thinking hand: existential and embodied wisdom in architecture
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In this book Pallasmaa progresses his case for a multi–sensory approach to architecture, espoused in The Eyes of the Skin, by taking a wider view of the role of embodiment in human existential reactions, experiences and expressions as well as the processes of making and thinking. ‘The Thinking Hand’ is a metaphor for the characteristic independence and autonomous activity of all our senses as they constantly scan the physical world. Prevailing educational philosophies continue to emphasise conceptual, intellectual and verbal knowledge over this tacit and non–conceptual wisdom of our embodied processes, which is so essential to our experience and understanding of the physical and the built.
Architectural Theory
archives
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approximately 45,313 items, 17.2 linear meters of textual records, 0.05 linear meter of graphic materials., Arranged by series. 1- Architectural projects, service...
Abalos & Herreros fonds, 1920-2009.
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approximately 45,313 items, 17.2 linear meters of textual records, 0.05 linear meter of graphic materials., Arranged by series. 1- Architectural projects, service...
archives
Power / architecture
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Power and architecture are fundamental to the question of how contemporary society and architecture work together. Since power lacks a comprehensive logic, coherence and instrumentalization capability, the question refers both to the autonomous powers of the architectural forms and to a set of external powers represented through architecture. Through eight essays by(...)
Architectural Theory
March 2018
Power / architecture
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Power and architecture are fundamental to the question of how contemporary society and architecture work together. Since power lacks a comprehensive logic, coherence and instrumentalization capability, the question refers both to the autonomous powers of the architectural forms and to a set of external powers represented through architecture. Through eight essays by contributors, along with images, drawings and documents, the book renders visible a set of entities, informal conventions, stakeholders and means involved in the creation of architecture; that is, the dynamics of the collective that ceaselessly tests the architectural composition of the common world. With selected projects by Herzog & de Meuron, Rem Koolhaas, Eduardo Souto de Moura and many more.
Architectural Theory
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Because feminism has suddenly become a fashionable commodity, were in desperate need of a more inclusive and varied reflection on contemporary girlhood, cross-cultural feminism, and the relationship between gender, politics, and philosophy. "Sense and Sensibility" wishes to explore oppositions and contradictions between objects and subjects, between gender identities, and(...)
Sense & Sensibility. Onomatopee 150
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Because feminism has suddenly become a fashionable commodity, were in desperate need of a more inclusive and varied reflection on contemporary girlhood, cross-cultural feminism, and the relationship between gender, politics, and philosophy. "Sense and Sensibility" wishes to explore oppositions and contradictions between objects and subjects, between gender identities, and between theory and visual modes of culture here and now. A book that works as part reader and part exhibition document presents the thought processes of four female artists points of view. It features a collection of autonomous work, research outcomes, reflections, essays, interviews, columns, letters, and notes on contemporary feminism by a variety of artists and academics, writers, rioteers, curators and journalists.
Art Theory
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Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical(...)
Aesthetics and contemporary art
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Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical paradigms—and in particular, with the global extension of the Western art world since 1989. This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as “sensate thinking”; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld.
Art Theory
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Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside(...)
Drawing on architecture: the object of lives, 1970-1990
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Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside the process of building. In Drawing on Architecture, Jordan Kauffman offers an account of how architectural drawings—promoted by a network of galleries and collectors, exhibitions and events—emerged as aesthetic objects and ultimately attained status as important cultural and historical artifacts, and how this was both emblematic of changes in architecture and a catalyst for these changes.
Architectural Drawing
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Konstantin Melnikov (1890–1974) is unquestionably one of the outstanding architects of the 20th century—in spite of the fact that he fell silent early, leaving behind only limited work that was insufficiently publicized, and restricted almost exclusively to Moscow, the city of his birth in which he spent nearly his entire life and which did not appreciate him. He was(...)
Konstantin Melnikov and his House
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Konstantin Melnikov (1890–1974) is unquestionably one of the outstanding architects of the 20th century—in spite of the fact that he fell silent early, leaving behind only limited work that was insufficiently publicized, and restricted almost exclusively to Moscow, the city of his birth in which he spent nearly his entire life and which did not appreciate him. He was raised in humble circumstances, but enjoyed an excellent education. Beginning in the mid-1920s, after the turmoil that followed the war, revolution and civil war, his career soared at almost meteoric speed as he took the lead in the young Soviet architecture movement with completely autonomous, highly artistic buildings that were free from dogmatism of any kind.
Architecture Monographs