8533 Results
Level of archival description:
Project
Project
Reference number:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
People:
Date:
1993-1994
1993-1994
Title:
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Level of archival description:
File 106
File 106
Date:
1993-1994
1993-1994
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP186
Synopsis:
The Cloud 9 Villa Nurbs project records,1990s-2013, document the firm’s Villa Nurbs project, a private residence in Empuriabrava (Costa Brava), Spain. The archive consists of the firm’s total born-digital archive for the project, as well as physical materials in a number of formats, including drawings, textual records, slides, presentation materials, photographs, paintings, protoypes, material samples, and models.
AP186
Synopsis:
The Cloud 9 Villa Nurbs project records,1990s-2013, document the firm’s Villa Nurbs project, a private residence in Empuriabrava (Costa Brava), Spain. The archive consists of the firm’s total born-digital archive for the project, as well as physical materials in a number of formats, including drawings, textual records, slides, presentation materials, photographs, paintings, protoypes, material samples, and models.
People:
Date:
1990s-2013
1990s-2013
Title:
Cloud 9 Villa Nurbs project records
Actions:
AP186
Synopsis:
The Cloud 9 Villa Nurbs project records,1990s-2013, document the firm’s Villa Nurbs project, a private residence in Empuriabrava (Costa Brava), Spain. The archive consists of the firm’s total born-digital archive for the project, as well as physical materials in a number of formats, including drawings, textual records, slides, presentation materials, photographs, paintings, protoypes, material samples, and models.
Cloud 9 Villa Nurbs project records
Actions:
AP186
Synopsis:
The Cloud 9 Villa Nurbs project records,1990s-2013, document the firm’s Villa Nurbs project, a private residence in Empuriabrava (Costa Brava), Spain. The archive consists of the firm’s total born-digital archive for the project, as well as physical materials in a number of formats, including drawings, textual records, slides, presentation materials, photographs, paintings, protoypes, material samples, and models.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1990s-2013
1990s-2013
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Actions:
Reference number:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
People:
Date:
1957-2002
1957-2002
Title:
Mies in America Research Collection
Actions:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Mies in America Research Collection
Actions:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Form:
archives
Level of archival description:
Collection 172
archives
Level of archival description:
Collection 172
Date:
1957-2002
1957-2002
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP140
Synopsis:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
AP140
Synopsis:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
People:
Date:
circa 1939-2004
circa 1939-2004
Title:
James Stirling / Michael Wilford fonds
Actions:
AP140
Synopsis:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
James Stirling / Michael Wilford fonds
Actions:
AP140
Synopsis:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1939-2004
circa 1939-2004
People:
Level of archival description:
Project
Project
Reference number:
AP166.S1.1991.PR2
Description:
This project series documents the project "Glass Station", a gas station constructed on an irregularly-shaped site at the entrance to the town of Oguni in Kumamoto Prefecture, Japan. The project was completed in 1993. The office, pumps, shop and work space of the service station are covered by an undulating canopy composed of asymmetrical concrete arches that form the boundaries of a lattice of pretensioned steel rods and aluminum channels into which panels of glass bonded to sheets of perforated stainless steel were inserted, sealed with polyester film, and secured with structural silicon. The project series is chiefly composed of design development drawings. It includes numbered sets of architectural drawings and structural drawings and some mechanical and electrical drawings. There is a set of unnumbered ink drawings and reproductions related to the geometry of the canopy. There are also some images of the canopy that are output from a computer file or files (wireframes and renderings). There is a small amount of textual material related to technical data and form finding for the canopy. The file also includes 2 study models. There are some graphic design documents for the name of the project and for the name "IDEX". Material in this file was created between 1990 and 1993.
AP166.S1.1991.PR2
Description:
This project series documents the project "Glass Station", a gas station constructed on an irregularly-shaped site at the entrance to the town of Oguni in Kumamoto Prefecture, Japan. The project was completed in 1993. The office, pumps, shop and work space of the service station are covered by an undulating canopy composed of asymmetrical concrete arches that form the boundaries of a lattice of pretensioned steel rods and aluminum channels into which panels of glass bonded to sheets of perforated stainless steel were inserted, sealed with polyester film, and secured with structural silicon. The project series is chiefly composed of design development drawings. It includes numbered sets of architectural drawings and structural drawings and some mechanical and electrical drawings. There is a set of unnumbered ink drawings and reproductions related to the geometry of the canopy. There are also some images of the canopy that are output from a computer file or files (wireframes and renderings). There is a small amount of textual material related to technical data and form finding for the canopy. The file also includes 2 study models. There are some graphic design documents for the name of the project and for the name "IDEX". Material in this file was created between 1990 and 1993.
People:
Date:
1990-1993
1990-1993
Title:
Glass Station, Oguni, Japan (1990-1993)
Actions:
AP166.S1.1991.PR2
Description:
This project series documents the project "Glass Station", a gas station constructed on an irregularly-shaped site at the entrance to the town of Oguni in Kumamoto Prefecture, Japan. The project was completed in 1993. The office, pumps, shop and work space of the service station are covered by an undulating canopy composed of asymmetrical concrete arches that form the boundaries of a lattice of pretensioned steel rods and aluminum channels into which panels of glass bonded to sheets of perforated stainless steel were inserted, sealed with polyester film, and secured with structural silicon. The project series is chiefly composed of design development drawings. It includes numbered sets of architectural drawings and structural drawings and some mechanical and electrical drawings. There is a set of unnumbered ink drawings and reproductions related to the geometry of the canopy. There are also some images of the canopy that are output from a computer file or files (wireframes and renderings). There is a small amount of textual material related to technical data and form finding for the canopy. The file also includes 2 study models. There are some graphic design documents for the name of the project and for the name "IDEX". Material in this file was created between 1990 and 1993.
Glass Station, Oguni, Japan (1990-1993)
Actions:
AP166.S1.1991.PR2
Description:
This project series documents the project "Glass Station", a gas station constructed on an irregularly-shaped site at the entrance to the town of Oguni in Kumamoto Prefecture, Japan. The project was completed in 1993. The office, pumps, shop and work space of the service station are covered by an undulating canopy composed of asymmetrical concrete arches that form the boundaries of a lattice of pretensioned steel rods and aluminum channels into which panels of glass bonded to sheets of perforated stainless steel were inserted, sealed with polyester film, and secured with structural silicon. The project series is chiefly composed of design development drawings. It includes numbered sets of architectural drawings and structural drawings and some mechanical and electrical drawings. There is a set of unnumbered ink drawings and reproductions related to the geometry of the canopy. There are also some images of the canopy that are output from a computer file or files (wireframes and renderings). There is a small amount of textual material related to technical data and form finding for the canopy. The file also includes 2 study models. There are some graphic design documents for the name of the project and for the name "IDEX". Material in this file was created between 1990 and 1993.
Level of archival description:
project
project
Date:
1990-1993
1990-1993
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
People:
Date:
1983-1992
1983-1992
Title:
Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Level of archival description:
Project
Project
Date:
1983-1992
1983-1992
People:
Level of archival description:
Project
Project
Title:
McAppy
McAppy
Reference number:
AP144.S2.D89
Description:
File documents a design programme undertaken for construction company, Sir Robert McAlpine & Sons Ltd., in London, England. The aim was to increase the efficiency of production and improve labour relations by producing enclosures, equipment, material, and information systems that would improve safety, on-site communication, and job satisfaction. Cedric Price's office produced 2 report volumes, a Portable Enclosures Programme (PEP) and used at least one construction site, at Angel Court, as a test site for the proposals. Diagrams and flow charts show preliminary planning and programming design decisions and show the relationship between present and future factors. A flow chart illustrates the scope of the program. Charts and diagrams map the relative time scale of parts of the programme over various development phases. An axonometric and cutaway drawing show the interior construction of a pedestrian walkway. Data showing both the projected and real results of a site test application of McAppy planning and equipment from 1974 to 1975 was collected and presented as a broadside. A large number of original drawings are included within the textual records. Material in this file was produced between 1955 and 1987. Zisman, Bowyer & Partners provided consultation services. File contains design development drawings, model, photographic materials, presentation drawings, and textual records.
AP144.S2.D89
Description:
File documents a design programme undertaken for construction company, Sir Robert McAlpine & Sons Ltd., in London, England. The aim was to increase the efficiency of production and improve labour relations by producing enclosures, equipment, material, and information systems that would improve safety, on-site communication, and job satisfaction. Cedric Price's office produced 2 report volumes, a Portable Enclosures Programme (PEP) and used at least one construction site, at Angel Court, as a test site for the proposals. Diagrams and flow charts show preliminary planning and programming design decisions and show the relationship between present and future factors. A flow chart illustrates the scope of the program. Charts and diagrams map the relative time scale of parts of the programme over various development phases. An axonometric and cutaway drawing show the interior construction of a pedestrian walkway. Data showing both the projected and real results of a site test application of McAppy planning and equipment from 1974 to 1975 was collected and presented as a broadside. A large number of original drawings are included within the textual records. Material in this file was produced between 1955 and 1987. Zisman, Bowyer & Partners provided consultation services. File contains design development drawings, model, photographic materials, presentation drawings, and textual records.
People:
Date:
1955-1987, predominant 1973-1976
1955-1987, predominant 1973-1976
Title:
McAppy
Actions:
AP144.S2.D89
Description:
File documents a design programme undertaken for construction company, Sir Robert McAlpine & Sons Ltd., in London, England. The aim was to increase the efficiency of production and improve labour relations by producing enclosures, equipment, material, and information systems that would improve safety, on-site communication, and job satisfaction. Cedric Price's office produced 2 report volumes, a Portable Enclosures Programme (PEP) and used at least one construction site, at Angel Court, as a test site for the proposals. Diagrams and flow charts show preliminary planning and programming design decisions and show the relationship between present and future factors. A flow chart illustrates the scope of the program. Charts and diagrams map the relative time scale of parts of the programme over various development phases. An axonometric and cutaway drawing show the interior construction of a pedestrian walkway. Data showing both the projected and real results of a site test application of McAppy planning and equipment from 1974 to 1975 was collected and presented as a broadside. A large number of original drawings are included within the textual records. Material in this file was produced between 1955 and 1987. Zisman, Bowyer & Partners provided consultation services. File contains design development drawings, model, photographic materials, presentation drawings, and textual records.
McAppy
Actions:
AP144.S2.D89
Description:
File documents a design programme undertaken for construction company, Sir Robert McAlpine & Sons Ltd., in London, England. The aim was to increase the efficiency of production and improve labour relations by producing enclosures, equipment, material, and information systems that would improve safety, on-site communication, and job satisfaction. Cedric Price's office produced 2 report volumes, a Portable Enclosures Programme (PEP) and used at least one construction site, at Angel Court, as a test site for the proposals. Diagrams and flow charts show preliminary planning and programming design decisions and show the relationship between present and future factors. A flow chart illustrates the scope of the program. Charts and diagrams map the relative time scale of parts of the programme over various development phases. An axonometric and cutaway drawing show the interior construction of a pedestrian walkway. Data showing both the projected and real results of a site test application of McAppy planning and equipment from 1974 to 1975 was collected and presented as a broadside. A large number of original drawings are included within the textual records. Material in this file was produced between 1955 and 1987. Zisman, Bowyer & Partners provided consultation services. File contains design development drawings, model, photographic materials, presentation drawings, and textual records.
Level of archival description:
File 89
File 89
Date:
1955-1987, predominant 1973-1976
1955-1987, predominant 1973-1976
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
People:
Date:
circa 1981-1988
circa 1981-1988
Title:
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Level of archival description:
Project
Project
Date:
circa 1981-1988
circa 1981-1988
People:
Level of archival description:
Project
Project
Reference number:
AP018.S1.1979.PR11
Description:
This project series documents long-term planning for airports in Trinidad and Tobago from 1979-1993. The office identified the project number as 7911. This project consisted of the planning of two airports, one in Piarco and the other in Crown Point, financed by the Government of Canada acting as agents for the Government of Trinidad and Tobago. This work was undertaken as a consortium with other Canadian firms who worked together on airport planning projects around the world. The firms consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, Peat, Marwick and Partners, and IBI Group. At Crown Point, a new 3,300 square metre terminal building was proposed for domestic and some international traffic, as well as a new control tower. The passenger terminal could accommodate 350 enplaning and 350 deplaning passengers. This first phase was said to accommodate growth until 1993. At Piarco, a new 26,000 square foot passenger terminal was proposed, which was said to accommodate about 2/3 of traffic in 1993. This location also proposed a 200 room hotel be built in the future. This project is recorded through textual records dating from 1977-1981 which consist of correspondence between consortium members, billings, the joint venture agreement and financial analysis report.
AP018.S1.1979.PR11
Description:
This project series documents long-term planning for airports in Trinidad and Tobago from 1979-1993. The office identified the project number as 7911. This project consisted of the planning of two airports, one in Piarco and the other in Crown Point, financed by the Government of Canada acting as agents for the Government of Trinidad and Tobago. This work was undertaken as a consortium with other Canadian firms who worked together on airport planning projects around the world. The firms consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, Peat, Marwick and Partners, and IBI Group. At Crown Point, a new 3,300 square metre terminal building was proposed for domestic and some international traffic, as well as a new control tower. The passenger terminal could accommodate 350 enplaning and 350 deplaning passengers. This first phase was said to accommodate growth until 1993. At Piarco, a new 26,000 square foot passenger terminal was proposed, which was said to accommodate about 2/3 of traffic in 1993. This location also proposed a 200 room hotel be built in the future. This project is recorded through textual records dating from 1977-1981 which consist of correspondence between consortium members, billings, the joint venture agreement and financial analysis report.
People:
Date:
1977-1981
1977-1981
Title:
Trinidad and Tobago Airports (1979-1981)
Actions:
AP018.S1.1979.PR11
Description:
This project series documents long-term planning for airports in Trinidad and Tobago from 1979-1993. The office identified the project number as 7911. This project consisted of the planning of two airports, one in Piarco and the other in Crown Point, financed by the Government of Canada acting as agents for the Government of Trinidad and Tobago. This work was undertaken as a consortium with other Canadian firms who worked together on airport planning projects around the world. The firms consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, Peat, Marwick and Partners, and IBI Group. At Crown Point, a new 3,300 square metre terminal building was proposed for domestic and some international traffic, as well as a new control tower. The passenger terminal could accommodate 350 enplaning and 350 deplaning passengers. This first phase was said to accommodate growth until 1993. At Piarco, a new 26,000 square foot passenger terminal was proposed, which was said to accommodate about 2/3 of traffic in 1993. This location also proposed a 200 room hotel be built in the future. This project is recorded through textual records dating from 1977-1981 which consist of correspondence between consortium members, billings, the joint venture agreement and financial analysis report.
Trinidad and Tobago Airports (1979-1981)
Actions:
AP018.S1.1979.PR11
Description:
This project series documents long-term planning for airports in Trinidad and Tobago from 1979-1993. The office identified the project number as 7911. This project consisted of the planning of two airports, one in Piarco and the other in Crown Point, financed by the Government of Canada acting as agents for the Government of Trinidad and Tobago. This work was undertaken as a consortium with other Canadian firms who worked together on airport planning projects around the world. The firms consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, Peat, Marwick and Partners, and IBI Group. At Crown Point, a new 3,300 square metre terminal building was proposed for domestic and some international traffic, as well as a new control tower. The passenger terminal could accommodate 350 enplaning and 350 deplaning passengers. This first phase was said to accommodate growth until 1993. At Piarco, a new 26,000 square foot passenger terminal was proposed, which was said to accommodate about 2/3 of traffic in 1993. This location also proposed a 200 room hotel be built in the future. This project is recorded through textual records dating from 1977-1981 which consist of correspondence between consortium members, billings, the joint venture agreement and financial analysis report.
Level of archival description:
Project
Project
Date:
1977-1981
1977-1981
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1989.PR07
Description:
This project series documents the interiors of the Creeds store in Toronto from 1989-1990. The office identified the project number as 8926. This project consisted of renovations to the interiors of the high-end retail store located in Toronto's Manulife Centre at the corner of Bloor and Bay Streets. The store, with entrances from the mall and street, included several smaller boutiques divided by designer, a large fur storage area and work room, a fur salon, a stock room and changing rooms. A major part of this renovation was the creation of a multifunctional court space connected to the rest of the linear boutiquerie via two small staircases. This court could be used for fashion shows, presentations, season displays, and social events. The court had a circular ceiling light fixture, stone-clad piers, stained cherry wood panels and sandblasted steel details. The floors, patterned with black slate and granite, were complimentary to the boutique's concrete and black and silver glass tile floors. Also central to this project was the creation of the Christian Dior boutique at the street entrance. The project is recorded through drawings and photographs dating from 1989-1990. The drawings, mostly originals, consist of sketches, axonometric drawings, sections, plans, elevations, details and schedules. The photographs show the completed store interiors.
AP056.S1.1989.PR07
Description:
This project series documents the interiors of the Creeds store in Toronto from 1989-1990. The office identified the project number as 8926. This project consisted of renovations to the interiors of the high-end retail store located in Toronto's Manulife Centre at the corner of Bloor and Bay Streets. The store, with entrances from the mall and street, included several smaller boutiques divided by designer, a large fur storage area and work room, a fur salon, a stock room and changing rooms. A major part of this renovation was the creation of a multifunctional court space connected to the rest of the linear boutiquerie via two small staircases. This court could be used for fashion shows, presentations, season displays, and social events. The court had a circular ceiling light fixture, stone-clad piers, stained cherry wood panels and sandblasted steel details. The floors, patterned with black slate and granite, were complimentary to the boutique's concrete and black and silver glass tile floors. Also central to this project was the creation of the Christian Dior boutique at the street entrance. The project is recorded through drawings and photographs dating from 1989-1990. The drawings, mostly originals, consist of sketches, axonometric drawings, sections, plans, elevations, details and schedules. The photographs show the completed store interiors.
People:
Date:
1989-1990
1989-1990
Title:
Creeds Store, Toronto (1989-1990)
Actions:
AP056.S1.1989.PR07
Description:
This project series documents the interiors of the Creeds store in Toronto from 1989-1990. The office identified the project number as 8926. This project consisted of renovations to the interiors of the high-end retail store located in Toronto's Manulife Centre at the corner of Bloor and Bay Streets. The store, with entrances from the mall and street, included several smaller boutiques divided by designer, a large fur storage area and work room, a fur salon, a stock room and changing rooms. A major part of this renovation was the creation of a multifunctional court space connected to the rest of the linear boutiquerie via two small staircases. This court could be used for fashion shows, presentations, season displays, and social events. The court had a circular ceiling light fixture, stone-clad piers, stained cherry wood panels and sandblasted steel details. The floors, patterned with black slate and granite, were complimentary to the boutique's concrete and black and silver glass tile floors. Also central to this project was the creation of the Christian Dior boutique at the street entrance. The project is recorded through drawings and photographs dating from 1989-1990. The drawings, mostly originals, consist of sketches, axonometric drawings, sections, plans, elevations, details and schedules. The photographs show the completed store interiors.
Creeds Store, Toronto (1989-1990)
Actions:
AP056.S1.1989.PR07
Description:
This project series documents the interiors of the Creeds store in Toronto from 1989-1990. The office identified the project number as 8926. This project consisted of renovations to the interiors of the high-end retail store located in Toronto's Manulife Centre at the corner of Bloor and Bay Streets. The store, with entrances from the mall and street, included several smaller boutiques divided by designer, a large fur storage area and work room, a fur salon, a stock room and changing rooms. A major part of this renovation was the creation of a multifunctional court space connected to the rest of the linear boutiquerie via two small staircases. This court could be used for fashion shows, presentations, season displays, and social events. The court had a circular ceiling light fixture, stone-clad piers, stained cherry wood panels and sandblasted steel details. The floors, patterned with black slate and granite, were complimentary to the boutique's concrete and black and silver glass tile floors. Also central to this project was the creation of the Christian Dior boutique at the street entrance. The project is recorded through drawings and photographs dating from 1989-1990. The drawings, mostly originals, consist of sketches, axonometric drawings, sections, plans, elevations, details and schedules. The photographs show the completed store interiors.
Level of archival description:
Project
Project
Date:
1989-1990
1989-1990
People:
