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Title:
A philosophy of discomfort
A philosophy of discomfort
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A Philosophy of Discomfort explores the idea of comfort and discomfort as a historical and philosophical concept – a constant push and pull of opposing forces. Discomfort is a relative state, changing as the idea of well-being shifts through different epochs and cultures. Yet Jacques Pezeu-Massabuau claims that discomfort is of greater importance than comfort, even as we(...)
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A Philosophy of Discomfort explores the idea of comfort and discomfort as a historical and philosophical concept – a constant push and pull of opposing forces. Discomfort is a relative state, changing as the idea of well-being shifts through different epochs and cultures. Yet Jacques Pezeu-Massabuau claims that discomfort is of greater importance than comfort, even as we(...)
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A philosophy of discomfort
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A Philosophy of Discomfort explores the idea of comfort and discomfort as a historical and philosophical concept – a constant push and pull of opposing forces. Discomfort is a relative state, changing as the idea of well-being shifts through different epochs and cultures. Yet Jacques Pezeu-Massabuau claims that discomfort is of greater importance than comfort, even as we maintain the constant struggle to evade pains and privations. He explores notions of comfort over time, and considers examples of housing and interiors, from Japanese homes to the Moroccan casbah and modern city apartments, in which aspects of discomfort – the physical lack of well-being – are tolerated and accepted. In so doing, he also unravels the myths of modern comfort. While instinct demands we avoid it, the author insists that we recognize discomfort as central to our existence. He suggests we should learn to utilize it in order to find our way to its opposite: be it pleasure, hedonism or well-being.
A philosophy of discomfort
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A Philosophy of Discomfort explores the idea of comfort and discomfort as a historical and philosophical concept – a constant push and pull of opposing forces. Discomfort is a relative state, changing as the idea of well-being shifts through different epochs and cultures. Yet Jacques Pezeu-Massabuau claims that discomfort is of greater importance than comfort, even as we maintain the constant struggle to evade pains and privations. He explores notions of comfort over time, and considers examples of housing and interiors, from Japanese homes to the Moroccan casbah and modern city apartments, in which aspects of discomfort – the physical lack of well-being – are tolerated and accepted. In so doing, he also unravels the myths of modern comfort. While instinct demands we avoid it, the author insists that we recognize discomfort as central to our existence. He suggests we should learn to utilize it in order to find our way to its opposite: be it pleasure, hedonism or well-being.
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books
books
Publication:
June 2012
June 2012
Subject:
Architectural Theory
Architectural Theory
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books
books
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Western thinking has long been dominated by essence, by a preoccupation with that which dwells in itself and delimits itself from the other. By contrast, Far Eastern thought is centred not on essence but on absence. The fundamental topos of Far Eastern thinking is not being but ‘the way’ (dao), which lacks the solidity and fixedness of essence. The difference between(...)
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Western thinking has long been dominated by essence, by a preoccupation with that which dwells in itself and delimits itself from the other. By contrast, Far Eastern thought is centred not on essence but on absence. The fundamental topos of Far Eastern thinking is not being but ‘the way’ (dao), which lacks the solidity and fixedness of essence. The difference between(...)
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Absence: On the culture and philosophy of the Far East
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Western thinking has long been dominated by essence, by a preoccupation with that which dwells in itself and delimits itself from the other. By contrast, Far Eastern thought is centred not on essence but on absence. The fundamental topos of Far Eastern thinking is not being but ‘the way’ (dao), which lacks the solidity and fixedness of essence. The difference between essence and absence is the difference between being and path, between dwelling and wandering. '‘A Zen monk should be without fixed abode, like the clouds, and without fixed support, like water’', said the Japanese Zen master Dogen. Drawing on this fundamental distinction between essence and absence, Byung-Chul Han explores the differences between Western and Far Eastern philosophy, aesthetics, architecture and art, shedding fresh light on a culture of absence that may at first sight appear strange and unfamiliar to those in the West whose ways of thinking have been shaped for centuries by the preoccupation with essence.
Absence: On the culture and philosophy of the Far East
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Western thinking has long been dominated by essence, by a preoccupation with that which dwells in itself and delimits itself from the other. By contrast, Far Eastern thought is centred not on essence but on absence. The fundamental topos of Far Eastern thinking is not being but ‘the way’ (dao), which lacks the solidity and fixedness of essence. The difference between essence and absence is the difference between being and path, between dwelling and wandering. '‘A Zen monk should be without fixed abode, like the clouds, and without fixed support, like water’', said the Japanese Zen master Dogen. Drawing on this fundamental distinction between essence and absence, Byung-Chul Han explores the differences between Western and Far Eastern philosophy, aesthetics, architecture and art, shedding fresh light on a culture of absence that may at first sight appear strange and unfamiliar to those in the West whose ways of thinking have been shaped for centuries by the preoccupation with essence.
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books
books
Publication:
June 2023
June 2023
Subject:
Critical Theory
Critical Theory
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books
books
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$90.00
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This vast panorama spans more than two millennia of Western attempts to invent the perfect city, cradle of the ideal society. Embracing not only architecture and town planning but also art, literature, philosophy, and politics, the book takes us through the imaginary environments of a wide variety of fascinating and often controversial movements and figures, including(...)
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This vast panorama spans more than two millennia of Western attempts to invent the perfect city, cradle of the ideal society. Embracing not only architecture and town planning but also art, literature, philosophy, and politics, the book takes us through the imaginary environments of a wide variety of fascinating and often controversial movements and figures, including(...)
Title:
Ideal cities : utopianism and the (un)built environment
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This vast panorama spans more than two millennia of Western attempts to invent the perfect city, cradle of the ideal society. Embracing not only architecture and town planning but also art, literature, philosophy, and politics, the book takes us through the imaginary environments of a wide variety of fascinating and often controversial movements and figures, including Plato, Filarete, Leonardo da Vinci, Thomas More, Thomas Jefferson, Claude-Nicolas Ledoux, Charles Fourier, Etienne Cabet, Robert Owen, William Morris, Ebenezer Howard, Bruno Taut, Le Corbusier, Frank Lloyd Wright, the European Situationalists, the Japanese Metabolists, Archigram, Superstudio, and many more. The ideal cities in this richly illustrated book exist for the most part in the domain of ideas. Ruth Eaton explores the ability of ideal cities to stimulate reflection and change, and she suggests under what conditions they might continue to exercise their vital function in relation to the urban environment of the future. The book is generously illustrated with 300 imagess, 250 in colour.
Ideal cities : utopianism and the (un)built environment
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This vast panorama spans more than two millennia of Western attempts to invent the perfect city, cradle of the ideal society. Embracing not only architecture and town planning but also art, literature, philosophy, and politics, the book takes us through the imaginary environments of a wide variety of fascinating and often controversial movements and figures, including Plato, Filarete, Leonardo da Vinci, Thomas More, Thomas Jefferson, Claude-Nicolas Ledoux, Charles Fourier, Etienne Cabet, Robert Owen, William Morris, Ebenezer Howard, Bruno Taut, Le Corbusier, Frank Lloyd Wright, the European Situationalists, the Japanese Metabolists, Archigram, Superstudio, and many more. The ideal cities in this richly illustrated book exist for the most part in the domain of ideas. Ruth Eaton explores the ability of ideal cities to stimulate reflection and change, and she suggests under what conditions they might continue to exercise their vital function in relation to the urban environment of the future. The book is generously illustrated with 300 imagess, 250 in colour.
Form:
books
books
Publication:
September 2002, London
September 2002, London
Subject:
Urban Theory
Urban Theory
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books
books
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$42.00
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Summary:
Drawn from talks between celebrated artist Richard Serra and acclaimed art historian Hal Foster held over a fifteen-year period, this volume offers revelations into Serra’s prolific six-decade career and the ideas that have informed his working practice. Conversations about Sculpture is both an intimate look at Serra’s life and work, with candid reflections on personal(...)
$42.00
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Drawn from talks between celebrated artist Richard Serra and acclaimed art historian Hal Foster held over a fifteen-year period, this volume offers revelations into Serra’s prolific six-decade career and the ideas that have informed his working practice. Conversations about Sculpture is both an intimate look at Serra’s life and work, with candid reflections on personal(...)
Title:
Conversations about sculpture
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Drawn from talks between celebrated artist Richard Serra and acclaimed art historian Hal Foster held over a fifteen-year period, this volume offers revelations into Serra’s prolific six-decade career and the ideas that have informed his working practice. Conversations about Sculpture is both an intimate look at Serra’s life and work, with candid reflections on personal moments of discovery, and a provocative examination of sculptural form from antiquity to today. Serra and Foster explore such subjects as the artist’s work in steel mills as a young man; the impact of music, dance, and architecture on his art; the importance of materiality and site specificity to his aesthetic; the controversies and contradictions his work has faced; and his belief in sculpture as experience. They also discuss sources of inspiration—from Donatello and Brancusi to Japanese gardens and Machu Picchu—revealing a history of sculpture across time and culture through the eyes of one of the medium’s most brilliant figures.
Conversations about sculpture
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Summary:
Drawn from talks between celebrated artist Richard Serra and acclaimed art historian Hal Foster held over a fifteen-year period, this volume offers revelations into Serra’s prolific six-decade career and the ideas that have informed his working practice. Conversations about Sculpture is both an intimate look at Serra’s life and work, with candid reflections on personal moments of discovery, and a provocative examination of sculptural form from antiquity to today. Serra and Foster explore such subjects as the artist’s work in steel mills as a young man; the impact of music, dance, and architecture on his art; the importance of materiality and site specificity to his aesthetic; the controversies and contradictions his work has faced; and his belief in sculpture as experience. They also discuss sources of inspiration—from Donatello and Brancusi to Japanese gardens and Machu Picchu—revealing a history of sculpture across time and culture through the eyes of one of the medium’s most brilliant figures.
Form:
books
books
Publication:
November 2018
November 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$65.00
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Summary:
The Danish-Icelandic artist Olafur Eliasson developed a sequence of spatial experiments for his Your Chance Encounter exhibition in the 21st Century Museum of Contemporary Art, Kanazawa, Japan. His piece challenges visitors to move around and get their bearings, and stimulates them to see the museum as a public space for addressing art and reality critically. The(...)
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The Danish-Icelandic artist Olafur Eliasson developed a sequence of spatial experiments for his Your Chance Encounter exhibition in the 21st Century Museum of Contemporary Art, Kanazawa, Japan. His piece challenges visitors to move around and get their bearings, and stimulates them to see the museum as a public space for addressing art and reality critically. The(...)
Title:
Olafur Eliasson: your chance encounter
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The Danish-Icelandic artist Olafur Eliasson developed a sequence of spatial experiments for his Your Chance Encounter exhibition in the 21st Century Museum of Contemporary Art, Kanazawa, Japan. His piece challenges visitors to move around and get their bearings, and stimulates them to see the museum as a public space for addressing art and reality critically. The installations were developed especially for the exhibition. They are arranged in a tight context with the spatial structure of the museum and extend the concept of architecture by the Japanese architecture practice SANAA. Olafur Eliasson does not work only in the museum galleries, but also in the corridors in between and the adjacent courtyards, thus linking the indoor and outdoor areas closely and examining this museum’s unique qualities. The artist’s book was created in close co-operation with Olafur Eliasson’s studio. Its elaborate design with an extensive pictorial section offers a comprehensive record of the exhibition and an important analysis of this artist’s work. An essay by art historian Eve Blau interprets the exhibition in relation to its surroundings and contrasts the experimental approaches of Olafur Eliasson and SANAA, while curator Hiromi Kurosawa introduces the history and context of the museum in Kanazawa.
Olafur Eliasson: your chance encounter
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$65.00
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Summary:
The Danish-Icelandic artist Olafur Eliasson developed a sequence of spatial experiments for his Your Chance Encounter exhibition in the 21st Century Museum of Contemporary Art, Kanazawa, Japan. His piece challenges visitors to move around and get their bearings, and stimulates them to see the museum as a public space for addressing art and reality critically. The installations were developed especially for the exhibition. They are arranged in a tight context with the spatial structure of the museum and extend the concept of architecture by the Japanese architecture practice SANAA. Olafur Eliasson does not work only in the museum galleries, but also in the corridors in between and the adjacent courtyards, thus linking the indoor and outdoor areas closely and examining this museum’s unique qualities. The artist’s book was created in close co-operation with Olafur Eliasson’s studio. Its elaborate design with an extensive pictorial section offers a comprehensive record of the exhibition and an important analysis of this artist’s work. An essay by art historian Eve Blau interprets the exhibition in relation to its surroundings and contrasts the experimental approaches of Olafur Eliasson and SANAA, while curator Hiromi Kurosawa introduces the history and context of the museum in Kanazawa.
Form:
books
books
Publication:
May 2010
May 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$64.95
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Summary:
The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this(...)
$64.95
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Summary:
The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this(...)
Title:
The anti-museum - an anthology
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The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this anthology is devoted to the anti-museum, through anti-art, the anti-artist, anti-exhibition, as well as anti-architecture, anti-philosophy, anti-religion, anti-cinema and anti-music. This notion - unpatented but regularly reappropriated - traces the erratic, fractured, and sometimes paradoxical counter-history of the contestation of artistic institutions. From the first anti-exhibition to the first catalog retracing the history of "Closed Exhibitions" from Dada to Noise music, from "Everything is Art" to NO!art, the Japanese avant-gardes to Lettrist cinema, and not forgetting such major protest figures as Gustav Metzger, Henry Flynt, Graciela Carnevale, and Lydia Lunch, "The anti-museum" sketches a polyphonic panorama where negation is accompanied by a powerful breath of life.
The anti-museum - an anthology
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$64.95
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Summary:
The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this anthology is devoted to the anti-museum, through anti-art, the anti-artist, anti-exhibition, as well as anti-architecture, anti-philosophy, anti-religion, anti-cinema and anti-music. This notion - unpatented but regularly reappropriated - traces the erratic, fractured, and sometimes paradoxical counter-history of the contestation of artistic institutions. From the first anti-exhibition to the first catalog retracing the history of "Closed Exhibitions" from Dada to Noise music, from "Everything is Art" to NO!art, the Japanese avant-gardes to Lettrist cinema, and not forgetting such major protest figures as Gustav Metzger, Henry Flynt, Graciela Carnevale, and Lydia Lunch, "The anti-museum" sketches a polyphonic panorama where negation is accompanied by a powerful breath of life.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
Museology
Museology
Form:
books
books
Title:
Naoya Hatakeyama
Naoya Hatakeyama
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$51.95
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Naoya Hatakeyama is one of the most noteworthy contemporary Japanese photo artists. Related predominantly to architecture, his oeuvre has been shaped by almost archaeological rigor and interest. Hatakeyama's work encompasses a range of themes, from series devoted to limestone landscapes and architectures - his Lime Work and Lime Hill (1987-1992), which are reminiscent at(...)
$51.95
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Summary:
Naoya Hatakeyama is one of the most noteworthy contemporary Japanese photo artists. Related predominantly to architecture, his oeuvre has been shaped by almost archaeological rigor and interest. Hatakeyama's work encompasses a range of themes, from series devoted to limestone landscapes and architectures - his Lime Work and Lime Hill (1987-1992), which are reminiscent at(...)
Subject:
Photography monographs
Photography monographs
Publication:
May 2002, Ostfildern-Ruit, Germany
May 2002, Ostfildern-Ruit, Germany
Title:
Naoya Hatakeyama
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$51.95
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Naoya Hatakeyama is one of the most noteworthy contemporary Japanese photo artists. Related predominantly to architecture, his oeuvre has been shaped by almost archaeological rigor and interest. Hatakeyama's work encompasses a range of themes, from series devoted to limestone landscapes and architectures - his Lime Work and Lime Hill (1987-1992), which are reminiscent at times of lunar landscapes or prehistoric scenes - to his Underground series, in which the artist pursues urban tectonics in a vertical photographic progression from the air down into the depths of the city sewer system with its almost theatrical lighting effects. At the same time, his consistently serial works also reveal the presence of a horizontal principle as an expression of the importance of the aspect of time in his art - in highly explosive moments, for example, as in Blasts (1995/96), photos of detonations in quarries, or in the urban tableaux conceived as extended-time studies in 48 or 72 parts in his Unlimited series (1989-1997). One of the first monographs devoted to this artist, this book covers all of his serial work as well as some of his most recent projects.
Naoya Hatakeyama
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Naoya Hatakeyama is one of the most noteworthy contemporary Japanese photo artists. Related predominantly to architecture, his oeuvre has been shaped by almost archaeological rigor and interest. Hatakeyama's work encompasses a range of themes, from series devoted to limestone landscapes and architectures - his Lime Work and Lime Hill (1987-1992), which are reminiscent at times of lunar landscapes or prehistoric scenes - to his Underground series, in which the artist pursues urban tectonics in a vertical photographic progression from the air down into the depths of the city sewer system with its almost theatrical lighting effects. At the same time, his consistently serial works also reveal the presence of a horizontal principle as an expression of the importance of the aspect of time in his art - in highly explosive moments, for example, as in Blasts (1995/96), photos of detonations in quarries, or in the urban tableaux conceived as extended-time studies in 48 or 72 parts in his Unlimited series (1989-1997). One of the first monographs devoted to this artist, this book covers all of his serial work as well as some of his most recent projects.
Form:
books
books
Publication:
May 2002, Ostfildern-Ruit, Germany
May 2002, Ostfildern-Ruit, Germany
Subject:
Photography monographs
Photography monographs
Form:
artefacts
artefacts
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Description:
1 construction set (various pieces) : painted metal ; in box 52 x 27 x 6 cm + 2 sheets
Description:
1 construction set (various pieces) : painted metal ; in box 52 x 27 x 6 cm + 2 sheets
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Publication:
[Minneapolis, Minn.] : [Distributed by the Walker Art Center], ©1948 ([Place of publication not identified : Indiana Steel Products Corporation?])
[Minneapolis, Minn.] : [Distributed by the Walker Art Center], ©1948 ([Place of publication not identified : Indiana Steel Products Corporation?])
Title:
Magnet Master. Set no. 900 : a new creative toy / designed by Carrara ; sponsored by Walker Art Center.
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Description:
1 construction set (various pieces) : painted metal ; in box 52 x 27 x 6 cm + 2 sheets
Magnet Master. Set no. 900 : a new creative toy / designed by Carrara ; sponsored by Walker Art Center.
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Description:
1 construction set (various pieces) : painted metal ; in box 52 x 27 x 6 cm + 2 sheets
Form:
artefacts
artefacts
Publication:
[Minneapolis, Minn.] : [Distributed by the Walker Art Center], ©1948 ([Place of publication not identified : Indiana Steel Products Corporation?])
[Minneapolis, Minn.] : [Distributed by the Walker Art Center], ©1948 ([Place of publication not identified : Indiana Steel Products Corporation?])
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books
books
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée,(...)
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée,(...)
Title:
Embarquement pour Katsura : Irene F. Whittome au CCA / Departure for Katsura : Irene F. Whittome at the CCA
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée, Whittome cherche à en révéler le pouvoir d'évocation et l'intensité contemplative. Laurier Lacroix présente la genèse de l'exposition et propose des interprétations poétiques de oeuvres et des installations. Le projet d'artiste créé pour la publication est constitué de l'impression en braille de 14 haikus de poète japonais Basho. With a text by guest curator Laurier Lacroix, and an aritst’s project by Irene F. Whittome, this exhibition catalogue examines the multifaceted relationships between art and architecture. Through a selection of works drawn from the CCA collections and new works Whittome has created specifically for the spaces of the CCA, the artist has sought to bring out the evocative and contemplative power of each. The text by Laurier Lacroix describes the genesis of the exhibition and offers a series of poetic interpretations of the works. The artist’s project created for the publication consists of 14 haiku by the Japanese poet Basho printed in braille.
Embarquement pour Katsura : Irene F. Whittome au CCA / Departure for Katsura : Irene F. Whittome at the CCA
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$9.95
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Summary:
Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée, Whittome cherche à en révéler le pouvoir d'évocation et l'intensité contemplative. Laurier Lacroix présente la genèse de l'exposition et propose des interprétations poétiques de oeuvres et des installations. Le projet d'artiste créé pour la publication est constitué de l'impression en braille de 14 haikus de poète japonais Basho. With a text by guest curator Laurier Lacroix, and an aritst’s project by Irene F. Whittome, this exhibition catalogue examines the multifaceted relationships between art and architecture. Through a selection of works drawn from the CCA collections and new works Whittome has created specifically for the spaces of the CCA, the artist has sought to bring out the evocative and contemplative power of each. The text by Laurier Lacroix describes the genesis of the exhibition and offers a series of poetic interpretations of the works. The artist’s project created for the publication consists of 14 haiku by the Japanese poet Basho printed in braille.
Form:
books
books
Publication:
November 1998, Montréal
November 1998, Montréal
Subject:
CCA Publications
CCA Publications
