56750 Results
Level of archival description:
Series
Series
Reference number:
AP179.S2
Description:
Series 2, Witte Arts Center, Green Bay, Wisconsin, 2000 – 2002, documents the development of a project (unrealized) by Office d’A in response to a real estate brief for a floor of artists’ studios supported by a street level gallery in Green Bay, Wisconsin. The design for the Witte Arts Center addresses functional architectural concerns like light and circulation through elements such as suspended skylights and an open-air staircase. For the staircase in particular, corbelled brick patterning around the interior stairs creates a distortion of the building’s façade nicknamed “the smile.” The series consists of sketches, drawings and reprographic copies from the pre-design to design development phases of the project, a model, and photographic materials. Textual records in the series include correspondence, meeting notes and vendor catalogues. Digital material consists of CAD drawings, 3D models and renderings, images of the model and drawings, correspondence and other documents.
AP179.S2
Description:
Series 2, Witte Arts Center, Green Bay, Wisconsin, 2000 – 2002, documents the development of a project (unrealized) by Office d’A in response to a real estate brief for a floor of artists’ studios supported by a street level gallery in Green Bay, Wisconsin. The design for the Witte Arts Center addresses functional architectural concerns like light and circulation through elements such as suspended skylights and an open-air staircase. For the staircase in particular, corbelled brick patterning around the interior stairs creates a distortion of the building’s façade nicknamed “the smile.” The series consists of sketches, drawings and reprographic copies from the pre-design to design development phases of the project, a model, and photographic materials. Textual records in the series include correspondence, meeting notes and vendor catalogues. Digital material consists of CAD drawings, 3D models and renderings, images of the model and drawings, correspondence and other documents.
People:
Date:
2000 - 2002
2000 - 2002
Title:
Witte Arts Center, Green Bay, Wisconsin (2000 - 2002)
Actions:
AP179.S2
Description:
Series 2, Witte Arts Center, Green Bay, Wisconsin, 2000 – 2002, documents the development of a project (unrealized) by Office d’A in response to a real estate brief for a floor of artists’ studios supported by a street level gallery in Green Bay, Wisconsin. The design for the Witte Arts Center addresses functional architectural concerns like light and circulation through elements such as suspended skylights and an open-air staircase. For the staircase in particular, corbelled brick patterning around the interior stairs creates a distortion of the building’s façade nicknamed “the smile.” The series consists of sketches, drawings and reprographic copies from the pre-design to design development phases of the project, a model, and photographic materials. Textual records in the series include correspondence, meeting notes and vendor catalogues. Digital material consists of CAD drawings, 3D models and renderings, images of the model and drawings, correspondence and other documents.
Witte Arts Center, Green Bay, Wisconsin (2000 - 2002)
Actions:
AP179.S2
Description:
Series 2, Witte Arts Center, Green Bay, Wisconsin, 2000 – 2002, documents the development of a project (unrealized) by Office d’A in response to a real estate brief for a floor of artists’ studios supported by a street level gallery in Green Bay, Wisconsin. The design for the Witte Arts Center addresses functional architectural concerns like light and circulation through elements such as suspended skylights and an open-air staircase. For the staircase in particular, corbelled brick patterning around the interior stairs creates a distortion of the building’s façade nicknamed “the smile.” The series consists of sketches, drawings and reprographic copies from the pre-design to design development phases of the project, a model, and photographic materials. Textual records in the series include correspondence, meeting notes and vendor catalogues. Digital material consists of CAD drawings, 3D models and renderings, images of the model and drawings, correspondence and other documents.
Level of archival description:
Series
Series
Date:
2000 - 2002
2000 - 2002
People:
Level of archival description:
Sub-series
Sub-series
Title:
Education
Education
Reference number:
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
People:
Date:
1800-1807
1800-1807
Title:
Education
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
Education
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
Level of archival description:
File 1
File 1
Date:
1800-1807
1800-1807
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP095
Synopsis:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
AP095
Synopsis:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
People:
Date:
1994-1996
1994-1996
Title:
Venice Biennale 1996 competition fonds
Actions:
AP095
Synopsis:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
Venice Biennale 1996 competition fonds
Actions:
AP095
Synopsis:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1994-1996
1994-1996
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0015:024:009
Description:
File containing notes, press clippings in English and French related to the following events: - Melvin Charney's induction into l'Ordre des arts et des lettres; - Central Mortgage and Housing Corporation report; - 2006 Blue Metropolis International Literary Festival. Original folder inscribed in graphite: TO FILE PUBS ON MC
DR2012:0015:024:009
Description:
File containing notes, press clippings in English and French related to the following events: - Melvin Charney's induction into l'Ordre des arts et des lettres; - Central Mortgage and Housing Corporation report; - 2006 Blue Metropolis International Literary Festival. Original folder inscribed in graphite: TO FILE PUBS ON MC
People:
Date:
1968, 1972, 2006
1968, 1972, 2006
Title:
Notes and press clippings related to Melvin Charney's involvement in various events
Actions:
DR2012:0015:024:009
Description:
File containing notes, press clippings in English and French related to the following events: - Melvin Charney's induction into l'Ordre des arts et des lettres; - Central Mortgage and Housing Corporation report; - 2006 Blue Metropolis International Literary Festival. Original folder inscribed in graphite: TO FILE PUBS ON MC
Notes and press clippings related to Melvin Charney's involvement in various events
Actions:
DR2012:0015:024:009
Description:
File containing notes, press clippings in English and French related to the following events: - Melvin Charney's induction into l'Ordre des arts et des lettres; - Central Mortgage and Housing Corporation report; - 2006 Blue Metropolis International Literary Festival. Original folder inscribed in graphite: TO FILE PUBS ON MC
Form:
textual records
textual records
Date:
1968, 1972, 2006
1968, 1972, 2006
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH257022
Description:
publicity/press files including photos of models and pages from books, Etisalat, Napp Labs, Red Deer Arts Centre, Fresno City Hall, San Diego Convention Centre, AEA brochures, King Ranch Health Spa, Museum of Anthropology, SFU Village brochure (draft), Yorkdale and Eglinton subway stations
ARCH257022
Description:
publicity/press files including photos of models and pages from books, Etisalat, Napp Labs, Red Deer Arts Centre, Fresno City Hall, San Diego Convention Centre, AEA brochures, King Ranch Health Spa, Museum of Anthropology, SFU Village brochure (draft), Yorkdale and Eglinton subway stations
People:
Title:
Publicity and press files including photos of models and pages from books
Actions:
ARCH257022
Description:
publicity/press files including photos of models and pages from books, Etisalat, Napp Labs, Red Deer Arts Centre, Fresno City Hall, San Diego Convention Centre, AEA brochures, King Ranch Health Spa, Museum of Anthropology, SFU Village brochure (draft), Yorkdale and Eglinton subway stations
Publicity and press files including photos of models and pages from books
Actions:
ARCH257022
Description:
publicity/press files including photos of models and pages from books, Etisalat, Napp Labs, Red Deer Arts Centre, Fresno City Hall, San Diego Convention Centre, AEA brochures, King Ranch Health Spa, Museum of Anthropology, SFU Village brochure (draft), Yorkdale and Eglinton subway stations
Form:
textual records
textual records
People:
Form:
textual records
textual records
Title:
Demandes de renseignements
Demandes de renseignements
Actions:
Reference number:
ARCH259595
Description:
Demandes de renseignements et invitations, parmi les sujets et les correspondants: Radio-Canada, 1947; Palais des Nations Unies, 1948; Association des Diplômés de Polytechnique, 1948; Musée des Beaux-arts de Montréal, 1950; F. Monjoie, 1950; avis pour un étudiant à St. Francis Xavier University, 1949; Belden Brick Company, 1949; André La Rivière, 1946; Fondation Édouard-Montpetit, 1945.
ARCH259595
Description:
Demandes de renseignements et invitations, parmi les sujets et les correspondants: Radio-Canada, 1947; Palais des Nations Unies, 1948; Association des Diplômés de Polytechnique, 1948; Musée des Beaux-arts de Montréal, 1950; F. Monjoie, 1950; avis pour un étudiant à St. Francis Xavier University, 1949; Belden Brick Company, 1949; André La Rivière, 1946; Fondation Édouard-Montpetit, 1945.
People:
Date:
1946-1950
1946-1950
Title:
Demandes de renseignements
Actions:
ARCH259595
Description:
Demandes de renseignements et invitations, parmi les sujets et les correspondants: Radio-Canada, 1947; Palais des Nations Unies, 1948; Association des Diplômés de Polytechnique, 1948; Musée des Beaux-arts de Montréal, 1950; F. Monjoie, 1950; avis pour un étudiant à St. Francis Xavier University, 1949; Belden Brick Company, 1949; André La Rivière, 1946; Fondation Édouard-Montpetit, 1945.
Demandes de renseignements
Actions:
ARCH259595
Description:
Demandes de renseignements et invitations, parmi les sujets et les correspondants: Radio-Canada, 1947; Palais des Nations Unies, 1948; Association des Diplômés de Polytechnique, 1948; Musée des Beaux-arts de Montréal, 1950; F. Monjoie, 1950; avis pour un étudiant à St. Francis Xavier University, 1949; Belden Brick Company, 1949; André La Rivière, 1946; Fondation Édouard-Montpetit, 1945.
Form:
textual records
textual records
Date:
1946-1950
1946-1950
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH259998
Description:
Offer of Services and proposals - Master Plan and Urban Design for a New Town (State of Bahrain), Toronto Public Marina, Guaranty Trust Computer Centre (Totonto), Museum of Toronto (2 copies), Islamic University of Medina, Performing Arts Center (Fort Lauderdale), Harbour Square Park (Toronto).
ARCH259998
Description:
Offer of Services and proposals - Master Plan and Urban Design for a New Town (State of Bahrain), Toronto Public Marina, Guaranty Trust Computer Centre (Totonto), Museum of Toronto (2 copies), Islamic University of Medina, Performing Arts Center (Fort Lauderdale), Harbour Square Park (Toronto).
People:
Date:
1977, 1981, 1984-1986
1977, 1981, 1984-1986
Title:
Offer of Services and proposals for various projects
Actions:
ARCH259998
Description:
Offer of Services and proposals - Master Plan and Urban Design for a New Town (State of Bahrain), Toronto Public Marina, Guaranty Trust Computer Centre (Totonto), Museum of Toronto (2 copies), Islamic University of Medina, Performing Arts Center (Fort Lauderdale), Harbour Square Park (Toronto).
Offer of Services and proposals for various projects
Actions:
ARCH259998
Description:
Offer of Services and proposals - Master Plan and Urban Design for a New Town (State of Bahrain), Toronto Public Marina, Guaranty Trust Computer Centre (Totonto), Museum of Toronto (2 copies), Islamic University of Medina, Performing Arts Center (Fort Lauderdale), Harbour Square Park (Toronto).
Form:
textual records
textual records
Date:
1977, 1981, 1984-1986
1977, 1981, 1984-1986
People:
Form:
photographs
photographs
Actions:
Reference number:
AP075.S4.SS2.016
Description:
Includes slides of Canada Place, Chan Shun Performing Arts Centre, Library Square, Louis Brier Home and Hospital Courtyard, McLean Park Rental Housing Project, Pan Pacific Hotel, Philadelphia Airport, Skeena Terrace, Temple Shalom, and Vancouver General Hospital, Burns and Plastics Unit Therapeutic Roof Garden.
AP075.S4.SS2.016
Description:
Includes slides of Canada Place, Chan Shun Performing Arts Centre, Library Square, Louis Brier Home and Hospital Courtyard, McLean Park Rental Housing Project, Pan Pacific Hotel, Philadelphia Airport, Skeena Terrace, Temple Shalom, and Vancouver General Hospital, Burns and Plastics Unit Therapeutic Roof Garden.
People:
Date:
1989-1999
1989-1999
Title:
Reference slides of various projects by Cornelia Hahn Oberlander
Actions:
AP075.S4.SS2.016
Description:
Includes slides of Canada Place, Chan Shun Performing Arts Centre, Library Square, Louis Brier Home and Hospital Courtyard, McLean Park Rental Housing Project, Pan Pacific Hotel, Philadelphia Airport, Skeena Terrace, Temple Shalom, and Vancouver General Hospital, Burns and Plastics Unit Therapeutic Roof Garden.
Reference slides of various projects by Cornelia Hahn Oberlander
Actions:
AP075.S4.SS2.016
Description:
Includes slides of Canada Place, Chan Shun Performing Arts Centre, Library Square, Louis Brier Home and Hospital Courtyard, McLean Park Rental Housing Project, Pan Pacific Hotel, Philadelphia Airport, Skeena Terrace, Temple Shalom, and Vancouver General Hospital, Burns and Plastics Unit Therapeutic Roof Garden.
Form:
photographs
photographs
Date:
1989-1999
1989-1999
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH276609
Description:
5 files and bound documents. Includes projects by other architectural firms, the Governor General's Awards in Visual and Media Arts (2003), Annual Report from the Minister of Finance, Bank of Canada (1974) and request for proposals, City of Reno Civic Center (1999).
ARCH276609
Description:
5 files and bound documents. Includes projects by other architectural firms, the Governor General's Awards in Visual and Media Arts (2003), Annual Report from the Minister of Finance, Bank of Canada (1974) and request for proposals, City of Reno Civic Center (1999).
People:
Date:
ca. 1974-2003
ca. 1974-2003
Title:
Various reports from architectural or financial institutions and associations and project by other architects used as reference
Actions:
ARCH276609
Description:
5 files and bound documents. Includes projects by other architectural firms, the Governor General's Awards in Visual and Media Arts (2003), Annual Report from the Minister of Finance, Bank of Canada (1974) and request for proposals, City of Reno Civic Center (1999).
Various reports from architectural or financial institutions and associations and project by other architects used as reference
Actions:
ARCH276609
Description:
5 files and bound documents. Includes projects by other architectural firms, the Governor General's Awards in Visual and Media Arts (2003), Annual Report from the Minister of Finance, Bank of Canada (1974) and request for proposals, City of Reno Civic Center (1999).
Form:
textual records
textual records
Date:
ca. 1974-2003
ca. 1974-2003
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP116.S3.SS5
Description:
Sub-series documents the content of Issue 3 (November/December) of ANY Magazine and the corresponding In ANY Event Symposium, held 2 October 1993 at DIA Center for the Arts, New York. Sub-series is arranged into four files by object type. Material in sub-series was produced in 1993. Sub-series contains correspondence, articles, photographic materials, audiocassettes, transcript of symposium and copies of the issue.
AP116.S3.SS5
Description:
Sub-series documents the content of Issue 3 (November/December) of ANY Magazine and the corresponding In ANY Event Symposium, held 2 October 1993 at DIA Center for the Arts, New York. Sub-series is arranged into four files by object type. Material in sub-series was produced in 1993. Sub-series contains correspondence, articles, photographic materials, audiocassettes, transcript of symposium and copies of the issue.
People:
Date:
1993
1993
Title:
Electrotecture: Architecture and the Electronic Future
Actions:
AP116.S3.SS5
Description:
Sub-series documents the content of Issue 3 (November/December) of ANY Magazine and the corresponding In ANY Event Symposium, held 2 October 1993 at DIA Center for the Arts, New York. Sub-series is arranged into four files by object type. Material in sub-series was produced in 1993. Sub-series contains correspondence, articles, photographic materials, audiocassettes, transcript of symposium and copies of the issue.
Electrotecture: Architecture and the Electronic Future
Actions:
AP116.S3.SS5
Description:
Sub-series documents the content of Issue 3 (November/December) of ANY Magazine and the corresponding In ANY Event Symposium, held 2 October 1993 at DIA Center for the Arts, New York. Sub-series is arranged into four files by object type. Material in sub-series was produced in 1993. Sub-series contains correspondence, articles, photographic materials, audiocassettes, transcript of symposium and copies of the issue.
Level of archival description:
Sub-series 5
Sub-series 5
Date:
1993
1993
People:
