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journals and magazines
journals and magazines
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Conditions is a new Scandinavian magazine focusing on the conditions of architecture and Urbanism. Presenting new perspectives, in the way of conceiving and analyzing designs, works and theory for architecture. In pre-modern epochs, renewal of practice was always initiated by looking backwards, as a return to the fundamentals. The cult of the new/young first came(...)
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Conditions is a new Scandinavian magazine focusing on the conditions of architecture and Urbanism. Presenting new perspectives, in the way of conceiving and analyzing designs, works and theory for architecture. In pre-modern epochs, renewal of practice was always initiated by looking backwards, as a return to the fundamentals. The cult of the new/young first came(...)
Title:
Conditions 9: New knowledge, new practices?
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Conditions is a new Scandinavian magazine focusing on the conditions of architecture and Urbanism. Presenting new perspectives, in the way of conceiving and analyzing designs, works and theory for architecture. In pre-modern epochs, renewal of practice was always initiated by looking backwards, as a return to the fundamentals. The cult of the new/young first came with modernity. Are young offices still obsessed with the ideas of idols, former employers and teachers? Or are young practices in architecture today considered to be especially innovative? Are they generating new knowledge or just recycling winning formulas? If truly innovative new practices still exist, from what fields of knowledge do they get their input?
Conditions 9: New knowledge, new practices?
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Conditions is a new Scandinavian magazine focusing on the conditions of architecture and Urbanism. Presenting new perspectives, in the way of conceiving and analyzing designs, works and theory for architecture. In pre-modern epochs, renewal of practice was always initiated by looking backwards, as a return to the fundamentals. The cult of the new/young first came with modernity. Are young offices still obsessed with the ideas of idols, former employers and teachers? Or are young practices in architecture today considered to be especially innovative? Are they generating new knowledge or just recycling winning formulas? If truly innovative new practices still exist, from what fields of knowledge do they get their input?
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journals and magazines
journals and magazines
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January 2012
January 2012
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books
books
![twen [1959–1971]](/img-bookstore/KAP1lPcLjT0yznZFwQrqNe1nFuI=/700x1043/LV38553.jpg)
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twen [1959–1971]
twen [1959–1971]
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Une plongée spectaculaire dans le travail du directeur artistique Willy Fleckhaus pour le magazine allemand twen, qui fut sans doute, au cours des années 1960, le magazine le plus influent au monde en termes d'audace visuelle et d'innovation graphique, et qui reste une référence incontournable pour de nombreux praticiens contemporains.
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Une plongée spectaculaire dans le travail du directeur artistique Willy Fleckhaus pour le magazine allemand twen, qui fut sans doute, au cours des années 1960, le magazine le plus influent au monde en termes d'audace visuelle et d'innovation graphique, et qui reste une référence incontournable pour de nombreux praticiens contemporains.
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Book Design
Book Design
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January 2024
January 2024
Title:
twen [1959–1971]
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Une plongée spectaculaire dans le travail du directeur artistique Willy Fleckhaus pour le magazine allemand twen, qui fut sans doute, au cours des années 1960, le magazine le plus influent au monde en termes d'audace visuelle et d'innovation graphique, et qui reste une référence incontournable pour de nombreux praticiens contemporains.
twen [1959–1971]
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Une plongée spectaculaire dans le travail du directeur artistique Willy Fleckhaus pour le magazine allemand twen, qui fut sans doute, au cours des années 1960, le magazine le plus influent au monde en termes d'audace visuelle et d'innovation graphique, et qui reste une référence incontournable pour de nombreux praticiens contemporains.
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books
books
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January 2024
January 2024
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Book Design
Book Design
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books
books
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Everything must come to an end, and after publishing Emigre magazine for over two decades, Rudy Vanderlans is saying adieu. More than twenty- five contributors and colleagues, including Lorraine Wild, William Drenttel, Michael Bierut, Steve Heller, Ellen Lupton, Armin Vit, and Peter Bilak weigh in and bid the magazine farewell.
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Everything must come to an end, and after publishing Emigre magazine for over two decades, Rudy Vanderlans is saying adieu. More than twenty- five contributors and colleagues, including Lorraine Wild, William Drenttel, Michael Bierut, Steve Heller, Ellen Lupton, Armin Vit, and Peter Bilak weigh in and bid the magazine farewell.
Title:
Emigre no. 69 : the end, final issue
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Everything must come to an end, and after publishing Emigre magazine for over two decades, Rudy Vanderlans is saying adieu. More than twenty- five contributors and colleagues, including Lorraine Wild, William Drenttel, Michael Bierut, Steve Heller, Ellen Lupton, Armin Vit, and Peter Bilak weigh in and bid the magazine farewell.
Emigre no. 69 : the end, final issue
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Everything must come to an end, and after publishing Emigre magazine for over two decades, Rudy Vanderlans is saying adieu. More than twenty- five contributors and colleagues, including Lorraine Wild, William Drenttel, Michael Bierut, Steve Heller, Ellen Lupton, Armin Vit, and Peter Bilak weigh in and bid the magazine farewell.
Form:
books
books
Publication:
December 2005, New York
December 2005, New York
Subject:
Graphic Design and Typography
Graphic Design and Typography
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journals and magazines
journals and magazines
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$38.95
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Parklife is an independent publication edited by Continente Editions about outdoor space, curated by Paola Ristoldo and Alessandro Furchino Capria. The magazine addresses stories of ordinary and uncommon places by developing visual and literary narratives. Driven by a primordial need to create, occupy and control a territory, human being becomes inhabitant of a place(...)
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Parklife is an independent publication edited by Continente Editions about outdoor space, curated by Paola Ristoldo and Alessandro Furchino Capria. The magazine addresses stories of ordinary and uncommon places by developing visual and literary narratives. Driven by a primordial need to create, occupy and control a territory, human being becomes inhabitant of a place(...)
Title:
Parklife, issue 1: a refuge from the urban sprawl
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Parklife is an independent publication edited by Continente Editions about outdoor space, curated by Paola Ristoldo and Alessandro Furchino Capria. The magazine addresses stories of ordinary and uncommon places by developing visual and literary narratives. Driven by a primordial need to create, occupy and control a territory, human being becomes inhabitant of a place defined and circumscribed by and for himself. Why does humanity feel the need to design these spaces? How are they experienced? Through an authorial approach and with unpublished projects, thirteen artists and a confrontation between an architect and a designer explore the concept of the park understood as a place of daily life. All these visions make it possible to conceive green space and its inhabitants as an essential and united part of the city context. Parklife is a refuge from the urban sprawl.
Parklife, issue 1: a refuge from the urban sprawl
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Parklife is an independent publication edited by Continente Editions about outdoor space, curated by Paola Ristoldo and Alessandro Furchino Capria. The magazine addresses stories of ordinary and uncommon places by developing visual and literary narratives. Driven by a primordial need to create, occupy and control a territory, human being becomes inhabitant of a place defined and circumscribed by and for himself. Why does humanity feel the need to design these spaces? How are they experienced? Through an authorial approach and with unpublished projects, thirteen artists and a confrontation between an architect and a designer explore the concept of the park understood as a place of daily life. All these visions make it possible to conceive green space and its inhabitants as an essential and united part of the city context. Parklife is a refuge from the urban sprawl.
Form:
journals and magazines
journals and magazines
Publication:
April 2023
April 2023
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$23.95
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More a book than a magazine, Mousse #83—The Artist’s Artist is a special, collectible issue conceived as a small anthology of seven comprehensive monographs dedicated to influential, yet at times underrepresented, artists who spearheaded the languages that are defining our age—the so-called artists’ artists. Julie Becker, Dara Birnbaum, Andrea Branzi, Vaginal Davis, Lala(...)
$23.95
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Summary:
More a book than a magazine, Mousse #83—The Artist’s Artist is a special, collectible issue conceived as a small anthology of seven comprehensive monographs dedicated to influential, yet at times underrepresented, artists who spearheaded the languages that are defining our age—the so-called artists’ artists. Julie Becker, Dara Birnbaum, Andrea Branzi, Vaginal Davis, Lala(...)
Title:
Mousse 83
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$23.95
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More a book than a magazine, Mousse #83—The Artist’s Artist is a special, collectible issue conceived as a small anthology of seven comprehensive monographs dedicated to influential, yet at times underrepresented, artists who spearheaded the languages that are defining our age—the so-called artists’ artists. Julie Becker, Dara Birnbaum, Andrea Branzi, Vaginal Davis, Lala Rukh, Rosemary Mayer, and Jean-Frédéric Schnyder help us to celebrate the perpetually ambitious objective of providing layers of understanding regarding artists’ practices and their implications in the present. In a moment when the editorial landscape is witnessing a precipitous turn away from firm engagement with art’s primary matters, we have registered a growing concern among those who inspire us and to whom we want to pay homage, to which we respond by returning to committed writing and engagement, a foundation of contemporary culture’s production and reception.
Mousse 83
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$23.95
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Summary:
More a book than a magazine, Mousse #83—The Artist’s Artist is a special, collectible issue conceived as a small anthology of seven comprehensive monographs dedicated to influential, yet at times underrepresented, artists who spearheaded the languages that are defining our age—the so-called artists’ artists. Julie Becker, Dara Birnbaum, Andrea Branzi, Vaginal Davis, Lala Rukh, Rosemary Mayer, and Jean-Frédéric Schnyder help us to celebrate the perpetually ambitious objective of providing layers of understanding regarding artists’ practices and their implications in the present. In a moment when the editorial landscape is witnessing a precipitous turn away from firm engagement with art’s primary matters, we have registered a growing concern among those who inspire us and to whom we want to pay homage, to which we respond by returning to committed writing and engagement, a foundation of contemporary culture’s production and reception.
Form:
journals and magazines
journals and magazines
Publication:
July 2023
July 2023
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Texte zur kunst 121 : comedy
Texte zur kunst 121 : comedy
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The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque.(...)
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The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque.(...)
Title:
Texte zur kunst 121 : comedy
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The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque. However, at a time when audiences increasingly demand political commitment and authenticity from art, comedic speech, which is inherently disingenuous, has fallen into disrepute: ironically distanced rhetoric is accused of turning a blind eye to social inequality. Together with Bert Rebhandl, author and co-publisher of the film magazine cargo, the editors conceptualized an issue that examines the role of the joke in art, the psychoanalytic dimension of the comedic, and the limits of satire in the age of Donald Trump.
Texte zur kunst 121 : comedy
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Summary:
The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque. However, at a time when audiences increasingly demand political commitment and authenticity from art, comedic speech, which is inherently disingenuous, has fallen into disrepute: ironically distanced rhetoric is accused of turning a blind eye to social inequality. Together with Bert Rebhandl, author and co-publisher of the film magazine cargo, the editors conceptualized an issue that examines the role of the joke in art, the psychoanalytic dimension of the comedic, and the limits of satire in the age of Donald Trump.
Form:
journals and magazines
journals and magazines
Publication:
March 2021
March 2021
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island(...)
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island(...)
Title:
The Funambulist 20, November/December
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island (what many people call ''North America''.) Most of them depict Native lives in spaces that are not the reservations where the colonial narrative usually situates them. Whether in large cities such as Los Angeles or Saskatoon, or settler border towns in the periphery of reservations, the urban dimension of the first half of the dossier is omnipresent. The second half is dedicated to various forms of Indigenous resistance through space-making, anti-colonial solidarities, representative transgression, or architecture researches/projects.
The Funambulist 20, November/December
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Summary:
The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island (what many people call ''North America''.) Most of them depict Native lives in spaces that are not the reservations where the colonial narrative usually situates them. Whether in large cities such as Los Angeles or Saskatoon, or settler border towns in the periphery of reservations, the urban dimension of the first half of the dossier is omnipresent. The second half is dedicated to various forms of Indigenous resistance through space-making, anti-colonial solidarities, representative transgression, or architecture researches/projects.
Form:
journals and magazines
journals and magazines
Publication:
November 2018
November 2018
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Counter-Print #09 2012
Counter-Print #09 2012
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Eight:48 magazine has been relaunched under the new name of Counter-Print starting with Issue 9. It now consists of three papers and runs to 56 pages. Paper #01 focuses on the art and design of freight and heavy goods vehicles, taking a global view on the history, symbolism and craft behind their ornamentation. Paper #02 entitled, ‘new work’, offers a snap shot of some(...)
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Summary:
Eight:48 magazine has been relaunched under the new name of Counter-Print starting with Issue 9. It now consists of three papers and runs to 56 pages. Paper #01 focuses on the art and design of freight and heavy goods vehicles, taking a global view on the history, symbolism and craft behind their ornamentation. Paper #02 entitled, ‘new work’, offers a snap shot of some(...)
Title:
Counter-Print #09 2012
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Eight:48 magazine has been relaunched under the new name of Counter-Print starting with Issue 9. It now consists of three papers and runs to 56 pages. Paper #01 focuses on the art and design of freight and heavy goods vehicles, taking a global view on the history, symbolism and craft behind their ornamentation. Paper #02 entitled, ‘new work’, offers a snap shot of some of the best work Counter-Print have had sent to them over the past quarter, as well as inspiring pieces they have come across in galleries and online. Finally, Paper #03 is an attempt to tie up Eight:48, as they move forward with Counter-Print. It's brief montage of new and old articles, drawn from issues one to eight offers a timely look back on all eight themes that have shaped the paper so far.
Counter-Print #09 2012
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Eight:48 magazine has been relaunched under the new name of Counter-Print starting with Issue 9. It now consists of three papers and runs to 56 pages. Paper #01 focuses on the art and design of freight and heavy goods vehicles, taking a global view on the history, symbolism and craft behind their ornamentation. Paper #02 entitled, ‘new work’, offers a snap shot of some of the best work Counter-Print have had sent to them over the past quarter, as well as inspiring pieces they have come across in galleries and online. Finally, Paper #03 is an attempt to tie up Eight:48, as they move forward with Counter-Print. It's brief montage of new and old articles, drawn from issues one to eight offers a timely look back on all eight themes that have shaped the paper so far.
Form:
journals and magazines
journals and magazines
Publication:
September 2012
September 2012
Subject:
Magazines
Magazines
Form:
books
books
Title:
What we must
What we must
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$8.00
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Summary:
Second Edition Released as Supplement to Afterhours Magazine Issue 24.
$8.00
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Summary:
Second Edition Released as Supplement to Afterhours Magazine Issue 24.
Title:
What we must
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$8.00
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Summary:
Second Edition Released as Supplement to Afterhours Magazine Issue 24.
What we must
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$8.00
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Summary:
Second Edition Released as Supplement to Afterhours Magazine Issue 24.
Form:
books
books
Publication:
January 2004, Zürich
January 2004, Zürich
Subject:
Graphic Design and Typography
Graphic Design and Typography
Form:
books
books
Holdings:
Description:
223 pages : illustrations ; 28 cm
Description:
223 pages : illustrations ; 28 cm
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Subject:
Publication:
Paris : Hazan : Jeu de Paume ; Toronto : Ryerson Image Centre, ©2012.
Paris : Hazan : Jeu de Paume ; Toronto : Ryerson Image Centre, ©2012.
Title:
Berenice Abbott / [Gaëlle Morel, Sarah Miller, Terri Weissman].
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Description:
223 pages : illustrations ; 28 cm
Berenice Abbott / [Gaëlle Morel, Sarah Miller, Terri Weissman].
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Description:
223 pages : illustrations ; 28 cm
Form:
books
books
Publication:
Paris : Hazan : Jeu de Paume ; Toronto : Ryerson Image Centre, ©2012.
Paris : Hazan : Jeu de Paume ; Toronto : Ryerson Image Centre, ©2012.
Author:
Subject:
