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Questions of care, intimacy, education, meaningful work, and social engagement lie at the core of our ability to understand the world and its possibilities for human flourishing. In ''Lean on me'' feminist thinker Lynne Segal goes in search of hope in her own life and in the world around her. She finds it entwined in our intimate commitments to each other and our shared(...)
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Questions of care, intimacy, education, meaningful work, and social engagement lie at the core of our ability to understand the world and its possibilities for human flourishing. In ''Lean on me'' feminist thinker Lynne Segal goes in search of hope in her own life and in the world around her. She finds it entwined in our intimate commitments to each other and our shared(...)
Title:
Lean on me: A politics of radical care
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Questions of care, intimacy, education, meaningful work, and social engagement lie at the core of our ability to understand the world and its possibilities for human flourishing. In ''Lean on me'' feminist thinker Lynne Segal goes in search of hope in her own life and in the world around her. She finds it entwined in our intimate commitments to each other and our shared collective endeavours. Segal calls this shared dependence ''radical care''. In recounting from her own life the moments of motherhood, and of being on the front line of second-wave feminism, she draws upon lessons from more than half a century of engagement in left feminist politics, with its underlying commitment to building a more egalitarian and nurturing world. The personal and the political combine in this rallying cry to transform radically how we approach education, motherhood, and our everyday vulnerabilities of disability, ageing, and enhanced needs. Only by confronting head-on these different forms of interdependence and care can we change the way we think about the environment and learn to struggle — together —against impending climate catastrophe.
Lean on me: A politics of radical care
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Questions of care, intimacy, education, meaningful work, and social engagement lie at the core of our ability to understand the world and its possibilities for human flourishing. In ''Lean on me'' feminist thinker Lynne Segal goes in search of hope in her own life and in the world around her. She finds it entwined in our intimate commitments to each other and our shared collective endeavours. Segal calls this shared dependence ''radical care''. In recounting from her own life the moments of motherhood, and of being on the front line of second-wave feminism, she draws upon lessons from more than half a century of engagement in left feminist politics, with its underlying commitment to building a more egalitarian and nurturing world. The personal and the political combine in this rallying cry to transform radically how we approach education, motherhood, and our everyday vulnerabilities of disability, ageing, and enhanced needs. Only by confronting head-on these different forms of interdependence and care can we change the way we think about the environment and learn to struggle — together —against impending climate catastrophe.
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books
books
Publication:
November 2023
November 2023
Subject:
Social
Social
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books
books
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Decoys and Disruptions is the first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years. The writings collected here address such key topics as documentary photography, feminist art, video,(...)
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Decoys and Disruptions is the first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years. The writings collected here address such key topics as documentary photography, feminist art, video,(...)
Title:
Decoys and disruptions : selected writings 1975-2001
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Decoys and Disruptions is the first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years. The writings collected here address such key topics as documentary photography, feminist art, video, government patronage of the arts, censorship, and the future of digitally based photographic media.
Decoys and disruptions : selected writings 1975-2001
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Decoys and Disruptions is the first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years. The writings collected here address such key topics as documentary photography, feminist art, video, government patronage of the arts, censorship, and the future of digitally based photographic media.
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books
books
Publication:
June 2004, Cambridge
June 2004, Cambridge
Subject:
Art Theory
Art Theory
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books
books
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A former anthropologist, the author has, since the late 1970s, forged an interface between critical writing and a visual art practice in which feminist and postcolonial cultural politics are fused with idiosyncratic explorations of science, magic and the continuing lure of psychoanalysis. This comprehensive volume compiles previously published essays, interviews, papers,(...)
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A former anthropologist, the author has, since the late 1970s, forged an interface between critical writing and a visual art practice in which feminist and postcolonial cultural politics are fused with idiosyncratic explorations of science, magic and the continuing lure of psychoanalysis. This comprehensive volume compiles previously published essays, interviews, papers,(...)
Title:
The provisional texture of reality
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A former anthropologist, the author has, since the late 1970s, forged an interface between critical writing and a visual art practice in which feminist and postcolonial cultural politics are fused with idiosyncratic explorations of science, magic and the continuing lure of psychoanalysis. This comprehensive volume compiles previously published essays, interviews, papers, lectures and other ephemera which document Hiller's incisive interventions into contemporary debates on the shifting roles of art and theory.
The provisional texture of reality
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A former anthropologist, the author has, since the late 1970s, forged an interface between critical writing and a visual art practice in which feminist and postcolonial cultural politics are fused with idiosyncratic explorations of science, magic and the continuing lure of psychoanalysis. This comprehensive volume compiles previously published essays, interviews, papers, lectures and other ephemera which document Hiller's incisive interventions into contemporary debates on the shifting roles of art and theory.
Form:
books
books
Publication:
September 2008
September 2008
Subject:
Art Theory
Art Theory
Form:
journals and magazines
journals and magazines
Title:
Grey room 31
Grey room 31
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Summary:
Feature: Kaira M.Cabanas: Yves Klein's Performative Realism Rosalyn Deutsche, Aruna D'Souza, Miwon Kwon, Ulrike Müller, Mignon Nixon, and Senam Okudzeto: Feminist Time: A Conversation Ed Eigen: On the record: J.M.W. Turner's Studies for the Burning of the Houses of Parliament and Other Uncertain Bequests to History John Hardwood: The Wound Man: George Nelson and the(...)
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Feature: Kaira M.Cabanas: Yves Klein's Performative Realism Rosalyn Deutsche, Aruna D'Souza, Miwon Kwon, Ulrike Müller, Mignon Nixon, and Senam Okudzeto: Feminist Time: A Conversation Ed Eigen: On the record: J.M.W. Turner's Studies for the Burning of the Houses of Parliament and Other Uncertain Bequests to History John Hardwood: The Wound Man: George Nelson and the(...)
Subject:
Magazines
Magazines
Publication:
May 2008, Cambridge
May 2008, Cambridge
Title:
Grey room 31
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Summary:
Feature: Kaira M.Cabanas: Yves Klein's Performative Realism Rosalyn Deutsche, Aruna D'Souza, Miwon Kwon, Ulrike Müller, Mignon Nixon, and Senam Okudzeto: Feminist Time: A Conversation Ed Eigen: On the record: J.M.W. Turner's Studies for the Burning of the Houses of Parliament and Other Uncertain Bequests to History John Hardwood: The Wound Man: George Nelson and the 'End of Architecture'. Tom Williams: Lipstick Ascending: Claes Oldenburg in New Haven in 1969.
Grey room 31
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Summary:
Feature: Kaira M.Cabanas: Yves Klein's Performative Realism Rosalyn Deutsche, Aruna D'Souza, Miwon Kwon, Ulrike Müller, Mignon Nixon, and Senam Okudzeto: Feminist Time: A Conversation Ed Eigen: On the record: J.M.W. Turner's Studies for the Burning of the Houses of Parliament and Other Uncertain Bequests to History John Hardwood: The Wound Man: George Nelson and the 'End of Architecture'. Tom Williams: Lipstick Ascending: Claes Oldenburg in New Haven in 1969.
Form:
journals and magazines
journals and magazines
Publication:
May 2008, Cambridge
May 2008, Cambridge
Subject:
Magazines
Magazines
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journals and magazines
journals and magazines
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$40.00
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This issue of 'Arch+' aims to help change how we view urban land and encourage land law reform, to return land governance to the local level. Secondly, it addresses the domestic sphere and its activities with the help of feminist theory, because this largely falls outside the economic equation yet is also a genuinely political place. With 16 pages special feature on the(...)
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This issue of 'Arch+' aims to help change how we view urban land and encourage land law reform, to return land governance to the local level. Secondly, it addresses the domestic sphere and its activities with the help of feminist theory, because this largely falls outside the economic equation yet is also a genuinely political place. With 16 pages special feature on the(...)
Title:
Arch+ Spring 2018: the property issue
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This issue of 'Arch+' aims to help change how we view urban land and encourage land law reform, to return land governance to the local level. Secondly, it addresses the domestic sphere and its activities with the help of feminist theory, because this largely falls outside the economic equation yet is also a genuinely political place. With 16 pages special feature on the Luxembourg Pavilion at Venice Biennale.
Arch+ Spring 2018: the property issue
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This issue of 'Arch+' aims to help change how we view urban land and encourage land law reform, to return land governance to the local level. Secondly, it addresses the domestic sphere and its activities with the help of feminist theory, because this largely falls outside the economic equation yet is also a genuinely political place. With 16 pages special feature on the Luxembourg Pavilion at Venice Biennale.
Form:
journals and magazines
journals and magazines
Publication:
May 2018
May 2018
Subject:
Magazines
Magazines
Form:
books
books
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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This(...)
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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This(...)
Title:
Shary Boyle: La chair et le sang / Flesh and blood
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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This publication features all new works, many created especially for Boyle's first solo museum exhibition, touring nationally throughout 2011.
Shary Boyle: La chair et le sang / Flesh and blood
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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This publication features all new works, many created especially for Boyle's first solo museum exhibition, touring nationally throughout 2011.
Form:
books
books
Publication:
December 2010
December 2010
Subject:
Canadian art
Canadian art
Form:
books
books
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This anthology presents, in chronological order, all the texts by Claire Fontaine from 2004 to today. Created in 2004 in Paris by James Thornhill and Fulvia Carnevale, the collective artist Claire Fontaine creates texts that are as as experimental and politically charged as her visual practice. In these writings, she uses the concept of “human strike” and adopts the(...)
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This anthology presents, in chronological order, all the texts by Claire Fontaine from 2004 to today. Created in 2004 in Paris by James Thornhill and Fulvia Carnevale, the collective artist Claire Fontaine creates texts that are as as experimental and politically charged as her visual practice. In these writings, she uses the concept of “human strike” and adopts the(...)
Title:
Human strike and the art of creating freedom
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This anthology presents, in chronological order, all the texts by Claire Fontaine from 2004 to today. Created in 2004 in Paris by James Thornhill and Fulvia Carnevale, the collective artist Claire Fontaine creates texts that are as as experimental and politically charged as her visual practice. In these writings, she uses the concept of “human strike” and adopts the radical feminist position that can be found in Tiqqun, a two-issue magazine cofounded by Carnevale.
Human strike and the art of creating freedom
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Summary:
This anthology presents, in chronological order, all the texts by Claire Fontaine from 2004 to today. Created in 2004 in Paris by James Thornhill and Fulvia Carnevale, the collective artist Claire Fontaine creates texts that are as as experimental and politically charged as her visual practice. In these writings, she uses the concept of “human strike” and adopts the radical feminist position that can be found in Tiqqun, a two-issue magazine cofounded by Carnevale.
Form:
books
books
Publication:
December 2020
December 2020
Subject:
Art Theory
Art Theory
Form:
journals and magazines
journals and magazines
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in(...)
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in(...)
Title:
Log 48: Expanding modes of practice. Winter/Spring 2020
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in this issue range from architects and urbanists to curators and composers who grapple with what it means to practice in a more just way, balancing aesthetics with ethics. As Roberts writes, “What emerges from [these] experiments with situated, intersectional practice is the merging of the professional and the personal. Rather than neutrality, practices cultivate empathy.” At the heart of this issue are Roberts’s interviews with progressive practices Assemble, Borderless Studio, HECTOR, LA-Más, and Mabel O. Wilson. In addition, essayists Peggy Deamer and Michael Kubo discuss collaborative architecture practices today and in the past; Ana Miljacki and Jerome Haferd propose better pedagogies; and Jia Yi Gu, Deborah Garcia, and the feminist architecture collaborative position feminist theory in architectural practice and discourse today, and Cynthia Davidson talks with Mirko Zardini about the role of the museum today.
Log 48: Expanding modes of practice. Winter/Spring 2020
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in this issue range from architects and urbanists to curators and composers who grapple with what it means to practice in a more just way, balancing aesthetics with ethics. As Roberts writes, “What emerges from [these] experiments with situated, intersectional practice is the merging of the professional and the personal. Rather than neutrality, practices cultivate empathy.” At the heart of this issue are Roberts’s interviews with progressive practices Assemble, Borderless Studio, HECTOR, LA-Más, and Mabel O. Wilson. In addition, essayists Peggy Deamer and Michael Kubo discuss collaborative architecture practices today and in the past; Ana Miljacki and Jerome Haferd propose better pedagogies; and Jia Yi Gu, Deborah Garcia, and the feminist architecture collaborative position feminist theory in architectural practice and discourse today, and Cynthia Davidson talks with Mirko Zardini about the role of the museum today.
Form:
journals and magazines
journals and magazines
Publication:
April 2020
April 2020
Subject:
Magazines
Magazines
Form:
books
books
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$46.00
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Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of(...)
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Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of(...)
Title:
Institutional time: a critique of studio art education
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Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of the first program dedicated to feminist art, at California State University, Fresno, in 1970, she went on to initiate the Feminist Art Program at California Institute of the Arts with artist Miriam Schapiro, the first program at a major art school to specifically address the needs of female art students. Creator of the celebrated The Dinner Party, a monumental art installation now on permanent display at the Brooklyn Museum, Chicago reviews her own art education, in the 1960s, when she overcame sexist obstacles to beginning a career as an artist and became recognized as one of the key figures in the dynamic California art scene of that decade. She reviews the present-day situation of young people aspiring to become artists and uncovers the persistence of a bias against women and other minorities in studio art education.
Institutional time: a critique of studio art education
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Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of the first program dedicated to feminist art, at California State University, Fresno, in 1970, she went on to initiate the Feminist Art Program at California Institute of the Arts with artist Miriam Schapiro, the first program at a major art school to specifically address the needs of female art students. Creator of the celebrated The Dinner Party, a monumental art installation now on permanent display at the Brooklyn Museum, Chicago reviews her own art education, in the 1960s, when she overcame sexist obstacles to beginning a career as an artist and became recognized as one of the key figures in the dynamic California art scene of that decade. She reviews the present-day situation of young people aspiring to become artists and uncovers the persistence of a bias against women and other minorities in studio art education.
Form:
books
books
Publication:
March 2014
March 2014
Subject:
Museology
Museology
Form:
books
books
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Published on the occasion of The Grand Domestic Revolution GOES ON , a series of activities that check in on a long-term 'living research' project titled User's Manual: The Grand Revolution. This publication include surveys of contemporary cooperative and co-housing movements, an essay linking artistic and domestic labour and an interview with Dolores Hayden, author(...)
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Summary:
Published on the occasion of The Grand Domestic Revolution GOES ON , a series of activities that check in on a long-term 'living research' project titled User's Manual: The Grand Revolution. This publication include surveys of contemporary cooperative and co-housing movements, an essay linking artistic and domestic labour and an interview with Dolores Hayden, author(...)
Title:
The grand domestic revolution goes on
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Published on the occasion of The Grand Domestic Revolution GOES ON , a series of activities that check in on a long-term 'living research' project titled User's Manual: The Grand Revolution. This publication include surveys of contemporary cooperative and co-housing movements, an essay linking artistic and domestic labour and an interview with Dolores Hayden, author of the 'original' The Grand Domestic Revolution, a chronicle of 19th century material feminist design movement in the United States.
The grand domestic revolution goes on
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$24.50
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Summary:
Published on the occasion of The Grand Domestic Revolution GOES ON , a series of activities that check in on a long-term 'living research' project titled User's Manual: The Grand Revolution. This publication include surveys of contemporary cooperative and co-housing movements, an essay linking artistic and domestic labour and an interview with Dolores Hayden, author of the 'original' The Grand Domestic Revolution, a chronicle of 19th century material feminist design movement in the United States.
Form:
books
books
Publication:
January 2011
January 2011
Subject:
Art Theory
Art Theory
