Vanishing point
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Over the past few decades, discussions of contemporary architecture have tended to concentrate on a select few innovative building projects that promise to single-handedly change their urban landscapes. "Vanishing point" conversely focuses on aspects of the built environment that are far less singular yet arguably more influential: spaces that anthropologist Marc Augé(...)
Vanishing point
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Over the past few decades, discussions of contemporary architecture have tended to concentrate on a select few innovative building projects that promise to single-handedly change their urban landscapes. "Vanishing point" conversely focuses on aspects of the built environment that are far less singular yet arguably more influential: spaces that anthropologist Marc Augé terms "non-places"--hotels, shopping malls, freeways, corporate high-rises, airport terminals, gambling casinos, themed restaurants, and other visually intoxicating yet banal environments that people pass through, often on their way to somewhere else. Reflecting this, the artists in "Vanishing point" make an effort to "place" these characterless locations. They interpret rather than document architectural spaces in order to convey the range of emotions and physical sensations that they evoke. Includes the resulting paintings, photographs, videos, and installations by emerging and established artists such as Fabian Birgfeld, Dike Blair, Marco Brambilla, Jonah Freeman, Carla Klein, Sabine Hornig, Luisa Lambri, Won Ju Lim, Sarah Morris, Deborah Stratman, Amelie Von Wulffen, and Amy Wheeler.
Contemporary Art Monographs
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"The `restoration' of Notre Dame de Paris has always been controversial. Viollet-le-Duc and Jean Baptiste Lassus have long been cast as the handmaidens of nineteenth-century positivism, instilling a vision of rational structure and historical development on the cathedral only recently purged of its Revolutionary years as a Temple of Reason. Writing a history of the(...)
The gargoyles of Notre-Dame: medievalism and the monster of modernity
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"The `restoration' of Notre Dame de Paris has always been controversial. Viollet-le-Duc and Jean Baptiste Lassus have long been cast as the handmaidens of nineteenth-century positivism, instilling a vision of rational structure and historical development on the cathedral only recently purged of its Revolutionary years as a Temple of Reason. Writing a history of the cathedral's bevy of gargoyles, Michael Camille brilliantly confirms Viollet-le-Duc's definition of `restoration' as both a word and thing of modern coinage. This last work of one of our time's great medievalists is, like Victor Hugo's Notre Dame de Paris, at once monumental and wide ranging, yet always focused on a demonic protagonist. Provocative, at times profoundly insightful, Michael Camille unveils the fantasies and anxieties of both Viollet-le-Duc and all the restorations since in the veils of meaning and emotions of France's most visited cathedral." Barry Bergdoll, Philip Johnson Chief Curator of Architecture and Design, Museum of Modern Art
History until 1900
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How do we design our cities when our most intimate experiences are incessantly tracked and our feelings become the base of new modes of production that prioritize the immaterial over the material? Since the 2008 financial crisis, lists of well-being indicators, happiness indexes, and quality-of-life rankings have become viral. Concurrently, the emotional data presented in(...)
Our happy life: architecture and well-being in the age of emotional capitalism
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How do we design our cities when our most intimate experiences are incessantly tracked and our feelings become the base of new modes of production that prioritize the immaterial over the material? Since the 2008 financial crisis, lists of well-being indicators, happiness indexes, and quality-of-life rankings have become viral. Concurrently, the emotional data presented in these surveys- including perceptions on questions such as loneliness, friendship and intimate fears- feed an expanding political agenda of happiness and a new form of market whose most decisive asset is "affect." 'Our Happy Life' investigates the architectural implications of this trend by dissecting and questioning the political, economic, and emotional conditions that generate space today. Organized as a visual narrative with critical readings by Will Davies, Daniel Fujiwara, Simon Fujiwara, Ingo Niermann, Deane Simpson, and Mirko Zardini, this book reveals architecture, city, and landscape as contested surfaces, caught between the intagible guidelines of happiness indexes, the new marketplace of emotions, and the relentless ideology of positivity.
CCA Publications
Crabgrass crucible: suburban nature and the rise of environmentalism in twintieth-century America
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Although suburb-building created major environmental problems, Christopher Sellers demonstrates that the environmental movement originated within suburbs--not just in response to unchecked urban sprawl. Drawn to the countryside as early as the late 19th century, new suburbanites turned to taming the wildness of their surroundings. They cultivated a fondness for the(...)
Crabgrass crucible: suburban nature and the rise of environmentalism in twintieth-century America
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Although suburb-building created major environmental problems, Christopher Sellers demonstrates that the environmental movement originated within suburbs--not just in response to unchecked urban sprawl. Drawn to the countryside as early as the late 19th century, new suburbanites turned to taming the wildness of their surroundings. They cultivated a fondness for the natural world around them, and in the decades that followed, they became sensitized to potential threats. Sellers shows how the philosophy, science, and emotions that catalyzed the environmental movement sprang directly from suburbanites' lives and their ideas about nature, as well as the unique ecology of the neighborhoods in which they dwelt. Sellers focuses on the spreading edges of New York and Los Angeles over the middle of the twentieth century to create an intimate portrait of what it was like to live amid suburban nature. As suburbanites learned about their land, became aware of pollution, and saw the forests shrinking around them, the vulnerability of both their bodies and their homes became apparent.
Urban Landscapes
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298 pages : illustrations ; 20 cm
[Paris] : Christian Bourgois éditeur, [2015]
L'humeur paysagère / Claude Eveno.
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298 pages : illustrations ; 20 cm
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[Paris] : Christian Bourgois éditeur, [2015]
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228 pages ; 22 cm.
Paris : Stock, 2010.
Tokyo, ville flottante : scène urbaine, mises en scène / François Laplantine.
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228 pages ; 22 cm.
books
Paris : Stock, 2010.
books
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254 pages : illustrations (chiefly color) ; 25 cm
Arles : Actes sud ; Paris : Cité verte, ©2009.
Des arbres dans la ville : l'urbanisme végétal / Caroline Mollie.
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254 pages : illustrations (chiefly color) ; 25 cm
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Arles : Actes sud ; Paris : Cité verte, ©2009.
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Alexander Blok (November 28, 1880 – August 7, 1921) was a major poet of the Russian Symbolism movement. His early poetry was dominated by the theme of searching for his ideal beauty. Sound, rhythm, colour and repetition played a crucial part in setting the mood and conveying emotions in his writing. With subsequent collections, the focus shifted to depicting human(...)
The Stranger: selected poetry
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Alexander Blok (November 28, 1880 – August 7, 1921) was a major poet of the Russian Symbolism movement. His early poetry was dominated by the theme of searching for his ideal beauty. Sound, rhythm, colour and repetition played a crucial part in setting the mood and conveying emotions in his writing. With subsequent collections, the focus shifted to depicting human psychology. His writing became more ironic and pessimistic, as he struggled to balance his quest for an ideal with his disenchantment in everyday life. In the later stages of his career, he wrote predominately about political themes and the changes that were happening in Russia. To this day, he is considered by many to be the most important Russian poet since Alexander Pushkin, and his work would have a lasting influence on the likes of Anna Akhmatova, Boris Pasternak and Marina Tsvetaeva, among other prominent poets of the Silver Age. This dual-language collection of his poetry seeks to represent the continuum of Alexander Blok’s growth as a poet, with particular attention paid to the rhythm and melody of his writing.
Literature and poetry
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Over the course of a residency at a London gallery, Swiss designer Demian Conrad invited an array of graphic designers and typographers past and present to share the anecdotes, stories and scandals that have marked the international design scene over the course of the last century. The result is an examination of the ways in which the Swiss Style influenced British(...)
Who the hell is Müller-Brockmann? Conversations about Swiss style
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Over the course of a residency at a London gallery, Swiss designer Demian Conrad invited an array of graphic designers and typographers past and present to share the anecdotes, stories and scandals that have marked the international design scene over the course of the last century. The result is an examination of the ways in which the Swiss Style influenced British graphic design and vice versa. This celebration of the ongoing dialogue and collaboration that has existed between the design traditions of these two countries also lays bare the divergences and conflicts that lie beneath the surface, and examines how such things as a typeface or a layout grid can come to have such an enduring impact on a global community and elicit such strong emotions. Each participant was asked to bring a design-related artefact that represents their personal connection with the Swiss Style, all of which are presented in this volume. These images and the dialogues they generate create a bridge between the typographic traditions and practices of Britain and Switzerland.
Graphic Design and Typography
Matisse in the 1930s
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In 1930, as Henri Matisse (1869–1954) embarked on ''The Dance,'' a monumental mural commissioned by the American collector Albert C. Barnes, he began experimenting in ways that would permanently change the nature of his work. The use of pre-painted cut papers to lay out his compositions led to a new style of flat tones and bold shapes. He also increasingly used serial(...)
Contemporary Art Monographs
October 2022
Matisse in the 1930s
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$71.00
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In 1930, as Henri Matisse (1869–1954) embarked on ''The Dance,'' a monumental mural commissioned by the American collector Albert C. Barnes, he began experimenting in ways that would permanently change the nature of his work. The use of pre-painted cut papers to lay out his compositions led to a new style of flat tones and bold shapes. He also increasingly used serial imagery to make visible his creative process, aiming to capture the flux of his own perceptions and emotions in the work of art. This volume highlights and explains pivotal transformations in Matisse’s work in the 1930s across a range of media, including mural and easel painting, sculpture, printmaking, drawing, and the illustrated book. The transatlantic contributors also look at the relationship between Matisse and the Parisian art journal ''Cahiers d’art,'' which played an outsized role in publicizing Matisse’s work during this period, and consider his exhibitions, his ongoing involvement with decorative painting, his studio as a creative laboratory, and the role of his model and muse Lydia Delectorskaya in his studio practice.
Contemporary Art Monographs