drawings, textual records, photographs
DR1995:0258:001-100
Description:
clippings, maps, photographs, sketches, notes, competition entries, correspondence, diagrams, design notes, receipts, competition programme, promotional material, booklets, invoice, architect's portfolio, table, and office memoranda, for work with the architecture firm Heinle, Wischer und Partner regarding a competition for pedestrian walkways at Konigstrasse and Schlossplatz in Stuttgart, Germany
1973
Clippings, maps, photographs, sketches, notes, competition entries
Actions:
DR1995:0258:001-100
Description:
clippings, maps, photographs, sketches, notes, competition entries, correspondence, diagrams, design notes, receipts, competition programme, promotional material, booklets, invoice, architect's portfolio, table, and office memoranda, for work with the architecture firm Heinle, Wischer und Partner regarding a competition for pedestrian walkways at Konigstrasse and Schlossplatz in Stuttgart, Germany
drawings, textual records, photographs
1973
Series
AP153.S2
Description:
Series related to the professional correspondence sent and received by Douglas Kelbaugh, promotional material for the Kelbaugh + Lee architectural firm and documentation about the Douglas Kelbaugh, the firm or about architecture, solar energy and low cost housing. The material in this series was produced between 1974 and 2008. The series contains textual records, a photograph of Douglas Kelbaugh and a book about solar energy.
1974-2008
Professional correspondence and documentation
Actions:
AP153.S2
Description:
Series related to the professional correspondence sent and received by Douglas Kelbaugh, promotional material for the Kelbaugh + Lee architectural firm and documentation about the Douglas Kelbaugh, the firm or about architecture, solar energy and low cost housing. The material in this series was produced between 1974 and 2008. The series contains textual records, a photograph of Douglas Kelbaugh and a book about solar energy.
Series 2
1974-2008
Project
Exposition "À table"
AP066.S5.D3
Description:
Le dossier documente la participation de Rousseau au concours Exposition "À table", tenu à la Galerie Christiane Chassay, à Montréal, Québec, en 1988, du 14 mai au16 juin. Le dossier contient des documents photographiques, des documents textuels, une maquette, un album et une publication. Description du projet: "À l'occasion d'une exposition consacrée à la discipline de l'architecture à la Galerie Christianne Chassay, à Montréal le 14 mai prochain, je désire montrer le travail évolutif du projet pour une habitation. Ayant pour titre préliminaire "À TABLE", ce dévoilement du travail a pour objectif de révéler l'enthousiasme qui le fonde." Jacques Rousseau, "À TABLE" , Annexe 2, (ARCON1999:0028:018)
14 mai-16 juin 1988
Exposition "À table"
Actions:
AP066.S5.D3
Description:
Le dossier documente la participation de Rousseau au concours Exposition "À table", tenu à la Galerie Christiane Chassay, à Montréal, Québec, en 1988, du 14 mai au16 juin. Le dossier contient des documents photographiques, des documents textuels, une maquette, un album et une publication. Description du projet: "À l'occasion d'une exposition consacrée à la discipline de l'architecture à la Galerie Christianne Chassay, à Montréal le 14 mai prochain, je désire montrer le travail évolutif du projet pour une habitation. Ayant pour titre préliminaire "À TABLE", ce dévoilement du travail a pour objectif de révéler l'enthousiasme qui le fonde." Jacques Rousseau, "À TABLE" , Annexe 2, (ARCON1999:0028:018)
Dossier 3
14 mai-16 juin 1988
Project
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
1993-1994
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
File 106
1993-1994
Project
Bar Braque
AP066.S2.D5
Description:
Le dossier documente le projet de construction du Bar Braque, siuté au 980 est, rue Rachel, à Montréal, Québec. Le budget aloué pour ce projet était de 200 000$. Aussi, le projet s'est mérité le Prix d'excellence de l'ordre des architectes du Québec, distinction en architecture, en 1983. Le dossier contient des dessins, des documents textuels, des reprographies, des photographies, des négatifs, des diapositives, des panneaux et un photomontage. Description du projet par l'architecte: "Le bar Braque, du 980 est, rue Rachel à Montréal est un projet d'insertion d'une construction sur un site rendu vacant à la suite d'un feu, il y a plusieurs années. Une construction neuve a permis d'envisager le projet comme un geste entier d'intégration à la rue et à la ville. Les études de façade témoignent de la volonté de réaliser une architecture interprétative du caractère commercial montréalais. On peut y voir les liens fragiles qu'elle établit avec les voisines et simultanément l'importance qu'elle s'accorde par rapport à elles. Aussi, tente-t-elle de vibrer aux textures et aux couleurs préviliégiées des matériaux aptes à assumer les rôles commerciaux et culturels du lieu : bar dans la ville." Jacques Rousseau, Section A, nº 5-6, vol. 2, janvier 1985, p. 12-13.
1981-1983
Bar Braque
Actions:
AP066.S2.D5
Description:
Le dossier documente le projet de construction du Bar Braque, siuté au 980 est, rue Rachel, à Montréal, Québec. Le budget aloué pour ce projet était de 200 000$. Aussi, le projet s'est mérité le Prix d'excellence de l'ordre des architectes du Québec, distinction en architecture, en 1983. Le dossier contient des dessins, des documents textuels, des reprographies, des photographies, des négatifs, des diapositives, des panneaux et un photomontage. Description du projet par l'architecte: "Le bar Braque, du 980 est, rue Rachel à Montréal est un projet d'insertion d'une construction sur un site rendu vacant à la suite d'un feu, il y a plusieurs années. Une construction neuve a permis d'envisager le projet comme un geste entier d'intégration à la rue et à la ville. Les études de façade témoignent de la volonté de réaliser une architecture interprétative du caractère commercial montréalais. On peut y voir les liens fragiles qu'elle établit avec les voisines et simultanément l'importance qu'elle s'accorde par rapport à elles. Aussi, tente-t-elle de vibrer aux textures et aux couleurs préviliégiées des matériaux aptes à assumer les rôles commerciaux et culturels du lieu : bar dans la ville." Jacques Rousseau, Section A, nº 5-6, vol. 2, janvier 1985, p. 12-13.
Projet
1981-1983
Project
AP207.S1.2018.PR03
Description:
The project series documents "Rebreathing Architecture" an installation designed by Pettena for the 2018 Biennale Gherdeina in Ortisei. The installation consists of strips of white plastic placed in front of the windows of the Hotel Ladinia Caffé in Ortisei. The intention is to give the impression that the building is breathing when the strips of plastic are blown in the wind. The project series contains photographs and videos of the installation.
2018
Rebreathing Architecture (2018)
Actions:
AP207.S1.2018.PR03
Description:
The project series documents "Rebreathing Architecture" an installation designed by Pettena for the 2018 Biennale Gherdeina in Ortisei. The installation consists of strips of white plastic placed in front of the windows of the Hotel Ladinia Caffé in Ortisei. The intention is to give the impression that the building is breathing when the strips of plastic are blown in the wind. The project series contains photographs and videos of the installation.
Project
2018
archives
Level of archival description:
Collection
Georg Lippsmeier Collection
CD037
Synopsis:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
1960s-2010
Georg Lippsmeier Collection
Actions:
CD037
Synopsis:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
archives
Level of archival description:
Collection
1960s-2010
Learning from... Los Angeles
Los Angeles-based historian and tour guide Richard Schave examines developments in Los Angeles in the 35 years since the landmark urban tour film Reyner Banham Loves Los Angeles (UK,1972). Schave, a former student of Banham, elaborates on his professor’s research by showing excerpts of the film in comparison with his own documentary photography. In particular, he explores(...)
Paul Desmarais Theatre
28 May 2009
Learning from... Los Angeles
Actions:
Description:
Los Angeles-based historian and tour guide Richard Schave examines developments in Los Angeles in the 35 years since the landmark urban tour film Reyner Banham Loves Los Angeles (UK,1972). Schave, a former student of Banham, elaborates on his professor’s research by showing excerpts of the film in comparison with his own documentary photography. In particular, he explores(...)
Paul Desmarais Theatre
archives
Level of archival description:
Fonds
Gene Summers fonds
AP114
Synopsis:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
1957 - 2004
Gene Summers fonds
Actions:
AP114
Synopsis:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
archives
Level of archival description:
Fonds
1957 - 2004
Project
AP140.S2.SS3.D10
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the New Architecture: Foster, Rogers, Stirling exhibition at the Royal Academy of Arts, in London, England, United Kingdom. Material in this file was produced between 1984 and 1987. File contains design development and working drawings for exhibition layout. File also contains textual records, including reprographic copies of drawings, correspondence, minutes, clippings, and some slides and photographs of exhibition models.
1984-1987, predominant 1986
New Architecture: Foster, Rogers, Stirling, Royal Academy of Arts
Actions:
AP140.S2.SS3.D10
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the New Architecture: Foster, Rogers, Stirling exhibition at the Royal Academy of Arts, in London, England, United Kingdom. Material in this file was produced between 1984 and 1987. File contains design development and working drawings for exhibition layout. File also contains textual records, including reprographic copies of drawings, correspondence, minutes, clippings, and some slides and photographs of exhibition models.
File 10
1984-1987, predominant 1986